September 6 – National Read a Book Day and Interview with Blake Liliane Hellman & Steven Henry

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About the Holiday

Avid readers, rejoice! Today is your day! Just as its name implies, National Read a Book Day celebrates one of the best ways to spend our spare time: reading! If there’s a book you’ve been wanting to read, find some quiet time during lunch, after dinner, or before turning out the light to snuggle in with a cup of tea and that great book. Kids will enjoy some extra reading time as well. Make it a family event! Not only is reading together fun, it’s an important way to help children develop skills that will benefit them far into the future. 

Get to Know Blake Liliane Hellman and Steven Henry

Today, I’m celebrating National Read a Book Day by talking with Welcome to Morningtown author Blake Liliane Hellman and illustrator Steven Henry. This husband-and-wife team combine their talents for art and writing to create adorable picture books with characters and storylines kids love.  

First up, I’m chatting with Blake about how Welcome to Morningtown came to be and how her visual arts background influences her storytelling. 

Welcome to Morningtown is composed of only 119 words and yet readers get the feeling of a joyful day bursting with possibility and promise while the story also reflects the common routines of a morning for little ones. The story includes a wonderful feeling of camaraderie and inclusion, plus it ends on a humorous note. That’s a masterful use of words and rhythm! Can you describe how you approached the story, chose your words, and structured the cadence of the story? Did the story start out this short or was there a whittling process involved?

This book started out as a phrase Steve would use to wake up his little one in the morning. We knew we wanted to make it into a children’s book but we weren’t sure what it was going to be about. We had long discussions on the world of Morningtown—the setting, the season, the homes, and the creatures who lived there. We even designed maps for fun. There were many iterations. The text was much wordier at first, but I always knew it was going to be a prosaic style of book rather than a classical narrative. I’m a fan of Mary Lyn Ray (STARS, A LUCKY AUTHOR HAS A DOG) who uses words in a lyrical and economical way, without depending on rhyme. Similarly, I curated my word choices so Steve’s illustrations could shine.

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Image copyright Steven Henry, 2019, text copyright Blake Liliane Hellman, 2019. Courtesy of Bloomsbury Children’s Books.

Your background is in journalism, English, and filmmaking. You’re also an abstract painter. How did you become interested in writing picture books? How does your experience in all of these disciplines help you write your stories?

My background in filmmaking helped me learn how to tell stories visually. Years of crafting song lyrics taught me to express myself concisely and poetically. Journalism gave me a great foundation in writing, and painting abstractly taught me to get used to making mistakes—that mistakes are just the path to success. As a writer, you’re going to make a lot of bad stuff. If you accept that, you won’t give up. If you don’t give up, you get better.

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Diamond (acrylic on canvas) by Blake Liliane Hellman, 2015

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Iris (acrylic and mixed media on canvas) by Blake Liliane Hellman, 2015

As an artist, do you have a vision for your stories’ illustrations? In addition to working with Steven on Welcome to Morningtown  and the forthcoming GoodnightSleepyville (Bloomsbury Children’s Books, 2020) and Something Smells! (Atheneum, 2018), you have a third picture book, Cuddle Monkey, coming out from Atheneum in 2020, illustrated by Chad Otis. Were you able to work closely with Chad on the adorable illustrations for this book?

As a filmmaker and visual designer, I absolutely have a vision for my stories when I’m writing them. It might be unusual for the writer to have a say in the illustrations, but I’ve been lucky in this. Both Steven Henry, my husband, and our good friend Chad Otis, (CUDDLE MONKEY, OLIVER THE CURIOUS OWL) have design agency backgrounds and are used to collaborating, so designing picture books with them is a no brainer—and a delight. I don’t think I would have been able to sell my earlier manuscripts without the artwork because to my mind, in a picture book manuscript, half of the story just isn’t there! But as I establish myself as a writer, I’m learning that a professional picture book manuscript should be precise and uncluttered. It should speak for itself without relying on illustration notes.

What do you find to be the best part of being a children’s author?

I get to create fantastical, funny, heartfelt worlds and share them with kids and parents. When you see someone enjoying your work, it validates your imagination.

Steven, you also bring a varied background in design and illustration to your picture book career. Early on you worked as a window display artist for Tower Records and Macy’s Department Store. What are the challenges of this kind of work? What elements are important for capturing the attention of passersby and enticing them into the store? Is there a correlation to creating a book’s cover?

In both retail display and illustration, I’ve always tried to set up a visual hierarchy that leads the eye and gives the viewer the most important information first. To do this, first I figure out my visual storytelling goal (or goals). Once I understand what I’m trying to “say”, then I’ll ask myself what the reader should see first. Are any other elements distracting from this? Whenever possible I try to keep things simple in an engaging way. 

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What drew you to focus on illustrating picture books?

I started drawing superheroes and dinosaurs in grade school. My first-grade teacher noticed my doodles in class and, rather than scolding me for not working on my lessons, asked me if I’d like to draw dinosaurs on the chalkboard for the class at the end of the day. I don’t remember how I got the nerve up to do it, but I got up in front of the room and drew a big Tyrannosaurus, explaining how tall he was and who he fought with. I became a minor classroom celebrity for a couple of days, but that, along with encouragement from my parents, was enough to keep me inspired to draw. 

My parents got rid of our TV in the 70’s, so we spent many hours at the library and brought stacks of books home. Seuss, Sendak, and Scarry were—and still are—big heroes. As a teenager I became more interested in drawing comic book art, but I eventually returned to my picture book roots in 2004 with Ella The Elegant Elephant.  

The characters in Welcome to Morningtown are cuter than cute, and the whole book is like a warm hug. How do you achieve this look and feeling? Why do you think such sweet illustrations are important for little readers? I’m also thinking in particular of the final spread of the busy town that glows with friendship and happiness. Can you talk a bit about some of the elements adults can point out as they share the book with their kids?

When I’m designing characters, I try to make combinations of pen marks on paper that remind me of the kinds of books I loved as a kid and continue to resonate with me emotionally. In order to get to a point where I can communicate certain feelings visually, the boring secret has been practice. I really do believe the adage that, if you spend 10,000 hours doing something, you’ll become an expert. 

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Ladybug concept for Welcome to Morningtown by Steven Henry.

I still use a simple mechanical pencil to do most of my line work. I also try to stay well within my skill set when I’m working on a book. I try to save things like experimentation and pushing boundaries for the concept work that precedes actual book production. Usually, but I’m not always successful—haha.

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Image copyright Steven Henry, 2019, courtesy of Bloomsbury Children’s Books.

As I mentioned earlier, I pay close attention to the visual hierarchy of an illustration to make sure the most important things stand out. But I also like to include little details that the reader may not catch the first time around, or I include a visual storyline that’s not necessarily a part of the text. In Welcome to Morningtown, there’s no mention of a bear family, for instance; but the illustrated exploits of the little bear and his family provide a gently funny counterpoint to the text. Whenever I can, I like to tell a parallel or separate story with the pictures, so parents and young readers should definitely keep their eyes open—and maybe even check the pictures more than once!

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Image copyright Steven Henry, 2019, courtesy of Bloomsbury Children’s Books.

Multiple readings of Welcome to Morningtown are definitely a must! As a husband and wife team collaborating on picture books, could you both tell readers about your process for completing a book that inspires such enthusiasm? Does the story come first and then the illustrations or do you work on the whole project together?

We’re always thinking of new ideas for books, usually they start with a title or concept, a funny thing we see while on a walk or overhear on the street. There’s a lot of silly wordplay at our house.

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Steve working on the picture book dummy for Welcome to Morningtown.

I throw a lot of ideas at Steve and not all of them stick. He’s particular. And for good reason. It takes a lot of work and commitment to illustrate a book. When we decide, we roll up our sleeves and get to work. Part of our process is to make a ‘dummy,’ which is a roughly laid out version of the book that we create with a program called InDesign. It has the text laid out alongside rough sketches. This step helps clarify the pacing and can validate or invalidate the story structure. It provides opportunities for improvement. We do a lot of iterating before giving it to our agent.

Blake, you work as an interactive and user experience designer and, Steven, you used to work for Smashing Ideas, which also provides these kinds of serves to clients. Can you briefly describe this work for readers? Can you talk a bit about your work for kids in this area? How do these techniques influence your work with picture books?

I’m a UX Designer and Steve is a Design Manager and we use user experience design principles, including white boarding, prototyping, and wire framing to make picture books! It sounds funny, but it’s actually a great way to work. The only thing we don’t do is user testing because it’s hard to find people who are willing to be honest with you about your picture book. (Unless it’s my mom, she’s very honest.)

Conversely, we’ve found that the process of making picture books helps us in our office environments. Making a picture book forces one to be very organized. There’s a lot to cover in just thirty-two pages! If you can master this kind of efficiency, you can apply it most anywhere.

I’ve had several comments from adults wishing they could live in Morningtown. What can readers look forward to in your upcoming companion book Sleepyville (Bloomsbury Children’s Books, date)?

In the companion book to this one, Sleepyville is a cozy seaside village just a hop, skip and jump from Morningtown. It’s bustling with animals who are getting ready for bedtime. Keep your eye out for a library in a giant tree, a candy shop, and camping worms.

 What’s up next for both of you?

We have a few book ideas we’re developing—one of which Steve has written. I’m currently shopping a manuscript on my own about a rambunctious river.

Since my blog is holiday themed, can’t let you get away without asking what your favorite holiday is and why?

My favorite is the Fourth of July. There’s a current of excitement that runs through the air on the Fourth of July. All the explosions, smoke, and fire—the bursts of colors in the night sky—break the routine of other days. But I’d be happy with just black snakes and sparklers. I especially love the smell of fireworks, which conjures hot summer pavement, watermelon picnics, and swimming pools.

I love the sensory details in this last sentence, Blake! I can almost feel my bare feet sizzling and taste that cool watermelon!

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BLAKE LILIANE HELLMAN is a picture book author and senior UX designer. She and her husband Steven Henry live in Seattle and collaborate on books such as Welcome to Morningtown, Goodnight, Sleepyville, and Something Smells!, which was nominated for the Washington State Book Award. Take a peek into their world by viewing her Instagram page and Facebook page.

STEVEN HENRY (né D’Amico) is the illustrator of many picture books, including the award-winning Ella the Elegant Elephant Series, It’s Raining Bats & Frogs, and Herbert’s First Halloween. He currently serves as an art director at Committee for Children, a nonprofit organization promoting social and emotional learning.

You can take a peek into Blake and Steven Henry’s world on

Instagram | Facebook

You can connect with Steve on

His Website | Twitter

National Read a Book Day Review

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Welcome to Morningtown

Written by Blake Liliane Hellman | Illustrated by Steven Henry

 

It’s the crack of dawn in Morningtown and “everyone is waking.” A little cub rubs his eyes and sees his dad standing at the foot of his bed, fishing pole in hand, tackle box at the ready. The little tyke yawns and stretches along with the birds in the tree outside his room. Down at the pond, the frogs are “hopping, flopping, splashing awake while the turtles and a beaver enjoying the first cup of the day look on. All over Morningtown the animals, the insects, and even the fish are leaving their beds, brushing their teeth, washing up, and getting dressed.

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Image copyright Steven Henry, 2019, text copyright Blake Liliane Hellman, 2019. Courtesy of Bloomsbury Children’s Books.

Next comes breakfast! “Some crunch, some nibble, some sip their morning feast.” Then in houses all around town the windows are opened and the shutters thrown wide. What will the day bring? Perhaps a banjo lesson, a new friend, and chance to help out. The cub dries the breakfast dishes while his mom washes. “Every day’s a surprise, and as the sun rises… busy bees buzz, fun bunnies bounce, and eager beavers slide into the day.” Yes, it’s a busy day in Morningtown. “Everyone is up…except one.” It’s a good thing Mom likes to go fishing too.

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Image copyright Steven Henry, 2019, text copyright Blake Liliane Hellman, 2019. Courtesy of Bloomsbury Children’s Books.

Blake Liliane Hellman’s lyrical look at morning and all the promise it holds is an enchanting, cheerful way to start the day for little ones—and their adults. As the bear family wakes up in their stone home, the rest of Morningtown’s residents are also rising and greeting the day with all of those little details that go into getting ready to meet the world. Hellman’s evocative verbs, jaunty rhythms, and humorous ending make Welcome to Morningtown a joy to read aloud.

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Accompanying Hellman’s story are Steven Henry’s beyond adorable forest creatures who populate this peaceful hamlet. The sky glows golden and then softens into a clear, light blue as the animals leave their beds. One snoozing butterfly catches a few more winks on her soft dandelion bed, a tiny turtle enjoys another minute on Mom’s back, and Mr. Mole climbs emerges from his “secret” bed underground while three chirping birds wake a little mountain goat on his snowy ledge. Smiles abound, and readers will find themselves smiling too as they follow the little cub as he gets ready to go fishing with Dad. Henry’s clever details and charming perspectives create a rich and, as the title invites, welcoming community that little ones will want to visit again and again.

To start a little one’s day with enthusiasm for what lies ahead, put them to bed looking forward to tomorrow, or share cuddly down time, the charming Welcome to Morningtown is as sweet as it gets and would be an often-asked-for addition to home, classroom, and public library bookshelves.

Ages 3 – 5

Bloomsbury Children’s Books, 2019 | ISBN 978-1681198736

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You can find Welcome to Morningtown at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

June 21 – World Giraffe Day & Interview with Author Monica Bond, Illustrator Kayla Harren, and Educator David Brown

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About the Holiday

Today’s holiday, established by the Giraffe Conservation Foundation, celebrates the animal with the longest neck on the longest day or night of the year, depending on which hemisphere you live in. The purpose of World Giraffe Day is to honor these majestic animals while also promote awareness of the dangers and threats they face. Events supporting these gentle giants are held around the world at zoos and conservation organizations as well as by governments, institutions, and companies involved in education about and protection of the giraffe. To celebrate today, learn more about these animals, visit a zoo or wildlife refuge, or consider donating to the cause of giraffe conservation. To learn more visit the Giraffe Conservation Foundation website.

Juma the Giraffe

Written by Monica Bond | Illustrated by Kayla Harren

 

Juma, a baby giraffe, loved to play with his friends Upendo and Rafiki on the African safari while their mothers watched. “Upendo likes to explore new places” while “Rafiki jokes and makes everyone laugh with his silly faces. Juma is kind and generous.” With his long neck, he’s able to reach the sweet acacia leaves to share with the dik-diks. One day, though, while the giraffes were at the water hole, Juma caught a glimpse of his reflection.

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Image copyright Kayla Harren, 2016, text copyright Monica Bond, 2016. Courtesy of Kayla Harren and Wild Nature Institute.

Looking at himself alongside all the other giraffes, he realized that they all looked the same. “And because they all looked alike, he felt he wasn’t special.” His mama noticed Juma standing alone and sad and asked him what was wrong. He told her that he wished he “looked different from everyone else.”

Juma’s mama gazed at her child lovingly and told him how special giraffes are. “‘There is no other animal in the whole world like us,’” she said. Then she gently reminded him how his long legs and neck help him get food, how his thick tongue and lips protect him from the thorns of the acacia trees, and how his “‘swishy tail sweep away the pesky flies that like to bite us.’” Their brown spots camouflaged them from lions and hyenas.

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Image copyright Kayla Harren, 2016, text copyright Monica Bond, 2016. Courtesy of Kayla Harren and Wild Nature Institute.

Then Mama asked Juma to look closely at his spots and notice that “‘each spot is different from the others and every giraffe has a unique pattern of spots.’” Juma saw that Mama was right. He saw one spot “shaped like a star and another like a flower.” Mama’s spots were different too, and so were Upendo’s and Rafiki’s. Mama reassured Juma that each giraffe was unique outside and inside.

Juma was happy and continued to notice other ways that each giraffe was different, including their various personalities. Then Mama nuzzled her little one and told him that to her he was the “‘most special giraffe of all’” because he was her baby and she loved him.

Fascinating facts about the anatomy of giraffes, newborn giraffes, and where giraffes live follow the text.

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Image copyright Kayla Harren, 2016, text copyright Monica Bond, 2016. Courtesy of Kayla Harren and Wild Nature Institute.

Young readers who are at that stage where they wonder about how they are different from other kids and how they fit into their community will find loving reassurance in Monica Bond’s touching story even as they learn about a giraffe’s distinctive features. The sweet relationship between Juma and Mama, depicted through tender dialogue, will charm little ones. A welcome exchange comes when Mama points out Juma’s unique features and the little giraffe enthusiastically adds more observations of his own. Just as Juma does, young readers will see that they too are special in their own way.

As readers open the cover, Kayla Harren’s stunning panoramic view of the verdant African savanna places them close to zebras, an ostrich, a greater kudu, a grey crowned crane, a stalwart warthog, a family of mongoose, and a herd of elephants. Smiling out from the page is little Juma. As the story progresses, Mama spotlights each of Juma’s attributes, and readers see how he uses them. A shimmering two-page spread of the giraffes lined up at the watering hole and the close-up on the next page will awe kids and adults. Images of smaller animals hiding in rock crevices and big cats and monkeys resting on tree limbs will entice readers to learn more about these creatures. As Mama nuzzles Juma on the book’s final page, adults and little ones are sure to find time to cuddle too.

A sweet story that gives parents, teachers, and other caregivers a way to show the children in their life how special they are, Juma the Giraffe would be an often-asked for addition to home, classroom, and public library bookshelves.

Ages 4 – 8

Wild Nature Institute, 2016 | ISBN 978-0989818292

Learn more about Juma the Giraffe and find videos and teachers resources here.

You can connect with Kayla Harren on

Her website | Facebook | Instagram

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Helping Brother Rhinoceros

Written by Monica Bond | Illustrated by Kayla Harren

 

Brother Rhinoceros and his friend Father Oxpecker went to the waterhole to cool off on a blazing hot day. When they got there, they saw “that most of the water had dried up, leaving a big patch of gooey, sticky mud.” But Brother Rhinoceros lied down in the cool mud anyway and pronounced it “‘Perfect!’” Then Father Oxpecker nestled in behind Brother Rhinoceros’s ear, folded his wings, and the two drifted off to sleep.

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

Brother Rhinoceros woke up hungry, but when he tried to leave the waterhole, he discovered that he was stuck in the mud. Father Oxpecker flew off to find help. First he brought back Sister Vervet Monkey, who was good at tying. “She ran around the mud patch looking for something to tie together that might help Brother Rhinoceros. But there was nothing.”

Next, Father Oxpecker brought Grandfather Giraffe, who thought his height could help, but he didn’t know exactly how. So, the bird flew off again in search of someone else. This time he came back with Grandmother Spider, who “produced a delicate thread of beautiful silk from her abdomen. It fluttered in the breeze, of no help whatsoever to Brother Rhinoceros.”

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

Father Oxpecker left once again and returned with Mother Elephant. Although she was big and strong, she could only watch from the sidelines. Last, Father Oxpecker found Brother Weaverbird, who declared that he could “weave anything” if only there was something to weave. All of the animals sat nearby wondering what they could do. “They were all so proud of the things they could do, but none of them could help Brother Rhinoceros out of the mud.”

It was Grandmother Spider who suggested that they combine their talents and work as a team. She began by “spinning long streams of silk.” Brother Weaverbird braided “the silk into a long, strong rope.” Sister Vervet Monkey tied the rope around Brother Rhinoceros, using Grandfather Giraffe’s long neck as a bridge to reach him. Then it was Mother Elephant’s turn. She grabbed the rope, “took a deep breath and began to pull.”

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

Brother Rhinoceros helped push. “Finally, with a big squishy sound, Brother Rhinoceros lifted his body up out of the mud.” He was free! His friends cheered. Brother Rhinoceros thanked each one individually for their special skills that helped to save him. “They certainly made a great team and the best friends a muddy rhinoceros could ever have.”

Back matter reveals facts about Africa’s black and white rhinoceros. A map of Africa shows the historical range and the much smaller current range for each type of rhino.

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

With the lyricism of a fable, Monica Bond weaves a story about individuality and teamwork and how every person has the ability to help others. As Father Oxpecker flies off again and again searching for just the right animal to help, readers will enjoy the suspense and learning each animal’s special ability. When Grandmother Spider suggests they all work together, kids will see that by combining their talents with friends and classmates, they can move mountains. The format of the story makes it a multi-layered choice for teaching the elements of a story, prediction, and comprehension.

Kayla Harren’s sun-drenched pages are bathed not only in the heat of a hot African day but in the warmth of friendship these animals share. Harren’s beautifully textured and realistic depictions of the animals and the surrounding savanna will inspire awe and an enthusiastic desire in kids to learn more about the animals, insects, and birds in the story.

A perfect book for social studies, science, and reading classes and for kids who love nature and animals, Helping Brother Rhinoceros makes an excellent choice for home, classroom, and public libraries.

Ages 5 – 10

Wild Nature Institute, 2018 | ISBN 978-1732323414

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Our Elephant Neighbors

Written by Monica Bond | Illustrated by Kayla Harren

 

Robert and his little sister Mary live on their family’s small farm in Tanzania. There are cattle and goats, which Robert helps watch while Mary helps her mother wash clothes and cook. Sometimes they went to the waterhole to get water. “They splash each other with cool water on hot days.” One day, when it was very hot, they saw something amazing at the waterhole. A family of elephants was enjoying the cool water too. “Robert and Mary climbed up a nearby tree to watch and wait for the elephants to leave.”

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

Soon, two elephants came to stand in the shade of the tree, right under the branch where the two children sat. “The elephants looked up and saw Robert and Mary.” They had been taught to fear people. Nervous, they backed up a few steps. Robert and Mary had been taught to fear elephants, and Mary hid behind her brother. The bigger elephant, Tomas, introduced himself and his little sister, Teresa. Robert introduced himself and Mary.

“Robert looked thoughtfully at the elephants below. ‘You are an elephant, and elephants can hurt people,’ Robert pointed out.” Tomas replied, “‘Well, you are a human, and humans can hurt elephants too.’” Even though Mary knew she should be afraid, she liked the elephants. She reached down and touched Teresa’s upturned trunk. Mary said that she could pick things up with her fingers, and Teresa showed her how she could pick things up with her trunk.

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

The elephants and the children talked back and forth about all of their similarities. They were even the same ages. They talked about how all the aunties help out when a baby person and a baby elephant are born, how the mothers, grandmothers, and aunts in both human and elephant families teach the children important lessons and protect them, and how all the members of a both families feel sad when another member dies.

When they talked about the food they liked, Robert said that his “‘father gets angry when elephants eat” the vegetables in their garden.’ Then Tomas told Robert and Mary a secret.” He said that “all elephants hate chili pepper powder” and if they hung chili pepper powder on their fences, it would keep the elephants away. One reason elephants were eating from people’s gardens, Tomas said, was because their habitat was getting smaller as people planted more and more farms. Also “more and more of their family members are being hurt by people, because the elephants have fewer places to go.”

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

Robert promised Tomas that when he grew up and had a farm of his own, he would build it where it would not disturb the elephants. He also promised to report anyone who tried to hurt the elephants. Soon it was time for Robert and Mary to get back home with the water, and Tomas and Teresa heard their mother calling for them. “They shook hands and trunks” and hoped they would see each other again. They knew “they would never forget their new friends from the waterhole.”

Interesting facts about African elephants follows the text.

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

Through Monica Bond’s charming story of a sister-brother pair and their elephant counterparts, young readers learn surprising ways in which they and elephants are alike. With similar abilities, family units, and even feelings, people and elephants should be friends, but too often they come into conflict, and the result has been a decrease in the elephant population and at times danger for humans as well. As the adorable Robert and Mary talk with Tomas and Teresa, Bond’s enchanting storytelling and realistic dialogue, draw in children, giving them even more reasons to love these popular animals. A major take-away is how people can protect and care for these gentle and intelligent animals and their habitats now and in the future.

Against gorgeous backdrops of Tanzania and its savanna, forests, and mountains, Kayla Harren depicts one family’s simple farm and a family of elephants enjoying a day at the nearby waterhole. At nine and five years old, Robert and Mary will steal readers’ hearts with their infectious smiles, sweet sibling relationship, and enthusiastic interactions with elephants Tomas and Teresa. Harren juxtaposes illustrations of the elephants’ family with those of Robert and Mary’s family in similar situations, showing readers how alike we really are. The pages are washed in soft-blue skies and glowing peach-hued sunsets, as realistic portrayals of the elephants, birds, and other animals create detailed and awe-inspiring panoramas.

Our Elephant Neighbors is an excellent addition to home, classroom, and public libraries to further understanding of elephants, conservation, and nature.

Ages 4 – 8

Wild Nature Institute, 2017 | ISBN 978-1732323407

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Nature’s Giants Magazine

In this new magazine from the Wild Nature Institute, an enthusiastic dung beetle named Doug invites kids to learn about animal and plant giants of the African savanna through articles, games, crafts, and other activities that will keep them busy having fun and learning for a long time. Let’s get rolling and see what’s inside! Kids love finding stuff and right on the first pages they’re prompted to spot five differences on two identical (?) giraffes and search the pages for five beetles to see which one will would win a beetle race.

Along the way kids will enjoy:

Comics:

  • Doug engages kids in funny and interesting banter about the dung beetle’s ecological importance, including facts on their very, very long family history, three different dung beetle lifestyles, how dung beetles roll their dung balls in a straight line, and various job sites where dung beetles do their work.

Articles:

  • Ele-Fence!: About new ways farmers are protecting their crops from elephant raiders without engaging in Human-Elephant Conflict
  • Lions vs. Giraffes: About ways scientists use scars found on giraffes to study predation
  • Black Mambas: about the women rangers who patrol the Balule Nature Preserve to stop poaching of black and white rhinoceros and who teach environmental education programs in local schools. Since the group was formed “poaching of all species has decreased by 79%.”
  • Barking up the Right Tree: about the beautiful, sprawling baobab trees.
  • Infographic: on elephants, giraffes, termites and a surprising fact about biomass

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Activities:

  • Ideas for backyard or neighborhood science exploration
  • A savanna word search puzzle
  • An illustrated search-and-find animal puzzle
  • Craft instructions for making an Insect Hotel and an African Savana Scene
  • Jokes
  • A maze
  • How to draw an elephant, a giraffe, and a rhinoceros
  • A Giant Birds coloring page

Meet the Team Behind the Books and Magazine

I’m excited to have an opportunity to talk with Kayla Harren, Monica Bond, and David Brown about the work of the Wild Nature Institute, their lovely books that combine nature science with enchanting writing, and their new magazine for children.

Meet Monica Bond

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Hi, Monica! It’s nice to be chatting with you today! The love you have for Tanzania comes through in your stories so clearly and touchingly. Can you talk a little about your work and what brought you to this area?

My partner Dr. Derek Lee—quantitative ecologist and population biologist—and I chose to live and work in Tanzania because this country has some of the best wildlife experiences on Earth. As wildlife scientists, the lure of the African savanna is very strong; it is truly a wildlife paradise. In Tanzania there is incredible biological diversity combined with an extremely high density of mammals and birds, and we still have the full suite of predators and scavengers which means that the food web is intact. Tanzania also holds some of the best habitat for the last remnants of our planet’s pleistocene megafauna — elephant, rhino, and giraffe.

Derek and I are studying giraffes in Tanzania using a computer program that matches each individual’s unique spot patterns from photographs. We are monitoring thousands of giraffes in northern Tanzania, and learning where they spend their time, which other giraffes they hang out with, and how they move around the ecosystem. Our goal is to understand the things that hurt or help giraffes so we can help to preserve these magnificent animals for the future.

What is it like to live so closely to these majestic animals?

Every time I go to the bush and interact with these creatures, I am awed anew. They are so very special. Every day I feel that I am living the dream and I cannot get enough of watching them in their beautiful savanna habitat. Although we work in the bush, we often go back out to the bush on our days off!

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How did the Wild Nature Institute get its start? Can you talk a bit about the organization?

Formed in 2010, Wild Nature Institute conducts scientific research on endangered wildlife and inspires the public to protect wild nature. Next year we will celebrate a decade of work! The Institute was started as a platform for two dedicated wildlife scientists to realize our dream of doing interesting and bold science that protects the earth’s remaining bits of wild nature. The Wild Nature Institute is me and Derek at the core, but with lots of other partners and cooperators in our network (like David Brown and Kayla Harren) who are all critical to accomplishing our important work.

The giraffe is the national animal of Tanzania. As we celebrate World Giraffe Day today, could you talk about the giraffe—it’s importance to its ecosystem, the threats and pressures the animal faces from human and environmental factors, and how people can help protect them?

The gentle, iconic giraffe is popular around the world, but scientists know surprisingly little about them in the wild. We chose to work with giraffes because they are amazingly beautiful and peaceful animals, but they are vulnerable to extinction because people have taken so much of their wild natural habitat for human uses like farming and houses. Poaching is also a serious problem for giraffes. They need our help.

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Tanzania in East Africa is a stronghold for giraffes, supporting more than any other country. Although the Masai giraffe is the national animal of Tanzania, populations have declined here since the 1980s—yet few people are aware of the plight of the beloved giraffe in the wild. It is our job as scientists to bring this problem to light.

How are can families and organizations around the world help in the mission?

What can you do to help save giraffes and wild nature? (1) You can donate money or time to conservation groups like Wild Nature Institute and others. People can use their skills by providing advice, services, or goods in their personal area of expertise that can help the cause. (2) You can raise awareness about the silent extinction of giraffes. Speak up within your social circles and encourage others to donate money or time to saving giraffes. You can raise awareness in your home communities by writing, speaking, and contributing to the global conversation about our planet’s climate and biodiversity crises. (3) You can plant native trees.

Giraffes, elephants, and many other species need native trees, but deforestation continues worldwide. Planting native trees helps fight the global climate crisis and helps biodiversity too! (4) You can support legal protections for wildlife. Laws like the Endangered Species Act and other environmental laws make the world safer for wildlife and people. Call and write to your congressperson, senator, governor, and president telling them you support strong law enforcement to protect wildlife. (5) You can commit to not buying body parts, and if you live in Africa you can commit to not eating bushmeat.

The programs that the Institute sponsors and supports—from education in schools and communities to environmental conservation of animals and land to publishing materials for children—is extensive. How has your work been received? What successes have been achieved and what benefits do you hope to see in the future?

To save wild nature, we must know it and love it, so Wild Nature Institute and our partners developed environmental educational materials for children and teachers. The materials teach biology, geography, science, math, and language skills using focal animals and fun, beautifully illustrated stories. Our first book, The Amazing Migration of Lucky the Wildebeest, was a tri-lingual children’s book about wildebeest migration, and the ecological and economic benefits of conservation. The book was so successful that we created our “Celebrating Africa’s Giants” program to use environmental education to build community support for conservation efforts that will ensure the long-term survival of Africa’s giants giraffes, elephants, and rhinos.

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We now produce and distribute our four multi-lingual storybooks, two Swahili activity books, and seven posters, as well as learning activities to accompany the books and posters, to tens of thousands of children throughout Tanzania. These materials teach ecological and social lessons, build national pride in Tanzanian wildlife, and motivate children to read and learn about their natural world. The learning activities help Tanzanian teachers meet environmental education curricula requirements, and also meet Next Generation Science Standards for American schools.

To ensure the materials are used to their best advantage, we host workshops for teachers, led by our education consultant Lise Levy, a retired high school biology teacher with 32 years of experience in education. At the workshops, teachers have a wonderful time learning the stories and practicing the hands-on activities that they will use in the classroom to accompany the books and posters.

Can you talk a little about the impact that these books and the new Nature’s Giants Magazine have on the children and families in Tanzania?

Every year since we introduced our education program, we have expanded its reach and impact through word-of-mouth. Our books and posters are now recognized and requested by Tanzanian educators throughout Tanzania, from Ruaha and Ruvuma in the south to Serengeti in the west to Dar es Salaam in the east. We hired a Tanzanian education coordinator who regularly visits classrooms, orphanages, and community centers and brings “Giraffe in a Box,” “Elephant in a Box,” and “Rhino in a Box” with all of the materials needed to implement the activities. We made our storybooks into videobooks which are playing on Tanzanian television. We organize “fun days” at the schools to celebrate Africa’s giants where we do tree-planting, sports, drama and arts, and creative learning. 

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We are constantly dreaming up new and fun ways to spread the word about the fascinating animals of the African savanna. Our ultimate goal is to inspire the next generation to love and care for their wildlife and conserve the environment.

On your website you talk about the importance of zoos in supporting the environmental work in Tanzania. How do/can zoos help?

Zoos have an important role to play both in providing financial support for field conservation as well as promoting the conservation of giraffes, elephants, and rhinoceros through environmental education directed at visitors. Many zoos are using our Celebrating Africa’s Giants education program. Zoos also conduct their own scientific research. We couldn’t do our work without our zoo partnerships and we are really grateful for their support.

To learn more about Monica Bond and the work of the Wild Nature Institute, visit their website.

Meet Kayla Harren

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Welcome back, Kayla! I’m thrilled to be talking with you about these three beautiful books and Nature’s Giants Magazine.

How did you get involved with the Wild Nature Institute and this project? What does it mean to you to be part of it?

In 2015 my husband, Peter, who is also an artist, was asked to illustrate a picture book about a baby giraffe that was written by a friend of a friend. He wanted to pursue a different path in his illustration career, so he passed the job to me. I fell immediately in love with the story of Juma. My passions have always been art and animals. Being able to combine those two loves feels incredible.

I feel so lucky to be involved with the Wild Nature Institute because I get to help wildlife in my own way even though I am not a scientist. I am grateful for this opportunity to contribute to wildlife education and hopefully spark a love for nature in other people. It feels like fate the way the first book found me through a friend of a friend of a friend and now it has turned into an amazing partnership.

Your artwork in Juma the Giraffe, Our Elephant Neighbors, and Helping Brother Rhinoceros is stunning and full of such wonderful detail and personality. What kind of research did you do to bring the characters to life? Do Juma—or any of the animals—depict real giraffes, elephants, or rhinos in the area?

Thank you! Monica was incredibly helpful with providing plenty of photographs that she and the other scientists had taken of the scenery and wildlife in Tanzania. It made my job so much easier to know that people who actually lived in Tanzania and knew the area were checking all the details of my work to make sure it was accurate. For each book I was able to look through images provided by Wild Nature Institute of people, landscapes, giraffes, elephants, rhinos, and plenty of birds and animals to add in the background of each illustration. I did study the spot patterns of many giraffes, but Juma is a made-up combination of many giraffes I studied.

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Readers of your many books know what realism and sensitivity you bring to your illustrations of animals. Do you have a special affinity for animals and nature? Where did that come from?

Absolutely! Animals are my favorite. It started with my love of stuffed animals when I was very young. I had a huge collection, and I would spread them all out on my bed so none were hidden and they all got equal attention from me. I was introduced to many animal species through my toys. I remember fondly a stuffed white Bengal tiger that was bigger than me and a plump little panda bear. I loved the zoo, nature shows, and all the pet cats and dogs my family had. I feel most comfortable and relaxed in nature. I love going for walks with my dog because she stops every few steps to sniff something and that makes me pause and look around at all the beautiful shapes and textures and colors of the plants surrounding me. Nature is infinitely inspiring.

Have you ever visited Tanzania?

Not yet. Visiting Tanzania is very high on my list of things I need to do. Seeing a giraffe in the wild would be an absolute dream come true.

I’m going to let David Brown answer the next few questions about “Nature’s Giants Magazine.” David is a biologist, wildlife conservationist, and environmental educator—and he’s the co-creator and major writer of “Nature’s Giants.”

Welcome, David! As a nature lover, puzzle doer, and crafter myself, I love “Nature’s Giant’s Magazine!” There’s so much for kids to fall in love with!

“Nature’s Giants” magazine is full of fascinating articles (I learned a lot!), fun crafts, science prompts, challenging puzzles, and even a funny dung beetle named Doug. Can you talk about how the magazine came to be, what your role in the magazine is. and about how it can be used in the classroom? 

A group of conservationists and educators were meeting about how we could make Celebrating Africa’s Giants accessible and interesting to kids who love giraffes, elephants, and rhinos. We discussed how magazines like “Ranger Rick” and “National Geographic Kids” helped spark and sustain our love of nature when we were young, and we realized that there wasn’t really anything like that for even the most popular animals like giraffes and elephants. We decided to start our own nature magazine to fill that gap. We decided that our host of the magazine should be a dung beetle named Doug Beetle.  Doug Beetle helps show that there are many ways to be a giant in nature beyond physical size.

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My role is to help coordinate the creation of the magazine, develop story and activity ideas, and write the articles that bring those ideas to life. I also write the Doug Beetle comics. Megan Strauss, a wildlife biologist and illustrator, creates activities, crafts, and provides content for the magazine with her scientific expertise.  Kayla creates illustrations to accompany the articles and designs the layout of each page.

Accessible and interesting are perfect adjectives for Nature’s Giants! The magazine really promotes exploration and hands-on activities to engage kids in science learning. Can you describe some of the elements parents, teachers, and kids will find inside?

The magazine can be enjoyed casually for its art, stories, and activities. We also designed it for use in classrooms, zoo education programs, and other learning environments. In the first issue, we have a story about how scientific information can be visualized with infographics and how that helps us see the world in different ways.

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We also have a story about how a scientist makes an observation, asks questions about what she observed, and then solves a scientific mystery. Readers will learn how scientists study animals in the field, and hopefully get inspired to take part in citizen science themselves. 

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Environmental issues around the world are important to all of us. In what ways can children help from home or in their own communities?

The young people of the early 21st century are going to be the deciders of whether big animals like giraffes, elephants, and rhinos and their habitat survive this century and beyond. These animals are beloved around the world. They are the biological equivalent of the great works of art, architecture, and popular culture that are the common heritage of people around the world.

The young people in countries like Tanzania and Kenya, where these species and their habitats live, are the primary decision makers, but these animals need a global constituency of conservationists. They need people to help pay attention to them and keep their conservation needs visible in the world. Just as we pay constant attention to our favorite sports teams, celebrities, and technology products, we need to find ways to keep attention on giraffes, elephants, rhinos, and other animals.

If you love a species, then helping your local social network of family and friends be aware of the animal is a meaningful conservation action. Our goal for “Nature’s Giants” is to help connect young people with these animals and their conservation challenges and find ways to keep that connection growing.

What are the future plans for the magazine? How can teachers or other organizations order copies?

The first issue of “Nature’s Giants” is themed about African animals and plants. If the magazine finds an audience and there is an appetite for future issues, we would love to do a theme issue for each continent. We have also thought about doing an issue about the oceans. There are endless possibilities for issue themes. We would love to explore the future adventures of Doug Beetle.

To order copies of the magazine and all three storybooks, you can contact Monica Bond: monica@wildnatureinstitute.org

If you are interested in ordering Juma the Giraffe, Helping Brother Rhinoceros, and/or Our Elephant Neighbors for your classroom, organization, or yourself, contact Monica Bond monica@wildnatureinstitute.org. Individual copies of the books cost $12.00. Substantial discounts are offered when ordering multiple copies. All prices include shipping and handling.

Individuals, schools, and other organizations can also order single and/or multiple copies of “Nature’s Giants Magazine” for $4.25 each, plus shipping and handling.

You can also download printable posters with illustrations and information about giraffes, rhinos, and elephants from the Africa’s Giants website: www.africasgiants.org

To find the books with major online booksellers, see the information and links below.

Nature’s Giants Books & Magazine Giveaway

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I’m thrilled to be partnering with Wild Nature Institute in a giant giveaway! You could win this prize package that includes

  • One (1) copy of Juma the Giraffe signed by Kayla Harren
  • One (1) copy of Helping Brother Rhinoceros signed by Kayla Harren
  • One (1) copy of Our Elephant Neighbors signed by Kayla Harren
  • One (1) copy of “Nature’s Giants Magazine”

To be entered to win Follow me on Twitter @CelebratePicBks and Retweet one of my giveaway tweets.

Bonus: Reply with your favorite African animal for an extra entry. Each reply gives you one more entry.

The giveaway will be held from June 21 to June 27.

A winner will be chosen on June 28

Giveaway open to U.S. addresses only. | No Giveaway Accounts 

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You can find Helping Brother Rhinoceros at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

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You can find Our Elephant Neighbors at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

celebrate-picture-books-picture-book-review-juma-the-giraffe-cover

You can find Juma the Giraffe at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

March 25 – It’s National Reading Month and Interview with Illustrator Scott Brundage

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About the Holiday

No matter whether you live in a house or an apartment, in a city, in a small town, or on a farm, but you can travel anywhere through books. The magic of reading lies in its ability to transport readers through history, into emotional landscapes, and to far-away places – even into outer space as today’s book shows!

Sleeping Bear Press sent me a copy of The First Men Who Went to the Moon to check out. All opinions are my own. I’m excited to be teaming with Sleeping Bear Press in a giveaway of the book. See details below.

The First Men Who Went to the Moon

Written by Rhonda Gowler Greene | Illustrated by Scott Brundage

 

As Apollo 11 Commander Neil Armstrong, Command Module Pilot Michael Collins, and Lunar Module Pilot Edwin “Buzz” Aldrin enter the spacecraft, they wear excited smiles and wave. “These are the first men who went to the Moon.” Panning back to where the enthralled crowd watches from across the water, watch as a rocket roars skyward, trailing flames. “This is the spacecraft, Apollo 11, that lifted off and soared through the heavens / and carried the first men who went to the Moon.”

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Image copyright Scott Brundage, 2019, text copyright Rhonda Gowler Greene, 2019. Courtesy of Sleeping Bear Press.

The astronauts get a view of Earth as they reach for the blackness of space. The Lunar Module Eagle touches down on the surface of the Moon in “…the Sea of Tranquility / where the astronauts made history….” First Neil Armstrong and then Buzz Aldrin descended onto the Moon carrying an American flag. “This is their mark, a ‘leap for mankind.’ / And this is the flag they left behind / there in the Sea of Tranquility.”

In a spectacular show of human achievement, the Command Module Columbia returned in a “…splashdown that brought them home, / safe and sound from a vast unknown, / where they made their mark, a ‘leap for mankind.’” With ticker tape parades attended by thousands of people, the astronauts were celebrated in New York City and Chicago.

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Image copyright Scott Brundage, 2019, text copyright Rhonda Gowler Greene, 2019. Courtesy of Sleeping Bear Press.

In addition to Rhonda Gowler Green’s poem, many of the double-spread illustration contain facts about the mission, features of the Moon, the astronauts’ work, and splashdown.

Back matter includes information on where the Eagle and Columbia are now; more facts about the mission, the astronauts, and the equipment; resources; and a list of other books for young readers.

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Image copyright Scott Brundage, 2019, text copyright Rhonda Gowler Greene, 2019. Courtesy of Sleeping Bear Press.

Mirroring the circular mission that took the astronauts to the Moon and back, Rhonda Gowler Greene’s lyrical verses build on each other, overlapping to create depth in her storytelling and awe in the scientific achievement of NASA in 1969. As the poem reverses, readers engage in the feeling of pride and relief that Americans and people all around the world experienced as they watched Columbia splash down safely into the Pacific Ocean. Greene peppers the story with beautiful images take readers from “swirls of clouds” to a  “desolate land” to “the dust of lunar ground” and helps them recapture the mystery and amazement of those days 50 years ago.

Scott Brundage’s illustrations are remarkable for their detail and ability to transport readers to the heart of the Apollo 11 mission. Today’s children, familiar with satellite images and feeds from space and who have grown up with the International Space Station, cannot fully appreciate with what wonder and trepidation the world watched the mission on television. Choosing a variety of perspectives, Brundage allows kids to watch the rocket launch from the pad in Florida, look out of the spacecraft’s window as the astronauts leave Earth behind, see the Eagle light up the Moon’s surface as it lands, and view Neil Armstrong take that first step onto the Moon. Space lovers will want to linger over every two-page spread to take in all of the minute details as well as the inspiration that space stirs in the dreams of many.

A lyrical and gorgeous tribute to the Apollo 11 mission for its 50th anniversary, The First Men Who Went to the Moon would make a lovely addition to home, classroom, and public library collections for science and space lovers, STEM lessons, and story time.

Ages 6 – 9

Sleeping Bear Press, 2019 | ISBN 978-1585364121

Discover more about Rhonda Gowler Greene and her books on her website.

To learn more about Scott Brundage, his books, his art, and more, visit his website.

You can download and print a fun The First Men Who Went to the Moon Activity Sheet!

Meet Illustrator Scott Brundage

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Scott Brundage’s work has been featured in the New York Times, the Wall Street Journal, Scientific American, the Washington Post, and many others. He is the illustrator of A is for Astronaut: Blasting Through the Alphabet. He lives in New York City.

Today I’m happy to be talking with Scott Brundage about capturing the beauty and mystery of space, his talent for humor, and the surprising start to his art career.

The First Men Who Went to the Moon, written by Rhonda Gowler Greene, celebrates the 50th anniversary of the Apollo 11 moon landing. Your illustrations are astounding for their perspective and sense of action that captures the thrill and wonderment of the time. Can you talk about the research you did, how you approached creating these images, and your process?

Well thank you for those generous words about my work. I’m happy people have responded to the illustrations so positively. 

When researching this book, I was lucky enough to have A is for Astronaut fresh in my mind. The Apollo 11 mission is a bit more specific than A is for Astronaut, being a specific time and year, but I’d already learned a lot about how to find good NASA references. 

I faced the same challenge as last time: since NASA’s photography is public domain and already gorgeous, what could I bring to this book that hasn’t been seen already? I couldn’t riff as much as last time, but I could at least try to capture what it might have been like to be in the Apollo 11 crew’s shoes (space boots?). Some illustrations  also were simply trying to capture the emotion that Rhonda Gowler Greene was expressing with her words. The moon is beautiful, but distant, cold and still. I wanted to show all of that if I could.

Which illustration in the book is your favorite and why?

I think the spread on pages 22-23 is my favorite, the one depicting all the footprints in the shadow of the planted flag. I like when I can get away with not quite showing the subject of a painting, but the audience knows what they’re seeing. And without getting too

artsy, I thought it was a good metaphor for the book itself. We went to the moon, left our mark, and came back. The footprints are still there on the cold surface in the shadow of our flag.

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Image copyright Scott Brundage, 2019, text copyright Rhonda Gower Greene, 2019. Courtesy of Sleeping Bear Press.

What were your favorite books as a child and whose art or illustration work did you admire growing up?

I had to ask my mom for this answer. I don’t remember having a favorite, all I could think of are cool picture books I appreciate now as an adult. Turns out, according to my mom, I much preferred to just look through our encyclopedia and then report dinosaur facts to whoever would listen. 

How did you get into illustrating children’s books and what do you enjoy most about the work?

I got into picture books relatively organically, having touched on almost every other type of illustration market first. I started out doing small illustrations for magazines and newspapers. That slowly led me to book covers and middle grade chapter books that had a lot of interior black and white illustration. Along the way, I would help a couple independent authors with their self-published picture books. After a while, I just had a stack of children’s picture book illustrations in my portfolio. So when my agent asked if I was interested in doing a picture book with a real publisher, I was more than ready to jump in. 

Picture books are great because you can really chew on a subject or set of characters way longer than you can for a book cover or spot illustration. I know way more about how space suits work, I’m familiar with a weird number of features on the International Space Station, and know exactly what color suits the Apollo 11 crew were wearing in their ticker tape parade. It’s really fun to get that deep for a book. 

Is it true you got your start professionally by designing a bicycle helmet? How did that come about? What was your design?

This is true. My first paying gig was a Bell Helmet’s kid’s helmet design. My art school instructor, the great children’s book illustrator Brian Biggs, had a contact with the designer at Bell Helmets and set up a contest among his students to submit designs for a possible helmet. They’d pick the winner and see if it could get produced. I send in two designs, one of happy robots on an alien landscape, another of cute little lizards attacking a city. Somehow both designs won the contest  The timing, however, was a little unfortunate for the lizards attacking the city since it was just after 9/11, but the robots ended up adorning the heads of dozens of kids nationwide.

I was fortunate enough to review A is for Astronaut: Blasting through the Alphabet—your picture book with author and former astronaut Clayton Anderson. I was blown away by the stunning details—including spacecraft, the NASA control room, and space itself—on every page. What kinds of choices did you make in creating the illustrations to make the information come alive for kids? 

A is for Astronaut was a blast to work on. I had a bit of freedom in interpreting each chapter, so a lot of it was figuring out I could make an image portray the idea of each letter clearly. For the more straightforward words like galaxy or blastoff, showing how it is to be a kid experiencing those awe-inspiring event/sights for the first time. And, when possible, if I could find a way to blend two words/ideas into a single spread, that was even more fun. 

Your editorial illustrations have appeared in magazines, newspapers, and other publications, and you’re now working as an animator for the Showtime series Our Cartoon President. Do you have a natural knack for humor and infusing it into your art or how did that develop? 

When I was in school, I was really into dark scary artwork and literature. Loved creepy drawings and painting, reading horror stories, listening to dark music. I tried my hand at doing some moody paintings in oil about serious subjects. But, my personality is that of a very silly man. And if you looked at my sketchbooks at the same time, it was all goofy drawings to make myself and others laugh. Eventually I realized I should just lean into what came naturally, and that was the funnier whimsical stuff. I’m definitely much more suited to making a weird face, taking a photo of myself, then applying that face to a character than I am at trying to scare someone.

What’s up next for you?

I’m just starting up a new picture book about a guy and his dog. No astronauts this time around.  

And I’m also working on the second season of Our Cartoon President. 

Thanks, Scott! It’s been so great chatting with you! I wish you all the best with The First Men Who Went to the Moon and all of your work!

You can connect with Scott Brundage on

His website | Twitter | Instagram

The First Men Who Went to the Moon Giveaway

I’m excited to be teaming with Sleeping Bear Press in a giveaway of

  • One (1) copy of The First Men Who Went to the Moon written by Rhonda Gower Greene | illustrated by Scott Brundage

To enter Follow me @CelebratePicBks on Twitter and Retweet a giveaway tweet.

This giveaway is open from March 25 through March 31 and ends at 8:00 p.m. EST.

Prizing provided by Sleeping Bear Press.

Giveaway open to U.S. addresses only. | No Giveaway Accounts. 

National Reading Month Activity

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Rocket to the Moon! Maze

 

Help the rocket find its way through space and land on the moon in this printable puzzle!

Rocket to the Moon! Puzzle | Rocket to the Moon! Solution

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You can find The First Men Who Went to the Moon at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound | Sleeping Bear Books

Picture Book Review