January 22 – Celebration of Life Day and Interview with Author Alison Goldberg

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About the Holiday

Today’s holiday is all about celebrating the children and grandchildren in our lives and what makes each one truly unique. When you watch your own children or those in your care grow and develop their own personalities, talents, and dreams, you realize that each one is an individual with a bright future ahead of them. Take the opportunity of this special holiday to encourage your children, support them, and—most of all—tell them how much you love them every day.

I Love You for Miles and Miles

Written by Alison Goldberg | Illustrated by Mike Yamada

 

Love—like air—is one of those things that everyone needs. People wonder about it, write about it, and talk about it. But, like air, love can’t been seen—how do you measure it? How do you weigh it? How do you let kids see it? I Love You for Miles and Miles shows you! Opening the cover, you read “My love for you is / Longer than the longest train / Linking engine to caboose, / Winding for miles and miles.”

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Image copyright Mike Yamada, 2017, text copyright Alison Goldberg, 2017. Courtesy of us.macmillan.com.

If love is long, can it be wide? Sure! How wide? “It is wider than the widest big rig” on the highway. When you hug your child with all your might, they know that your love for them is continuous and “stronger than the strongest excavator / Scooping heap after heap….” Such strong love runs “deeper than the deepest drill / digging down, down, down, uncovering mysteries.”

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Image copyright Mike Yamada, 2017, text copyright Alison Goldberg, 2017. Courtesy of us.macmillan.com.

Since love burrows deep, it makes sense that it can soar as well. How high? Look up at cranes on a construction site and imagine a love that goes beyond higher, a love that “reaches toward the sun.” While some days may hold hardships, you can assure your child that your love always remains “smoother than the smoothest sailboat” navigating the waves and changing winds.

When your child needs a hug, a kiss, or some special attention now, you can reassure them that you will be there “faster than the fastest fire truck / Hurrying faster, faster, / Rushing to you, anywhere you are.” If your child wonders if love can handle anything that comes along, remind them of the tractor, “planting crop after crop, / Helping through mud and muck.”

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Image copyright Mike Yamada, 2017, text copyright Alison Goldberg, 2017. Courtesy of us.macmillan.com.

The obstacles that life throws our way are manageable, you can tell your child, because like the biggest dump truck, you can help remove them and fly “above all the rain” like an airplane. And at the end of the day, your love guides them “home, day or night” with the steadiness of a tugboat.

And for the days and years ahead, when your child sees that long, long train, they will understand when you say that is “my love for you… / Riding from station to station, / Traveling with you always.”

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Image copyright Mike Yamada, 2017, text copyright Alison Goldberg, 2017. Courtesy of us.macmillan.com.

In her sweet tribute to a parent’s or caregiver’s love, Alison Goldberg gives concrete shape and weight to that feeling of love which can be so hard to describe. Little ones awed by the size and power of vehicles and machines, will readily recognize and understand the comparisons and be excited to share their own abundant love. Goldberg’s short verses are composed of words most young readers know, and by using comparative and superlative forms of the adjectives, she fosters a deeper comprehension of how love transcends even the biggest, longest, strongest, or toughest things a child can imagine. The first-person perspective allows not only the adults reading to express their love but also the children listening to say, “yes, I feel this way too.”

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Image copyright Mike Yamada, 2017, text copyright Alison Goldberg, 2017. Courtesy of us.macmillan.com.

Mike Yamada’s stunning two-page spread illustrations, full of vivid color and dramatic perspectives, will delight little readers. A cub and adult are at the controls of each vehicle, the little one driving or guiding when possible, or being helped if needed. Young readers will love lingering over each page to view all of the realistic elements on every vehicle or machine. The sweet, happy looks between adult and cub reinforce the strong bond between them. Gender-neutral clothing and first-person point of view makes this a universal book.

I Love You for Miles and Miles is an adorable and meaningful book for adults and children to share and would make a great addition to home and classroom libraries. Besides fun at bedtime, it would make a terrific take-along book for car trips or waiting times, and the theme can easily be extended to an “I-Spy” type of activity while out driving or walking around the neighborhood and beyond.

Ages 2 – 6

Farrar, Straus and Giroux Books for Young Readers, 2017 | ISBN 978-0374304430

Discover more about Alison Goldberg and her work on her website

Learn more about Mike Yamada and view a gallery of his artwork on his website.

Enjoy this I Love You for Miles and Miles book trailer!

Celebration of Life Day Activity

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Tugboat Bathtub Toy Craft

 

Tugboats are always there when a ship needs help or guidance—just like a parent or caregiver. With a few recycled materials, adults and children can have fun making this Tugboat Bathtub Toy that you’ll love to play with in the tub or pool.

Supplies

  • Printable Windows and Life Ring Template
  • Printable Deck Template
  • Container from a grocery store rotisserie chicken
  • One 16-ounce cream cheese container with lid (or other such container)
  • Paper towel tube
  • Cardboard (can use a cereal box)
  • Foam sheet in whatever color you would like the deck to be. (optional, see To Make the Deck options)
  • Two colors of paint in whatever colors you would like your cabin and deck (if painting it) to be
  • Paint brush
  • Glue gun
  • Tape

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Directions

To Make the Deck

  1. Trace the deck template on the cardboard, cut out and trim if necessary.
  2. Trace the deck template on the foam sheet, cut out and trim if necessary. The foam sheet gives waterproofing to the cardboard deck.

To Make the Boat

  1. Wash and dry rotisserie chicken container. The curved part of the container will be the front of the boat.
  2. Set the cardboard into the rim of the rotisserie chicken container. If needed glue with hot glue gun.
  3. Set the foam sheet on top of the cardboard

To Make the Cabin

  1. Print and cut out the windows, life ring, and deck template
  2. Wash and dry cream cheese container
  3. Paint the cream cheese container in the color chosen, let dry
  4. Put the lid on the cream cheese container to make the roof of the cabin
  5. Glue or tape the windows to one curved side of the cream cheese container
  6. Glue or tape the life ring to the opposite side of the cream cheese container
  7. With the glue gun attach the bottom of the cream cheese container to the deck, a little forward of half-way

To Make the Steam Pipe

  1. Cut a 5-inch section from the paper towel tube
  2. Paint alternating stripes of the deck color and the cabin color, let dry
  3. With the glue gun, attach the steam pipe to the deck close behind, but not touching, the cabin

Enjoy floating your tugboat in the bathtub or pool!

Meet Alison Goldberg

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Today, I’m excited to be talking with Alison Goldberg about how her children inspired her book, her collaborative blog M is for Movement, and what kind of vehicle she would most like to be.

What inspired you to write I Love You for Miles and Miles?

When my children were in preschool, they adored trucks and trains. In addition to setting up long and windy train tracks in our living room each day, we planned many family outings with vehicles in mind: train rides, a tractor parade, a visit to a friend’s construction business.  My son was so obsessed with trucks that the teachers from an older classroom at his preschool invited him to present to their class as a “guest expert” on the topic.

At bedtime, the “How much do you love me?” game turned into a comparison of our love to the size, strength, length, and other characteristics of all things that go. After many nights of coming up with these examples for my own children, I thought this could be a fun take on a love book. 

What was your favorite picture book when you were a child?

One of my favorite picture books as a child was Alexander and the Wind-Up Mouse by Leo Lionni. I’ve always been a rock collector and the magic in this story depends on Alexander finding a purple pebble. The collage is gorgeous—I love multimedia art. Rereading it as an adult, I’m still drawn to the story’s theme of empathy.

Before writing for children, your work centered on economic justice. You’ve lived on the Northern Cheyenne Reservation in Montana and the eastern region of Ghana, Can you talk a little about your work?

For several years I worked for non-profit organizations focused on social and economic justice. In the Northern Cheyenne Reservation, I learned from strong community leaders who expanded out-of-school-time opportunities for kids. In Ghana, I met remarkable organizers who built community infrastructure, improving access to clean water, nutrition, and schools. And in a variety of communities in the United States, I’ve been inspired by amazing activists who are challenging inequality through a variety of strategies. 

Have these experiences influenced your writing for children?

When my daughter was born, I sought out books that would help to educate her about the problems of inequality and injustice. I knew I wanted to start early conversations about the history of social movements and the potential we all have to create change. Picture books felt like an important part of framing this. I found a small number of powerful books that helped guide our discussions and also inspired me to write manuscripts along these lines. So from the start, my work on social and economic justice issues has been at the center of my motivation for writing for children. And while I Love You for Miles and Miles is not focused on these issues, a portion of the proceeds from the book will support the Campaign to End Childhood Hunger.

You began blogging about activism in children’s literature in 2012 and in 2017 established M is for Movement, a website that presents authors and illustrators blogging about a variety of social issues. Can you talk about this work briefly? What kinds of changes have you seen in the years since you began and today?

In 2012 when I first started writing for kids, blogging about books with activism themes was a way to dive into the literature and interview like-minded children’s book creators. I learned so much from these conversations, and though I wasn’t able to blog consistently, I always hoped that someday it could grow into something more.

Then in 2017, through conversations with Innosanto Nagara (A is for Activist), Janine Macbeth (Oh, Oh, Baby Boy!), and other collaborators, together we decided it was time to start a group blog on this topic. Certainly the events of the past year underscored why it’s so important for kids to learn about social justice issues and how they have agency to create change. M is for Movement launched in October. We’ve been grateful to connect with a number of other children’s book creators and librarians who are creating content, and hope that the blog will be a space for a variety of articles, interviews, and reviews. We recently did a roundup of some recommended 2017 activist kids’ books and it was powerful to see how many books with this theme were published. I don’t know if there’s been an increase in recent years or not, but my hope is that those who want to explore these topics in their writing will find a community of children’s book creators to help support that work.

If you were one of the vehicles in I Love You for Miles and Miles, which one would you be and why?

If I could choose to be one of the vehicles, I think I’d go with the crane (“My love for you is/Taller than the tallest crane/Rising up, up, up,/Reaching toward the sun.”). I enjoy rock climbing and mountaintop views so I’d be curious to see things from the perspective of a crane.

Do you have a favorite place you like to write?

I usually write at home, but once in a while I travel about a half hour away to a magical library in Concord, Massachusetts for a mini writing retreat. 

As a New England coastal resident, I couldn’t help but notice that you have an ocean theme to your website—a beautiful image of a whale on your Homepage and a collection of shells on your About page. Do you have a special affinity for the sea? If so, do you connect the sea to your work?

Thank you! I love the ocean, and in addition to rocks I’ve collected many shells and other found objects over the years. The ocean-related images are all connected to the middle grade novel I’m working on. Since I started that story I’ve photographed, drawn, and collaged my characters in a variety of materials.

 What’s up next for you?

More picture manuscripts and draft #4 of my middle grade novel.

Since Celebrate Picture Books is a holiday-themed blog, I can’t let you go without asking a couple of holiday-related questions, so…

What is your favorite holiday? 

A new favorite holiday of mine is Valentine’s Day. This is not only because I’m sharing my new picture book about a parent’s or grandparent’s love for a child, but also because my kids and I took part in an event last year that expanded my idea of the holiday. Students from a nearby school organized a Valentine’s Day “Love March” to take a public stand opposing discriminatory policies and express what love means to kids. They carried signs about inclusiveness, respect, kindness, and solidarity. I found this to be a meaningful way to celebrate the holiday and I hope to join their march again this year.

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Click here to get this adorable I Love You for Miles and Miles Valentine’s Day Card to share from Alison Goldberg’s website.

Thanks so much Alison! It’s been terrific getting to know more about you and your work. I wish you all the best with I Love You for Miles and Miles and your future projects!

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You can find I Love You for Miles and Miles at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound | Powells

Signed copies of I Love You for Miles and Miles are available from Porter Square Books

You can connect with Alison on

Her website | Twitter

Picture Book Review

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

| IndieBound

Signed copies are available from Porter Square Books

You can connect with Alison on

Her website | Facebook | M is for Movement | Twitter

Picture Book Review

December 20 – It’s Tomato and Winter Squash Month

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About the Holiday

The cold months of the year call for warm, hearty meals, and what better way to satisfy the desire for comfort food than to incorporate some of the most flavorful vegetables around? Tomatoes are a staple in many dishes, while the many varieties of winter squash (including acorn, butternut, spaghetti, kabocha, and delicate) are versatile and can add new taste sensations to any dinner. So as the temperature dips, scout out these vegetables and savor their rich flavors!

Rabbit Stew

By Wendy Wahman

 

“Rusty and Rojo toiled and tilled in their vegetable garden all summer long.” But now the crops have ripened, and the two foxes are ready to enjoy the bounty of their hard work—so are their neighbors, the Rabbits. As Mommy Rabbit and the bunnies nibble away in a corner of the garden, Rusty gently squeezes the tomatoes and finds them “plump, yet firm.” “Perfectly so,” Rojo agrees as he lifts Daddy Rabbit from the carrot patch. “At last,” Rusty and Rojo exclaim, “the time is ripe for our prizewinning Rabbit Stew!”

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Image copyright Wendy Wahman, 2017. Courtesy of wendywahman.com.

While Rojo picks “lean, green runner beans,” the Rabbits look on worriedly. Daddy tries to hide, but Rusty spies him in the wheelbarrow full of purple kale. Then, when the family dives back into their cozy “hole sweet hole,” they find that their convenient carrot snacks are being abruptly snatched away—only to be added to the pot of “splendid Rabbit Stew.”

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Image copyright Wendy Wahman, 2017. Courtesy of wendywahman.com.

Next come raisins and celery “and roly-poly blueberries.” But what about those white and gray bits of fluff? Will they end up in the foxes’ buckets too? Of course “juicy red tomatoes, fresh sprigs of parsley, and sweet yellow peppers” are also musts for the foxes’ “finest-ever Rabbit Stew.” With the pot overflowing with colorful veggies, only one more thing is needed—“one…big…round…white…bowl…for our favorite Rabbit, Stew—and his family too!”

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Image copyright Wendy Wahman, 2017. Courtesy of wendywahman.com.

With her fertile imagination and a clever play on words, Wendy Wahman offers up a delightful story that will have readers guessing until the very end. Along with the mystery and the yummy descriptions of each ingredient, Wahman presents a counting game for readers. As Rusty and Rojo pick their vegetables, children can count the ten runner beans on the trellis, nine purple kale leaves in the wheelbarrow, eight carrots from the burrow, and all of the other ingredients on down to one. But do Rusty and Rojo need one big white rabbit or something else? Kids will love the twist at the end and cheer to see Daddy Stew, Mommy Strudel, and their little bunnies—Dumpling, Biscuit, and Ragu—dining on the special meal grown and created just for them.

Everyone’s garden should look as deliciously vibrant as Wahman’s riotous patch of vegetables! The vivid colors jump off the page while providing texture and nuance to the illustrations. They also give kids another concept to learn and talk about. Little details, such as the tiny caterpillar and the yellow butterfly that follow the bunnies from page to page, as well as the fancy burrow lined with photos of friends and family will enchant readers. 

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Image copyright Wendy Wahman, 2017, courtesy o f Wendy Wahman.

Welcome themes of friendship, diversity, and inclusiveness can also be found within the illustrations and the story.

Rabbit Stew is a bright, humorously sly story that would be a wonderful addition to any child’s library. The book also makes a perfect companion for trips to the farmers market, on picnics, or to spur interest in home gardening. The attention to the details of what rabbits can safely eat, as well as the number and color concepts provided in the illustrations, makes Rabbit Stew a great choice for school story times and spring lessons.

Ages 3 – 7

Boyds Mills Press, 2017 | ISBN 978-1629795836

You can download a fun Rabbit Stew Activity Sheets from Boyds Mills Press!

Discover more about Wendy Wahman, her art, and her books on her website!

You’ll dig this Rabbit Stew book trailer!

National Garden Month Activity

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Grow a Vegetable Garden Board Game, copyright Celebrate Picture Books, 2017

Grow a Vegetable Garden Board Game

 

With this fun game you and your family and friends can grow gardens inside! Roll the dice to see whose garden will fully ripen first!

Supplies

Directions

Object: The object of the game is for each player to fill their garden rows with vegetables. Depending on the ages of the players, the required winning number of rows to fill and the number of vegetables to “plant” in each row can be adjusted.

  1. Print one Game Board for each player
  2. Print one set of Playing Cards for each player (for sturdier playing items, print on card stock)
  3. Print one Vegetable Playing Die and assemble it (for a sturdier die, print on card stock)
  4. Cut the vegetables into their individual playing cards
  5. Color the “dirt” on the Garden Plot with the crayon (optional)
  6. Choose a player to go first
  7. The player rolls the die and then “plants” the facing vegetable in a row on the game board
  8. Play moves to the person on the right
  9. Players continue rolling the die and “planting” vegetables until each of the number of determined rows have been filled with the determined number of vegetables.
  10. The first person to “grow” all of their veggies wins!

Meet Author/Illustrator Wendy Wahman

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Today, I’m really happy to be chatting with Wendy Wahman about her art, her books, her inspirations, and a really sweet school visit she had recently.

Your bio mentions that you worked for the Seattle Post-Intelligencer until 2009. Can you describe your work there?

I worked in the art department doing maps, graphics, info-graphics and illustrations for every section of the newspaper. Ninety percent of the work was on deadline, so I learned to think and draw fast.

Our poor beloved P-I. It was 146 years old when Hearst closed it down. About 150 of us went down with the ship. Best job I ever had. I miss the variety and culture and importance — and honesty — of journalism. I miss my P-I family, very much.

How did you get started illustrating and writing books for children?

I was really just snooping around for illustration work. I had an idea for a book on dog body language I wanted to do, but imagined ‘a real writer’ should write it. I sent out some of the dog body-language art samples and heard back from four major publishers. Laura Godwin at Henry Holt called me, and was so passionate about dogs and kids—and my art. She asked to see a dummy. What dummy, right? I had no dummy, just an idea and some art samples. I took two weeks off from the P-I and put together a dummy. Laura helped me tremendously, as did my brilliant writer husband, Joe Wahman.    

Don’t Lick the Dog is a how-to primer on being safe with dogs. We followed with the companion book, A Cat Like That. We never did do my dog body-language book. It’s sitting here patient as can be. “Good dog, book.”

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Image copyright Wendy Wahman, Don’t Lick the Dog. Courtesy of Wendy Wahman.

 

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Image copyright Wendy Wahman, A Cat Like That. Courtesy of Wendy Wahman.

Your art is so varied—from humorous to infographics to striking, serious editorial work. You also work with crisp, clean lines and beautiful textures. Can you talk about your process and inspirations?

Thank you so much, Kathy. Well. I sit and think and read a lot. Mostly I just look and try to distract myself from thinking too hard. I like to thumb through my Thesaurus. When I’m stuck, I try to remember to move away. This can be physically—exercise or a walk; mentally—read or look through books; or emotionally—play with my dogs or call somebody. I say, try, because too often I sit rooted, thinking, thinking. Better to get up and move.

What was the inspiration for Rabbit Stew?

I feed my dogs a homemade stew of meat & veggies. Long ago, I was stirring up an enormous batch of dog food, when “rabbit stew” fluttered to mind. Rabbit Stew is also a counting book, counting down veggies from ten to one. It’s also a color book. It was a challenge to find ingredients safe for rabbits, in different colors and not give it away. Like, rabbits love dandelions and they’re very good for them, but I only know a couple of people who would knowingly toss dandelions into the pot. No potatoes; they are toxic to bunnies, and cabbage isn’t good for them either. 

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A happy fan enjoys reading “Rabbit Stew” with lunch! Photo courtesy of Wendy Wahman.

You give presentations at schools and libraries. Do you have an anecdote you’d like to share?

I did a school visit recently in southern California and got to take my mom to a presentation for 4th graders. I introduced her to the students, and they gave her a loud round of applause! Even more tender, when I was signing books (and the other stuff kids want signed), they asked if my mother would also give them an autograph. Is that the sweetest or what? Children can be so inspiring, healing, and wise. 

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Wendy reads “Don’t Lick the Dog” to enthusiastic kindergarteners in Kennewick, WA. Photograph courtesy of Wendy Wahman

You also teach bookmaking to kids. That sounds fun and fascinating! Can you tell me a little bit about these classes?

I’m so glad you asked about these little books, Kathy. I love making them and sharing the process. Anyone can make one. I’ve taught them to kindergarteners through seniors. I call them “Insight Books,” because what comes out can be surprising, revealing, and often cathartic. Random lines inspire images and ideas. Some people write, others write and draw. Sometimes we collage. Even if you do nothing at all put look, the lines may stimulate ideas. These book are fun to make with a partner too. 

What’s up next for you?

I’m very excited about my next book, Pony in the City (Sterling Publishers). Kevan Atteberry’s book, Swamp Gas, releases the same day, Sept. 9th, and we’re talking about having a co- launch party.

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Image copyright Wendy Wahman. Proofs of “Pony in the City” (Sterling, releasing Sept. 9 this year) courtesy of Wendy Wahman.

I’m working on Nanny Paws (Two Lions), a book inspired by my little white poodle, LaRoo, and the children next door. Here’s a picture of LaRoo and my other dog Jody with my friend Vikki Kaufman‘s poodles. Vikki is a breeder of beautiful silver and blue standard poodles. Vikki took the picture, can you tell?  Her dogs are staring straight at her. Poor LaRoo. She is a shy girl and just wants to get away from the masses.

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Wendy with LeRoo and Jody and Vikki’s TinTin, Nickel and Eureka.

I’m also working on a dummy for a beautiful story written by Joe, “One Bird” (www.joewahman.com). I’m doing the art for both Nanny Paws and Joe’s story in a new/old style for me: pencil and watercolor.

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Image from “One Bird,” written by Joe Wahman, illustrated by Wendy Wahman. Courtesy of Wendy Wahman

Do you have a favorite holiday?

Thanksgiving.

Do you have an anecdote from a holiday you would like to share

If you come over for Thanksgiving, prepare yourself for a vegetarian feast. We don’t eat animals here — but we do make them big, round, splendid bowls of stew.

Thanks so much, Wendy! It’s been a lot of fun! I wish you all the best with all of your books!

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You can find Wendy’s books at these booksellers:

Amazon | Barnes & Noble | IndieBound | Boyds Mills Press

You can connect with Wendy on:

BēhanceFacebook | LinkedIn | PinterestTwitter

Visit Wendy’s shops:

Cafe Press: http://www.cafepress.com/profile/109591016

RedBubble:  http://www.redbubble.com/people/wendywahman/portfolio

Zazzle: http://www.zazzle.com/wendoodles/products

Wendoodles coloring book: http://www.amazon.ca/Wendoodles-Wendy-E-Wahman/dp/1517403456

Picture Book Review

November 1 – National Author’s Day & Interview with Author Linda Booth Sweeney

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About the Holiday

There may be no better month to celebrate Author’s Day than in November. Not only is it Picture Book Month, but thousands of people set aside their usual routine to take part in NaNoWriMo or National Novel Writing Month, when writers try to complete at least a first draft of a novel in one month. To kick off all of this literary love today, we remember and honor American authors past and present. The holiday was instituted in 1928 by Nellie Verne Burt McPherson, president of the Bement, Illinois Women’s Club. An avid reader, she established Author’s Day to thank writer Irving Bacheller who sent her an autographed story in response to her fan letter. The day was officially recognized in 1949 by the United States Department of Commerce. McPherson’s granddaughter, Sue Cole, has promoted the holiday since her Nellie’s death in 1968 and encourages people to spend a bit of the day writing a note of appreciation to their favorite author.

When the Snow Falls

Written by Linda Booth Sweeney | Illustrated by Jana Christy

 

A little curly-haired girl and her younger brother wake up from a sleepover with Grandma to a magical sight. As they gaze out the big picture window in the little girl’s room, they’re dazzled to see “When the snow falls…Frost paints. / Skies gray. / Windows sparkle/ Snow? Yay!” There’s no school today, so Mommy and Daddy and Grandma bundle up and get the kids ready to head outdoors to take care of the farm animals.

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Image copyright Jana Christy, 2017, text copyright Linda Booth Sweeney, 2017. Courtesy of G. P. Putnam’s Sons for Young Readers.

Soft flakes flutter down, piling into deep drifts and providing a little extra after-breakfast treat as “Boot sink. / Lashes flick. / Tongues tickle. / We lick.” In the barn the horses, puppies, and chickens are just as excited about the snowy day. Riding an old chair sled, Grandma and her grandchildren glide down the hill, following tracks left by lively rabbits and now-dozing foxes.

Deep in the forest the three take in the beauty: “Woods hush. / Fields glisten. / Wren sings. / We listen.” On the other side of the woods, people continue their daily routine but at a slower pace as “plows push” and “mountains grow.” Grandma and the kids slide into town, where people are hard at work keeping up with the storm: “Wheels crunch. / Shovels scoop. / Ice cracks! / Awnings droop.”

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Image copyright Jana Christy, 2017, text copyright Linda Booth Sweeney, 2017. Courtesy of G. P. Putnam’s Sons for Young Readers.

The trio has reached Grandma and Grandpa’s house. They all grab shovels and help clear the walk. Now it’s Grandpa’s turn to have some fun. He takes his granddaughter by the hand, seats her little brother on a sled, and walk to the park. There, kids are making snowmen, building snow forts, and zipping down hills on their snow saucers. At the bottom of the hill everyone plops into the fluff and make snow angels.

It’s been an exhilarating, adventurous day, but twilight is on the horizon and now “toes tingle. / Lips quiver. / Cheeks glow. / We shiver.” As grandma calls from her front porch, the little girl and Grandpa, carrying his grandson, race toward home amid the swirling snowflakes. Inside, the light, warmth, and cozy comforts of warm soup, popcorn, and a crackling fire await. Later, the two kids enjoy quiet time with Grandma and Grandpa when “Cocoa warms. / Mittens puddle. / Day dawdles. / We cuddle.”

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Image copyright Jana Christy, 2017, text copyright Linda Booth Sweeney, 2017. Courtesy of G. P. Putnam’s Sons for Young Readers.

With her brilliantly expressive staccato sentences—each only two words long—Linda Booth Sweeney evokes the sights, sounds, and joy of a care-free, snowy day. Each four-line, rhyming verse abounds with melodic verbs that spark readers’ imaginations and concrete nouns that in many places form delightful alliterative pairs that softly trip off the tongue. Readers will love the story line that takes them from a rustic farmhouse to Grandma and Grandpa’s cozy home through woods, over hills, past the highway, and into downtown all with the help of an old-style sled. Several verses full of snow day fun play out like a long afternoon spent with friends, leading naturally into the slower pace and loving comfort of the night spent with Grandma and Grandpa.

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Image copyright Jana Christy, 2017, text copyright Linda Booth Sweeney, 2017. Courtesy of G. P. Putnam’s Sons for Young Readers.

In glorious two-page spreads, the wind-swept snow swirls, spatters, and blankets the world in downy white fluff. Jana Christy takes children into the family’s large farmhouse kitchen where a blackboard announces Grandma’s Sunday sleepover as well as Monday’s snow day in place of the crossed-out piano lesson. The family steps out into the sparkling countryside where purple mountains form a backdrop for the barn and sheep pen. As Grandma and the kids start their journey, the forest, a quiet enclave of teal and greens, welcomes them. By the time they reach town, cars are stuck in snowdrifts, snow shovels scrape against the sidewalk, and kids are heading to the park.

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Image copyright Jana Christy, 2017. Courtesy of G. P. Putnam’s Sons for Young Readers.

The thrill of playing in the snow is palpable as saucers zoom down hills, hats fly off, and hair blows in the wind. The final spreads of Grandma and Grandpa’s tidy home glow with love and laughter as the kids pull off their snow gear, their dog shakes off the snow, and they settle on the couch for cocoa and cuddles. The busy townspeople, happy playmates, and close-knit mixed-race family make When the Snow Falls a cheerful celebration of diversity.

When the Snow Falls is a joyous book to add to winter collections and would be often asked for during home, classroom, and library story times.

Ages 3 – 7

G. P. Putnam’s Sons Books for Young Readers, 2017 | ISBN 978-0399547201

Discover more about Linda Booth Sweeney, her books and her systems work, visit her website.

To learn more about Jana Christy, her art, and her books, visit her website.

National Author’s Day Activity

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Snow Buddies

Even when there’s no snow, you can make yourself a snow buddy with this fun and easy craft!

Supplies

  • White dress ankle socks
  • Polyester Fiber Fill
  • Tiny buttons
  • Fleece or ribbon, enough for a little scarf
  • Toothpicks
  • Twigs
  • Orange craft paint
  • Cardboard
  • White rubber bands, one or two depending on the size of the snowman
  • Fabric or craft glue
  • Small hair band (optional)

Directions

To Make the Snowman

  1. Cut a circle from the cardboard about 2 inches in diameter for the base
  2. Place the cardboard circle in the bottom of the sock
  3. Fill the sock with fiber fill about ¾ full or to where the ribbed ankle cuff begins. Pack tightly while making a sausage shape. You can make your snowman different shapes with the amount of fill you use.
  4. Stretch out the cuff of the sock and tie it off near the top of the fill either with a loop knot or with the hairband.
  5. Fold the cuff down around the top of the filled sock to make the hat.
  6. Wrap a rubber band around the middle of the sock to make a two-snowball snowman. For a three-snowball snowman, use two rubber bands. Adjust the rubber bands to make the “snowballs” different sizes.

To Make the Scarf

  1. Cut a strip of fleece or ribbon 8 to 10 inches long by ½ inch wide
  2. Tie the fleece or ribbon around the neck of the snowman
  3. To Make the Nose
  4. Dip one end of the toothpick into orange paint, let dry
  5. Cut the toothpick in half
  6. Stick the toothpick into the head or top portion of the snowman

To Make the Arms

  1. Insert small twigs into each side of the body of the snowman
  2. You can also use wire or cardboard to make the arms
  3. Attach two mini-buttons to the face for eyes with the fabric or craft glue
  4. Display your Snow Buddy

Interview with Linda Booth Sweeney

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As the weather turns cooler, I’m happy to talk with Linda Booth Sweeney about the event that inspired her first book for children, a favorite wintertime activity, and how we can learn to see and benefit from systems.

How did you get started writing for children?

It seems like I’ve always been writing though it has taken me a long time to call myself a writer. During our last move, I discovered an old cardboard box from my parents’ attic.  After moving it literally for years, I finally opened it this summer. Inside there must have been 15 diaries and journals. When I looked at the dates, I realized that I started writing in those when I was about twelve and I really haven’t stopped. 

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I actually remember the exact day I began writing for children! Jack, my oldest son (now 19), was three. I was pushing him around Cambridge in one of those $20 pop-up strollers. We were a good fifteen minutes from home when a gale force wind blew in. The little canopy on this stroller snapped off and I remember feeling like the stroller lifted up off the ground. This was before cell phones so there was no calling for a ride. I put my head down and ran for home. Well, Jack loved that, and the wind blowing! He was bouncing up and down, pointing to everything he saw: signs rattling, balls rolling, hats flying.

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Image copyright Jana Christy, 2017, text copyright Linda Booth Sweeney, 2017. Courtesy of G. P. Putnam’s Sons for Young Readers.

During his nap that afternoon, I flopped down at my desk, grateful we made it home in one piece. Jack’s excitement was contagious and his words were swimming around my head so I wrote them down. That was the beginning of my first children’s book, When the Wind Blows.

Using short, two-word phrases, your picture books are so evocative of actions outdoors and indoors as well as internal emotions. Can you describe your writing process?

I was mimicking the voice of a three-year old so the two words. Balls roll. Object and action. Noun and verb. It just made sense. In my other books like the one I’m working on now about the sculptor of the Lincoln Memorial, I am writing for older readers (ages 7-12). My sentences are longer. The book is inspired by big themes like being true to oneself, equality, social justice, and love for country so I find myself writing punchy sentences in the scenes and more lyrically the bridges, or the transitions, between scenes.

Do you remember your favorite picture book when you were a child?

As a little kid, I always loved Dr. Seuss books. My imagination was going full tilt as a kid. Dr. Seuss made me feel like the other worlds I created were not just okay but to be celebrated! As a nine-year-old, I devoured Encyclopedia Brown and anything by James Herriot.

Your first book for children, When the Wind Blows, takes readers on a jaunt through town on a blustery day. When the Snow Falls is a joyful romp through a winter day. What is it about weather that inspires you and your writing?

It’s the immediacy that weather brings. When the rain is pouring down or the snow is falling, that grabs my attention. Of course my attention is also on how to keep my fingers warm or my feet dry. But I can’t think of much else. I love that. I have to be in the moment. My favorite poet, Mary Oliver, captures this idea well in her “Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.”

If you’re outside stomping in puddles or making snow angels, who needs to be on a phone? There’s a lot of research coming out that equates nature to a “vitamin” we all need. Richard Louv, the author of Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder, says it well: “Just as children need good nutrition and adequate sleep, they may very well need contact with nature.” 

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You mentioned in one of your blog posts that When the Snow Falls first took shape during “found time” during the winter of 2015 with its four nearly back-to-back snow storms. Do you have any advice for recognizing and taking advantage of found time not only for writers, but for anyone?

I think the biggest opportunity to enjoy found time comes when we’re willing to put down technology. Sure the photos we can take on our iPhone may be lovely but what if sometimes we are just there, fully present, open and even willing to be a little bored.  Maybe then we can be dazzled by the red Cardinal that lands on the white snowman or the hush that creeps in when no can one drive.

What is your favorite wintertime activity?

I love looking for snow art and especially love seeing it through the eyes of little ones. I’m always amazed by the “art” that forms during snow storms – polka-dotted fields, top hats on fence caps, intricate patterns on round porch tables, delicate animal tracks that look like instructions for some kind of dance move. 

And then of course there is cross country skiing with my family and my crazy friends.

Your other work involves Systems Thinking. Can you describe systems thinking and talk about your systems thinking work with children and schools?

Sure. Like a spider’s web, what happens on one part of the web affects every other part. The same is true of living systems. A pond, our family, our school, a city, the climate—these are all systems. They have two or more parts that interact over time. What’s really interesting is that these different kinds of systems share some similarities, and they can act in surprisingly similar ways. (You can learn more about my systems work here).

How does considering systems thinking and living systems benefit children and their education?

Systems thinking, or “Thinking about systems,” means paying attention to the interrelationships and patterns that surround us. My experience, and that of systems educators around the globe, shows that children are naturally attuned to this. They can read If You Give a Mouse a Cookie by Laura Numeroff and then recognize that same closed loop of cause and effect in their everyday lives.  

A few years back I wrote When a Butterfly SneezesA Guide for Helping Kids Explore Connections in our World as a resource for anyone who wants to help children think about interconnections in our world. Each chapter focuses on a favorite children’s picture book—like If You Give a Mouse a Cookie and The Sneetches by Dr. Seuss—and shows how to use the story to engage children in systems thinking. I just finished updating that book and the new version should be up and ready by next week!

To answer your question about how systems thinking benefits children, learning about systems, and about living systems in particular, can help children to make better decisions and avoid unintended consequences. It can also help them to develop a more compassionate and sustainable sensibility about what is beautiful and what is essential.

I always come back to the Joseph Campbell quote—“People who don’t have a concept of the whole, can do very unfortunate things.…”—and flip it: People—and especially children—who have a concept of the whole can do very fortunate things. If we encourage young people to look for the “whole” and not just focus on the parts, they will be geared toward seeing connections and will not see things in isolation. So much in our culture forces us into compartments. But just as we teach kids not to be victims of advertising, we can teach them to see beyond the obvious, to see the systems all around us.  

What’s up next for you? 

My next children’s book is a richly illustrated biography about Daniel Chester French, the sculptor of the Lincoln Memorial.  I am thrilled to be working with Shawn Fields a representational artist on this book.  The working title of the book is Monument Man, and that subject is very much a part of our public conversation at this point in our history. 

Thanks, Linda! Your books inspire us to look closure and pay attention to the moment, and I wish you all the best with them!

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You can connect with Linda Booth Sweeney on:

Her Website | Twitter | Facebook | Linked in

You can find When the Snow Falls with these booksellers:

Amazon | Barnes & Noble | Books-a-Million | IndieBound | Penguin Random House

Picture Book Review

April 14 – It’s National Garden Month and Q & A with Author/Illustrator Wendy Wahman

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About the Holiday

One of the wonderful activities of spring and summer is gardening. As the sun warms, farmers and gardeners till their land and plant seeds with eager anticipation of the harvest to come.  April is Gardening Month, and the second week is designated especially for vegetable gardening. Our meals would not be as tasty and nutritious without carrots, squash, peas, beans, peppers, potatoes, and all the rest of these colorful foods. Today’s container gardens give even reluctant gardeners great ways to grow their own—without the work of a large plot. Whether you enjoy gardening on a large or small scale, take the opportunity of this month to start planting the seeds of a rewarding hobby!

Rabbit Stew

By Wendy Wahman

 

“Rusty and Rojo toiled and tilled in their vegetable garden all summer long.” But now the crops have ripened, and the two foxes are ready to enjoy the bounty of their hard work—so are their neighbors, the Rabbits. As Mommy Rabbit and the bunnies nibble away in a corner of the garden, Rusty gently squeezes the tomatoes and finds them “plump, yet firm.” “Perfectly so,” Rojo agrees as he lifts Daddy Rabbit from the carrot patch. “At last,” Rusty and Rojo exclaim, “the time is ripe for our prizewinning Rabbit Stew!”

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Image copyright Wendy Wahman, 2017. Courtesy of wendywahman.com.

While Rojo picks “lean, green runner beans,” the Rabbits look on worriedly. Daddy tries to hide, but Rusty spies him in the wheelbarrow full of purple kale. Then, when the family dives back into their cozy “hole sweet hole,” they find that their convenient carrot snacks are being abruptly snatched away—only to be added to the pot of “splendid Rabbit Stew.”

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Image copyright Wendy Wahman, 2017. Courtesy of wendywahman.com.

Next come raisins and celery “and roly-poly blueberries.” But what about those white and gray bits of fluff? Will they end up in the foxes’ buckets too? Of course “juicy red tomatoes, fresh sprigs of parsley, and sweet yellow peppers” are also musts for the foxes’ “finest-ever Rabbit Stew.” With the pot overflowing with colorful veggies, only one more thing is needed—“one…big…round…white…bowl…for our favorite Rabbit, Stew—and his family too!”

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Image copyright Wendy Wahman, 2017. Courtesy of wendywahman.com.

With her fertile imagination and a clever play on words, Wendy Wahman offers up a delightful story that will have readers guessing until the very end. Along with the mystery and the yummy descriptions of each ingredient, Wahman presents a counting game for readers. As Rusty and Rojo pick their vegetables, children can count the ten runner beans on the trellis, nine purple kale leaves in the wheelbarrow, eight carrots from the burrow, and all of the other ingredients on down to one. But do Rusty and Rojo need one big white rabbit or something else? Kids will love the twist at the end and cheer to see Daddy Stew, Mommy Strudel, and their little bunnies—Dumpling, Biscuit, and Ragu—dining on the special meal grown and created just for them.

Everyone’s garden should look as deliciously vibrant as Wahman’s riotous patch of vegetables! The vivid colors jump off the page while providing texture and nuance to the illustrations. They also give kids another concept to learn and talk about. Little details, such as the tiny caterpillar and the yellow butterfly that follow the bunnies from page to page, as well as the fancy burrow lined with photos of friends and family will enchant readers. 

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Image copyright Wendy Wahman, 2017, courtesy o f Wendy Wahman.

Welcome themes of friendship, diversity, and inclusiveness can also be found within the illustrations and the story.

Rabbit Stew is a bright, humorously sly story that would be a wonderful addition to any child’s library. The book also makes a perfect companion for trips to the farmers market, on picnics, or to spur interest in home gardening. The attention to the details of what rabbits can safely eat, as well as the number and color concepts provided in the illustrations, makes Rabbit Stew a great choice for school story times and spring lessons.

Ages 3 – 7

Boyds Mills Press, 2017 | ISBN 978-1629795836

You can download a fun Rabbit Stew Activity Sheets from Boyds Mills Press!

Discover more about Wendy Wahman, her art, and her books on her website!

You’ll dig this Rabbit Stew book trailer!

National Garden Month Activity

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Grow a Vegetable Garden Board Game, copyright Celebrate Picture Books, 2017

Grow a Vegetable Garden Board Game

 

With this fun game you and your family and friends can grow gardens inside! Roll the dice to see whose garden will fully ripen first!

Supplies

Directions

Object: The object of the game is for each player to fill their garden rows with vegetables. Depending on the ages of the players, the required winning number of rows to fill and the number of vegetables to “plant” in each row can be adjusted.

  1. Print one Game Board for each player
  2. Print one set of Playing Cards for each player (for sturdier playing items, print on card stock)
  3. Print one Vegetable Playing Die and assemble it (for a sturdier die, print on card stock)
  4. Cut the vegetables into their individual playing cards
  5. Color the “dirt” on the Garden Plot with the crayon (optional)
  6. Choose a player to go first
  7. The player rolls the die and then “plants” the facing vegetable in a row on the game board
  8. Play moves to the person on the right
  9. Players continue rolling the die and “planting” vegetables until each of the number of determined rows have been filled with the determined number of vegetables.
  10. The first person to “grow” all of their veggies wins!

Meet Author/Illustrator Wendy Wahman

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Today, I’m really happy to be chatting with Wendy Wahman about her art, her books, her inspirations, and a really sweet school visit she had recently.

Your bio mentions that you worked for the Seattle Post-Intelligencer until 2009. Can you describe your work there?

I worked in the art department doing maps, graphics, info-graphics and illustrations for every section of the newspaper. Ninety percent of the work was on deadline, so I learned to think and draw fast.

Our poor beloved P-I. It was 146 years old when Hearst closed it down. About 150 of us went down with the ship. Best job I ever had. I miss the variety and culture and importance — and honesty — of journalism. I miss my P-I family, very much.

How did you get started illustrating and writing books for children?

I was really just snooping around for illustration work. I had an idea for a book on dog body language I wanted to do, but imagined ‘a real writer’ should write it. I sent out some of the dog body-language art samples and heard back from four major publishers. Laura Godwin at Henry Holt called me, and was so passionate about dogs and kids—and my art. She asked to see a dummy. What dummy, right? I had no dummy, just an idea and some art samples. I took two weeks off from the P-I and put together a dummy. Laura helped me tremendously, as did my brilliant writer husband, Joe Wahman.    

Don’t Lick the Dog is a how-to primer on being safe with dogs. We followed with the companion book, A Cat Like That. We never did do my dog body-language book. It’s sitting here patient as can be. “Good dog, book.”

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Image copyright Wendy Wahman, Don’t Lick the Dog. Courtesy of Wendy Wahman.

 

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Image copyright Wendy Wahman, A Cat Like That. Courtesy of Wendy Wahman.

Your art is so varied—from humorous to infographics to striking, serious editorial work. You also work with crisp, clean lines and beautiful textures. Can you talk about your process and inspirations?

Thank you so much, Kathy. Well. I sit and think and read a lot. Mostly I just look and try to distract myself from thinking too hard. I like to thumb through my Thesaurus. When I’m stuck, I try to remember to move away. This can be physically—exercise or a walk; mentally—read or look through books; or emotionally—play with my dogs or call somebody. I say, try, because too often I sit rooted, thinking, thinking. Better to get up and move.

What was the inspiration for Rabbit Stew?

I feed my dogs a homemade stew of meat & veggies. Long ago, I was stirring up an enormous batch of dog food, when “rabbit stew” fluttered to mind. Rabbit Stew is also a counting book, counting down veggies from ten to one. It’s also a color book. It was a challenge to find ingredients safe for rabbits, in different colors and not give it away. Like, rabbits love dandelions and they’re very good for them, but I only know a couple of people who would knowingly toss dandelions into the pot. No potatoes; they are toxic to bunnies, and cabbage isn’t good for them either. 

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A happy fan enjoys reading “Rabbit Stew” with lunch! Photo courtesy of Wendy Wahman.

You give presentations at schools and libraries. Do you have an anecdote you’d like to share?

I did a school visit recently in southern California and got to take my mom to a presentation for 4th graders. I introduced her to the students, and they gave her a loud round of applause! Even more tender, when I was signing books (and the other stuff kids want signed), they asked if my mother would also give them an autograph. Is that the sweetest or what? Children can be so inspiring, healing, and wise. 

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Wendy reads “Don’t Lick the Dog” to enthusiastic kindergarteners in Kennewick, WA. Photograph courtesy of Wendy Wahman

You also teach bookmaking to kids. That sounds fun and fascinating! Can you tell me a little bit about these classes?

I’m so glad you asked about these little books, Kathy. I love making them and sharing the process. Anyone can make one. I’ve taught them to kindergarteners through seniors. I call them “Insight Books,” because what comes out can be surprising, revealing, and often cathartic. Random lines inspire images and ideas. Some people write, others write and draw. Sometimes we collage. Even if you do nothing at all put look, the lines may stimulate ideas. These book are fun to make with a partner too. 

What’s up next for you?

I’m very excited about my next book, Pony in the City (Sterling Publishers). Kevan Atteberry’s book, Swamp Gas, releases the same day, Sept. 9th, and we’re talking about having a co- launch party.

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Image copyright Wendy Wahman. Proofs of “Pony in the City” (Sterling, releasing Sept. 9 this year) courtesy of Wendy Wahman.

I’m working on Nanny Paws (Two Lions), a book inspired by my little white poodle, LaRoo, and the children next door. Here’s a picture of LaRoo and my other dog Jody with my friend Vikki Kaufman‘s poodles. Vikki is a breeder of beautiful silver and blue standard poodles. Vikki took the picture, can you tell?  Her dogs are staring straight at her. Poor LaRoo. She is a shy girl and just wants to get away from the masses.

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Wendy with LeRoo and Jody and Vikki’s TinTin, Nickel and Eureka.

I’m also working on a dummy for a beautiful story written by Joe, “One Bird” (www.joewahman.com). I’m doing the art for both Nanny Paws and Joe’s story in a new/old style for me: pencil and watercolor.

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Image from “One Bird,” written by Joe Wahman, illustrated by Wendy Wahman. Courtesy of Wendy Wahman

 Do you have a favorite holiday?

Thanksgiving.

Do you have an anecdote from a holiday you would like to share

If you come over for Thanksgiving, prepare yourself for a vegetarian feast. We don’t eat animals here — but we do make them big, round, splendid bowls of stew.

Thanks so much, Wendy! It’s been a lot of fun! I wish you all the best with all of your books!

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You can find Wendy’s books at these booksellers:

Amazon | Barnes & Noble | IndieBound | Boyds Mills Press

You can connect with Wendy on:

BēhanceFacebook | LinkedIn | PinterestTwitter

Visit Wendy’s shops:

Cafe Press: http://www.cafepress.com/profile/109591016

RedBubble:  http://www.redbubble.com/people/wendywahman/portfolio

Zazzle: http://www.zazzle.com/wendoodles/products

Wendoodles coloring book: http://www.amazon.ca/Wendoodles-Wendy-E-Wahman/dp/1517403456

Picture Book Review

January 10 – It’s International Quality of Life Month and Q & A with Deborah Sosin

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About the Holiday

How one achieves their definition of a good quality of life may differ for every person, but in general it encompasses being happy and satisfied with one’s relationships, work, living conditions, and self. Whether you find happiness and quality of life in outdoor or indoor pursuits, with others or alone, at work or at home, this month’s holiday gives you time to get in touch with your inner quiet place and reflect on changes or improvements to bring you more peace and happiness in life.

Charlotte and the Quiet Place

Written by Deborah Sosin | Illustrated by Sara Woolley

 

Charlotte is a girl who likes quiet who lives in a noisy world. Everywhere she goes, it seems, it’s impossible to escape from sounds that disturb her peace. At home the hallway creaks where “the floorboards groan,” the living room is like an arcade where the “TV bellows and blares,” and the kitchen is filled with Otto’s barks for his dinner. Even in Charlotte’s bedroom, “which is supposed to be a quiet place, the old steam radiator hisses, whistles, and whines. Where can Charlotte find a quiet place?”

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Image copyright Sara Woolley, text copyright Deborah Sosin, Courtesy of sarawoolley.com

When Charlotte goes to school, things are no better. In the classroom kids are boisterous and bells ring; the lunchroom echoes with clattering trays and scuffing chairs; and the playground blares with big voices and stomping feet but also with the little squeaks and rattle of the swings. “Even in the library, which is supposed to be a quiet place, the children giggle, yammer, and yell. Where can Charlotte find a quiet place?”

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Image copyright Sara Woolley, text copyright Deborah Sosin, Courtesy of sarawoolley.com

The outside world resounds with the din of jackhammers, horns, sirens, shouts, cars, music, and the “screeches, rumbles, and roars” of the subway. “Even in the park, which is supposed to be a quiet place, the leaf blower buzzes, blusters, and hums.” Charlotte puts her hands to her ears. “‘Nooo!’” she cries, “‘I have to find a quiet place!’”

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Image copyright Sara Woolley, text copyright Deborah Sosin, Courtesy of sarawoolley.com

On Saturday Charlotte takes her dog for a walk in the park. Suddenly, Otto spies a squirrel and takes off running, wrenching his leash out of Charlotte’s hand. She chases after him down a hill, over a bridge, into the middle of a grove of trees. Out of breath, Charlotte and Otto sit beneath a tree. Gasping, Charlotte’s “belly rises up and down, up and down. Her breath goes in and out, in and out. Hooooo ahhhhh. Hooo ahhh.”

Slowly, Charlotte’s breath comes easier and “her mind slows down.” In this state, she discovers another, even quieter place. It is a place deep inside where her breath is soft and her “thoughts are hushed and low.” It is “a place as quiet as the small silence on the very last page of her favorite book, the silence right after ‘The End.’”

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Image copyright Sara Woolley, text copyright Deborah Sosin, Courtesy of sarawoolley.com

In a little while, Charlotte and Otto leave the grove, but now whenever home or school or the neighborhood is too loud, Charlotte remembers where she can find a quiet place. She simply closes her eyes and pays attention to that place deep in her belly and deep in her mind—“that quiet place inside.”

For so many children the world is a blaring, clattering place where their thoughts are drowned out by the noises around them. Deborah Sosin’s award-winning Charlotte and the Quiet Place validates these feelings and offers children a way to discover inner peace wherever they are. As a tonic to today’s hyper-stimulated environment, kids and adults alike will benefit from the method of mindful reflection Sosin presents. Sosin’s combination of evocative verbs and repetition makes the story fresh and an excellent read-aloud while also mirroring the sounds that are a part of our everyday life.

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Image copyright Sara Woolley, text copyright Deborah Sosin, Courtesy of sarawoolley.com

Sara Woolley’s beautiful watercolor illustrations vividly depict not only Charlotte’s world but the sounds that disturb her peace. Amid the fully realized home, school, and neighborhood environments, complete with realistic details kids will recognize, sharp cracks of equipment, blaring bells and whistles, high-pitched voices, and other noises spark the page. Portrayals of Charlotte, her hands over her ears and her eyes sad, express her distress in a way kids will understand. When Charlotte finds the grove of trees in which she first experiences inner peace, Woolley’s color palette turns softer, with peaceful tones of green, blue, and yellow where, previously, “louder” purples, reds, and golds predominated.

Charlotte and the Quiet Place is a very welcomed book for those times when peace seems elusive and will give comfort to children who prefer quiet places and have more introverted natures. The book would make a wonderful addition to all children’s book shelves as well as to school and public library collections.

Ages 4 – 8

Parallax Press, 2015 | ISBN 978-1941529027

Visit Charlotte and the Quiet Place on her own webstite! You’ll find resources, images and videos, news about events, and more!

Discover more about Deborah Sosin, her writing for children and adults, writing workshops, mindfulness services, and more on her website!

View a gallery of artwork for books, comics,  and other illustration work by Sara Woolley on her website!

International Quality of Life Activity

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Share a Smile Cards

 

Life is better when you share smiles with those you know—and those you don’t! Try it! When you’re out today at school or other places, look someone in the eye and smile. You’ll probably get a smile back—and you can be sure that you will have made the other person’s and your day better!

Here are some Smile Cards that you can share. Why not slip one into your dad’s pocket or your mom’s purse, put one in your friend’s backpack, or sneak one onto your teacher’s desk? You can even leave one somewhere for a stranger to find! Have fun sharing your smiles, and see how much better you and the others around you feel!

Click here to print your Share a Smile Cards.

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Photo by Kevin Day Photography

Q&A with Author Deborah Sosin

 

Today, I’m thrilled to talk with Debbie Sosin, a writer, editor, and clinical social worker who specializes in mindfulness-based psychotherapy, about her first picture book, her choral singing, and how kids respond to her presentations.

In your career you write for adults and children, work within the publishing industry, provide publicity services, and teach. How did you get started? Did you always want to write?

I kept a diary starting at around age ten and always loved writing for school or for fun. I started getting more serious about writing for publication in the past ten years, studied at GrubStreet, attended the Kenyon Review Writers Workshop, and eventually went back to school to get an MFA in Creative Writing. I wish I had started earlier, but it’s been rewarding to finally follow my true passion.

What influenced you to write Charlotte and the Quiet Place?

I wrote the book as an independent project as part of my MFA studies at Lesley University. They say “write what you know,” so I thought about my childhood growing up in kind of a noisy house, where my brother played the piano, my father had a radio and TV on simultaneously, and my mother was on the phone a lot. And then I thought about my longtime meditation practice and how tuning in to my breathing has helped me find a quiet place inside. So I wanted to write a story about children finding their own quiet place inside themselves.

You give school presentations on mindfulness and your picture book Charlotte and the Quiet Place for various ages. Is there an experience from any of these that you would like to share?

School visits are my favorite part of being an author! No matter what age the students are, they love to help me tell the story by repeating the “noisy” sounds and the “hoo ahh” breathing sounds. We usually do a few calming/breathing exercises together and, without fail, even the squirmiest group will settle into a beautiful, shared, often profound silence. Once, when asked where Charlotte finds her quiet place, one kindergarten girl said, “In her belly and in her brain, where it’s calm.” Many kids get that idea. What could be better? I also love showing them my early scribbles and illustrator Sara Woolley’s wonderful sketches and storyboards, and sharing the step-by-step process of publishing the book, from concept to completion

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Deborah Sosin reads Charlotte and the Quiet Place to students at Newton Montessori School. Photo courtesy of Newton Montessori School.

Can you talk a little about mindfulness and how it can benefit children?

Mindfulness has become a catchword these days, but my favorite definition is from Dr. Amy Saltzman: “Noticing what’s happening right here and now, with a friendly, curious attitude, then choosing what to do next.” Many top-notch scientific studies show that mindfulness can help kids with concentration, attention, self-soothing, anxiety, depression, sleep, mood, compassion, confidence…I could go on. Compared with adults, most kids are naturally mindful, that is “in the moment,” but kids do get stressed out and worried about the past or the future, so mindfulness helps. I sometimes worry that parents and teachers might use it for disciplinary reasons (“Enough! Go be mindful in the corner!”), which is not the point. It’s a whole-life practice, not a technique or intervention. And, as the book shows, mindfulness can lead us to a quiet place inside that we can access whenever we want.

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Students at the Cottage Montessori School in Arlington, Massachusetts play the Silence Game with director Karen Wagner, watching the sand in the hourglass. Photo courtesy of Stacey Moriarty.

Can you tell me a little about your work with Grub Street, a creative writing center in Boston?

I started taking classes at GrubStreet in 2008; my first class was “Six Weeks, Six Essays,” and from that class, I helped form a longtime regular writing group. I started blogging soon after and then submitted personal essays for publication, with some good luck. GrubStreet is a fantastic, inclusive community, with excellent faculty and a huge range of motivated, smart, and enthusiastic students, from beginners to veterans. After a few years, I applied to teach classes there and am proud to be on their instructor and consultant rosters now.

You are an accomplished choral singer, having performed at Lincoln Center, the United Nations, Boston’s Symphony Hall, and on an international tour. When did you begin choral singing? Do you have an anecdote you’d like to share from any of your experiences?

I’ve been singing my whole life and have been in choruses since elementary school. Singing with other people is extremely gratifying and, after all the “verbal”-type things I do, including my work as a psychotherapist, it’s a lovely change of pace. I spent about 15 years in the Zamir Chorale of Boston, which specializes in Jewish choral music. Our tours to Eastern Europe, Italy, and Israel were extraordinary. In 1999, when we sang at Auschwitz and Terezin, the sites of former concentration camps, it was hard to keep our emotions in check, but it felt important to revive the voices of the Jewish people that the Nazis had attempted to quell. A PBS documentary film, “Zamir: Jewish Voices Return to Poland,” chronicled our tour that summer. I think it’s still available through the Zamir Chorale website.

What’s the best part about writing for children?

After having focused almost exclusively on nonfiction for most of my writing career, it’s been wonderful to work in the very precise and rich world of picture-book writing with so many lovely, funny, imaginative, and supportive fellow writers I’ve met through SCBWI and the amazing Writers’ Loft in Sherborn, Mass.

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Debbie’s niece Mollie and a friend draw a noisy thing at The Oblong Bookstore event. Photo courtesy of AM Media Group

What’s up next for you?

I have a couple of Picture Book manuscripts in progress and I’m participating in Storystorm (formerly PiBoIdMo) this month, so I hope to generate more ideas and get some new work out there soon.

Since this is a holiday-themed blog, I’d be remiss if I didn’t ask you at least one question about holidays, so…

What is your favorite holiday and why?

Thanksgiving is probably my favorite, as it means getting together with my family, which is now spread far and wide, and having an opportunity to express our gratitude.

Thanks, Debbie, for stopping by and chatting! I wish you all the best with Charlotte and the Quiet Place and all of your future endeavors!

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You can find Charlotte and the Quiet Place at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound | Parallax Press |Porter Square Books (signed copies available)

Connect with Deborah Sosin on

Her Website | charlotteandthequietplace.com | Facebook | Twitter

Picture Book Review

November 18 – It’s National Pet Awareness Month and Q & A with Author Vikki VanSickle

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About the Holiday

Pets give us unconditional love, provide companionship, and add entertainment and fun to our lives. This month is set aside to focus on our pets. To celebrate spend extra time with your furry friend, make sure they have everything they need to stay healthy, and give them a little extra treat. If you don’t have a pet, consider adopting a dog, cat, bird, or small animal from your local animal shelter. You’ll both benefit!

If I Had a Gryphon

Written by Vikki VanSickle | Illustrated by Cale Atkinson

 

Sam gazes at her first pet—a hamster—as he slumbers on his bed of shavings. She’s a little disappointed because mostly all he does is eat, sleep, and hide. She snuggles into her reading chair with a cup of tea and a book of mythical creatures and thinks: “If only I could have a pet / With strange, exotic powers, / I know that I’d find lots to do / To while away the hours.” She considers having a unicorn whose mane she could braid and who she could ride through fields of posies, then remembers that “Unicorns are pretty, / but they’re also very shy. / On second thought, I’d like to give a hippogriff a try.”

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Image copyright Cale Atkinson, text copyright Vikki VanSickle. Courtesy of Tundra Books

Sam plans to take her hippogriff to the dog park to “run and jump and fetch” and “to give his wings a stretch.” Considering it again, though, she realizes that the dogs may find a hippogriff scary and that “when it comes to playing ball, / Well, things could get quite hairy.” Instead, she decides to get a sasquatch “with burly, curly fur,” but then she remembers all the time she’d spend brushing out the tangles. A gryphon with “flashing feathers” sounds better until she thinks how she’d have to fly it every day “regardless of the weather.”

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Image copyright Cale Atkinson, text copyright Vikki VanSickle. Courtesy of Tundra Books

A kraken would be an unique pet, but to survive the cold, wet depths while playing with it she’d need a scuba suit. A warmer companion might be a dragon, although she thinks with its “temperamental snout / I’d need a fire extinguisher / to put her sneezes out.” A kirin could be a possibility, although it needs an ocean of grass to keep it happy; and a jackalope, while cute, is much, much, much too hoppy.

A phoenix might be an enduring pet, but it “needs a chimney nest / That’s smoke and fire proof” while a “Manticore needs special floss / For EACH and EVERY tooth.” There are oh so many creatures to contemplate—from harpies and chupacabras to fairies and kelpies to basilisks and sprites—but each is problematic in its own way.

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Image copyright Cale Atkinson, text copyright Vikki VanSickle. Courtesy of Tundra Books

Sam takes another look at the adorable hamster in its cage and reconsiders: “He may not be a gryphon, / Or a creature from the sea, / But I am his and he is mine / And that’s enough for me.”

Vikki VanSickle’s entertaining rhymes frolic, gallop, and prance through her encyclopedic array of fantastic beasts. Her young readers will be delighted that the fun of an imaginary menagerie is not just for the older set and will eagerly await each newly considered pet. VanSickle includes all the favorite mystical creatures, plus fascinating new ones that will spark kids’ imaginations and have them scrambling to find out more about them. The juxtaposition of attractive and less so traits of each possible pet adds a nip of humor to the verses that will make kids giggle. Sam’s ultimate realization that her hamster is the perfect companion is a sweet ending that reaffirms readers’ own relationship with their pets.

Cale Atkinson’s Sam is already a dreamer when she acquires her hamster. Her mug of tea sports a picture of a narwhal, her bookmark is a paper-thin dragon, and the book of Mythological Creatures that she consults is already well-thumbed. As the little girl with the square-rimmed glasses contemplates each creature as pet, Atkinson presents an illustration that is both humorous and beautiful. The hippogriff with its bird legs in front and horse legs in back is a gorgeous hue of blue, but it’s expressive reaction to seeing the dogs at the park as well as its enthusiasm to play along also causes the dogs to hide behind a tree; the sasquatch is a cutie, but he also snarls her bike, her bed, trees, and road signs in its thick brown hair; and a turquoise dragon may shimmer with lovely scales, but it also chars walls and furniture. Despite its apparent sloth, Sam’s hamster actually is the perfect pet—besides, he might have a secret of his own!

If I Had a Griffin is a fun romp through a mystical realm of pets that kids will love to hear again and again. The book would be a welcome addition to kids’ bookshelves, especially if they have older siblings enjoying that other series that features magical creatures!

Ages 3 – 7

Tundra Books, 2016 | ISBN 978-1770498099

To learn more about Vikki VanSickle and her books as well as to download an If I Had a Gryphon Activity Guide and coloring page, visit her website!

National Pet Awareness Month Activity

CPB - Dog Biscuits

Homemade Dog Treats

 

Pets love it when you do something special for them! Here’s a recipe for homemade dog biscuits that will taste even better than store-bought because they’re made with love! Making dog biscuits is a fun way to spend time together and benefit furry friends. These biscuits make tasty treats for your own pet, or consider making a batch to donate to your local animal shelter. This recipe is easy and proven to be a favorite.

Children should get help from an adult when using the oven.

Supplies

  • 1 large bowl
  • Large spoon or whisk
  • Cookie cutters – shaped like traditional dog biscuits or any favorite shape

Ingredients

  • 3 cups Buckwheat flour
  • ½ cup powdered milk
  • 1 teaspoon salt
  • ¾ cup water
  • 1/3 cup margarine or butter, melted
  • 1 egg beaten

Directions

  1. Preheat oven to 325 degrees
  2. Add buckwheat flour to bowl
  3. Add powdered milk to bowl
  4. Add salt to bowl
  5. Stir to mix dry ingredients
  6. Add water
  7. Add melted margarine or butter
  8. Add egg
  9. Stir until liquid is absorbed
  10. Knead for a few minutes to form a dough
  11. If the dough is too dry, add a little more water, 1 Tablespoon at a time
  12. Place the dough on a board
  13. Roll dough to ½ inch thickness
  14. Cut into shapes with cookie cutters
  15. Bake at 325 degrees for 35 minutes
  16. Biscuits will be hard when cool.

Makes about 40 biscuits

Q & A with Author Vikki VanSickle

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Today I’m pleased to talk with Vikki VanSickle about her books for kids and tweens, her influences, and the unique place she draws inspiration from.

What were your favorite picture books growing up?

My mind was absolutely blown by Miss Nelson Is Missing by Harry Allard and James Marshall. It was likely the first mystery I was exposed to and I have loved mysteries ever since. This is a perfect example of text and illustration working together. Nothing in the text explains the true identity of Viola Swamp (what a name!), but there are hints in the illustration. It takes a certain kind of genius to make readers side with the adult—a beleaguered teacher—instead of the children in the book

Teddy Rabbit by Kathy Stinson and Stephane Poulin really spoke to me because like the main character, I had a teddy rabbit instead of a teddy bear. It also spoke to my deep fear of the subway. Growing up in a small town I was equally fascinated and terrified by the big city. I found Toronto loud, overwhelming, and very fast-paced. The subway in particular was frightening, and the idea of dropping my beloved Bunny on the tracks was as high stakes as it gets. If little Vikki knew that she would grow up to take the subway every day (without fear or incident, in fact I look forward to the extra reading time) she would not believe it.

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Lastly, Steven Kellogg’s Pinkerton books, Pinkerton, Behave and A Rose for Pinkerton were also favourites of mine. I have always loved pet stories, and the giant, clumsy Great Dane with a heart of gold totally captivated me. Especially when he meets his match in tiny but fierce Rose, a kitten after my own heart.

You’ve said that the idea for If I Had a Gryphon grew out of an observation at a bookshop story time. Can you tell me a little about that?

I used to watch my colleague Elaine create actual magic during story time. I was fascinated with which books resonated with the kids. It wasn’t always the ones that I expected. You don’t know how a book will land until you see it read aloud to children. Two things became clear: rhyme was always a hit (plus it was so fun to read) and pet stories were perennial favourites.

At the same time, I had a lot of little customers with older siblings who were obsessed with Harry Potter. They wanted to share in their older siblings’ love of the series, but when I went looking for good storybooks featuring similar creatures I came up short. There were lots of stories about dragons and unicorns, and some beautiful anthologies about mythological creatures, but no storybooks for the youngest readers. I’m a Harry Potter and mythology fan myself, and decided to write a sort of primer to magical pets.

Which of the mythical creatures that you mention in your book do you like best? Why?

This is a tricky one! Before I saw Cale’s illustrations I would have said a phoenix or gryphon, because I think they’re such majestic and fiercely beautiful creatures. But then the art came in and I found myself totally charmed by the enthusiasm of poor hippogriff, who just wants to play ball. I also love that cuddly-looking sasquatch, I think he’d make a great reading buddy.

You mention in your bio that you liked to go to flea markets when you were growing up. Do you have a favorite item that you found at one? Why is it special?

I am like a kid in a candy store at a flea market—I hardly know where to start and I could spend all day browsing through tables and shelves of random objects. It is such a rich source of story ideas that it’s almost overwhelming. Did that trunk come from overseas? Why? When? Who did it belong to? What does the inscription in this book mean? Who wore that wedding dress, and what happened at the party? How did that teddy bear rip its jacket? The possibilities are endless.

I didn’t bring the treasures home very often, it was enough to ponder the ideas they inspired. The one thing I did buy was Nancy Drew books. I completed my entire collection by searching garage sales, flea markets and antique stores.

You interact with your readers through school visits, library presentations, and at festivals. What do you like best about meeting your readers in person? Do you have a fun or interesting anecdote to share from any of your appearances?

Now that I no longer work in a bookstore, I don’t have as much kid-contact as I would like. Visiting schools and libraries gives me a chance to chat with kids, find out what’s important to them, what books they love, what makes them laugh, and just generally be reminded of what a privilege it is to write for this audience.

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In terms of presentations, the students keep me on my toes with insightful questions, comments, and by pushing me to be flexible when an activity doesn’t work or they are more interested in process rather than plot. It sounds obvious, but you need to be very present when you’re working with children. I appreciate the opportunity to be in the moment, connect with readers, and talk about stories.

Earlier this fall during the question period a little boy asked me if I knew how many species of dragon there were in the world. When I told him I did not, he replied “That was a trick question. Nobody knows.”

Besides If I Had a Gryphon you’ve written a series of three middle grade novels (Words That Start with B, Love is a Four-Letter Word, and Days That End in Y) and a coming of age novel (Summer Days, Starry Nights). Can you tell me a little about how you approach the different genres and what you enjoy most about each?

I find them to be entirely different experiences. Picture books to me are about structure, space, and beats. It’s very much like writing a play. As the playwright, you do not cast, direct, or design the costumes, set, or lighting for your show. Your task is to create the bones of a project that many other people will then flesh out. With a picture book, the illustrator takes on role of casting director, costume, set and lighting designer. I believe in the interplay between text and pictures, and as the writer I need to leave the space for an illustrator to do so in the narrative.

Novel writing is a messy, chaotic, immersive process, at least for me. It’s very instinctual. I write in first person, trying to understand the voice of the narrator and her motivations, and the plot is often secondary. I’ll jump all over the place, sometimes writing the same scene in many different ways, occasionally working backwards from what I think might be the end, or switching narrators. I get to a certain point (usually between 60-80 pages) when I stop writing to seriously consider what I have done. I read, take notes, reorder, cut, refine, and then I have the beginning of a structured draft.

What’s up next for you?

I’m in the final throes of a middle grade novel which I’ve been describing as “Stranger Things” for tweens and I have a picture book I’ve been muddling over for awhile now that’s starting to come together.

Since Celebrate Picture Books is a holiday-themed blog, I can’t let you get away without asking you a few questions about holidays, so…

What is your favorite holiday?

Definitely Halloween—costumes, black cats, AND candy? What’s not to love?

Do you have a funny or interesting holiday anecdote you’d like to share?

Here I am dressed as a Rockford Peach, my all-time favourite Halloween costume.

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Has a holiday ever influenced your work?

Not yet, but I would love to write something with a Halloween theme eventually. I have a few ideas rolling around in my head but I haven’t settled on the perfect one yet.

Thanks so much for spending time with me, Vikki! I wish you the best with all of your books!

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You can find If I Had a Gryphon at these booksellers:

Amazon | Barnes & Noble | Books-a-Million | IndieBound | Tundra Books

You can connect with Vikki on:

Her Website | Facebook | Twitter

Picture Book Review

November 8 – X-Ray Day and Q & A with Author Sara Levine

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About the Holiday

In 1895 while Wilhelm Conrad Rontgen was experimenting with cathode rays and glass, he noticed a glow coming from a nearby chemically coated screen. This led him to make an astounding discovery. He found that the electromagnetic energy that caused the glow—which he named X-rays—could penetrate human flesh, but not bone, thus allowing bone to be photographed. For the first time doctors could see inside the body without surgery. X-rays were first used during the Balkan War in 1897 to find bullets, shrapnel, and broken bones in soldiers. While X-rays were an amazing advancement for medical research and patient care, their danger was not readily understood. The novelty of this new technology was used by shoe stores as a fitting device in the 1930s through 50s until the harmful properties of radiation were better appreciated. Today, X-rays and the technology they led to are instrumental in diagnosing injuries and diseases and in targeting a medical response.

Bone by Bone: Comparing Animal Skeletons

Written by Sara Levine | Illustrated by T.S Spookytooth

 

Can you imagine if we sloshed through life like soup without a bowl? What would we set our hats on? Where would we carry our phones? How could we sit in class or the office or perform our favorite activities? And what would happen to our organs, our hair, our homes? It’s all a little disturbing! Fortunately, we don’t have to worry about that scenario because “we’re vertebrates, animals with bones. Our bones hold us up.” Phew!

There are different kinds of vertebrates—mammals, reptiles, fish, and more—but many of our bones are similar. For example, “all vertebrates have skulls and ribs. And we all have vertebrae. Vertebrae stack up one on top of another to make the spine, or backbone.” Humans have vertebrae that end…well…you know where, but imagine for a minute if your vertebra kept on going. What if they poked a hole right through your shorts? Yes! You’re right—you’d have a tail. Tails are pretty helpful for some animals. They help them swim, communicate, even keep their balance.

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Image copyright T. S Spookytooth, text copyright Sara Levine. Courtesy of Lerner Publishing

Good job! Let’s try again…how about if you only had a skull, vertebrae, and ribs. No arm bones; no leg bones. You’ve got it! A slithery snake! Nah…really…you’d look great! Okay, maybe you’d prefer if you had a skull, vertebrae, and arm bones—but no leg bones—and your nose was transferred to the top of your head. Sounds fishy? Maybe, but not quite. Oh! Did I give it away? Yep, you’d be a whale or a dolphin, and you’d use those powerful vertebrae to propel yourself to the ocean’s surface to grab a breath.

Imagine what kind of gloves and shoes you’d need if your “middle fingers and middle toes were so thick that they supported your whole body.” Hey, you’re good at this! It was a trick question. You wouldn’t need gloves, but you’d wear horse shoes (or no shoes if you’re a less domesticated animal like a zebra). Now, let’s take a trip through a room full of fun-house mirrors. What kind of animal would you be if your neck was reeeaally long and each vertebrae was “as big as your head?” Or if your legs were muuuuuch longer than your arms? Or your “finger bones grew so long that they reached your feet? Seeing those transformations is definitely worth the price of admission, right?

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Image copyright T. S Spookytooth, text copyright Sara Levine. Courtesy of Lerner Publishing

But getting back to the bowl of soup: “Could you be an animal if you didn’t have any bones at all?” Sure! Some insects and sea creatures “have their hard parts on the outside,” and some are just “mushy.” Think of worms, slugs, and jellyfish, just to name a few. But bones make life more fun, don’t ya think? So if all vertebrates have bones, what makes humans different? Well, for one thing we (as well as some apes and monkeys) have opposable thumbs, which means that “we can move our thumbs in a special way that allows us to do many things, including turning the pages of a book,” using tools, and picking up objects. “Did you get that one? If so, give yourself a thumbs-up!”

An Author’s Note including more about bones, the types of vertebrates, a glossary, and resources for further reading follow the text.

With humor and a kid’s sensibility of the bizarre, Sara Levine presents an anatomy lesson that young readers will respond to. Juxtaposing individual bony features of humans and animals is a brilliant idea to give children perspective on the differences in animal skeletons and the uses of each unique trait. Levine’s quiz-like format engages readers, encouraging independent thought and active participation as well as building suspense for what transformation comes next. Kids will laugh and learn and be on the lookout for other ways human and animal skeletons differ as they become more aware of the natural world around them.

With illustrations of tailbones sticking out of pants, empty socks, two fingered hands and two toed feet, a neck that needs two scarves, and more, T. S Spookytooth illuminates what it means to be human in an animal world or an animal in a human world. Kids will laugh imagining themselves as Spookytooth depicts them with animal features and “Ewww” when their portrayal dissolves into a muddy mess. The accurate drawings of human and animal skeletons educate readers on the names and placement of particular bones.

The unique approach to the study of human and animal skeletons, the wide range of animals presented, and the enticing writing and illustrations make Bone by Bone: Comparing Animal Skeletons a wonderful choice for libraries and home bookshelves of budding scientists and nature lovers.

Ages 5 – 10

Millbrook Press, 2014 | ISBN 978-0761384649

To learn more about Sara Levine and her books, visit her website! You’ll also discover fun Bone by Bone activities to enhance your reading!

View a gallery of artwork by T. S Spookytooth, plus videos and more on his website!

X-Ray Day Activity

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Dog Paw and Human Hand X-Ray Craft

 

X-rays are cool to look at, but they always stay at the doctor’s office! With this craft you can simulate an X-ray of a dog’s paw and a human hand!

Supplies

  • Printable skeleton templates: Human Hand Template | Dog Paw Template
  • Black chalkboard drawing paper, 8 ½ inches by 11 inches
  • White colored pencil
  • White chalk
  • Clear Plastic Report Sheet Protectors
  • Magnetic clip to hang your x-ray on the refrigerator or other metal surface (optional) OR
  • String or wire, adhesive squares, and clothes pins to hang x-ray on the wall (optional)
  • Scissors

Directions

  1. Print the Human Hand and Dog Paw Templates (you may want to print two—one to cut and one to follow when transferring the bones to the black paper)
  2. Cut the bones apart
  3. Lay the bones on the black chalkboard paper
  4. Trace the bones with the white colored pencil
  5. Color in the bones with the white chalk
  6. Slip the black paper into the plastic report sheet protector
  7. If desired, hang the x-ray on the refrigerator with the magnetic clip or on the wall using string, adhesive squares and clothespins

 

Q & A with Author Sara Levine

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Today, I’m thrilled to talk to Sara Levine about her writing as well as to learn about her early experiences with animals and to discover a kid’s-eye-view of women in science.

Your writing for kids is so infused with humor that really captures their attention. What were some of the books that you liked best as a child?

When I was younger, one of my favorite picture books was Katerine and the Box by Patricia Lee Gauch. I’ve noticed that this book has gone back into print; I was so happy to find it online. It’s basically about creativity. A girl and her friend keep finding new uses for a large cardboard box—a house, a car, a dance platform. I can still recall my feeling of excitement when hearing it read to me—it made me want to go make something. It’s actually a feeling very similar to what I have today when I think of a new idea for a book. There was also a book called Wisher, which was about difference—about a cat who dreamt he was really a fish. I remember that the illustrations were beautiful and somewhat scary—just done in blues, browns and yellows.  As an older child, I loved Charlotte’s Web by E.B White, Lizard Music by Daniel Pinkwater and pretty much everything by Judy Blume.

I don’t suppose any of these books are like the books I write. I used to tell people that I liked my science and my books separate. I just wanted to go outside to learn about science. But, I wanted stories in my books. I don’t think there were any of the sorts of books I write about science out for kids when I was young. At least I didn’t find them. But if I had, I think I would have enjoyed them—the fact that they were funny and interactive. But here’s a picture book I LOVE that I found as an adult that is certainly infused with humor and captures a kid’s (and a grown-up’s) attention: Bark, George, by Jules Feiffer. I think this is currently my favorite picture book.

You grew up on a farm in Guilford, Connecticut. Can you tell me a little about the farm and how or if it influenced your current work?

Calling it a “farm” might be a bit of a stretch. My parents were two kids who grew up in Brooklyn and then moved to CT and decided to get some animals, cheered on by their enthusiastic offspring. First there was a goat, who got lonely. So then there was another goat. And they had a baby. And there was a chicken at school who needed a place to go for the summer. And then never went back to school… And so on. We ended up having over 100 named animals—a horse, a cow, peacocks, geese, a donkey and more. I loved taking care of the animals, with my siblings. It was a wonderful experience, one that I’m very grateful for. But it wasn’t at all lucrative. I think the only money made was by my brother who would sell extra eggs to his teachers.

How did it influence my current work? I’m not sure. Certainly my interest in animals is a lifelong one. I think the stories about the animals actually show up more in my writing for adults than in my picture books. The ideas for the books for children come more from teaching ideas that I think will translate well into a picture book format.

You have a doctorate in veterinary medicine and a masters in fine art. When and how did the two merge into your work as an author?

What a great question. I have always had this science side and this humanities side. A lot of my life, I’ve been struggling with how to balance and feed both sides of myself. It’s taken me a long time to find a way to merge the two interests, and it’s been very satisfying to do so in writing about science, especially for kids.

You offer four different school and library programs, all of which sound fascinating. Do you have any anecdotes from a presentation you’d like to share?

In one of my workshops, the one for Bone by Bone: Comparing Animal Skeletons, I bring in an articulated skeleton for the kids to see and a disarticulated skeleton in a box. The kids learn the bones, and I then hand them each a bone which they take up to the standing skeleton to figure out which bone it is, and then work together to put together the second skeleton on the floor. Inevitably, someone asks if the skeletons are real. They are. I literally found them in the closets, when I started my teaching at Wheelock. There are all sorts of questions about that, generated by the kids, and then, often, someone will ask if the skeletons are “boys or girls.” Recently, at a school near Boston, I was explaining to a group of second graders that both were female, that we could tell by the shape of the hips, and I heard one girl, going, “YES!” and pumping her arm up and down, in victory. The boy next to her says, “Why are you so happy? That means a girl died.” To which she responds, “That’s true. But it also means one more girl in science!”

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Sara Levine leads a workshop at Cold Spring School

What’s the best thing about writing for kids?

I enjoy trying to think of engaging and interactive ways to teach something that hasn’t been taught before. I like the creativity involved. And, of course, reading it to the kids when I’m done and seeing them respond!

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Students at Al Hamra Academy examine a skeleton

You also write articles for adults and were nominated for a Pushcart Prize in 2007. Can you tell me more about your writing for adults?

I write science related essays for adults. The writing comes more from my own experiences.  I do have a handful of essays published. I think the one that was nominated for the Pushcart, “What Hands Can Do” is still available to read online. Here’s a link to it on Fictionaut. It’s about spaying a dog. And more, of course. I think my most successful essay is “The Body of a Cow” which originally appeared in the Massachusetts Review. It’s also on Fictionaut, if anyone wants to have a look. Eventually, I hope to work the essays into a memoir for adults.

What’s up next for you?

I have a book on dinosaur bones which will be published by Lerner next year. I also have three children’s books written which I’m trying to find homes for at the moment—one on animal classification (but interactive, written like a “do your own adventure” story), one on how plants communicate with animals, and one very funny one (if I can say so myself) called “Breakfast at the Omnivore Café,” which is about what animals eat. This one might never get published because it falls into the cracks between nonfiction and narrative fiction, but I haven’t given up on it yet. The book I’m currently working on is an attempt to explain climate change through stories of the carbon cycle. Doesn’t sound very interesting when put that way, but it’s written as an interactive story, and is also actually quite funny in parts, so I think kids will like it.

Since Celebrate Picture Books is a holiday-themed blog, I can’t let you get away without asking you what your favorite holiday is…

Passover. You get to tell a story to children in a way that is interactive and engaging for kids, AND it involves food. What could be better?

Thanks so much for chatting and sharing your unique perspective on the natural world, Sara! I, for one, would love to read Breakfast at the Omnivore Café—that would be one interesting menu, I bet! I wish you the best with all of your books!

You can connect with Sara Levine on:

Her Website | FacebookTwitter

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Bone by Bone: Comparing Animal Skeletons and Sara’s other books can be found at:

Amazon | Barnes & Noble | Books-a-Million | Lerner Publishing

About Sara Levine

Sara Levine is an assistant professor of biology at Wheelock College and a veterinarian.  Her science books for children include Bone by Bone: Comparing Animal Skeletons (2013) and Tooth by Tooth: Comparing Fangs, Tusks and Chompers (2016).  Her third book, Fossil by Fossil: Comparing Dinosaur Bones will be published in 2018.  Bone by Bone: Comparing Animal Skeletons has received much recognition, including the Utah Beehive Book Award, selection as a Bank Street College Best Children’s Book of the Year, and finalist for the Cook Prize for best STEM picture book.

Sara also writes science-related essays for adults, one of which was nominated for a Pushcart Prize in 2007.  Her writing has appeared in the Boston Globe, the Massachusetts Review, Bayou, and in the anthology And Baby Makes More. In addition to teaching college students, she has taught children’s environmental education classes for the Massachusetts Audubon Society and other nature centers in Massachusetts and Connecticut for over 15 years. 

Sara holds a doctorate in veterinary medicine (DVM) from Tufts University, a master of fine arts degree (MFA) in creative nonfiction writing from Lesley University and a bachelor of arts degree (BA) in English from Haverford College.  She is a native New Englander and lives with her daughter and their dogs and cat in Cambridge, Massachusetts.  

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