September 15 – International Dot Day

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About the Holiday

On September 15, 2009 teacher Terry Shay introduced his class to Peter H. Reynold’s The Dot. From that one event grew a national and then an international celebration of creativity and the freedom to make art with your heart. All around the world, school children and adults are inspired on this day to make their mark and celebrate creativity, courage, and collaboration. Internationally renowned artist Yayoi Kusama, who became famous for her dot paintings and is the subject of today’s book – continues to live this philosophy every day.

Yayoi Kusama Covered Everything in Dots and Wasn’t Sorry

By Fausto Gilberti

 

Yayoi Kusama, with her big, round curious eyes and dotted top gazes out at the reader as she introduces herself. She’d like to tell them her story, she says. She begins with her birth in “Matsumoto, a historic city in Japan with a beautiful castle.” Even as a child, she reveals, she loved to draw and would escape into the meadow to capture in her sketchbook the things she saw around her, the things “that other people didn’t.”

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Copyright Fausto Gilberti, 2020, courtesy of Phaidon.

When she grew up, she moved to New York with dreams of becoming a famous artist. When her money ran out, she gathered scraps of food that had been thrown away at the market and used them to make soup. At home in her apartment, Yayoi painted “hundreds and hundreds of dots onto large canvases.” Often the canvases couldn’t contain all the dots and they ran onto her walls and even her clothes. “But I wasn’t sorry,” she explains. “Each dot was part of thousands of others—they made me feel like I was a single dot that was part of our infinite universe.”

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Copyright Fausto Gilberti, 2020, courtesy of Phaidon.

Even though, Yayoi created lots of paintings, she was still poor. One day Georgia O’Keefe, answering a letter from Yayoi asking for help in selling her paintings, came to visit. She introduced Yayoi “to her art dealer, who immediately bought one of my paintings.” After that, Yayoi painted more pictures and had a successful solo exhibition in New York. More exhibitions followed, and Yayoi’s work expanded. She began making soft cushioned shapes that she used to cover…well…almost everything.

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Copyright Fausto Gilberti, 2020, courtesy of Phaidon.

Yayoi even experimented with pasta, lighted balls, and mirrored rooms. And then she did something daring: She held “‘happenings,’” where she turned people’s bodies into canvases for her art. This brought her more recognition, and she decided that she wanted to “change the world for the better.” With her unique vision, she protested against the Vietnam war and was arrested. Following her release, she began experimenting even more, with clothing styles that brought people together—one dress fit twenty-five people at once!

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Copyright Fausto Gilberti, 2020, courtesy of Phaidon.

Then Yayoi became sick. She stopped creating and moved back to Japan to recover. But much had changed in the years she had been away. Development and pollution had destroyed the nature she once loved. A snowy day, however, restored her desire to do art, and she began writing. When she was better, Yayoi decided to stay in Japan. “I still work nonstop, making paintings, writing books, and designing clothes and other objects” like pumpkins covered in dots, she says. Her artwork can be found in galleries and museums around the world—her dream from so long ago came true.

More about Yayoi Kusama’s life as well as a stirring photograph of one of her art installations—All the Eternal Love I Have for the Pumpkins—follows the text.

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Copyright Fausto Gilberti, 2020, courtesy of Phaidon.

Fausto Gilbert’s captivating biography of contemporary artist Yayoi Kusama will enchant young readers and creators of all kinds. Writing from Yayoi’s perspective, Gilberti hits a perfect tone, allowing children to hear Yayoi’s confidence in herself and her work while also discovering the lean times she experienced and how she reached out for help. Gilberti illuminates the timelessness of Yayoi’s singular creative vision, and its meaning will be embraced by today’s aware and activist children. Her final whimsical revelation about her pumpkin artwork will resonate with imaginative kids, exciting them to believe their own dreams of success are within reach.

Gilberti’s quirky black and white illustrations, later punctuated with Yayoi’s signature red hair, will charm kids and are particularly affective in drawing a portrait of this unique artist. Readers will marvel anew with every page and will especially love the twenty-five-person dress and the idea of Yayoi’s “happenings,” which could prompt a fun bath-time art activity for at-home learning. The book will also motivate kids to learn more about Yayoi Kusama’s work online and to create their own art with abandon.

Inspiring and liberating, Yayoi Kusama Covered Everything in Dots and Wasn’t Sorry is a must for creative kids at home, in the classroom, and at public libraries.

Ages 4 – 7 

Phaidon, 2020 | ISBN 978-1838660802

To learn more about Fausto Gilberti, his books, and his art.

International Dot Day Activity

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Decorate the Dots Coloring Page

 

How would you color these dots? Grab your favorite paints, markers, or crayons and let your imagination fly with this printable Decorate the Dots Coloring Page.

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You can find Yayoi Kusama Covered Everything in Dots and Wasn’t Sorry at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

August 14 – It’s National Crayon Collection Month

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About the Holiday

Kids love going to restaurants that provide a fun placemat and crayons to color with while they wait. But what happens to those crayons when the meal is over? Most times they’re thrown in the trash with the napkins and straws and other items left behind. Wouldn’t it be great if those gently used crayons could go on to be used by other kids at schools that can’t afford such supplies? They can! Begun by Crayon Collection, National Crayon Collection Month encourages restaurants, hotels, and other organizations that provide free crayons to collect the ones left behind and donate them to under-serviced schools. As school arts programs are threatened with budget cuts, these important supplies can make a big difference in the lives of students. The ability of children to express their creativity is a crucial part of their education and growth.  You can get involved too! To learn how you can make an impact, visit CrayonCollection.org. Or look into donating crayons (and other supplies) to a school in your area.

The Crayon Man: The True Story of the Invention of Crayola Crayons

Written by Natascha Biebow | Illustrated by Steven Salerno

Edwin Binney was an inventor who truly appreciated all the colors around him. In fact, “color made him really, really HAPPY!” Perhaps he loved color so much because all day long in the mill where he worked he was surrounded by nothing but black: “black dust, black tar, black smoke, black ink, black dye, black shoe polish. His company sold carbon black, a new kind of pigment, or colored substance, make from the soot of burning oil and natural gas.” Edwin worked with his cousin C. Harold Smith, and their company was called Binney and Smith.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

While Harold was the salesman, Edwin was the tinkerer who had made better pencils for writing on slate and a wax crayon that wrote on both paper and wood. His wife, Alice, thought he was just the person to create better crayons for kids. The existing crayons were too big and clunky, and artists’ crayons were too expensive.

Edwin gave it some thought and started experimenting with wax for substance and rocks and minerals for color. Then he and his workers fine-tuned their batches, adding only “a pinch of this pigment, a sploosh of that one, a little hotter, a little cooler…and voilà, LOTS of different shades!” Now, instead of being covered in black dust at the end of the day, “Edwin came home covered in color.”

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

At the factory, Edwin’s team worked on their top-secret formula and finally poured the mixtures into “thin, crayon-shaped molds” to make crayons that were just the right size for children. Finally, in 1903, Edwin had the product he wanted. “He’d invented a new kind of colored crayon” and wanted a new name to go with it. Alice had just the right suggestion, and Crayola crayons were born.

The first boxes contained eight colors and sold for a nickel. As they shipped out to stores, Edwin wondered if the kids would like them. Children loved their fine points, clear lines, and long-lasting color. By this time, inexpensive paper was also available, so kids didn’t have to draw or write on slate tablets anymore.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

At the St. Louis World’s Fair in 1904, Edwin’s Crayola crayons won a gold medal. As time went on, Edwin and his team made even more colors, many inspired by nature and even the flowers in Edwin’s own garden. Some of the colors you’ll find in a box today were given their names by children, including “macaroni and cheese” and “robin’s egg blue.” Now, kids all around the world can create just the picture they want, with lots and lots of color.

Back matter includes an illustrated description of the process of making Crayola crayons, an extended biography of Edwin Binney, and a bibliography of resources.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

Natascha Biebow’s quickly paced biography of Edwin Binney and the invention of Crayola crayons is a deft portrait of the man and his times that were on the cusp of and central to so many innovations that created the modern world. Biebow’s emphasis on Binney’s willingness to listen and match his inventions to people’s needs is a lesson on collaboration and the true spirit of invention for today’s future pioneers. In her fascinating and accessible text, Biebow relates the problems with late 1800s writing and drawing mediums while also building suspense on how Binney and his team created the new crayons. Children will be awed to discover the thought, experiments, and materials that went into those first thin sticks of color. Short paragraphs that explain more factual information about topics in the story, including carbon black, the availability of paper, European crayons, and pigments are sprinkled throughout the pages.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

Steven Salerno’s color-drenched pages are beautiful tributes to the man who brought a new age of color into children’s lives. In a clever page turn, Edwin Binney stands in his garden with his arms outstretched appreciating the rainbow of flowers, the deep-blue sea, the light-blue sky, and a fiery red cardinal flying by. The next page takes kids into Binney’s mill, where he stands in the same position, but now seeming to bemoan the sooty environment. Salerno brings the time period alive for kids through hair and clothing styles and school and home furnishings. Several pages give readers a field trip into Binney’s secret lab to see the mechanics of making crayons at work. The front and end papers invite kids to give the wrapper-less crayons pictured a name based on their colors and then to make a drawing of their own.

A high-interest biography of the man who changed the way kids could interpret their world, The Crayon Man is a must for young inventors, artists, and thinkers as well as for classroom story times, social studies lessons, and art classes. The book would be a welcome addition to home, school, and public libraries.

Ages 6 – 9

HMH Books for Young Readers, 2019 | ISBN 978-1328866844

Discover more about Natascha Biebow and her books on her website.

To learn more about Steven Salerno, his books, and his art, visit his website.

National Coloring Book Day Activity

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Cool Coloring Pages

You know what to do during Crayon Collection Month! Collect some crayons and enjoy these printable coloring pages for you to print and enjoy!

Cave kid Coloring Page | Dragon Coloring Page | Mermaid Coloring Page

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You can find The Crayon Man: The True Story of the Invention of Crayola Crayons at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

February 14 – International Book Giving Day

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About the Holiday

International Book Giving Day was established by Amy Broadmoore and her son and is now celebrated in more than 44 countries. The idea behind the holiday is for people to buy, share, and donate books so that all children can have access to books and know the pleasure and educational benefits of reading. To learn more about today’s holiday, visit the International Book Giving Day website.  You’ll also discover the names of literacy organizations in your country, find tips on ways to get involved, and find bookmarks and bookplates to download. Today, of course, is also Valentine’s Day, and along with the hugs, candy, cards, and fun, giving a book is a wonderful way to show your child how much you love them.

I received a copy of Birdsong from Greystone Books for review consideration. All opinions are my own.

Birdsong

By Julie Flett

 

On a rainy, gloomy day a little girl, Katherena, and her mother pack up their last belongings for a move from their house in a seaside city to the country. Katherena thinks about all the friends and relatives she’ll miss. She thinks about how she’ll miss her “bedroom window and the tree outside. ‘Goodbye, tree friend,” she whispers. They drive past fields and over mountains, stopping to watch a coyote cross the road.

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Copyright Julie Flett, 2019, courtesy of Greystone Books.

Their new home crowns a hill that overlooks a field now dotted with snowdrops. Two trees stand nearby. Inside, Katherena climbs the creaky stairs to her room. She places books, a toy whale, and her drawing supplies on the shelf next to the window and above a small desk “for drawing.” Now, though, her hands are cold and she doesn’t feel like drawing. That night she and her mom “bundle up together under the covers in [their] new home in the country, far from the sea.”

Summer comes and Katherena sits under a tree listening to the “peeps and whistles and ribbits and chirps” and watching her neighbor Agnes working in her yard. Katherena’s mother encourages her to go over and meet her. Katherena takes their dog Ôhô, which “means owl in Cree,” and says hello to Agnes. Agnes has heard a lot about Katherena from her mother––especially that she likes to draw. Agnes makes things out of clay, and as she shows Katherena around, Katherena admires the objects she’s made. “They look like the branches and birds and flowers.” After her visit, Katherena is excited to go home and draw.

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Copyright Julie Flett, 2019, courtesy of Greystone Books.

Throughout the fall, Katherena visits Agnes again and again, helping her with her garden. The weather is turning “cold and windy and creaky. Agnes says she’s getting creaky too.” One day Agnes shows Katherena a round pot she is working on. She talks about the phases of the moon, and Katherena tells her about Cree seasons and that “this month is called pimihâwipîsim—the migrating moon.”

In the winter Ôhô enjoys his first snow, tobogganing with Katherena until they’re both soaked through. Later, Katherena warms up near the fireplace and helps her mother make salmon stew for Agnes. Agnes’s daughter has come to help her mother during the winter. In exchange for the stew, Agnes gives Katherena snowdrop bulbs to plant next fall. Katherena thinks “they look like tiny moons,” which gives her ideas for more drawings.

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Copyright Julie Flett, 2019, courtesy of Greystone Books.

Spring finds Agnes weaker, and Katherena sits on the end of her bed as they listen to the birds singing in the trees and “the tickle of the branches against her window.” When the snowdrops begin to bloom, Katherena wishes Agnes could see them. Suddenly, she has an idea. She gets her drawings from home and with Agnes’s daughter’s help, she papers the walls of Agnes’s room with her drawings of birds, trees, flowers, and other things from nature. Gazing at the walls, “Agnes says it’s like a poem for her heart.”

For the rest of the day, Katherena and Agnes “talk about making things” and sit together in happy silence “until it’s time to say goodbye.” Katherena’s heart is heavy, but she feels fortunate to know Agnes. Later that night, ayîkipîsim, the frog moon, is full.” Her mom and she snuggle up together under the soft blankets. Her hands are warm, and she falls asleep thinking about her friend.

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Copyright Julie Flett, 2019, courtesy of Greystone Books.

Quiet and deep, Julie Flett’s story of a little girl who moves from the city home she knows and loves to a house in the country, where she meets a kindred spirit touches the heart. Generosity, friendship, and acceptance flow through each page as Katherena learns to embrace her new home, a mentoring friend, and the seasons of life. Our connection to the natural world is beautifully represented in Katherena’s drawings, Agnes’s pottery, and the pair’s gardening. Their intergenerational relationship, forged through proximity and similar talents is profound in its calm comfort and heartening love as they teach each other new ways of understanding life—Agnes from her long years of experience and Katherena through her heritage and the lovely Cree words and ideas she shares with her friend.

Simple, earthy details—a coyote on the road, mulch and worms in the garden bed, salmon stew, snowdrops in a field, the phases of the moon—root the story in the common and surprising moments in life that unite us all. Katherena’s mother and Agnes’s daughter provide comforting emotional and physical support while hinting at another cyclical aspect of life.

Flett’s textured illustrations, in soft, muted earth tones, capture the mood, the emotions, and the seasons with a fresh yet traditional feeling that reveals and reflects the story’s themes. The two-page spreads that introduce Spring, Summer, Fall, Winter, and Spring again are minimalistic beauties that give readers a moment of reflection before moving on—much like transitional weeks between seasons.

A story that children and adults will take into their hearts, Birdsong belongs on all home, school, and public library bookshelves.

Ages 3 – 8

Greystone Books, 2019 | ISBN 978-1771644730

To learn more about Julie Flett, her books, and her art, visit her website.

International Book Giving Day Activity

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Image by Sanne Dufft for International Book Giving Day 2020.

International Book Giving Day Bookmark and Bookplate

 

Celebrate today’s holiday with these book accessories that you can add along with any book you give a child.

International Book Giving Day Bookmark| International Book Giving Day Bookplate

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You can find Birdsong at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

January 31 – Inspire Your Heart with Art Day

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About the Holiday

Today we celebrate the feeling you get inside when you create or experience art. Art can inspire, gladden, sadden, anger, teach, and compel action. It can also provide joy and inspiration when you need it most. Celebrate today’s holiday by visiting a museum, bookstore, library, concert, or gallery.

Nature’s Friend: The Gwen Frostic Story

Written by Lindsey McDivitt | Illustrated by Eileen Ryan Ewen

 

“Gwen followed her brothers and sisters everywhere, like a small fawn follows its herd.” Even though an illness in babyhood had left her hands and one foot weak and her speech slurred, Gwen grew up confident that she could do anything. Born in 1906, Gwen, as a child with disabilities, would normally have stayed home instead of attending school. But her mother had been a teacher, so she sent her to school and “pushed her to learn.”

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Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

The other kids giggled and whispered behind her back, and while she wanted to hide, she instead “gathered up knowledge like a bird builds a nest.” Her teachers thought she would never be able to write. To strengthen her hands, her mother encouraged her to draw, keeping a drawer full of supplies within reach. As Gwen sketched, her grip grew firmer.”

While making friends was difficult, Gwen found companionship in nature. She loved to spend time outdoors watching the unfurling ferns and frogs that “lapped up bugs with long, quick tongues.” From nature, Gwen learned, “‘all things are vital to the universe…all are equal…and at one…different.’”

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Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

A move to Detroit when she was twelve introduced Gwen to the buildings and people of a big city. In high school, Gwen, now stronger, took mechanical drawing and shop class. Later, in art school, Gwen was introduced to linoleum, in which she carved intricate images for printmaking. Gwen’s dream was to be an artist, but she also knew she needed to earn money to pay expenses.

She started a business making objects from hammered metal. Word of her art spread quickly. It was bought by leading Detroit families, and Gwen was invited to exhibit her art at the 1939 World’s Fair in New York. When World War II broke out, Gwen went to work building bombers. She even designed tools for building the planes. Contributing to the war effort was important, but Gwen still “longed to create art.” She bought a printing press and opened “Presscraft Papers stationery company.”

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Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

Gwen began to miss the nature she loved so much, so she packed up and moved back to Michigan. There, “she walked deep into the wetlands” and began carving linoleum blocks, recreating nature as she saw it. “She wanted others to see nature as she did, to recognize the value of plants, trees, and animals.” She made prints from her linoleum blocks and created greeting cards on her press. Her beautiful artwork reminded people of nature’s bounty at a time when the environment was threatened with pollution. People came from all over to her shop in the Michigan woods to buy her art that spoke to them: “‘Love this earth, / Love it’s waters… / Care enough to keep it clear.’”

An Author’s Note reveals more about Gwen Frostic’s life and provides a sketching craft for readers.

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Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

Lindsey McDivitt’s superb biography of Gwen Frostic—an artist, inspiration, and pioneer for career women and the disabled—introduces children to a woman who, through persistence and confidence, lived life on her own terms. McDivitt’s lyrical prose infuses the story with the poetry of nature that Gwen internalized and translated into the art that people continue to admire and seek out. McDivitt’s thorough storytelling and excellent pacing allow for a full understanding of Gwen Frostic’s achievements. Young readers will be fascinated by the life work of this talented and determined artist.

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Eileen Ryan Ewen captures Gwen Frostic’s strength of character, can-do attitude, and love of nature in her stunning artwork. Full-page illustrations follow Gwen from her beloved Michigan woodlands to Detroit to art school and through her life as an artist and business woman. Images of Gwen carving a linoleum block, sketching designs for new tools as she sits next to a fighter plane and the woman installing rivets, working an old printing press, and greeting visitors at her shop broaden readers’ understanding of the times and Gwen’s work.

An exceptional picture book that provides encouragement and inspiration, Nature’s Friend: The Gwen Frostic Story is a must for classroom libraries and would make a positive impact on young readers as part of their home library.

Ages 6 – 10

Sleeping Bear Press, 2018 | ISBN 978-1585364053

Discover more about Lindsey McDivitt and her books on her website.

To learn more about Eileen Ryan Ewen, her art, and her books, visit her website.

American Artist Appreciation Month

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Nature Coloring Pages

 

If you love nature like Gwen Frostic did, you’ll enjoy these printable Nature Coloring Pages.

Meadow Coloring PageOcean Coloring Page

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You can find Nature’s Friend: The Gwen Frostic Story at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

December 17 – Celebrating Read a New Book Month with Art

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About the Holiday

Today, I’m featuring another interactive book that will get young readers excited about learning more about art—or in this case—architecture. A great book can help kids find role models from the past or today that they can connect with philosophically and creatively. A book that touches on, validates, and encourages a child’s talent or dream is a gift that lasts a lifetime.

Meet the Architect! Frank Lloyd Wright

By Patricia Geis

 

Artists can be endlessly fascinating not only for their work but for their lives, which influence where they get their ideas, how they create each piece, and what made them an artist in the first place. In Meet the Architect! Frank Lloyd Wright, readers get an opportunity to discover the backstory, the influences, the three architectural rules, the clients, and, of course, the buildings of this master architect, whose mother predicted his profession before he was even born and “surrounded his crib with drawings of cathedrals.” This deep dive into Frank Lloyd Wright’s life is accomplished not only through text, but with little fold-outs that are themselves illustrated booklets, 3D popups, illustrated panels that extent the pages, tabs, a portfolio of postcards, and more.

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

But let’s get started! Young readers may wonder what Frank was like as a kid. Learning that his grandfather, Richard Lloyd Jones, a Welsh milliner who made “‘black cone-shaped hats that ended in a point, worn as much by witches when they flew on their broomsticks as by other Welshmen,” will only whet their appetite to know more, and they won’t be disappointed. In addition to the text that briefly outlines Wright’s ancestry and earliest work experiences and defines what an architect is, a child asks a few questions.

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

The first speech bubble asks, “How was he as a kid?” Readers open it up to see a photograph of Frank at age 10 accompanying a description of the books he read, the activities he and his best friend did, the newspaper he created, and even why “he called himself Aladdin” for a while. Readers next meet him at 16 in a photo of his very large extended family, and they also get to see his Uncle James’ house where he spent eight summers working on the farm. The exterior photo of the house Wright made for his family. Two other speech bubbles introduce children to the house Wright designed and built for his family and a discussion of his favorite color, complete with full-color photographs.

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

No artist is created in a vacuum, so author Patricia Geis includes a discussion of Friedrich Froebel, the creator of kindergarten and designer of twenty games that engaged children in geometry, creating dimensional shapes, building, and crafts and were influential in Wright’s development as well as in that of many well-known “artists, philosophers, and architects who would invent the abstract language of modern art.” A popup on the page replicates one of Froebel’s games.

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

Wright’s father was also influential in his son’s education. He taught him to love music and “see the composer as a builder. For Wright, music and architecture were constructed by means of a system of units: the notes in music and the bricks in a house.” Just as notes are written on a staff, an architectural drawing is created on a grid. A detailed popup of Unity Temple built in 1908 in Oak Park, Illinois demonstrates how the building is positioned on a grid while a fold-out panel presents images of a floor plan, a cross section, a perspective drawing, and two photographs—one of the exterior and one of the interior of this beautiful temple.

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

Wright is well-known for setting his buildings in harmony with their surroundings. In her chapter “The Landscape,” Geis explains that Wright believed all buildings should adhere to “‘organic architecture,’” which meant they should “be in harmony with the landscape, respect the materials of construction, and respond to the need of the client.” She goes on to talk about Taliesin, the house, studio, and farm where he opened a school of architecture in 1932,, and Taliesin West in Arizona. These two landmarks are presented first with small framed photos (which cleverly mirror pictures on an art gallery wall) that open up to show how the buildings blend in with the environment and second with foldouts that include interior and exterior photographs as well as accompanying text.

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

Fallingwater, built in 1936, is one of Wright’s most famous designs, and with the pull of a tab, readers can transform the waterfall that hosts this house into the showstopper it became. More photographs and text present Wright’s philosophy about the house and land as well as the level of detail that went into building it—even to his choice to paint “the upper part the same color as the underside of a rhododendron leaf.”

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

“Wright believed that every house should fit its inhabitants, like a made-to-measure suit.” To see just how he accomplished creating one-of-a-kind houses, readers can flip through a portfolio of five postcards, each of which presents a color photograph of the exterior of the house on the front and a description and interior photographs on the back. Visitors to the Guggenheim Museum in New York have experienced how Wright brought “the forms of nature to the city.” Shaped with the spiral of a snail’s shell, the museum showcases the art collection of Solomon r. Guggenheim, who bought “the works of such avant-garde artists as Kandinsky, Klee, Picasso, and Mondrian. Perhaps Wright’s connection with some of these artists through their common adoption of Froebel’s games early in their development is one reason the museum and the art work so well together.

A natural teacher, Wright would no doubt invite readers of this book to do some architectural exploration of their own, and so Geis has included sheets of card stock blocks, shapes, cubes to build, and other elements as well as a grid for children to play with.

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Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.

Patricia Geis is an engaging and compelling tour guide on this absorbing survey of Frank Lloyd Wright’s life that spanned from 1867 to 1959 taking in Reconstruction, “the Industrial Revolution, the coming of electricity, two world wars, and the invention of television.” Her clear and straightforward storytelling draws readers in with intriguing details, information about his childhood, and sprinkled-in direct appeals for them to look closer at or notice something in the photographs. Geis does an excellent job of connecting Wright’s early influences to his later work and his architectural philosophies to his finished projects. Each two-page spread creates a chapter of sorts, making it easy for kids and adults to dip into the book as they wish or to read it all in one sitting. Charming illustrations of wanna-be architects on various pages invite kids along on this beautiful and beautifully done journey of discovery.

A stunning book that any child—or adult—would cherish, Meet the Architect! Frank Lloyd Wright is highly recommended for anyone interested in architecture or any of the arts. I would also encourage readers to check out the other books in this series, including Meet the Artist! books about Henri Matisse, Pablo Picasso, Alexander Calder, Vincent van Gogh, and Leonardo da Vinci. If you are looking for a unique gift for a teacher or someone on your list, you can’t go wrong with this book.

Ages 7 – 12 and up

Princeton Architectural Press, 2019 | ISBN 978-1616895938

You can learn more about Patricia Geis, her books, and her art here.

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You can find Meet the Architect! Frank Lloyd Wright at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

December 16 – Celebrating Read a New Book Month with Art

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About the Holiday

Discovering new books about a favorite subject or one that presents a topic in a new and interactive way is one of the joys of reading. Today and tomorrow, I am featuring two new books that engage kids in the study of art in interactive and exciting ways. Getting to see the world in unique and creative ways is one of the purposes of art, and these books get readers thinking about the whys and hows of some of the world’s influential artists.

Art this Way

By Tamara Shopsin and Jason Fulford

 

As children—who are naturally creative—know, art is not static but interactive and thought-producing. In Art This Way, author-artists Tamara Shopsin and Jason Fulford invite readers to “see like artists” by introducing them to twelve works of art in the collection of the Whitney Museum of American Art. The eye-catching cover with a cut-out window that frames Carmen Herrera’s Black and White screen print—a black-and-white-striped optical illusion—that, as children discover when they open the cover, looks the same upside down.

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Copyright Tamara Shopsin and Jason Fulford, 2019. Courtesy of Phaidon.

One photograph of Marisol’s sculpture Women and Dog—in which “each of the women is a self-portrait of the artist—can’t fully represent this piece, so readers are presented with three. These fold-out images allow children to “walk around” the sculpture to see the intriguing (and humorous) back and get an up-close view of one of the women’s head, which appears to be looking in all directions.

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Copyright Tamara Shopsin and Jason Fulford, 2019. Courtesy of Phaidon.

Five screen prints from Andy Warhol’s portfolio Flowers demonstrate the impact of identical images of flowers rendered in different colors. Folding out the pages puts these paintings side-by-side so that kids can choose their favorite or discuss the differences. Sometimes art isn’t at eye level, but below our feet or above our heads. Two doors—one that opens down and one that opens up—reveal two such examples. A photograph by Helen Levitt of children creating chalk drawings on a sidewalk and a whimsical mobile by Alexander Calder will captivate readers.

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Copyright Tamara Shopsin and Jason Fulford, 2019. Courtesy of Phaidon.

Lovers of comics and graphic novels will be drawn to the close-up and far-away views of an explosion by Roy Lichtenstein, which is composed of solid-color blasts and rays amidst clouds of red and blue dots. Cindy Sherman showed the personal side of art with photographs of “herself pretending to be different characters.” Kids get to try out their own artistic side with the mirror that beckons them to “look in” and try on the round glasses for size. Finally, one of the wrapped objects that have made Christo well-known around the world awaits readers, enticing them to guess what might be inside.

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Copyright Tamara Shopsin and Jason Fulford, 2019. Courtesy of Phaidon.

Each of the works of art presented here have been well-chosen by Tamar Shopsin and Jason Fulford to encourage young readers to discover art not only in museums but all around them and to explore their own creativity. Each page invites readers to talk about the piece and to try their hand at using it to inspire a piece of their own.

A wonderful and fun way to introduce youngest readers to the joys of creativity, Art This Way makes a unique addition to home, classroom, and public library board book collections.

Ages 2 – 4

Phaidon, 2019 | ISBN 978-071487721

To find a portfolio of work by Tamara Shopsin and in collaboration with her husband Jason Fulford, visit her website.

Celebrating New Book Month with Art Activity

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Make Art from Found Objects

 

Each person finds inspiration in different things, places, and people. Today, try to create something new from the materials around you. Boxes, bottles, wire, magazines, cloth, wood, sponges—almost anything—can be transformed with some imagination. With those old socks, corks, flower pots, candle stubs, bits of ribbon, clementine crate, paint, glitter, beads, and more, you can make something useful, a decoration for your room, or even a gift for a friend!

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You can find Art This Way at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

July 25 – It’s World Watercolor Month

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About the Holiday

World Watercolor Month was begun in 2016 by Charlie O’Shields, the creator of Doodlewash®, a blog, and a social artist movement dedicated to promoting and connecting watercolor artists from all over the world. The holiday also raises awareness of the importance of art and creativity to the world. Everyone from amateurs to professionals are welcome to participate—and if you’ve never painted with watercolors before, now’s a great time to try!

It’s a month to inspire people to paint with watercolor while raising awareness for the importance of art and creativity in the world. And anyone can join the celebration from master watercolorists to artists just starting out with watercolor! If you want to find prompts to inspire your work and other ways to enjoy the month and take your love of watercolor painting into next month and beyond, visit Doodlewash.

Painting Pepette

Written by Linda Ravin Lodding | Illustrated by Claire Fletcher

 

If you were to peek in the great room window of the grand yellow house at #9 Rue Laffette in Paris, you would most likely see Josette Bobette and her beloved stuffed rabbit Pepette cuddled together on the comfortable seat. It was their favorite place. Looking past them you would see that on the walls hung portraits of the family—Josette’s mother was there as well as grand-mère and grand-père, the three Bobette sisters, and even their schnoodle Frizette.

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Image copyright Claire Fletcher, 2016, text copyright Linda Ravin Lodding, 2016. Courtesy of simonandschuster.com

“One day Josette noticed something strange. There was no portrait of Pepette!” Josette at once determined to find an artist to paint a special portrait of her best friend. The pair head out to Montmartre, where all of the best artists set up their easels to paint and sell their work. It didn’t take long for a man in a striped shirt to stop them.

“‘Those ears!’” he cried. “‘Never have I seen such majestic ears. I must paint this rabbit’s portrait!’” Pepette blushed at such an effusive compliment, and Josette exclaimed, “‘Magnifique!’” It appeared that Josette had found just the artist to create Pepette’s portrait. The painter waved his brush with a flourish, “declared his painting a ‘masterpiece,’” and held it up for inspection. Josette gazed at a Pepette with two noses and three ears. Diplomatically, she proclaimed the picture “‘nice’” but not quite Pepette. Her best friend agreed.

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Image copyright Claire Fletcher, 2016, text copyright Linda Ravin Lodding, 2016. Courtesy of simonandschuster.com

Just then a man with a thin, curved handlebar mustache spied the pair. Admiring Pepette’s whiskers, the artist begged to capture “‘the very essence of her rabbitness!’” He immediately set to work, and in no time a most unusual portrait emerged. Pepette seemed to melt from atop a tall red wall. Josette considered it—and her reaction—carefully. “‘It’s imaginative,’” she said. “‘But you’ve painted Pepette quite, well, droopy.’” Pepette agreed.

As Josette and Pepette enjoyed a Parisian snack on the curb of Montmartre, a rakish young man happened along. He was arrested by Pepette’s nose, which he likened to “‘a faint star twinkling in a misty, velvet night.’” Josette had a good feeling about this artist and followed him across the square to his easel. Pepette posed on a red tufted stool as the artist painted a rabbit soaring through the clouds. He proclaimed the finished portrait “‘one of my best works’” as he displayed it to the crowd. Josette liked the clouds but told the painter that Pepette is afraid of heights and not fond of flying. Pepette agreed.

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Image copyright Claire Fletcher, 2016, text copyright Linda Ravin Lodding, 2016. Courtesy of simonandschuster.com

By now Pepette was the most sought-after model in Paris, and another artist rushed up, captivated by her beauty. The balding man in a dapper suit and round spectacles peered at Pepette. “‘What a colorful lady—balloon blue, pansy pink, and radish red!’” Although a little suspicious of his vision, Josette allowed him to paint Pepette. “‘Ta da!’” the man exclaimed, revealing the magic of his brush. Josette studied the canvas with its vibrant dots, dashes, and splashes. While she admired the colors, she reminded the artist that Pepette isn’t pink. “‘Ah, yes,’” nodded the painter. “‘But through art we can see the world any way we want.’”

With the sun setting low in the sky, Josette politely said thank-you and goodbye to the artists. She and Pepette had enjoyed their day, but it was time to go home. Curled up once more on the window seat, Josette sighed. She had so hoped to have the perfect portrait of Pepette—one that showed her velvety grey listening ears, her heart-shaped nose, and her soft arms that give tight hugs. Suddenly, Josette had an idea! After gathering all of her art supplies, she created the perfect likeness—one as special as Pepette herself!

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Image copyright Claire Fletcher, 2016, text copyright Linda Ravin Lodding, 2016. Courtesy of simonandschuster.com

An author’s note on the last page describes the creative atmosphere of 1920s Paris, home to writers, artists, musicians, and fashion designers, that gives a frame to her story. The artists that Josette meets are inspired by Pablo Picasso, Salvador Dalí, Marc Chagall, and Henri Matisse.

In Painting Pepette Linda Ravin Lodding has written a multi-layered story of love, friendship, and unique vision. Through the sweet relationship between Josette and Pepette and with a sprinkling of humorous self-congratulation by the artists, Lodding nudges readers to appreciate that while art can reveal and obscure, reflect or transcend reality, ultimately the success of a piece—complex or simple—lies within the viewer’s heart. Children will also see that their creative endeavors, undertaken with love, are just as meaningful and appreciated as those of professional artists. Lodding’s lyrical language trips off the tongue and is a joy to read—as if readers are following Josette as she skips happily through Paris.

Claire Fletcher’s striking pen-and-ink and watercolor illustrations pay delicate homage to cityscapes of a bygone Paris. Adorable Josette and her enchanting rabbit are the perfect tour guides through crowded Montmartre and this introduction to art history. Soft tones of yellow, rose, and green illuminate the apartments and cafes of the square, where colorful shoppers and artists mingle. Fletcher’s renderings of Pepette’s various portraits will not only make kids giggle, but entice them to learn more about each artistic style. The final endpapers reveal that the four fine-art portraits now hang in the Muse of Paris, while readers already know that Josette’s perfectly perfect portrait of her well-loved friend has taken its rightful place on the wall in the Bobette’s great room!

Painting Pepette is a beautiful addition to any child’s bookshelf and a lovely way for teachers to initiate a discussion of art history and get kids excited about artists and different art styles.

Ages 4 – 9

little bee books, 2016 | ISBN 978-1499801361

Follow Josette through Paris as she searches for just the right artist to paint a portrait of her best friend Pepette and comes to a surprising discovery in this beautiful Painting Pepette book trailer:

 

Discover more books by author Linda Ravin Lodding on her website.

Illustrator Clair Fletcher invites you to find more of her artwork by visiting her online gallery.

National Watercolor Month Activities

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Painting Pepette Reading and Activity Guide

 

little bee books has created an interactive activity so you can continue to explore Josette’s world and your own artistic talent! Just click here—Painting Pepette Reading and Activity Guide—to start having fun!

Stuck on You Magnets or Picture Hanger

 

Creativity is meant to be shared! Here’s an easy craft that you can make to give to your friends whether they live close by or far away. These magnets can used by themselves or to hold a picture-hanging wire. Use inside jokes, favorite characters, or shared experiences to make these  crafts personal!

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For Magnets

Supplies

  • To get you started, here are two printable Best Friends Templates! Template 1 Template 2
  • Poster board
  • Large, 1 ½-inch clear glass stones (decorative fillers), available in craft stores
  • Markers or colored pencils OR find images online to print out
  • Medium to large flexible magnets, available in craft stores
  • Super glue
  • Toothpicks
  • Scissors

Directions

  • Place the glass stone on the poster board and trace around it
  • Draw your design in the circle on the poster board
  • Cut out the circle
  • With the toothpick, apply glue around the very edge of the design side of the circle
  • Attach the circle to the flat side of the stone, let dry
  • Trim the cardboard circle if needed
  • Attach the magnet to the back of the cardboard with glue

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For Map Picture Holder

Supplies

  • Use a mapping program to find a map of your town and your friend’s town
  • Poster board
  • Large, 1 ½-inch clear glass stones (decorative fillers), available in craft stores
  • Twine
  • Super Glue
  • Toothpicks
  • Scissors
  • Heavy duty mounting squares

Directions

  1. Find maps of your and your friend’s towns
  2. Zoom in so the name of your and your friend’s towns are displayed well. You will be using about a 1-inch area around the towns’ names.
  3. Take a screen shot of the maps
  4. Print the maps
  5. Place the glass stone on the map and trace around it
  6. Place the glass stone on the poster board and trace around it
  7. Cut out the circles on the map and poster board
  8. With the toothpick, glue the map to the poster board, let dry
  9. With the toothpick, apply glue around the very edge of the map side of the circle
  10. Attach the circle to the flat side of the glass stone, let dry
  11. Trim the cardboard circle if needed
  12. Repeat with the other map
  13. Attach a length of twine to the back of each glass stone
  14. Attach heavy duty mounting squares to the back of each glass stone
  15. Attach stones to the wall and hang pictures on the twine

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You can find Painting Pepette at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review