May 6 – Children’s Book Week

About the Holiday

Founded in 1919, Children’s Book Week is the longest-running literacy initiative in the United States. The 2025 theme is An Ocean of Stories, which celebrates “the vast, collective ocean populated by the stories we read, share, and tell.” The holiday attracts participation from authors, illustrators, publishers, librarians, teachers, and booksellers in schools, libraries, bookstores, and communities across the country. To learn more about the holiday and download bookmarks and posters, activities in English and Spanish, coloring pages in 15 different languages, and much more, visit Every Child a Reader. You can even sign up to continue to get fantastic ideas for connecting with books and reading all year around!

Thank you to Scholastic for sharing a copy of Ballet Brown with me!

Review by Dorothy Levine

Ballet Brown

Written by Bellen Woodard | Illustrated by Fanny Liem

 

To Bellen, “dance is a conversation with the world,”—one she has been in love with since she was two years old. As a young ballet dancer, Bellen’s world was full of color. From brightly colored tutus to rainbow tights, Bellen fit in with the menagerie of outfits the ballerinas wore.

But as Bellen grew older, and dance became more serious, “the rainbow vanished. Pink became the priority. Pink leotard. Pink tights. Pink ballet shoes.” Bellen followed suit, narrowing her wardrobe and pinning back her afro to fit the dress code. But while dancing in class, she gazed in the mirror and reflected: “it looked like my legs didn’t belong with me.” Her legs, in the pink tights, didn’t match her natural skin tone. Delving deeper, Bellen read books about the history of ballet. She discovered that “’ballet pink’ was chosen to be an extension of the ballerina, to appear as beautiful skin gliding across the stage.”

“This tradition needs an upgrade,” Bellen declared. Her mother agreed, and together they shopped for new dance clothing. Bellen showed up at the studio the next day, adorned in her new ballet brown attire—brown tights and brown shoes. Her studio, however, wasn’t ready to make the leap. “‘Pink is tradition,’ the owner said. / ‘Traditions should grow just like we do,’” Bellen replied.

But as time twirled past and the studio stayed the same, Bellen realized they were just not willing to grow into new traditions with her. She knew it was time for a change. “And that’s when I learned sometimes the most powerful thing you can do is walk away.”

When Bellen and her mother walked into a new studio, they knew immediately this would be the right fit. Even the air felt different: “vibrant, warm, and welcoming.” At this new studio, Bellen’s ballet brown inspired other dancers to bring back the rainbow to ballet and show their true colors. Bellen says, “I had finally found a place that would join hands and duet with me. A place where self-expression, like the coolest crayons, colored the room.”

Bellen Woodard’s autobiographical story concludes with a brief overview of her activism and founding of the More than Peach Project, plus a further explanation of ballet brown versus ballet pink. Back matter also includes a conversation with studio owners, tips for dyeing pointe shoes, and heart-felt advice for young dancers and families.

A one-of-a-kind story about a one-of-a-kind dancer and writer. At just fourteen years old, Bellen Woodard has crafted a beautiful story of her journey to stretch the ballet standards and make room for inclusion. Ballet Brown showcases themes of resistance and persistence—that sticking up for yourself can make a difference, not only for you but for others too. In expanding the possibilities for ballet wear, Woodard opened the door for others to do the same. Through this lyrical story, more and more young dancers will feel inspired to do the same—to dance in their own style, however makes them feel seen.

Fanny Liem colors the elegant ballet scenes with rich shades of brown and pink. Liem cleverly plays with mirror reflections, showing “Ballet Pink Bellen” imagining her reflection in brown, and, later, her legs looking wobbly in pink, to show how she felt disconnected from their pale look. When Bellen describes her new studio as having a welcoming air, this is reflected in warmer yellow background tones, whereas her old studio is drawn in stark white. Fanny Liem animates the story with ballerinas of all backgrounds dancing across the pages—further driving the point that dancers shine in all different races, genders, and styles.

Ages 5 – 7

Scholastic, Inc., 2025 | ISBN 978-1546134077

 

Fanny Liem was born and raised in Indonesia. She’s loved drawing since she was a child. Her passion for storytelling and illustration started the first time she grabbed picture books, which were gifted to her by her uncle. When she is not drawing, she enjoys watching movies and listening to country music. You’ll find her on Instagram at wenfancy.

Meet Bellen Woodard

Photo © Tosha Woodard

Bellen Woodard is the young scholar, beloved trailblazer, and CEO of Bellen’s More than Peach Project. As the world’s first Crayon Activist, pioneer of “skin-color” crayons, and founder of the crayon/school supply brand for a new generation, Bellen has transformed an entire industry with a first-of-its-kind, innovative and inclusive project and brand that have become a global movement. She’s received many notable awards and has been featured by Scholastic, TIME, Nickelodeon, and many others. Now entering high school, Bellen embodies self-expression and discovery. She also enjoys world travel, dance, and spending time with family, friends, and her two dogs. And she’s just getting started! Visit Bellen’s More than Peach Project website to learn more.

Hi Bellen, I’m excited to be talking with you today about Ballet Brown and your More than Peach Project. 

In addition to being an author, you launched More than Peach, a global initiative, company, and brand, at just eight years old. Can you tell us about that?

I started Bellen’s More than Peach Project —“More than Peach”—only after successfully changing the language and perception around the “skin-color” crayon in my own school class and community. I wanted to bring that change for the benefit of every single kid around the world. I also had an amazing teacher, friends, and classmates and I loved school (I still do . . .), so I first imagined More than Peach and More than Peach crayons to “let kids be kids and give them their best options” and to celebrate youth leadership and many beautiful colors.

How did you come to write this book? And why did you pick to share this story in a children’s book format as opposed to other mediums?

Well, I’ve been dancing since I was two, and with the support of my parents and lots of advocacy along the way, it’s been a very rewarding dance journey overall. I also began wearing brown in ballet (ballet slippers and tights) almost from the very start and benefited from that in much the same way as another dancer does wearing pink. So, I wanted to be able to share my story and the advocacy in a picture book to connect with all kids and share tools too. I know that having a visual representation can be so important. Most of all, I want young dancers and their families to have built-in support from the dance community and to know that it’s okay to advocate for what’s essential. I also want Ballet Brown to be a conversation with dance studios and spaces that invite young dancers in.

Can you tell us more about the term “ballet brown”?

I coined the term “ballet brown” really to fill a void and capture more of the beauty of ballet and in dance as a whole. We commonly refer to “ballet pink” and not just in dance—so it really surprised me that we had yet to succinctly name and qualify “ballet brown.”  So, to create parity between the two partners, I began using the term “ballet brown” in my own language and saw firsthand how it helped to grow perceptions/a mindset in those around me. I wanted to share that with the whole world. My call to action is simply to apply ballet brown in much the same way as ballet pink to ensure each dancer gets what they need. And it goes way beyond brown tights and shoes. I think taking that step helps expand the world of dance in the most amazing, positive ways.

Can you tell me more about the process of getting this book published?

I was already in touch with Scholastic after being interviewed around More than Peach, and of course I already knew and loved their books. The Scholastic Book Fairs were also one of my favorite times during the school year!  When interviewed, we talked about all of the things I was up to at the time and writing a book was one. So, when they offered to become my publisher, it was a huge honor and a no-brainer.

What was the most unexpected or surprising part of writing and publishing a children’s book?

I think one of the most surprising things has been seeing my first book published in other world languages (English, Spanish, and French) and being able to literally see it change the world . . . one crayon at a time! Early on, I was also surprised at how long the process takes from start to finish.  For example, I began writing MORE THAN PEACH, my first children’s book, in early 2020 once Covid hit because suddenly I had way more time on my hands. (It was published in July 2022.) It’s also been at least 2 years since I began writing Ballet Brown so to see it finally arrive feels surreal! I also never expected to see my books in so many places across the globe, including classrooms, libraries, and museums—even the Library of Congress!

What was your favorite part? I think I have two favorite parts: One is having the creative license to share my story, and the other is being able to collaborate with such a great team throughout the entire process.

What advice would you give to young writers or dancers hoping to follow in your footsteps?

I would say to trust yourself and know that you are the absolute best person to tell and celebrate the story inside of you.

Do you have any new creative projects in the works that you’d like to share about?

There’s a bunch going on! I’ve been very excited about the growth of More than Peach and would have never dreamed I would see my crayons on shelves at Target and other places and my books everywhere! Also, I have such worthwhile partnerships with educators that are growing, which means a lot because my dad’s an educator too, and teachers have always been some of my favorite people! I have also been writing my next book which I’m very excited about and hope to share more about that soon!

Thanks so much for sharing so much about your inspiring work! I’m sure readers can’t wait to see your next book! 

Children’s Book Week Activity

Ballet Brown Activity Pages

 

Be inspired to stand up for something you believe should be changed with these Ballet Brown Activity Pages!

You can purchase Ballet Brown from these booksellers

Amazon | Barnes & Noble | Bookshop

Picture Book Review

May 18 – It’s National Family Month

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About the Holiday

Established by KidsPeace, a private, not-for-profit organization dedicated to helping children and families since 1882, National Family Month is observed during the five-week period between Mother’s Day in May and Father’s Day in June. It coincides with the usual end of the school year, and raises awareness of the important role mothers and fathers as well as grandparents and extended family play as a support system for their children. To observe the holiday spend time talking with your kids about topics of importance to them and plan activities for fun and to help them achieve their goals.  

Thank you to Star Bright Books for sharing a copy of Arletis, Abuel, and the Message in a Bottle for review consideration. All opinions on the book are my own.

Arletis, Abuelo, and the Message in a Bottle

Written by Lea Aschkenas | Illustrated by Cornelius Van Wright and Ying-Hwa Hu

 

Growing up in Cuba, Arletis loved studying maps and wondering about the people and places beyond her island. “Her whole life took place on the long, unnamed street that ran in front of the unnumbered house, where she lived.” Some afternoons, she took the horse-drawn carriage that transported people around town to visit her abuela. While she was there, Abuela told her funny stories about her abuelo, who had died before she was born. Sometimes tears would form in Abuela’s eyes as she talked about her husband. Then “Arletis would suggest they pick the grapefruits that grew like miniature suns in the trees Abuela had planted when she was young” to make her favorite treat cascos de toronja.

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Image copyright Cornelius Van Wright and Ying-Hwa Hu, 2023, text copyright Lea Aschkenas, 2023. Courtesy of Star Bright Books.

Arletis’s life was rich with delicious fruit that grew in trees along her street, swimming in the river when the heat became “so heavy and thick it rolled down the street in dizzying waves,” and playing her favorite game: choreographer, in which she, her cousin, and neighborhood kids danced to the music on the radio. Arletis loved her street, but sometimes she wondered if there was more. In another part of the world—off the coast of Sausalito, California—a man named Steve lived alone on the tugboat with which he had once made his living. While Steve was content on his tugboat, he too wondered if there was more.

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Image copyright Cornelius Van Wright and Ying-Hwa Hu, 2023, text copyright Lea Aschkenas, 2023. Courtesy of Star Bright Books.

For Arletis’s eighth birthday, her parents rented a beach house for a weekend vacation to Playa Bailén, about 30 miles from home. On the bus ride there, Arletis, for the first time, saw the ocean that surrounded her island. On her birthday, Arletis took a walk along the beach and found a green bottle. The top was sealed with tape, and inside she could see a rolled up piece of paper. The paper turned out to be a letter written in a foreign language. Arletis was excited to realize that the bottle had come from another country.

Even though Arletis couldn’t read the words, she wrote a letter about “her life, about her family and her beautiful street. She asked every question she could think of about life in this other country” and she mailed it to the address provided at the bottom of the message from the bottle. When Steve received the letter, he immediately knew it was a response to his message in the bottle that he had given to a friend who was sailing down the coast and through the Panama Canal. The friend had dropped the bottle into the sea after he’d sailed into the Caribbean Sea.

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Image copyright Cornelius Van Wright and Ying-Hwa Hu, 2023, text copyright Lea Aschkenas, 2023. Courtesy of Star Bright Books.

Steve was thrilled to receive Arletis’s letter. He had begun studying Spanish and “had been wishing for someone to practice with.” Two months had gone by since Arletis had sent her letter when she heard the mail carrier call out her name and hand her an envelope. It was the first letter Arletis had ever received, and she handled it with great care. Steve had answered all her questions and even sent a picture of himself and his tugboat. Arletis thought Steve looked “old enough to be a grandfather. Arletis had always wished for a grandfather, so she decided to address her next letter, ‘Querido Abuelo Esteban.’ ‘Dear Grandfather Steve'” and invited him to visit her and her family one day.

Arletis and Abuelo Esteban began writing to each other monthly then in one letter, Abuelo Esteban said he would be coming for a visit. “Arletis couldn’t stop smiling.” When Abuelo Esteban arrived, he brought a gift. It was a map he had drawn “showing the path his bottle had taken, first on his friend’s boat and then on the wide open sea to Arletis’s island. It was the most beautiful map Arletis had ever seen.” During the five days that Abuelo Esteban spent with Arletis’s family, he played baseball with her friends, swam in the river, and enjoyed some of Arletis’s favorite foods. 

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Image copyright Cornelius Van Wright and Ying-Hwa Hu, 2023, text copyright Lea Aschkenas, 2023. Courtesy of Star Bright Books.

On Abuelo Esteban’s last night visiting, Arletis’s mother and Abuela made a special dinner, complete with Arletis’s favorite dessert, cascos de toronja. Abuelo Esteban loved it too. He showed everyone pictures of his tugboat and the dock where it was moored. Arletis thought the dock looked just like a little island surrounded by water. When she asked Abuelo Esteban if he thought an island was a good place to live, he replied, “‘Yes, I think so. Especially if there is another island where you have family you can visit.'” 

Backmatter includes an Author’s Note that outlines how Lea Aschkenas first met Abuelo Esteban at the Sausalito library where she worked and learned about his story. She adds an update to the story about both Arletis, now an adult, and Steve, who has continued to visit his “familia de corazón”— his family of the heart. A recipe for cascos de toronja, glossary of the Spanish words found in the story, and a list of references for further reading, viewing, and listening in both English and Spanish are also included.

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Image copyright Cornelius Van Wright and Ying-Hwa Hu, 2023, text copyright Lea Aschkenas, 2023. Courtesy of Star Bright Books.

Lea Aschkenas’s gentle and uplifting story immerses readers in the sights, sounds, flavors, and warm hearts of Cuba. Her comprehensive storytelling is filled with the types of details about Arletis’s life that will captivate readers and resonate with their own love for spontaneous fun, favorite foods, and family relationships. Aschkenas’s lovely descriptive language—Cuba is an “alligator-shaped island,” boiled grapefruit pith for cascos de toronja is as transparent as “a see-through fish,” Arletis and Abuelo Esteban exchange letters “as regularly as the monthly full moon”—and Spanish words and phrases sprinkled throughout the text paint pictures in children’s minds of the special beauty of Cuba.

Through Cornelius Van Wright and Ying-Hwa Hu’s stunning watercolor illustrations, readers travel to Cuba to revel in the brilliant colors of the buildings and homes, the luscious hues of tropical fruit, the jewel-like water of the rivers and ocean, and, especially, the sunny smiles of the country’s people. When the story turns to the Sausalito dock where Steve lives, children see that the landscape is similar, with homes and businesses painted in pinks, yellow, red, and blue. Palm trees dot the skyline, and the ocean is as blue as the sky. Van Wright and Hu enchantingly capture Arletis’s wanderlust and her excitement to connect with Steve, with whom she immediately forms a grandfatherly bond. Images of Arletis cooking with her Abuela, dancing and playing baseball with friends, and sitting around the family dinner table with Abuela Esteban will charm children as they take this true story into their heart.

Wonderfully evocative and multilayered, Arletis, Abuelo, and the Message in a Bottle is a remarkable story of family, friendship, pride in one’s country, and the joys to be found in reaching out to others across the world. The book is a heartfelt choice for story times at home and school and would make an impactful addition to any classroom or homeschool geography or social studies curriculum. Arletis, Abuelo, and the Message in a Bottle is highly recommended for all home, school, and public library collections. The book is also available in a Spanish edition: Arletis, abuelo y el mensaje en la botella.

Ages 4 – 8

Star Bright Books, 2023 | ISBN 978-1595729699 (English Hardcover) | ISBN 978-1595729705 (English Paperback) | ISBN 978-1595729729 (Spanish Hardcover) | ISBN 978-1595729712 (Spanish Paperback)

About the Author

LEA ASCHKENAS has written book reviews and articles for Washington Post Book World, Los Angeles Review of Books, and Salon. She is also the author of a travel memoir, Es Cuba: Life and Love on an Illegal Island. She fell in love with Cuba and its people on her first trip to the island in the year 2000 and has been returning nearly every year since. Arletis, Abuelo, and the Message in a Bottle is her first book for children. Lea lives in Northern California where she works as a public librarian and teaches with the California Poets in the Schools program. Visit Lea at: leaaschkenas.com

About the Illustrators

CORNELIUS VAN WRIGHT and YING-HWA HU are a husband and wife children’s book illustration team. They have worked on many assignments together, but have also illustrated numerous projects and books individually. They have won a number of awards for their books. Their work has been exhibited at the Bologna Book Fair and the Society of Illustrators’ “The Original Art” show. Cornelius and Ying-Hwa live in New York City. You can learn more about Cornelius and Ying-Hwa Hu and their work at pencilmoonstudio.com. Visit Ying-Hwa Hu at yinghwahu.com.

celebrate-picture-books-picture-book-review-Arletis-Abuelo-and-the-Message-in-a-Bottle-cover

You can find Arletis, Abuelo, and the Message in a Bottle or the Spanish Edition, Arletis, abuelo y el mensaje en la botella, at these booksellers

Amazon | Barnes & Noble | Books-a-Million

Arletis, abuelo y el mensaje en la botella

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop: English Edition | Spanish Edition

 

Picture Book Review

February 1 – World Read Aloud Day

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About the Holiday

Now in its 14th year World Read Aloud Day, founded by global non-profit LitWorld, encourages adults to read aloud to children not only today but every day. Reading aloud to children from birth is one of the best ways to promote language development, improve literacy, and enjoy bonding time together. Millions of people celebrate today’s holiday all across the United States and in more than one hundred countries around the world. Special events are held in schools, libraries, bookstores, homes, and communities, and authors and illustrators hold readings and visit classrooms in person and virtually. To learn more about World Read Aloud Day, visit LitWorld and check out their Activity Hub to find live events, virtual read alouds, downloadable bookmarks, posters, games, and more!

I would like to thank Simon & Schuster and Barbara Fisch at Blue Slip Media for sharing a copy of Love Is Loud with me for review consideration. All opinions on the book are my own.

Love Is Loud: How Diane Nash Led the Civil Rights Movement

Written by Sandra Neil Wallace | Illustrated by Bryan Collier

 

Raised on Chicago’s South Side, Diane Nash is sheltered by her parents from the segregation of the South that they had grown up in. During the Second World War, Diane is taken care of by her grandmother while her father joins the army and her mother takes a job. Her Grandmother Bolton is from Tennessee and showers her with love. “You are ‘more precious than all the diamonds in the world,'” she told Diane, and growing “up in the rhythm and glow of her love” Diane knew “it must be true.”

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Image copyright Bryan Collier, 2023, text copyright Sandra Neil Wallace, 2023. Courtesy of Simon & Schuster/Paula Wiseman Books.

In high school kids of all colors learn together. Diane reads about segregation in textbooks, but it didn’t really touch her. Then she moves to Tennessee to attend Fisk University. Here, when her friends take her to a fair, Diane is confronted with the “sting of segregation” when she sees there are two restrooms: one labeled WHITE and the other COLORED. Her friends have grown up in this system; they tell her “to go along to get along,” but Diane “won’t follow rules if the rules are wrong.” The rhythms of her grandmother’s love and her pride in being “beautiful, honey brown” will not allow her to feel less than others.

In Nashville, Diane experiences the full indignation of segregation that demands separate water fountains and schools, back-of-the-bus seating, and—the worst for Diane—no eating at the lunch counter. She doesn’t want to be arrested for eating at a lunch counter, but neither does she want to let it go. Before each day of college classes, Diane and other students “pray and learn about change in a peaceful way.” They practice calmly sitting and ordering at a lunch counter, knowing that people may be rude, may push them off their stool, may throw sugar in their hair.

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Image copyright Bryan Collier, 2023, text copyright Sandra Neil Wallace, 2023. Courtesy of Simon & Schuster/Paula Wiseman Books.

In February of 1960, Diane, now at twenty-one years old, leads a group of students to a lunch counter in Nashville. Their presence shocks the cooks and waitress, who drops plate after plate from her shaking hands. “Inside [Diane shakes] too. Hands sweating, never forgetting the danger, the fear of being arrested for ordering a sandwich.” Bravely, despite coffee burns and thrown sugar, Diane and the students hold sit ins at lunch counters across the city. And when Diane is arrested, there are hundreds of others to fill her seat.

After a bombing in April Diane, “quietly walking, without any talking… silently leads six-thousand marching feet to the beat of love” to meet the mayor, who at first says there is nothing he can do. Looking him in the eye, Diane asks him questions he cannot deny, and he admits that prejudice and segregation are wrong—even at the lunch counter. “At that moment, love scores. It soars as six thousand loving hands roar with applause.” And in May—Diane has just turned twenty-two—Nashville’s lunch counters are fully integrated. Martin Luther King Jr. congratulates her on her peaceful victory as she moves on to change the rules of bus travel with Freedom Rides, to uphold the “law of the land [that] says everyone is free to sit or stand together in a bus traveling across America.”

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Image copyright Bryan Collier, 2023, text copyright Sandra Neil Wallace, 2023. Courtesy of Simon & Schuster/Paula Wiseman Books.

While the movement makes progress, even attracting the attention of the president, a Mississippi judge charges Diane “with putting Freedom Riders on a bus.” Before her trial, Diane, pregnant with her first child, writes a letter heard around the world that said “‘I believe that if I go to jail now, … it may help hasten that day when my child and all children will be free.'” Her case rivets the world as she chooses to go to jail instead of paying bail. 

After she is released, Diane turns her attention to the issue of voting rights and the state of Alabama, where four young girls are killed in a bombing in a Birmingham church and “where Black people are denied the right to vote.” Following Diane’s example, thousands of adults and children choose jail over bail in protest of the injustice until the Civil Rights Act is signed by President Johnson in 1964 and a year after that when he “signs the 1965 Voting Rights Act to legally end racial discrimination that prevented Black people from voting.” But Diane Nash doesn’t stop there. She takes her message of peace and peaceful change across the country for fifty years, teaching young people “how love creates change.”

Image copyright Bryan Collier, 2023, text copyright Sandra Neil Wallace, 2023. Courtesy of Simon & Schuster/Paula Wiseman Books.

Image copyright Bryan Collier, 2023, text copyright Sandra Neil Wallace, 2023. Courtesy of Simon & Schuster/Paula Wiseman Books.

Extensive back matter includes an Author’s Note and an Illustrator’s Note about the work of Diane Nash; a detailed timeline from her birth to 2022, when she was awarded the Presidential Medal of Freedom; a list of video interviews with Diane Nash, four other books for young readers; sources for quotes found in the story; and a selected bibliography. A photograph of Nash and three other students integrating a lunch counter in Nashville and another of Nash leading demonstrators to meet the mayor of Nashville are also included.

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Image copyright Bryan Collier, 2023, text copyright Sandra Neil Wallace, 2023. Courtesy of Simon & Schuster/Paula Wiseman Books.

Compelling and moving, Sandra Neil Wallace’s lyrical storytelling about the life and work of Diane Nash rivets readers to this young woman’s courage, confidence, and conviction to overturn the injustice of segregation and inequality for Blacks. Punctuated with often-rhyming phrases, and sharp, short sentences Wallace’s text flows with a rhythm of urgency that perfectly conveys not only Nash’s resolve, but the stakes for the peaceful demonstrators and the atmosphere of the times.

Written in the third person, the story directly addresses Nash, but the repeated “you” also builds a chorus that reverberates in each reader’s heart, telling them that they are brave, that they are strong, and that they too can change the world with love. This format poignantly culminates on the last page. Here, Wallace changes the dynamic with a subtle turn of phrase that now directly embraces each reader, letting them know that Diane Nash worked for freedom “because she loved you even before you were born” and reminding them that “Love is fierce. Love is strong. Love is loud!”

Bryan Collier’s rich watercolor-and-collage illustrations draw readers in with their realistic depictions of Diane Nash as a baby and young girl cherished by her family, as a high school and university student, at the fair that changed the trajectory of her life,  leading peaceful demonstrations at lunch counters and across the South, and crossing the country to bring her message to young people. Nash’s self-assurance, courage, and determination are evocatively expressed, and a full-page portrait of Diane looking out at the reader mirrors Wallace’s invitation for them to look into her eyes and see her love there.

Scraps of photographs are sprinkled here and there among the pages, providing a spark of recognition of the time and places depicted. But it is the cut paper elements that make certain images of people and objects jump off the page, working powerfully with Wallace’s text to make readers feel that they too are at the fair, at the lunch counter, joining the throng of marchers. Each page is a masterpiece of history and story that invites study, thoughtful contemplation, and action.

Absorbing, eloquent, and impactful, Love Is Loud: How Diane Nash Led the Civil Rights Movement is biography at its best: a moving tribute Diane Nash set amid a far-reaching immersion in the time period. Love Is Loud belongs in every home, classroom, school, and public library collection to teach children about the contributions of Diane Nash as well as to remind them that vigilance and the work for freedom is an ever-ongoing pursuit.

Ages 4 – 8 

Simon & Schuster | Paula Wiseman Books, 2022 | ISBN 978-1534451032

About the Author

Sandra Neil Wallace writes about people who break barriers and change the world. She is the author of several award-winning books for children, including Between the Lines: How Ernie Barnes Went from the Football Field to the Art Gallery, illustrated by Bryan Collier, which received the Orbis Pictus Book Award and was an ALA Notable Book. A former ESPN reporter and the first woman to host an NHL broadcast, she is the recipient of the Outstanding Women of New Hampshire Award and creates change as cofounder of The Daily Good, a nonprofit bringing twenty thousand free, culturally diverse foods to college students each year through its Global Foods Pantries. Visit Sandra at SandraNeilWallace.com.

About the Illustrator

Bryan Collier is a beloved illustrator known for his unique style combining watercolor and detailed collage. He is a four-time Caldecott Honor recipient for Trombone ShortyDave the PotterMartin’s Big Words, and Rosa. His books have won many other awards as well, including six Coretta Scott King Illustrator Awards. His recent books include By and By, ThurgoodThe Five O’Clock Band, and Between the Lines. He lives in New York with his family. Visit him at BryanCollier.com.

Watch the Book Trailer for Love Is Loud!

World Read Aloud Day Activities 

2022 Presidential Medal of Freedom Ceremony

 

Watch as Diane Nash is awarded the Presidential Medal of Freedom in this White House video from July 7, 2022. You can find President Joe Biden’s remarks about Diane Nash at the 5:50 mark, and see her receive her medal at the 41:29 mark.

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Love Is Loud Curriculum Guide

 

Teachers, educators, and homeschoolers can download an in-depth, 6-page Curriculum Guide for Love Is Loud full of a variety of ways for students to connect with the book and history from Sandra Neil Wallace’s website here.

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You can find Love Is Loud: How Diane Nash Led the Civil Rights Movement at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

May 18 – International Museum Day

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About the Holiday

International Museum day was created in 1977 by the International Council of Museums to raise awareness that “museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” The theme for this year is “The Power of Museums.” Museums are not just repositories of the past. They are vital and active members of the communities they serve and as such can be leaders in tackling some of society’s biggest issues. This year the International Council of Museums aimsto “explore the potential of museums to bring about positive change in their communities through three lenses: the power of achieving sustainability, the power of innovating digitalization and accessibility, and the power of community building through education. To learn more about these initiatives, visit the ICOM website. Celebrate International Museum Day by visiting a museum near you – or visit many world-famous museums through today’s book.

The Ultimate Art Museum

By Ferren Gipson

A blurb on the cover of this astounding book sums up the lofty goals it achieves: “40,000 years of the world’s most amazing art in one dream museum!” Indeed, once readers open the cover and accept the “ticket” offered, they can peruse the museum map that lays out the three wings, 18 galleries, and 128 rooms, plus a cafe and garden, that await them. An note from author Ferren Gipson introduces readers to the range of ways art can influence and reflect their times and the people who lived during different eras.

Gipson’s conversational style follows visitors to this unique museum from page to page, prompting them to look, consider, understand, and make connections. On some pages, a question or comment marked by an eye sends readers to another gallery or room to compare artworks, subjects, or themes across time and cultures. Some of these give a page number to consult, while others allow readers to study a room or gallery to find the artwork referred to.

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Copyright Ferren Gipson, 2021, courtesy of Phaidon.

Wing 1, appropriately, presents “treasures from the world’s earliest civilizations and the earliest art ever made.” Here, children and adults will find cave art; figurines carved from ivory, bone, and stone; treasures from ancient empires, carved reliefs, the painted, sculpted, and gilded wonders of ancient Egypt, Greece, and Rome. The intricate art of the Byzantine, early Islamic, and Medieval worlds demonstrate important aspects of these cultures as do works from ancient East Asia well as South and Southeast Asia. Readers then cross the Atlantic Ocean to discover the pottery, sculptures, and fabrics created by Native societies of North and South America. Each artwork is accompanied by a paragraph that will draw children in with clear, concise, and fascinating descriptions of the artwork, what it means, and, sometimes, even secrets that it holds.

Time for a break? Turn the page and enter the Café, where the “menu,” consisting of “Snacks, Mains, and Dessert” offers delectable choices depicted in paintings and sculpture. Refreshed, readers can step into Wing 2, where the galleries hold treasures from the 1200s to the 1800s created in Asia, including book illustrations, a palepai cloth, a puppet, scholar paintings, porceline, folding screens, carpets, and even the Taj Mahal.

The Renaissance comes to Europe with an impressive display of curiosity and learning that resulted in many changes to society and art. “Artists came up with better ways to mix oil paints and began to paint on canvas for the first time. And what scientists learned about the human body helped them paint and sculpt people who looked very real.” The subjects of artworks expanded too to include “portraits, mythology, and everyday life.” Dragon lovers can take up the challenge to compare two dragons – one created by an Italian master and the other found on a Chinese vase from the Yuan Dynasty.

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Copyright Ferren Gipson, 2021, courtesy of Phaidon.

From 1600 – 1850, dramatic and lifelike paintings became popular. Dark shadows and highlighted areas gave paintings an atmospheric feel that invited viewers to look closely. In one of Diego Velázquez’s famous Las Meninas painting, all of the people portrayed seem to be looking out from the canvas at you. But who are they really looking at? The answer can be found reflected in a mirror on the back wall. In addition to realistic family and town life, landscapes also became popular during this time.

Moving to another room, readers will find that the art of the Pacific Islands is distinctively different in its depictions of “images of gods, spirits, and ancestors of the people who lived there.” Those works created from stone and wood have survived through the ages while “others, such as objects made from delicate spider webs or flowers, have disappeared.” Art from the continent of Africa is up next. With its many unique kingdoms and communities, Africa has produced unique artworks that “celebrate leaders and tell the stories of Africa’s great empires and civilizations.” Clay, wood, metal, ivory, and cloth have been used to “create art with spiritual and practical purposes.”

Ah! Time for a walk through the garden. Which path will you take? The one past Georgia O’Keefe’s “Red Poppy” or one where you can see a moth and a caterpillar on the branch of a citrus tree? Perhaps you’d like to stroll through a hurricane with a tiger on your trail with Henri Rousseau’s “Tiger in a Tropical Storm (Surprised)” or maybe you’d like a fragrant walk through Gustav Klimt’s “Flower Garden.”

 
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Copyright Ferren Gipson, 2021, courtesy of Phaidon.

Wing 3 takes readers to modern times, when “almost anything is possible in art!” In this wing, visitors will see “art that does not have a set purpose.” Instead, the artists represented here “created works that were experimental and personal. They used unusual materials and tried exciting techniques.” In these rooms, readers will encounter the Impressionists, who were interested in capturing a moment in time,  and Post-Impressionists, who experimented with color, techniques, and subject matter. Readers will no doubt recognize paintings by Mary Cassatt, Vincent Van Gogh, and Georges Seurat.

American realist painters took city scenes, sports events, tender moments between family members, and many other topics. The Cubist period began when some artists experimented in showing their subject from a variety of angles at one time. Paul Cézanne, Pablo Picasso, and Georges Braque are just a few of the famous artists who “chopped up and rearranged images” to make a new style of art.

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Copyright Ferren Gipson, 2021, courtesy of Phaidon.

Visitors will also learn about the Dada movement, Expressionism, and American Regionalism. Photography took center stage as cameras became lighter and easier to use. The art of the Harlem Renaissance by Black Americans is reflected in a painting of Harriet Tubman by William H. Johnson, a bronze bust of a boy by Augusta Savage, and a quilt by Harriet Powers – one of only two that still exist.

After visiting a room of modern works from India and Mexico, readers enter the dizzying world of the Surrealists. Surrealism “shows real objects but in a completely fantastical way. It explores how dreams, imaginations, and the inner workings of the mind can be shown in art.” A train emerging from the “tunnel” of a fireplace, a fur teacup, saucer, and spoon, and Salvador Dali’s “drooping” clocks are a few of the works you’ll find here.

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Copyright Ferren Gipson, 2021, courtesy of Phaidon.

In Wing 3, readers will also learn about Collages, Abstract Expressionism, Minimalism, Conceptual art, and Op art that boggle the eyes and mind with their optical illusions. Pop art, Installations, contemporary sculptures large and small as well as Alexander Calder’s mobiles and artwork created from light stand side-by-side with Christo and Jeanne-Claude’s outdoor wrapping installations, Aboriginal Australian art, Feminist art, Chicanx art, performance art, video art, contemporary art, and so much more. If you’re a fan of selfies, you’ll want to stop at the Hall of Selfies and see how four artists anticipated and/or reflect this very modern art form.

Helpful maps accompany each wing and gallery change to show readers where the art in that gallery comes from or its influence. A smaller map inset often orients readers to where the region represented is situated in the world at large.

Back matter includes an Author’s Note, a map of 54 major museums around the world, a glossary of terms found in the text, and an index.

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Copyright Ferren Gipson, 2021, courtesy of Phaidon.

Ferren Gipson is the “cool” docent every visitor wants as their tour leader on a trip to a museum. Full of enthusiasm for art and its impact, gifted with a wealth of knowledge, and quick with a fun fact, a humorous aside, or an intriguing nugget of perspective, Gipson will wow kids and adults alike with her love of all kinds of art. Open The Ultimate Art Museum to any page and readers will immediately be absorbed by whatever style of art or time in history they’ve hit upon and will eagerly wander from gallery to gallery, room to room, page to page to learn more.

The Ultimate Art Museum has applications for strong cross-curricular study for teachers and homeschoolers, expertly connecting history, art, changing societies, and more visually and textually. Gipson’s entertaining and thorough treatment of her topic will get kids excited about visiting museums of all kinds, and arm-chair travelers will wile away many happy hours wandering its pages. 

The Ultimate Art Museum is a must for classrooms and school and public libraries and would be a much-loved addition to home bookshelves or coffee tables.  

Ages 8 and up

Phaidon, 2021 | ISBN 978-1838663780

Discover more about Ferren Gipson, her books, work, and podcast “Art Matters” on her website.

International Museum Day Activity

CPB - Cookie Jar Museum (2)

Create a Museum Exhibit

Every item has a story. Maybe there’s a funny anecdote behind that knick-knack on your shelf. Perhaps your favorite serving dish holds sentimental value. How about your child’s best-loved toy or a drawing or craft they’ve made? A fun and educational way for kids to learn family stories and interact with their own history is to create a museum exhibit of objects in your home.

For teachers this can be a fun classroom activity that incorporates writing, art, and speaking as well as categorizing skills. Students can use objects in the classroom or bring items from home to set up museum exhibits. This activity can be done as a whole-class project or by smaller groups, who then present their exhibit to the rest of the class.

Supplies

  • A number of household or classroom items
  • Paper or index cards
  • Markers
  • A table, shelf, or other area for display

Directions

  1. To get started help children gather a number of items from around the house to be the subjects of their exhibit. An exhibit can have a theme, such as Grandma’s China or Travel Souvenirs, or it can contain random items of your child’s choice, such as toys, plants, tools, even the furniture they see and use every day.
  2. Using the paper or cards and markers, children can create labels for their exhibit items. Older children will be able to write the labels themselves; younger children may need adult help.
  3. Spend a little time relating the story behind each object: where it came from, how long you’ve had it, when and how it was used in the past, and include any funny or touching memories attached to the item. Or let your child’s imagination run free, and let them create histories for the objects.
  4. When the labels are finished, arrange the items on a table, shelf, or in a room, and let your child lead family members or classmates on a tour. You can even share the exhibit with family and friends on social media.
  5. If extended family members live in your area, this is a wonderful way for your child to interact with them and learn about their heritage.

celebrate-picture-books-picture-book-review-the-ultimate-art-museum-cover

You can find The Ultimate Art Museum at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

February 17 – It’s Black History Month

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About the Holiday

Black History Month celebrates the achievements and contributions of African Americans in United States History. Originally a week-long observance initiated by writer and educator Dr. Carter G. Woodson in1926 and occurring during the second week in February to commemorate the birthdays of Frederick Douglass and Abraham Lincoln, Black History Month was officially established in 1976 by then president Gerald Ford. The holiday is now celebrated across the country with special events in schools, churches, and community centers.

The theme for 2022 is “Black Health and Wellness” and focuses on the legacy of not only Black scholars and medical practitioners in Western medicine, but also on alternate ways of practicing medicine throughout the African Diaspora. The 2022 theme considers activities, rituals, and initiatives that Black communities engage in to live healthy lives.

To learn more about Black History Month, find information on this year’s events, access resources for more research, and find content for teachers, visit the BlackHistoryMonth.gov

The Faith of Elijah Cummings: The North Star of Equal Justice

Written by Carole Boston Weatherford | Illustrated by Laura Freeman

During the summer of 1962, when Elijah Cummings was eleven years old, he and other African American children marched for the integration of a Baltimore city pool. They were met with a white mob who shouted at them to “‘Go back where you came from!'” and threw rocks and bottles at them. This protest, organized by civil rights lawyer Juanita Jackson Mitchell, inspired Elijah to consider becoming a lawyer also.

Elijah’s parents had moved to Maryland from South Carolina in the 1940s, where they had worked the land where their parents had once been enslaved and where “Blacks were beaten for seeking voting rights. Elijah, his parents, and his six siblings lived in a four-room row house, where his mother and father – having only a fourth-grade education – stressed the importance of schooling. But for inquisitive Elijah, the nuts and bolts of reading and writing were elusive. Because of the cramped conditions at home, Elijah took to studying at the library, where the librarians tutored him after their shifts and made it possible for Elijah to succeed.

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Image copyright Laura Freeman, 2022, text copyright Carole Boston Weatherford, 2022. Courtesy of Random House Studio.

Through hard work, scrimping, and saving, Elijah’s parents were able to buy a house with more room and a yard. Here, Elijah’s mother became a preacher and grew her small group of women who met in their home’s basement into a small church, the Victory Prayer Chapel. In addition to leading services, Elijah’s mother lived what she believed by helping those in need. Elijah’s father inspired him to become all that he could be. 

Even as a young boy, Elijah worked hard and, on Sundays after church, he listened to Rev. Martin Luther King’s speeches by transistor radio. He watched as African American boys were put into reform school, and he vowed to become a lawyer, but his high school guidance counselor tried to dissuade him. With the help of his parents and the pharmacist at the drug store where he worked, Elijah attended Howard University, where he was a standout student and leader. He became a lawyer and in 1983 was elected to the Maryland House of Delegates.

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Image copyright Laura Freeman, 2022, text copyright Carole Boston Weatherford, 2022. Courtesy of Random House Studio.

“In 1996, Elijah Cummings was elected to the U.S. House of Representatives,” and later became the chair of the Congressional Black Caucus. “He spoke out to ensure that everyone was treated fairly and equally.” Even though he was a leader in Washington DC, Elijah continued to live in his inner-city Baltimore neighborhood, and during the protests against police brutality in 2015, he appealed for calm as he walked “with residents singing an African American spiritual: ‘This little light of mine, I’m gonna let it shine.'” Before his death in 2019, Elijah Cummings was named chair of the House Committee on Oversight and Reform, where, as he had for his entire career, he advocated for change now and for the future our children will inherit.

Quotes by Elijah Cummings on his inspirations, work, and beliefs included throughout the story allow readers to hear in Cummings’ own words his passion and dedication to creating a more equitable and caring America for all. 

A Foreword reprints remarks given by Speaker of the House of Representatives Nancy Pelosi at Elijah Cummings’ funeral on October 25, 2019. Back matter includes an excerpt of the statement from the Congressional Black Caucus upon Cummings’ death on October 17, a Timeline of his life and work, a Bibliography, and Source Notes for the Cummings’ quotes found throughout the story.

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Image copyright Laura Freeman, 2022, text copyright Carole Boston Weatherford, 2022. Courtesy of Random House Studio.

Carole Boston Weatherford’s moving biography of Elijah Cummings highlights the strong and supportive family unit that inspired and sustained Elijah as he grew from a thoughtful and hardworking boy into an empathetic and influential leader. Her focus on formative events in Cummings’ life depict how early experiences often shape the person children become while continuing to inform their opinions, beliefs, and occupations. Through his own words, Weatherford reveals Cummings’ commitment to the children who will read this biography as well as to all young people who will benefit from and carry on his work.

In her rich and expressive illustrations, Laura Freeman recreates pivotal events, touching examples of the Cummings’ family solidarity, and community-based actions inspired by the family’s religious faith to paint a portrait of Elijah’s youth and young adulthood. As he rises to the highest levels within the US Congress, while never losing touch with the neighborhood and people he loved, Freeman’s striking images will entice readers to learn more about Elijah Cummings’ legislative legacy and the workings of Congress and to, perhaps, become involved in their own community.

A masterful biography of Elijah Cummings that deftly interweaves the internal and external influences of his youth with their lifelong effects on his principles, his work, and his lasting influence, The Faith of Elijah Cummings is highly recommended for home bookshelves and a must for school and public library collections.

Ages 6 – 9 

Random House Studio, 2022 | ISBN 978-0593306505

Discover more about Carole Boston Weatherford and her books on her website.

To learn more about Laura Freeman, her books, and her art, visit her website.

celebrate-picture-books-picture-book-review-the-faith-of-elijah-cummings-cover

You can find The Faith of Elijah Cummings at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from 

Bookshop | IndieBound

Picture Book Review

January 10 – It’s National Hot Tea Month

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About the Holiday

I must confess that this is one of my favorite holidays. To me there’s nothing better than waking up with a well-steeped cup of tea, writing while a favorite mug brimming with hot tea sweetened with honey sits nearby, enjoying scones with clotted cream and jam and a hot cuppa…well…you get the picture. People have drunk tea since earliest times for its soothing and medicinal properties. Mellower than coffee and available in endless varieties and tastes, hot tea is just the thing for relaxing moments. Today, enjoy your favorite tea or try a new kind! There’s a world of tea to be discovered – as today’s book reveals!

Thank you to Greystone Books for sharing a copy of Teatime Around the World with me for review consideration. All opinions on the book are my own.

Teatime Around the World

Written by Denyse Waissbluth | Illustrated by Chelsea O’Byrne

 

Two women sit at a table with steaming cups of tea in front of them, talking. “Tea for one. Tea for two.” To the side sits a teapot, its contents still warm. At their feet a child is having a tea party with a bear, jauntily clad in a feathered hat. Cookies, strawberries, and croissants fill out this feast served from a special tea set. “Tea for me. Tea for you.” Tea time continues in Morocco, where a father and child kneel on pillows. The father pours out three cups of mint tea. Made with green tea, mint, and sugar, each cup of tea will have “a slightly different taste.”

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Image copyright Chelsea O’Byrne, 2020, text copyright Denyse Waissbluth, 2020. Courtesy of Greystone Books.

In India a street vendor sells a cup of masala chai to a woman, who’s looking for a peaceful break during her day. The “strong tea and spices like cinnamon, ginger, cloves, cardamom, and pepper…boiled with milk and sweetened” will hit the spot. Hot tea is relaxing, but on a hot day there’s nothing more refreshing than a glass of iced tea. In Thailand, locals and tourists enjoy cha yen, sold from street vendors’ carts. This “strongly brewed sweet tea is poured over ice and drunk from a bag through a straw. Indigenous people in North America soothe fevers, colds, sore muscles, and even sleepless nights with tea made from “berries, plants, and roots.”

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Image copyright Chelsea O’Byrne, 2020, text copyright Denyse Waissbluth, 2020. Courtesy of Greystone Books.

Special tea times—like chanoyu, the Japanese tea ceremony during which matcha, a powdered green tea is served, and afternoon tea, enjoyed with trays of treats world wide—bring people together for comforting respites. You’ll be interested to discover the origins of afternoon tea too! Tea can be served quietly or dramatically, like “teh tarik, or pulled tea…the national drink of Malaysia,” is “poured from up high, or ‘pulled’ between two mugs, to make it frothy.”

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Image copyright Chelsea O’Byrne, 2020, text copyright Denyse Waissbluth, 2020. Courtesy of Greystone Books.

Tea is as old as its discovery thousands of years ago in China and as new as bubble tea, created in Taiwan in the 1980s. In Argentina, Chile, and Uruguay, yerba maté tea is served in hollowed-out gourds with a “special straw called a bombilla,” while in Jamaica sorrel, made from roselle hibiscus buds, “spiced with ginger, cloves, and sugar,” is perfect for any festive occasion. No matter where you live, what flavors of tea you enjoy, or how you serve it, you can always count on “tea for one. / Tea for two. / Loved by all / the whole world through.”

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Image copyright Chelsea O’Byrne, 2020, text copyright Denyse Waissbluth, 2020. Courtesy of Greystone Books.

With a lilting poem that flows from page to page, Denyse Waissbluth introduces unique flavors, special brew methods, and the comforting feeling a cup of hot or iced tea infuses into a day. The shared experience of tea drinking provides a fascinating touchstone for Waissbluth’s travelogue that takes kids around the world to experience the rituals, recipes, and traditions from each country that make their tea unique. Waissbluth’s conversational style will appeal to kids looking to learn how global cultures are similar to and different from their own.

Chelsea O’Byrne’s lovely matte illustrations take children to cities, the countryside, and the seaside around the globe, revealing not only diverse scenes of how tea is made, served, and enjoyed, but homes, food, and clothing as well. Children will be excited to see such homey and intimate portraits of their peers around the world.

Sure to spur readers to learn more about the countries featured and entice them to try their signature teas, Teatime Around the World would enhance geography, history, and multicultural lessons for school and homeschooling and is highly recommended for school and public library collections.

Ages 3 – 7

Greystone Books, 2020 | ISBN 978-1771646017

You can connect with Denyse Waissbluth on Instagram.

To learn more about Chelsea O’Byrne, her books, and her art, visit her website.

National Hot Tea Month Activity

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Tea for You! Word Search

 

Can you find the names of eighteen delicious teas from around the world in this printable puzzle?

Tea for You! Word Search Puzzle | Tea for You! Word Search Solution

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You can find Teatime Around the World at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

October 14 – It’s Hispanic Heritage Month

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About the Holiday

From September 15th through October 15th National Hispanic Heritage Month celebrates the contributions of those who come from or whose ancestors immigrated from Spain, Mexico, the Caribbean, Central America, and South America. Each year the holiday adopts a particular theme. This year’s theme is “Esperanza: A Celebration of Hispanic Heritage and Hope.” From business and industry to culture, sports, and entertainment, Hispanic and Latinx Americans have made an important and indelible imprint on our country. You can learn more about the holiday and find cross-curricular resources for classrooms and homeschooling, videos, exhibitions, and much more from the Smithsonian, the Library of Congress, the National Park Service, the National Gallery of Art, the Nationla Archives and more to use not only this month but throughout the year on the official Hispanic Heritage Month website.

Without Separation: Prejudice, Segregation, and the Case of Roberto Alvarez

Written by Larry Dane Brimmer | Illustrated by Maya Gonzalez

On January 5, 1931 twelve-year-old Roberto Alvarez was happy to be going back to Lemon Grove Grammar School after the Christmas vacation. But when he got there “the principal told Roberto and the other Mexican and Mexican American children that they did not belong there.” He told them to go to the new Mexican school on Olive Street, and when they arrived, their teachers and desks were already waiting for them.

This had all come about stealthily after the school district’s board of trustees received a letter from the parent-teacher association complaining that “the Mexican children didn’t understand English,” which “held back the white students.” The letter also said that the “Mexican children were unclean and endangered the health of every other student in the school.” The board decided to construct a separate school—but without telling the Mexican parents, fearing “trouble.”

But as the Olive Street school was being built, Mexican parents understood it true purpose of segregation and instructed their children not to attend, but to come home. Most of the kids, including Roberto did as their parents told them. “That January morning the Olive Street School stood almost empty, except for two teachers, three students, and many unoccupied desks.” Roberto believed he didn’t need a different school. While his parents had come from Mexico, he had been born in California and spoke English as well as any of the white students.

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Image copyright Maya Gonzalez, 2021, text copyright Larry Dane Brimmer, 2021. Courtesy of Calkins Creek.

The Mexican parents formed the “Comité de Vecinos de Lemon Grove—the Lemon Grove Neighbors Committee”—to talk about the situation. They knew the new school had not been built to “help their students learn the English language and American customs, as the school board and newspapers claimed.” The only deciding factor of which school a child attended was the color of their skin.

The Comité de Vecinos acquired two lawyers, and on February 13, 1931 “Roberto brought the situation in Lemon Grove to the attention of the California Superior Court in San Diego” by filing a law suit against the Lemon Grove School board of trustees. His lawsuit asked that the school district stop discriminating against the Mexican students and allow them to return to the Lemon Grove School. The school board falsely stated that the students’ strike was “organized by Mexico or by groups in Mexico,” and the president told a reporter he knew that the district attorney of San Diego was on the school’s side.

In fact the San Diego district attorney represented the school board in its dealings with the court, saying that the Olive Street School was for “‘better instruction,’” a claim that was different from the minutes from the school board’s summer meetings. He then went on to say that having a school in their own neighborhood was safer since they didn’t have to cross the railroad tracks. But Roberto wanted to go to school with all of his friends—”brown and white.”

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Image copyright Maya Gonzalez, 2021, text copyright Larry Dane Brimmer, 2021. Courtesy of Calkins Creek.

The trial began on March 10, 1931 in San Diego. The lawyers for the school board insisted that the new school was to “benefit the Mexican pupils…not to separate” them. Roberto’s lawyers countered this with the minutes from the board’s summer meetings.

The trial ended the next day, and the decision was handed over to the judge. Two days later, the judge handed down his ruling. He stated that “in the eyes of the law the Lemon Grove School District had no power to set up a separate school for Mexican children.” On April 16, 1931, the judge’s ruling became official and the school board was ordered to immediately admit Roberto Alvarez and all of the other Mexican students “‘without separation or segregation.’” Roberto knew he had to stand up for what was right, and as he and the other Mexican students returned to school, “this time all were welcomed.”

An extensive Author’s Note, complete with photographs of Roberto Alvarez, his third- and fourth-grade classmates in 1928, Roberto’s mother, Lemon Grove Grammar School and its principal, and Roberto in 1999, reveals more about this historical event, the people involved, and the political and social atmosphere in the US at the time. Larry Dane Brimmer also discusses other cases of school segregation and follows up with the consequences for Lemon Grove principal Jerome Green and the successful career enjoyed by Roberto Alvarez as an entrepreneur. Resources used in researching the book are also included.

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Image copyright Maya Gonzalez, 2021, text copyright Larry Dane Brimmer, 2021. Courtesy of Calkins Creek.

Larry Dane Brimmer’s compelling history of this landmark case and biography of Roberto Alvarez and all of the students and their parents who stood up for equal access to schooling is instructive and empowering. The fact that this issue and similar others continue to roil schools, workplaces, and communities, makes Without Separation a vital resource to educate children and adults on system racism and how it spreads.

Brimmer highlights the courage, intelligence, and acceptance that children display and inspires them to lend their voices to change injustice wherever they find it. Brimmer’s clear and precise storytelling allows children to understand the actions and discussions involved in the school board meetings, neighborhood committee meetings, and the trial without losing any of the story’s emotional impact.

Maya Gonzalez’s lovely folk-art illustrations present stylized-yet-realistic depictions of the citrus groves, the school, and the courtroom. Fashions and décor set the time period while also appearing appropriate today. Another portrayal of universality is accomplished in Gonzalez’s two-page spread of the board of trustees’ meeting, in which she pictures the members sitting at a table with only their feet and upper body showing. Not only is this group representative of the 1930 school board, but of the “faceless” masses and committees that often drive policy today. Many images of the Mexican community supporting each other shows readers what can be accomplished when people work together.

An important book that will resonate with its target audience, Without Separation: Prejudice, Segregation, and the Case of Roberto Alvarez is a must-addition to any home, classroom, school, and public library.

Ages 7 – 10 and up

Calkins Creek, 2021 | ISBN 978-1684371952

Discover more about Larry Dane Brimmer and his books on his website.

To learn more about Maya Gonzalez, her books, and her art, visit her website.

celebrate-picture-books-picture-book-review-without-separation-cover

You can find Without Separation: Prejudice, Segregation, and the Case of Roberto Alvarez at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review