November 15 – It’s Geography Awareness Week

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About the Holiday

Today’s holiday was instituted in 1994 by National Geographic to get people excited about geography and its importance to education and everyday life. As defined by National Geographic, geography is “the study of places and the relationships between people and their environments.” This discipline includes how humans interact with the environment and the impact of location on people. These important questions affect a wide range of issues. More than 100,000 people across the country participate in Geography Awareness Week through special events, focused lessons and activities in classrooms, and attention by government and business policy-makers. To learn more about the week and discover resources for further education, visit the National Geographic website.

Manhattan: Mapping the Story of an Island

By Jennifer Thermes

 

Jennifer Thermes’ phenomenal work of history and geography begins on the front and back endpapers, where a detailed and tagged map of Manhattan, with its gridded streets and unique landmarks awaits investigation. But how did it become this bustling world leader? Thermes reveals that even from its formation millions of years ago as a sheltered bit of land, fed by both fresh and salt water, the island “bubbled with life.” Continuing on from this lyrical beginning, Thermes’ love for New York shines on every exquisite page.

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Copyright Jennifer Thermes, 2019. Courtesy of Harry N. Abrams.

Alternating between sweeping vistas of the island, immersive images of major events, and meticulous maps—complete with tiny homes and buildings, people at work and play, and hand-lettered street names—that show the growth of the city, Thermes presents a feast for the eyes. Her full-bleed, oversized illustrations, rendered in a gorgeous color palette, create in themselves a comprehensive overview of history seen through changing clothing, transportation, and home styles to name just a few telling elements. Studying the maps, a reader can’t be faulted for feeling as if they might come to life at any moment.

She introduces readers to the Lenape, who for thousands of years called the island home. They named it “Mannahatta, which means ‘island of many hills.’” As the seasons changed, the people moved from one part of the island to another, establishing villages “with names like Sapokanikan and Shroakapok and fishing, farming, and foraging for “what they needed and nothing more.”

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Copyright Jennifer Thermes, 2019. Courtesy of Harry N. Abrams.

Thermes then follows explorer Henry Hudson, whose reports back home about the island’s riches would change the island forever. She marks historical periods from 1625 to today with elegant banners that give the dates and changing names for this coveted landmass. Thermes’ storytelling eloquently reveals the complexity of the island’s development from canals dug and filled in, expansion of its width with landfill that included “rocks and earth, broken crockery, oyster shells, wood from old shipwrecks, rotting garbage, and even dead animals” to the adoption of the grid system.

The impact of slavery, the divides between rich and poor, the influence of business and industry, and the continual effects of modernization are woven throughout Thermes’ pages, sometimes coalescing as in the story of Collect Pond, once “the island’s best source of fresh water,” which became, in turn, the site of a cemetery for free Africans, polluted by “breweries, tanneries, and slaughterhouses,” a neighborhood for the wealthy, an area plagued by gangs and violence, and finally, in 2006, a national monument commemorating the old African Burial Ground. Each clearly articulated description gives readers a robust and eye-opening history of this city that is in many ways a microcosm of America.

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Copyright Jennifer Thermes, 2019. Courtesy of Harry N. Abrams.

With the Revolutionary War behind them and a new nation in front, people thronged to what was now New York, New York, U.S.A. With much rebuilding needed, “Shipbuilders, sailmakers, carpenters, blacksmiths, and all kinds of artisans crowded the city again…. The city on the island was branching out in all directions. It needed a plan.” The plan came in the form of a grid system. The execution of the plan saw the island’s hills leveled, new roads built and old roads straightened, houses in the way torn down, and people relocated. When the dust settled, “the city commissioners had thought it would take centuries to fill the grid with buildings. It only took sixty years.”

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Copyright Jennifer Thermes, 2019. Courtesy of Harry N. Abrams.

The Great Fire of 1835, the building of Central Park, the history of immigration, the gilded age of the late 1800s, and the Great Blizzard of 1888, which spurred the building of the subway, are a few more of the events readers will learn about. As an island, Manhattan’s story is also written its bridges, and everyone knows the names of the famous skyscrapers that make the city’s skyline unique. Stirring images of these landmarks are here too.

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Copyright Jennifer Thermes, 2019. Courtesy of Harry N. Abrams.

The city continues to be changed by environmental events, such as Hurricane Sandy of 2012, and buoyed by improvements like the cleaning of the Bronx River that has prompted beavers to return “for the first time in more than two hundred years.” As Thermes says in conclusion: “Reminders are everywhere that through centuries of constant change humans and nature will always exist together. And beneath the city’s concrete crust, the island endures.”

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Copyright Jennifer Thermes, 2019. Courtesy of Harry N. Abrams.

A stunning achievement, Manhattan: Mapping the Story of an Island is a must addition to home, school, and classroom collections. This is a book that readers will want to dip into again and again to discover all it has to offer. Opportunities for cross-curricular lessons abound from history to geography, language arts to math, art and architecture to environmental science, and beyond. Manhattan makes a wonderful gift for children and teachers and, of course, for any New York lover of any age.

Ages 8 – 12 and up

Harry N. Abrams, 2019 | ISBN 978-1419736551

To learn more about Jennifer Thermes, her books, and her art, visit her website.

National Geography Day Activity

CPB - Map Day II

Map Jigsaw Puzzle

 

Sometimes reading a map is like putting together a puzzle—so why not make a puzzle out of a map? It can be fun to use a map of your town or state or to use a map of a state or country you’d like to visit!

Supplies

  • Small to medium size map (maps are often offered free at tourist stops, town halls, or other tourist information offices or racks)
  • Poster board
  • Glue
  • Scissors

CPB - Map Day

Directions

  1. Use the entire map or cut a desired-sized section from a map
  2. Glue the map to the poster board, let dry
  3. Cut the map from the poster board
  4. Cut the map into puzzle sections, these can be straight-sided sections or ones with interconnecting parts.

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You can find Manhattan: Mapping the Story of an Island at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

November 5 – It’s National Family Stories Month

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About the Holiday

Children benefit so much from close relationships to grandparents, aunts, uncles, cousins, and other extended family members. This month and next, as family gathers together for special holiday events, it’s fun for adults to share family history and their own funny stories of growing up with the younger generation. Letting kids know how much they’re loved by everyone in the family is important too. It helps them develop a sense of belonging, a good self-image, and confidence. Reading together is a perfect way to spend time together and get conversations started.

I received a copy of Love and the Rocking Chair from The Blue Sky Press for review consideration. All opinions are my own. I’m happy to be teaming with The Blue Sky Press in a giveaway of the book. See details below.

Love and the Rocking Chair

By Leo and Diane Dillon

 

A couple, about to have a baby, “stood in a sea of chairs, searching for just the right one.” Across the store they spied a delicate bentwood rocking chair carved with hearts and knew it was perfect. Soon after the chair was delivered, the couple’s baby boy was born. When they brought him home from the hospital, “his mother sat in the rocking chair, singing softly to her baby.”

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Copyright Leo and Diane Dillon, 2019, courtesy of The Blue Sky Press.

When the boy was a little older, his dad read to him in the rocking chair. As the boy grew, the rocking chair became a “wild horse racing across the plains.” The boy rocked and rocked until the chair moved across the floor. When the chair came to the wall, the boy started over again. A few years went by and soon school beckoned. Now, the boy had friends and homework while the chair sat laden with forgotten toys.

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Copyright Leo and Diane Dillon, 2019, courtesy of The Blue Sky Press.

Years passed and the boy went off to college. “The chair was moved to the attic,” where it gathered dust. While the boy was growing older, so were his parents. His “father became ill” and “one sad day, he passed away.” His son came home “to say a last goodbye to his father and to comfort his mother.” When the boy came home again, he brought along his fiancé. His mother hugged her like a daughter.

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Copyright Leo and Diane Dillon, 2019, courtesy of The Blue Sky Press.

The young couple married and moved in with the man’s mother. Soon, they were going to have their own child. As they decorated the nursery, the man thought of the rocking chair. He brought it down from the attic and “lovingly dusted it off,” placing “it back where it belonged.” After the couple’s little girl was born, her grandmother rocked her in the chair and sang to her. She wished her husband could see her.

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Copyright Leo and Diane Dillon, 2019, courtesy of The Blue Sky Press.

When the little girl was older, she rocked across her room in the chair. She was a sea captain sailing her boat “across the clouds.” Soon, she knew, she would “go to school, and make new friends, and have adventures all her own.” She looked forward to someday rocking a baby of her own in the chair. She thought of her parents and her grandparents and knew that “the love of her family would always be there.”

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Copyright Leo and Diane Dillon, 2019, courtesy of The Blue Sky Press.

This last collaboration between two-time Caldecott Medal and Coretta Scott King Award winners Leo and Diane Dillon is a beautiful tribute to family and the longevity of love passed from one generation to another. Based on the Dillon’s own experience, the story reveals the bonds that keep people close through changes, additions, good times, and loss through the beloved rocking chair that becomes a touchstone for the family. The Dillon’s lyrical text is straightforward and honest, showing transitions for each family member as well as for the rocking chair.

Endearing illustrations of the parents reading and singing to their babies will resonate with little readers and reinforce the story’s message. The images, rendered in earth tones and blocked and framed with a white border, mirror family photographs or snapshots of transformative and unforgettable moments in a family’s history.

A treasure to share with your child or a child in your family while talking about your own traditions, Love and the Rocking Chair is a tender story to add to home, school, and public library collections.

Ages 3 – 5

The Blue Sky Press, and imprint of Scholastic, 2019 | ISBN 978-1338332650

Love and the Rocking Chair Giveaway

I’m happy to be partnering with The Blue Sky Press, Scholastic, Inc. in a giveaway of:

  • One (1) copy of Love and the Rocking Chair, by Leo and Diane Dillon

To be entered to win:

This giveaway is open from November 5 through November 11 and ends at 8:00 p.m. EST.

A winner will be chosen on November 12.

Giveaways open to US addresses only | Prizing provided by Scholastic, Inc.

Family Stories Month Activity

celebrate-picture-books-picture-book-review-sleep-buddy-craft

Reading Blanket

 

A special blanket to read with feels cozy and warm! With this craft you and your child can make a blanket for yourselves, a stuffed animal or even a pet! Children from ages 5 or 6 and up will enjoy helping to tie the tabs. For younger children, using fabric glue to attach the two pieces of fleece or cutting just one piece of fleece allows them to join in the craft fun.

Supplies

  • 2 pieces of fleece, solid, patterned, or a mix of both
  • Scissors
  • Measuring tape
  • Fluff or pillow (optional for pet bed)
  • Fabric glue (optional)

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Directions

  1. Lay out one piece of fleece and measure a size that will make a comfortable blanket for the stuffed animal or is large enough for your pet to lie on
  2. Add 3 inches to that measurement on each side for the tie tabs
  3. Cut the fleece
  4. Lay out the second piece of fleece and cut it to the same size as the first piece
  5. With both pieces of fleece together cut three-inch long by ½ – ¾ – inch wide tabs all along each side. (If using fabric glue omit this step.)
  6. At the corners, four tabs will be cut off on each side

To Make a Blanket

  • Tie the top and bottom tabs together on all sides

To Make a Pet Bed

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  1. Tie the tabs together on three sides
  2. Add the fluff or pillow insert
  3. Tie the tabs on the final side

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You can find Love and the Rocking Chair at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

October 7 – It’s Hispanic Heritage Month

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About the Holiday

Beginning on September 15th  and running through October 15th, National Hispanic Heritage Month celebrates the contributions of those who come from or whose ancestors immigrated from Spain, Mexico, the Caribbean, Central America, and South America. Each year the holiday adopts a particular theme. This year’s theme is Hispanic Americans: A History of Serving Our Nation. From the military, to business and industry to culture, sports, and entertainment Hispanic Americans have made an important and indelible imprint on our country. First observed in 1968 as a week-long holiday, the commemoration was expanded to a month in 1988. You can learn more about today’s holiday, find classroom and other resources, and discover fun facts on the official Hispanic Heritage Month website.

Planting Stories: The Life of Librarian and Storyteller Pura Belpré

Written by Anika Aldamuy Denise | Illustrated by Paola Escobar

 

In 1921 Pura Theresa Belpré left her home in San Juan to visit Nueva York and celebrate her sister’s wedding. “Words travel with her: stories her abuela taught her. Cuentos folklóricos Pura retold in the shade of a tamarind tree, in Puerto Rico.” Pura’s visit lengthened, becoming a new start in a new land. At first, she got a job in a garment factory, but then Pura saw that the library needed a bilingual assistant. Pura spoke Spanish, English, and French. She thought she was perfect for the job, and the library did too.

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Image copyright Paola Escobar, 2019, text copyright Anika Aldamuy Denise, 2019. Courtesy of HarperCollins.

But while she shelved books, she noticed that there were no books of folktales from Puerto Rico in the collection. “How lucky for the library that Pura has story seeds ready to plant and grow.” In the children’s room she sits with the kids around her and tells the story of a beautiful cockroach and a galant rat who loves her: “la cucarachita Martina and el ratoncito Pérez.

After sharing the story with the children at the library, Pura hopes to “plant her story seeds throughout the land.” Pura makes puppets and performs her folktales for families who come to listen “en inglés y español.” But Pura wants children to be able to readPérez y Martina and other cuentos de Puerto Rico.” She types up her story and sends it to the publisher Frederick Warne. He agrees to publish her book.

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Image copyright Paola Escobar, 2019, text copyright Anika Aldamuy Denise, 2019. Courtesy of HarperCollins.

Now Pura travels from library to library and to schools, “churches and community centers…planting her story seeds in the hearts and mind of children new to this island who wish to remember la lengua y los colores of home.” She spends her time writing, traveling, and speaking until she meets and marries Clarence Cameron White. Pura decides to take a year off from working at the library to be a wife. But one year becomes many as she and Clarence travel, playing music and telling stories. They spend many happy years together. When Clarence dies, “Pura’s story must begin again.”

“It is 1961,” and Pura returns to the library. Now other storytellers share Pura’s stories with the children and “the seeds she has planted…have become a lush landscape into which she steps as though she has never left.”

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Image copyright Paola Escobar, 2019, text copyright Anika Aldamuy Denise, 2019. Courtesy of HarperCollins.

An Author’s note reveals more about the life and work of Pura Belpré, the first Puerto Rican librarian in New York City and the author of the first mainstream Latinx storybooks published in America. Back matter also includes selected bibliographies, archival resources, titles of articles and films, a list of books for further reading, and more information on the four folktales mentioned in the book.

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Image copyright Paola Escobar, 2019, text copyright Anika Aldamuy Denise, 2019. Courtesy of HarperCollins.

Anika Aldamuy Denise’s lovely and lyrical tribute to the trailblazing and prolific Pura Belpré is a fast-paced introduction to the influence this librarian, storyteller, and writer had on children and the community as the first Puerto Rican librarian in New York and the first published Latinx children’s author in America. By blending Spanish words and phrases and English into her evocative sentences, Denise reflects the immigrant experience while also embracing Belpré’s and her Latinx reader’s love for and pride in their culture. As children learn how Belpré brought Spanish-language programs and books to children and families in New York and beyond, they will be inspired to look for ways that they, too, can make a difference in areas that are important to them.

Mirroring the lush landscape of language that Pura Belpré tended, Paola Escobar infuses her illustrations with rich hues and enveloping details. Belpré’s love for San Juan and her heritage is shown through the sprinkling of flowers, rendered in the bright pastels of her native country, that float around her whenever she tells her stories. The whimsical images of Martina and Pérez, characters from her first published folktale, also follow her from page to page throughout the story. Spectacular images of the city and inside the New York Public Library will have readers lingering over the pages.

A gorgeous read-aloud about a woman all children should know, Planting Stories: The Life of Librarian and Storyteller Pura Belpré is a must for all school and public libraries and would make an inspiring choice for home collections as well.

Ages 4 – 8

HarperCollins, 2019 | ISBN 978-0062748683 | Spanish-language edition ISBN 978-1400212644

Discover more about Anika Aldamuy Denise and her books on her website.

To view a portfolio of work by Paola Escobar, visit her on tumblr.

Hispanic Heritage Month Activity

celebrate-picture-books-picture-book-review-we-are-all-family-word-search

We Are All Family English/Spanish Word Search

 

Find the names of family members in both English and Spanish in this printable heart- shaped We Are All Family Word Search! Here’s the Solution!

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You can find Planting Stories: The Life of Librarian and Storyteller Pura Belpré at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Sembrando historias: Pura Belpré: bibliotecaria y narradora de cuentos

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

Pk Review

 

July 7 -World Chocolate Day

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About the Holiday

The purpose of World Chocolate Day is simple! Most likely instituted to celebrate the introduction of chocolate to Europe on July 7, 1550, the day gives people everywhere the perfect excuse to indulge in this favorite flavor sensation. You know what to do! Bake some brownies, order a double scoop of your favorite chocolate-based ice cream, make a chocolate cake (with chocolate frosting, of course), or whip up a batch of chocolate chocolate chip cookies, and enjoy!

Grandpa Cocoa: A Tale of Chocolate, from Farm to Family

By Elizabeth Zunon

 

It’s a little girl’s birthday, and she and her daddy are making her “family’s special celebration cake” while her mom “goes to pick up another treat.” While they bake, the girl’s father reminds her that “‘chocolate is a gift to you from Grandpa Cacao.” The girl has never met her grandfather since he lives in Africa and she wonders if she is like him. Her father begins to tell her the story of his growing up on her Grandpa Cacao’s Ivory Coast farm.

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Copyright Elizabeth Zunon, 2019, courtesy of Bloomsbury Children’s Books.

As they add flour to the bowl, Daddy explains how her grandfather knew just when the fruit was ripe for picking. “Just like the way I can spot the end of summer from tinges of orange at the tips of treetops,” the girl thinks. Then, her father goes on, Grandpa Cacao expertly sliced the pods without damaging any of the beans inside. “‘Did you ever help?’” the girl asks as they melt the chocolate and butter for the cake. Her daddy says that everyone in the village worked together and that when he turned seven, he was allowed to help but only after he’d finished his homework and chores.

The white beans were put into pits lined with banana leaves and stirred periodically until they became light brown. Then they were moved to a cement floor to dry in the sun. The beans had to be taken in each night, and when storms came the beans had to be covered. The girl imagines her grandpa could smell the rain coming the way she could “smell a cold day.”

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Copyright Elizabeth Zunon, 2019, courtesy of Bloomsbury Children’s Books.

While they crack and add the eggs, the girl’s father tells her how the beans sounded and tasted when they were ready to sell. The story is making her hungry, and she wonders what Mommy could be bringing home. When he was older, Daddy says, he helped bag the beans to sell to the cacao buyers, who would send them to factories to be made into chocolate. With the money from the cacao beans, they bought “food, school supplies, uniforms, books, and fabric to have out special occasion clothes made.”

The cake batter is ready to pour into the pan, and she carries the big bowl to her daddy. She reminds him of Grandpa Cacao carrying a big basket of cacao pods. The thought makes them both smile. Then the girl’s thoughts return to what her mother is bringing home. Perhaps it’s a new dress or the puppy she wants. Daddy dips his finger in the chocolate batter and the girls licks the spoon. It makes him think of how he and the other kids snuck tastes “of the pulp from the cacao fruits or the candy-sweet drink” they made.

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Copyright Elizabeth Zunon, 2019, courtesy of Bloomsbury Children’s Books.

Baking in the oven, the cake smells delicious. Just as the timer rings, the doorbell chimes. When the girl opens it, she sees her mommy with an older man she’s never seen before. “‘Happy Birthday!’” he says, and the girl recognizes his voice from their phone calls. He hugs her and then gives her a big orange pod. It’s her birthday present, he tells her. But being with her Grandpa Cacao is “the best birthday present ever in the world.”

An Author’s Note following the text describes Elizabeth Zunon’s childhood in Abidjan, the realities of the cacao trade and Fair Trade products and a bit about how the illustrations were created. There are also brief discussions on the science and history of chocolate as well as a page on how cacao goes from bean to treat. Bakers will also be pleased to see the recipe for the special Chocolate Celebration Cake made in the story.

celebrate-picture-books-picture-book-review-grandpa-cacao-birthday

Copyright Elizabeth Zunon, 2019, courtesy of Bloomsbury Children’s Books.

Elizabeth Zunon’s celebration of family and pride in one’s heritage is a compelling read that shines with a strong father – daughter relationship, shared memories, and the joys of working together. The warmth shared by the girl and her daddy is evident as she revels in hearing the story of Grandpa Cacao and identifying with him even though he lives far away. Zunon’s smooth delivery of Grandpa Cacao and Daddy’s story imparts fascinating details of how cacao is grown, harvested, and prepared for sale. While the little girl may wish for a new dress or a puppy, she is happier with the surprise of meeting her grandfather at last.

Zunon’s mixed-media, collage style illustrations beautifully meld the world inside the family kitchen with the girl’s imagining of life in Africa on Grandpa Cacao’s farm. The opaque screen-printed images of Grandpa Cacao, the girl’s father as a child and young man, and the other villagers, are powerful reminders to readers that their family and family history is always with them and supporting them.

A unique book to share during family story time, in the classroom, or during a library program, Grandpa Cacao: A Tale of Chocolate, from Farm to Family would be a much-loved addition to home, school, and public library collections. And don’t forget to include cake!

Ages 3 – 8

Bloomsbury Children’s Books, 2019 | ISBN 978-1681196404

Discover more about Elizabeth Zunon, her books, and her art on her website.

World Chocolate Day Activity

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My Kids’ Favorite Brownies from Cookies & Cups, copyright Shelly Jaronsky, January 29, 2019. Courtesy of cookies&cups.com.

Cookies & Cups My Kids’ Favorite Brownies

 

If you’re looking for a scrumptious chocolatey brownie that melts in your mouth, look no further than Shelly Jaronsky’s My Kids’ Favorite Brownies recipe on Cookies & Cups. While you’re there, you’ll want to look around at all of Shelly’s delicious recipes! 

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You can find Grandpa Cocoa: A Tale of Chocolate, from Farm to Family at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

July 1 – Canada Day

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About the Holiday

Today, we’re celebrating our neighbors to the north! With the signing of the Constitution Act on July 1, 1867, Canada became a new federation with its own constitution. The country’s distinctive red-and-white maple leaf flag—often claimed by vexillologists as one of the world’s most beautiful—flew over Parliament Hill for the first time on this day in 1965. With beautiful coastlines, rugged mountains, bustling cities, quaint towns, and warm, welcoming people, Canada is a wonderful place to live and makes a fantastic vacation destination!

C is for Canada

Written by Mike Ulmer | Illustrated by Sylvie Daigneault

 

What would you see if you decided to take an alphabet-inspired trip across the vast expanse that is the gorgeous country of Canada? Dip into this special ABC travel guide and find out! A great place to start is with the letter A, which stands for Aurora Borealis: “Look up into the nighttime sky / and see the colours dance on by. / The show takes place on cloudless nights; / Aurora Borealis means Northern Lights.” B happens to be for Beaver, Canada’s national symbol. This little animal is a perfect match for the country’s people because “…his heart is big; he’s always eager— / Canada is like that busy beaver.”

celebrate-picture-books-picture-book-review-c-is-for-canada-aruroa-beaver

Image copyright Sylvie Daigneault, 2017, text copyright Mike Ulmer, 2017. Courtesy of Sleeping Bear Press.

Dino lovers (and, really, who isn’t?) will want to head for the Badlands of Alberta, where the letter D awaits in Drumheller, the Dinosaur capital of the world and home to the biggest dinosaur skeleton. If those beasts are too tame for you, you might like to try the open-air thrill of E at Edgewalk at the CN Tower. Can’t get enough of the outside? Then take in K for Klondike Days, a 10-day festival commemorating Edmonton’s role in the Klondike Gold Rush with food, music, rides, and booths.

celebrate-picture-books-picture-book-review-c-is-for-canada-aruroa-beavercelebrate-picture-books-picture-book-review-c-is-for-canada-dinosaur

Image copyright Sylvie Daigneault, 2017, text copyright Mike Ulmer, 2017. Courtesy of Sleeping Bear Press.

While you’re here, you’ll use Canada’s beautifully designed money engraved with polar bears and the loons that give the coins their L nickname, Loonies: “The sound of it gives me a smile / when I add a coin every once in a while. / A loonie makes a lovely ‘clank’ / when dropped inside my piggy bank.” Of course no Canadian excursion is complete without M for Maple Leaf: “Our country’s like a maple tree— / we know the strongest limbs / are those with roots that reach around / the world and back again.”

If winter sports are your thing, then you’ll love N, which is for the National Hockey League. As hockey players well know, “To play in the NHL would be a thrill / but first I have to learn one skill. / I can skate very fast, I’m off like a shot— / I just need to learn the best way to stop.” Maybe you like to spend more time outdoors than at the rink. If so you might just see R for Rock Rabbits on a hike: “When a rock rabbit lets out a squeak, / it means it’s playing hide-and-seek. / And when it gives another cry, / it means it’s safe to go outside.”

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Image copyright Sylvie Daigneault, 2017, text copyright Mike Ulmer, 2017. Courtesy of Sleeping Bear Press.

Two distinct areas are worth a peek at U and V. U is for Underwear—the special warm kind made in Truro: “We treasure pretty Truro, / I think we always will. / That’s where they make the long johns / that protect us from the chill.” V is for Victoria and all its grandeur: “There’s an ocean complete with oceanside / and carousels for kids to ride. / And a great hotel for weeklong stays / and bike trails you can ride for days.” And now we’ve come to the end of our alphabetic tour where Z is for Zero—or is it? “Zero isn’t zero; it tells you quite a lot. / Below is fairly chilly, above is really not. / Zero isn’t zero; it’s more vital than you think. / You need less than zero degrees to have yourself a rink.”

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Image copyright Sylvie Daigneault, 2017, text copyright Mike Ulmer, 2017. Courtesy of Sleeping Bear Press.

These are just a few of the highlights among the 26 letters and bright spots C is for Canada has to offer. Mike Ulmer’s verses provide tantalizing tidbits of descriptive and action-packed information for readers who want to learn more about this fascinating northern country. A glossary following the text gives more intriguing details about each letter’s subject.

Sylvie Daigneault’s vibrant illustrations are lovely companions for Ulmer’s verses and give young readers clear, up-close views of the people, places, animals, and history of Canada. Huskies frolic in the snow, caribou trot along a rocky lakeside while majestic mountains rise behind them, two science centre visitors have a hair-raising experience, and an old prospector pans for gold in the Yukon. Each snapshot will engage little armchair travelers and make their imaginations roam far from home.

And now, even the youngest Canadians and travelers can enjoy getting to know Canada from A to Z with the new board book edition! The small size makes it a great take-along too!

Ages 2 – 8

Sleeping Bear Press, 2017 | ISBN 978-1585369737 (Hardcover) | ISBN 978-1534110458 (Board book)

You can connect with Mike Ulmer on his blog!

View a gallery of illustration work by Sylvie Daigneault on her website!

Canada Day Activity

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Canada Coloring Pages

 

From its vivid red-and-white flag to its purple mountains, Canada is a colorful country! Here are three printable Canada Coloring Pages for you to enjoy!

Canadian Flag | Canadian Animals Coloring Page | Beaver Carrying Canadian Flag

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You can find C is for Canada at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

June 21 – World Giraffe Day & Interview with Author Monica Bond, Illustrator Kayla Harren, and Educator David Brown

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About the Holiday

Today’s holiday, established by the Giraffe Conservation Foundation, celebrates the animal with the longest neck on the longest day or night of the year, depending on which hemisphere you live in. The purpose of World Giraffe Day is to honor these majestic animals while also promote awareness of the dangers and threats they face. Events supporting these gentle giants are held around the world at zoos and conservation organizations as well as by governments, institutions, and companies involved in education about and protection of the giraffe. To celebrate today, learn more about these animals, visit a zoo or wildlife refuge, or consider donating to the cause of giraffe conservation. To learn more visit the Giraffe Conservation Foundation website.

Juma the Giraffe

Written by Monica Bond | Illustrated by Kayla Harren

 

Juma, a baby giraffe, loved to play with his friends Upendo and Rafiki on the African safari while their mothers watched. “Upendo likes to explore new places” while “Rafiki jokes and makes everyone laugh with his silly faces. Juma is kind and generous.” With his long neck, he’s able to reach the sweet acacia leaves to share with the dik-diks. One day, though, while the giraffes were at the water hole, Juma caught a glimpse of his reflection.

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Image copyright Kayla Harren, 2016, text copyright Monica Bond, 2016. Courtesy of Kayla Harren and Wild Nature Institute.

Looking at himself alongside all the other giraffes, he realized that they all looked the same. “And because they all looked alike, he felt he wasn’t special.” His mama noticed Juma standing alone and sad and asked him what was wrong. He told her that he wished he “looked different from everyone else.”

Juma’s mama gazed at her child lovingly and told him how special giraffes are. “‘There is no other animal in the whole world like us,’” she said. Then she gently reminded him how his long legs and neck help him get food, how his thick tongue and lips protect him from the thorns of the acacia trees, and how his “‘swishy tail sweep away the pesky flies that like to bite us.’” Their brown spots camouflaged them from lions and hyenas.

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Image copyright Kayla Harren, 2016, text copyright Monica Bond, 2016. Courtesy of Kayla Harren and Wild Nature Institute.

Then Mama asked Juma to look closely at his spots and notice that “‘each spot is different from the others and every giraffe has a unique pattern of spots.’” Juma saw that Mama was right. He saw one spot “shaped like a star and another like a flower.” Mama’s spots were different too, and so were Upendo’s and Rafiki’s. Mama reassured Juma that each giraffe was unique outside and inside.

Juma was happy and continued to notice other ways that each giraffe was different, including their various personalities. Then Mama nuzzled her little one and told him that to her he was the “‘most special giraffe of all’” because he was her baby and she loved him.

Fascinating facts about the anatomy of giraffes, newborn giraffes, and where giraffes live follow the text.

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Image copyright Kayla Harren, 2016, text copyright Monica Bond, 2016. Courtesy of Kayla Harren and Wild Nature Institute.

Young readers who are at that stage where they wonder about how they are different from other kids and how they fit into their community will find loving reassurance in Monica Bond’s touching story even as they learn about a giraffe’s distinctive features. The sweet relationship between Juma and Mama, depicted through tender dialogue, will charm little ones. A welcome exchange comes when Mama points out Juma’s unique features and the little giraffe enthusiastically adds more observations of his own. Just as Juma does, young readers will see that they too are special in their own way.

As readers open the cover, Kayla Harren’s stunning panoramic view of the verdant African savanna places them close to zebras, an ostrich, a greater kudu, a grey crowned crane, a stalwart warthog, a family of mongoose, and a herd of elephants. Smiling out from the page is little Juma. As the story progresses, Mama spotlights each of Juma’s attributes, and readers see how he uses them. A shimmering two-page spread of the giraffes lined up at the watering hole and the close-up on the next page will awe kids and adults. Images of smaller animals hiding in rock crevices and big cats and monkeys resting on tree limbs will entice readers to learn more about these creatures. As Mama nuzzles Juma on the book’s final page, adults and little ones are sure to find time to cuddle too.

A sweet story that gives parents, teachers, and other caregivers a way to show the children in their life how special they are, Juma the Giraffe would be an often-asked for addition to home, classroom, and public library bookshelves.

Ages 4 – 8

Wild Nature Institute, 2016 | ISBN 978-0989818292

Learn more about Juma the Giraffe and find videos and teachers resources here.

You can connect with Kayla Harren on

Her website | Facebook | Instagram

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Helping Brother Rhinoceros

Written by Monica Bond | Illustrated by Kayla Harren

 

Brother Rhinoceros and his friend Father Oxpecker went to the waterhole to cool off on a blazing hot day. When they got there, they saw “that most of the water had dried up, leaving a big patch of gooey, sticky mud.” But Brother Rhinoceros lied down in the cool mud anyway and pronounced it “‘Perfect!’” Then Father Oxpecker nestled in behind Brother Rhinoceros’s ear, folded his wings, and the two drifted off to sleep.

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

Brother Rhinoceros woke up hungry, but when he tried to leave the waterhole, he discovered that he was stuck in the mud. Father Oxpecker flew off to find help. First he brought back Sister Vervet Monkey, who was good at tying. “She ran around the mud patch looking for something to tie together that might help Brother Rhinoceros. But there was nothing.”

Next, Father Oxpecker brought Grandfather Giraffe, who thought his height could help, but he didn’t know exactly how. So, the bird flew off again in search of someone else. This time he came back with Grandmother Spider, who “produced a delicate thread of beautiful silk from her abdomen. It fluttered in the breeze, of no help whatsoever to Brother Rhinoceros.”

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

Father Oxpecker left once again and returned with Mother Elephant. Although she was big and strong, she could only watch from the sidelines. Last, Father Oxpecker found Brother Weaverbird, who declared that he could “weave anything” if only there was something to weave. All of the animals sat nearby wondering what they could do. “They were all so proud of the things they could do, but none of them could help Brother Rhinoceros out of the mud.”

It was Grandmother Spider who suggested that they combine their talents and work as a team. She began by “spinning long streams of silk.” Brother Weaverbird braided “the silk into a long, strong rope.” Sister Vervet Monkey tied the rope around Brother Rhinoceros, using Grandfather Giraffe’s long neck as a bridge to reach him. Then it was Mother Elephant’s turn. She grabbed the rope, “took a deep breath and began to pull.”

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

Brother Rhinoceros helped push. “Finally, with a big squishy sound, Brother Rhinoceros lifted his body up out of the mud.” He was free! His friends cheered. Brother Rhinoceros thanked each one individually for their special skills that helped to save him. “They certainly made a great team and the best friends a muddy rhinoceros could ever have.”

Back matter reveals facts about Africa’s black and white rhinoceros. A map of Africa shows the historical range and the much smaller current range for each type of rhino.

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Image copyright Kayla Harren, 2018, text copyright Monica Bond, 2018. Courtesy of Kayla Harren and Wild Nature Institute.

With the lyricism of a fable, Monica Bond weaves a story about individuality and teamwork and how every person has the ability to help others. As Father Oxpecker flies off again and again searching for just the right animal to help, readers will enjoy the suspense and learning each animal’s special ability. When Grandmother Spider suggests they all work together, kids will see that by combining their talents with friends and classmates, they can move mountains. The format of the story makes it a multi-layered choice for teaching the elements of a story, prediction, and comprehension.

Kayla Harren’s sun-drenched pages are bathed not only in the heat of a hot African day but in the warmth of friendship these animals share. Harren’s beautifully textured and realistic depictions of the animals and the surrounding savanna will inspire awe and an enthusiastic desire in kids to learn more about the animals, insects, and birds in the story.

A perfect book for social studies, science, and reading classes and for kids who love nature and animals, Helping Brother Rhinoceros makes an excellent choice for home, classroom, and public libraries.

Ages 5 – 10

Wild Nature Institute, 2018 | ISBN 978-1732323414

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Our Elephant Neighbors

Written by Monica Bond | Illustrated by Kayla Harren

 

Robert and his little sister Mary live on their family’s small farm in Tanzania. There are cattle and goats, which Robert helps watch while Mary helps her mother wash clothes and cook. Sometimes they went to the waterhole to get water. “They splash each other with cool water on hot days.” One day, when it was very hot, they saw something amazing at the waterhole. A family of elephants was enjoying the cool water too. “Robert and Mary climbed up a nearby tree to watch and wait for the elephants to leave.”

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

Soon, two elephants came to stand in the shade of the tree, right under the branch where the two children sat. “The elephants looked up and saw Robert and Mary.” They had been taught to fear people. Nervous, they backed up a few steps. Robert and Mary had been taught to fear elephants, and Mary hid behind her brother. The bigger elephant, Tomas, introduced himself and his little sister, Teresa. Robert introduced himself and Mary.

“Robert looked thoughtfully at the elephants below. ‘You are an elephant, and elephants can hurt people,’ Robert pointed out.” Tomas replied, “‘Well, you are a human, and humans can hurt elephants too.’” Even though Mary knew she should be afraid, she liked the elephants. She reached down and touched Teresa’s upturned trunk. Mary said that she could pick things up with her fingers, and Teresa showed her how she could pick things up with her trunk.

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

The elephants and the children talked back and forth about all of their similarities. They were even the same ages. They talked about how all the aunties help out when a baby person and a baby elephant are born, how the mothers, grandmothers, and aunts in both human and elephant families teach the children important lessons and protect them, and how all the members of a both families feel sad when another member dies.

When they talked about the food they liked, Robert said that his “‘father gets angry when elephants eat” the vegetables in their garden.’ Then Tomas told Robert and Mary a secret.” He said that “all elephants hate chili pepper powder” and if they hung chili pepper powder on their fences, it would keep the elephants away. One reason elephants were eating from people’s gardens, Tomas said, was because their habitat was getting smaller as people planted more and more farms. Also “more and more of their family members are being hurt by people, because the elephants have fewer places to go.”

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

Robert promised Tomas that when he grew up and had a farm of his own, he would build it where it would not disturb the elephants. He also promised to report anyone who tried to hurt the elephants. Soon it was time for Robert and Mary to get back home with the water, and Tomas and Teresa heard their mother calling for them. “They shook hands and trunks” and hoped they would see each other again. They knew “they would never forget their new friends from the waterhole.”

Interesting facts about African elephants follows the text.

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Image copyright Kayla Harren, 2017, text copyright Monica Bond, 2017. Courtesy of Kayla Harren and Wild Nature Institute.

Through Monica Bond’s charming story of a sister-brother pair and their elephant counterparts, young readers learn surprising ways in which they and elephants are alike. With similar abilities, family units, and even feelings, people and elephants should be friends, but too often they come into conflict, and the result has been a decrease in the elephant population and at times danger for humans as well. As the adorable Robert and Mary talk with Tomas and Teresa, Bond’s enchanting storytelling and realistic dialogue, draw in children, giving them even more reasons to love these popular animals. A major take-away is how people can protect and care for these gentle and intelligent animals and their habitats now and in the future.

Against gorgeous backdrops of Tanzania and its savanna, forests, and mountains, Kayla Harren depicts one family’s simple farm and a family of elephants enjoying a day at the nearby waterhole. At nine and five years old, Robert and Mary will steal readers’ hearts with their infectious smiles, sweet sibling relationship, and enthusiastic interactions with elephants Tomas and Teresa. Harren juxtaposes illustrations of the elephants’ family with those of Robert and Mary’s family in similar situations, showing readers how alike we really are. The pages are washed in soft-blue skies and glowing peach-hued sunsets, as realistic portrayals of the elephants, birds, and other animals create detailed and awe-inspiring panoramas.

Our Elephant Neighbors is an excellent addition to home, classroom, and public libraries to further understanding of elephants, conservation, and nature.

Ages 4 – 8

Wild Nature Institute, 2017 | ISBN 978-1732323407

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Nature’s Giants Magazine

In this new magazine from the Wild Nature Institute, an enthusiastic dung beetle named Doug invites kids to learn about animal and plant giants of the African savanna through articles, games, crafts, and other activities that will keep them busy having fun and learning for a long time. Let’s get rolling and see what’s inside! Kids love finding stuff and right on the first pages they’re prompted to spot five differences on two identical (?) giraffes and search the pages for five beetles to see which one will would win a beetle race.

Along the way kids will enjoy:

Comics:

  • Doug engages kids in funny and interesting banter about the dung beetle’s ecological importance, including facts on their very, very long family history, three different dung beetle lifestyles, how dung beetles roll their dung balls in a straight line, and various job sites where dung beetles do their work.

Articles:

  • Ele-Fence!: About new ways farmers are protecting their crops from elephant raiders without engaging in Human-Elephant Conflict
  • Lions vs. Giraffes: About ways scientists use scars found on giraffes to study predation
  • Black Mambas: about the women rangers who patrol the Balule Nature Preserve to stop poaching of black and white rhinoceros and who teach environmental education programs in local schools. Since the group was formed “poaching of all species has decreased by 79%.”
  • Barking up the Right Tree: about the beautiful, sprawling baobab trees.
  • Infographic: on elephants, giraffes, termites and a surprising fact about biomass

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Activities:

  • Ideas for backyard or neighborhood science exploration
  • A savanna word search puzzle
  • An illustrated search-and-find animal puzzle
  • Craft instructions for making an Insect Hotel and an African Savana Scene
  • Jokes
  • A maze
  • How to draw an elephant, a giraffe, and a rhinoceros
  • A Giant Birds coloring page

Meet the Team Behind the Books and Magazine

I’m excited to have an opportunity to talk with Kayla Harren, Monica Bond, and David Brown about the work of the Wild Nature Institute, their lovely books that combine nature science with enchanting writing, and their new magazine for children.

Meet Monica Bond

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Hi, Monica! It’s nice to be chatting with you today! The love you have for Tanzania comes through in your stories so clearly and touchingly. Can you talk a little about your work and what brought you to this area?

My partner Dr. Derek Lee—quantitative ecologist and population biologist—and I chose to live and work in Tanzania because this country has some of the best wildlife experiences on Earth. As wildlife scientists, the lure of the African savanna is very strong; it is truly a wildlife paradise. In Tanzania there is incredible biological diversity combined with an extremely high density of mammals and birds, and we still have the full suite of predators and scavengers which means that the food web is intact. Tanzania also holds some of the best habitat for the last remnants of our planet’s pleistocene megafauna — elephant, rhino, and giraffe.

Derek and I are studying giraffes in Tanzania using a computer program that matches each individual’s unique spot patterns from photographs. We are monitoring thousands of giraffes in northern Tanzania, and learning where they spend their time, which other giraffes they hang out with, and how they move around the ecosystem. Our goal is to understand the things that hurt or help giraffes so we can help to preserve these magnificent animals for the future.

What is it like to live so closely to these majestic animals?

Every time I go to the bush and interact with these creatures, I am awed anew. They are so very special. Every day I feel that I am living the dream and I cannot get enough of watching them in their beautiful savanna habitat. Although we work in the bush, we often go back out to the bush on our days off!

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How did the Wild Nature Institute get its start? Can you talk a bit about the organization?

Formed in 2010, Wild Nature Institute conducts scientific research on endangered wildlife and inspires the public to protect wild nature. Next year we will celebrate a decade of work! The Institute was started as a platform for two dedicated wildlife scientists to realize our dream of doing interesting and bold science that protects the earth’s remaining bits of wild nature. The Wild Nature Institute is me and Derek at the core, but with lots of other partners and cooperators in our network (like David Brown and Kayla Harren) who are all critical to accomplishing our important work.

The giraffe is the national animal of Tanzania. As we celebrate World Giraffe Day today, could you talk about the giraffe—it’s importance to its ecosystem, the threats and pressures the animal faces from human and environmental factors, and how people can help protect them?

The gentle, iconic giraffe is popular around the world, but scientists know surprisingly little about them in the wild. We chose to work with giraffes because they are amazingly beautiful and peaceful animals, but they are vulnerable to extinction because people have taken so much of their wild natural habitat for human uses like farming and houses. Poaching is also a serious problem for giraffes. They need our help.

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Tanzania in East Africa is a stronghold for giraffes, supporting more than any other country. Although the Masai giraffe is the national animal of Tanzania, populations have declined here since the 1980s—yet few people are aware of the plight of the beloved giraffe in the wild. It is our job as scientists to bring this problem to light.

How are can families and organizations around the world help in the mission?

What can you do to help save giraffes and wild nature? (1) You can donate money or time to conservation groups like Wild Nature Institute and others. People can use their skills by providing advice, services, or goods in their personal area of expertise that can help the cause. (2) You can raise awareness about the silent extinction of giraffes. Speak up within your social circles and encourage others to donate money or time to saving giraffes. You can raise awareness in your home communities by writing, speaking, and contributing to the global conversation about our planet’s climate and biodiversity crises. (3) You can plant native trees.

Giraffes, elephants, and many other species need native trees, but deforestation continues worldwide. Planting native trees helps fight the global climate crisis and helps biodiversity too! (4) You can support legal protections for wildlife. Laws like the Endangered Species Act and other environmental laws make the world safer for wildlife and people. Call and write to your congressperson, senator, governor, and president telling them you support strong law enforcement to protect wildlife. (5) You can commit to not buying body parts, and if you live in Africa you can commit to not eating bushmeat.

The programs that the Institute sponsors and supports—from education in schools and communities to environmental conservation of animals and land to publishing materials for children—is extensive. How has your work been received? What successes have been achieved and what benefits do you hope to see in the future?

To save wild nature, we must know it and love it, so Wild Nature Institute and our partners developed environmental educational materials for children and teachers. The materials teach biology, geography, science, math, and language skills using focal animals and fun, beautifully illustrated stories. Our first book, The Amazing Migration of Lucky the Wildebeest, was a tri-lingual children’s book about wildebeest migration, and the ecological and economic benefits of conservation. The book was so successful that we created our “Celebrating Africa’s Giants” program to use environmental education to build community support for conservation efforts that will ensure the long-term survival of Africa’s giants giraffes, elephants, and rhinos.

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We now produce and distribute our four multi-lingual storybooks, two Swahili activity books, and seven posters, as well as learning activities to accompany the books and posters, to tens of thousands of children throughout Tanzania. These materials teach ecological and social lessons, build national pride in Tanzanian wildlife, and motivate children to read and learn about their natural world. The learning activities help Tanzanian teachers meet environmental education curricula requirements, and also meet Next Generation Science Standards for American schools.

To ensure the materials are used to their best advantage, we host workshops for teachers, led by our education consultant Lise Levy, a retired high school biology teacher with 32 years of experience in education. At the workshops, teachers have a wonderful time learning the stories and practicing the hands-on activities that they will use in the classroom to accompany the books and posters.

Can you talk a little about the impact that these books and the new Nature’s Giants Magazine have on the children and families in Tanzania?

Every year since we introduced our education program, we have expanded its reach and impact through word-of-mouth. Our books and posters are now recognized and requested by Tanzanian educators throughout Tanzania, from Ruaha and Ruvuma in the south to Serengeti in the west to Dar es Salaam in the east. We hired a Tanzanian education coordinator who regularly visits classrooms, orphanages, and community centers and brings “Giraffe in a Box,” “Elephant in a Box,” and “Rhino in a Box” with all of the materials needed to implement the activities. We made our storybooks into videobooks which are playing on Tanzanian television. We organize “fun days” at the schools to celebrate Africa’s giants where we do tree-planting, sports, drama and arts, and creative learning. 

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We are constantly dreaming up new and fun ways to spread the word about the fascinating animals of the African savanna. Our ultimate goal is to inspire the next generation to love and care for their wildlife and conserve the environment.

On your website you talk about the importance of zoos in supporting the environmental work in Tanzania. How do/can zoos help?

Zoos have an important role to play both in providing financial support for field conservation as well as promoting the conservation of giraffes, elephants, and rhinoceros through environmental education directed at visitors. Many zoos are using our Celebrating Africa’s Giants education program. Zoos also conduct their own scientific research. We couldn’t do our work without our zoo partnerships and we are really grateful for their support.

To learn more about Monica Bond and the work of the Wild Nature Institute, visit their website.

Meet Kayla Harren

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Welcome back, Kayla! I’m thrilled to be talking with you about these three beautiful books and Nature’s Giants Magazine.

How did you get involved with the Wild Nature Institute and this project? What does it mean to you to be part of it?

In 2015 my husband, Peter, who is also an artist, was asked to illustrate a picture book about a baby giraffe that was written by a friend of a friend. He wanted to pursue a different path in his illustration career, so he passed the job to me. I fell immediately in love with the story of Juma. My passions have always been art and animals. Being able to combine those two loves feels incredible.

I feel so lucky to be involved with the Wild Nature Institute because I get to help wildlife in my own way even though I am not a scientist. I am grateful for this opportunity to contribute to wildlife education and hopefully spark a love for nature in other people. It feels like fate the way the first book found me through a friend of a friend of a friend and now it has turned into an amazing partnership.

Your artwork in Juma the Giraffe, Our Elephant Neighbors, and Helping Brother Rhinoceros is stunning and full of such wonderful detail and personality. What kind of research did you do to bring the characters to life? Do Juma—or any of the animals—depict real giraffes, elephants, or rhinos in the area?

Thank you! Monica was incredibly helpful with providing plenty of photographs that she and the other scientists had taken of the scenery and wildlife in Tanzania. It made my job so much easier to know that people who actually lived in Tanzania and knew the area were checking all the details of my work to make sure it was accurate. For each book I was able to look through images provided by Wild Nature Institute of people, landscapes, giraffes, elephants, rhinos, and plenty of birds and animals to add in the background of each illustration. I did study the spot patterns of many giraffes, but Juma is a made-up combination of many giraffes I studied.

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Readers of your many books know what realism and sensitivity you bring to your illustrations of animals. Do you have a special affinity for animals and nature? Where did that come from?

Absolutely! Animals are my favorite. It started with my love of stuffed animals when I was very young. I had a huge collection, and I would spread them all out on my bed so none were hidden and they all got equal attention from me. I was introduced to many animal species through my toys. I remember fondly a stuffed white Bengal tiger that was bigger than me and a plump little panda bear. I loved the zoo, nature shows, and all the pet cats and dogs my family had. I feel most comfortable and relaxed in nature. I love going for walks with my dog because she stops every few steps to sniff something and that makes me pause and look around at all the beautiful shapes and textures and colors of the plants surrounding me. Nature is infinitely inspiring.

Have you ever visited Tanzania?

Not yet. Visiting Tanzania is very high on my list of things I need to do. Seeing a giraffe in the wild would be an absolute dream come true.

I’m going to let David Brown answer the next few questions about “Nature’s Giants Magazine.” David is a biologist, wildlife conservationist, and environmental educator—and he’s the co-creator and major writer of “Nature’s Giants.”

Welcome, David! As a nature lover, puzzle doer, and crafter myself, I love “Nature’s Giant’s Magazine!” There’s so much for kids to fall in love with!

“Nature’s Giants” magazine is full of fascinating articles (I learned a lot!), fun crafts, science prompts, challenging puzzles, and even a funny dung beetle named Doug. Can you talk about how the magazine came to be, what your role in the magazine is. and about how it can be used in the classroom? 

A group of conservationists and educators were meeting about how we could make Celebrating Africa’s Giants accessible and interesting to kids who love giraffes, elephants, and rhinos. We discussed how magazines like “Ranger Rick” and “National Geographic Kids” helped spark and sustain our love of nature when we were young, and we realized that there wasn’t really anything like that for even the most popular animals like giraffes and elephants. We decided to start our own nature magazine to fill that gap. We decided that our host of the magazine should be a dung beetle named Doug Beetle.  Doug Beetle helps show that there are many ways to be a giant in nature beyond physical size.

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My role is to help coordinate the creation of the magazine, develop story and activity ideas, and write the articles that bring those ideas to life. I also write the Doug Beetle comics. Megan Strauss, a wildlife biologist and illustrator, creates activities, crafts, and provides content for the magazine with her scientific expertise.  Kayla creates illustrations to accompany the articles and designs the layout of each page.

Accessible and interesting are perfect adjectives for Nature’s Giants! The magazine really promotes exploration and hands-on activities to engage kids in science learning. Can you describe some of the elements parents, teachers, and kids will find inside?

The magazine can be enjoyed casually for its art, stories, and activities. We also designed it for use in classrooms, zoo education programs, and other learning environments. In the first issue, we have a story about how scientific information can be visualized with infographics and how that helps us see the world in different ways.

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We also have a story about how a scientist makes an observation, asks questions about what she observed, and then solves a scientific mystery. Readers will learn how scientists study animals in the field, and hopefully get inspired to take part in citizen science themselves. 

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Environmental issues around the world are important to all of us. In what ways can children help from home or in their own communities?

The young people of the early 21st century are going to be the deciders of whether big animals like giraffes, elephants, and rhinos and their habitat survive this century and beyond. These animals are beloved around the world. They are the biological equivalent of the great works of art, architecture, and popular culture that are the common heritage of people around the world.

The young people in countries like Tanzania and Kenya, where these species and their habitats live, are the primary decision makers, but these animals need a global constituency of conservationists. They need people to help pay attention to them and keep their conservation needs visible in the world. Just as we pay constant attention to our favorite sports teams, celebrities, and technology products, we need to find ways to keep attention on giraffes, elephants, rhinos, and other animals.

If you love a species, then helping your local social network of family and friends be aware of the animal is a meaningful conservation action. Our goal for “Nature’s Giants” is to help connect young people with these animals and their conservation challenges and find ways to keep that connection growing.

What are the future plans for the magazine? How can teachers or other organizations order copies?

The first issue of “Nature’s Giants” is themed about African animals and plants. If the magazine finds an audience and there is an appetite for future issues, we would love to do a theme issue for each continent. We have also thought about doing an issue about the oceans. There are endless possibilities for issue themes. We would love to explore the future adventures of Doug Beetle.

To order copies of the magazine and all three storybooks, you can contact Monica Bond: monica@wildnatureinstitute.org

If you are interested in ordering Juma the Giraffe, Helping Brother Rhinoceros, and/or Our Elephant Neighbors for your classroom, organization, or yourself, contact Monica Bond monica@wildnatureinstitute.org. Individual copies of the books cost $12.00. Substantial discounts are offered when ordering multiple copies. All prices include shipping and handling.

Individuals, schools, and other organizations can also order single and/or multiple copies of “Nature’s Giants Magazine” for $4.25 each, plus shipping and handling.

You can also download printable posters with illustrations and information about giraffes, rhinos, and elephants from the Africa’s Giants website: www.africasgiants.org

To find the books with major online booksellers, see the information and links below.

Nature’s Giants Books & Magazine Giveaway

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I’m thrilled to be partnering with Wild Nature Institute in a giant giveaway! You could win this prize package that includes

  • One (1) copy of Juma the Giraffe signed by Kayla Harren
  • One (1) copy of Helping Brother Rhinoceros signed by Kayla Harren
  • One (1) copy of Our Elephant Neighbors signed by Kayla Harren
  • One (1) copy of “Nature’s Giants Magazine”

To be entered to win Follow me on Twitter @CelebratePicBks and Retweet one of my giveaway tweets.

Bonus: Reply with your favorite African animal for an extra entry. Each reply gives you one more entry.

The giveaway will be held from June 21 to June 27.

A winner will be chosen on June 28

Giveaway open to U.S. addresses only. | No Giveaway Accounts 

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You can find Helping Brother Rhinoceros at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

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You can find Our Elephant Neighbors at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

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You can find Juma the Giraffe at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

April 23 – It’s National Dance Week and Interview with Author/Illustrator Anne Lambelet

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About the Holiday

The National Dance Federation wants everyone to fall in love with dance, and National Dance Week is just the time to do it! With so many types of dance, there are ways to enjoy this activity throughout one’s life. This week has been established to introduce the fun and benefits of dance in schools, community centers, dance studios, and through special performances. If you—or your kids—feel your toes tapping or a desire to get up and move as soon as the music starts, why not check out the opportunities for learning your favorite dance styles in your community?

Maria the Matador

By Anne Lambelet

 

Even more than “tea parties and dancing and wearing her hair in pigtails…Maria loved churros.” So when she saw that a lifetime supply of churros went to the matador who could remain in the arena with the bull the longest, she knew she had to enter the contest. But as “one of the smallest girls in all of Spain,” could Maria pull it off? She knew she couldn’t outrun the bull, intimidate him, or overpower him. So, what could she do?

Maria wandered through the streets of town, gazing at the posters on the walls advertising the brave matadors who would challenge the bull as well as the Feria de Mayo, with its beautiful dance performances, looking for inspiration. When the big day came and Maria walked into the room where the other matadors had gathered, they burst out laughing. “‘You should just give up now,’ they all agreed. ‘There is no way such a little girl could ever fight such an enormous bull.’”

Maria kept her mind on the grand prize even though she was growing worried. Soon the bullfight began. The fastest matador was quickly run out of the arena, the strongest matador was soon lying on the ground, and the biggest matador was nothing but a plaything for the big bull. At last it was Maria’s turn.

She entered the ring and saw “the most ferocious-looking bull she had ever seen, but she marched up to him anyway…and asked the bull to dance.” The bull was charmed by the little girl’s kind request and offered his hoof to her outstretched hand. The bull, it turned out, was a very good dancer. Around and around the ring they danced, and when the men carrying trays of churros entered the arena, “the crowd burst into thunderous applause.” And Maria and the bull? They enjoyed a churros tea party!

Anne Lambelet’s highly original story shows young readers that with motivation, confidence, and creative thinking they can accomplish their heart’s desires. With a pragmatic take on her situation, Maria realizes she’s not fast enough, strong enough, or big enough to best the bull the usual way, and lacking anyone to ask for advice, she comes up with her own solution. Lambelet’s storytelling is rich with examples of Maria’s courage in the face of adversity and her own misgivings, allowing kids to see that bravery comes in many forms. And Lambelet’s clever solution to Maria’s dilemma demonstrates that kindness wins out. The humorous frame of Maria’s churros obsession will resonate with kids, who all seem to have their own favorite motivators to rely on.

Lambelet’s stylized illustrations combine the texture of wood etchings with the colors and feeling of a small Spanish village. The brown, maroon, and purple palette sprinkled with bits of blue is striking and lends depth, light, and shadow to the tale. Kids will love the expressive crowd as they “ooh,” “ahh,” and gasp at the formidable bull. (One mother even shields her son’s eyes with her hand.) When tiny Maria marches out into the ring the crowd’s disbelief brings pointing and shocked faces, but cheers and celebration erupt as Maria and the bull take their bows.

Maria the Matador is a story that kids will embrace as it sparks ideas for creative problem solving with more than a dash of kindness thrown in. The book will be asked for again and again and would be a welcome addition to home, classroom, and public library bookshelves.

Ages 4 – 8

Page Street Kids, 2019 | ISBN 978-1624146565

To learn more about Anne Lambelet, her books, and her art, visit her website.

Meet Anne Lambelet

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I’m excited to be chatting with Anne Lambelet about art, influences, inspiration and what she might do to get her favorite treat!

What was the inspiration behind Maria the Matador?

Maria the Matador, as crazy as it might sound, actually started out as a dream I had about having to fight a bull! I woke up and instantly felt like that was the sort of silly idea that could, just possibly, be perfect for a children’s book. From there though, it had to go through a lot of development. I had to return to my roots and really examine my original picture book influences…The Story of Ferdinand, World-famous Muriel, Madeline, etc. Using those as inspiration, I figured out what it was that had made me love them as a child (silliness, whimsy, problem-solving, getting paid in food), and tried to combine that with what made them stick with me now that I’m an adult…(peaceful, fun solutions in situations where it seems like violence is the only answer, indictments of toxic masculinity, female empowerment, culturally immersive settings). Maria was a long road of editing and re-writing to try and get my favorite elements to co-exist in the same story.

You’ve enjoyed success as an illustrator since your college days. Can you talk a little about how you developed your style and how it’s changed over the years?

In high school I’d say my artistic style leaned more towards photo-realism. Like most high school students, I accepted a sort of un-original, generic idea of what it means to make a “good drawing,” and, although I wasn’t terrible at hitting that mark, I wasn’t making anything very special either. Without a real sense of artistic individuality and purpose, I shied away from going to college for art and instead chose to major in computer science after graduating. I was, perhaps unsurprisingly, miserable during most of those four years, and I ended up pouring all my free time into discovering new artistic outlets to assuage that misery. What I discovered (online t-shirt design competitions, lowbrow pop surrealism, street art, artists like Gris Grimly, Brandi Milne, Lori Early, Mark Ryden, etc.) gave me a new, darkly humorous and whimsical artistic voice as well as newfound confidence in my skills. 

So, I put together a portfolio of monsters and creepy, big-eyed women and returned to college to give illustration an honest shot. The classes I took at the University of the Arts exposed me to so many new influences. Each one opened my mind to new, fascinating approaches to illustration, and my style fluctuated dramatically in relation to whatever artist was my latest craze. As a result, most of my sophomore/junior work just looks like one bad rip-off after another. The more influences I accumulated though, the more I began to figure out what about each “rip-off” had worked with my own identity and what didn’t. I started cherry-picking little bits of each style I’d loved and mushing them together into an amalgam of aesthetics and techniques that could begin to be called a “unique style.” Instead of stealing everything from one artist I liked, I stole one thing from every artist I liked, and, by the end of my senior year, that resulted in basically what you see now!  Style takes a lot of failing and soul-searching and figuring yourself out. I feel like I’m still evolving and changing to this day, but the increments of change get smaller and smaller every time. 

What were your favorite books growing up? Who were your artistic influences when you were a child and now?

Oh wow, picking favorite books is so hard. There are so many to love, and it’s a struggle to narrow them down! I’ll try though! For picture books some favorites were World Famous Muriel by Sue Alexander, The Jolly Postman by Janet and Allan Ahlberg, Cloudy with a Chance of Meatballs by Judi Barrett, Santa Calls by William Joyce, and The Eleventh Hour by Graeme Base.  I also adored almost all Dr. Seuss books, but especially McElligot’s Pool and Happy Birthday to You. I liked picture books that were whimsical and imaginative while being infused with a sense of humor as well as emotional poignancy. Interactive elements like the letters in The Jolly Postman or the hidden picture puzzles in The Eleventh Hour were always great too.  

Then, as I grew out of picture books, I began a love affair with middle grade fantasy that has persisted to this day. Favorites then became Harry Potter, Brian Jacque’s Redwall series, Dinotopia by James Gurney, The Phantom Tollbooth by Norton Juster and The Lioness Quartet by Tamora Pierce.  Also, although it’s not fantasy per se, I think Holes by Louis Sachar is one of the greatest kid’s books of all time. 

Because of my love for fantasy, I spent most of my childhood drawing dragons and fairies and other mythical creatures. As such, major artistic influences back then were Brian Froud, John Howe, Jan Brett and James C. Christensen. I also loved looking at my older brother’s Magic: The Gathering cards and watching Jim Henson movies like Labyrinth and The Dark Crystal. Unfortunately, as previously mentioned, I lost sight of that important self-defining nerdy-ness in my high school art. I guess I was trying to be “too cool” or something, haha.  I re-discovered them again later, though, and incorporated them into new influences I’d found that also dealt with whimsy and nostalgia. My current greatest influences are Eyvind Earl, Carson Ellis, Julia Sarda, Rankin/Bass’s The Last Unicorn and Cartoon Saloon’s Song of the Sea

In Maria the Matador, Maria will do anything—even get in the ring with a bull—for lifetime supply of churros. What’s your favorite treat and what would you do for an endless supply?

I’ve given this a lot of thought, and I think my greatest food weakness is doughnuts. If a doughnut enters my field of vision, I just can’t not be immediately hungry for doughnuts. I don’t know what I would do for them. Right now, I feel like the struggle is to stop myself from eating them, not to get more. I do really dislike public speaking and cleaning the toilet, but I think I’d probably clean the toilet while reciting the Gettysburg Address in front of a very large audience if I was promised a bunch of doughnuts afterwards! 

When did you become interested in writing and illustrating picture books? Can you describe your journey to publication?

Since before I can remember, I’ve always been making up stories and characters and illustrating them, but, like I said, I didn’t always believe in my ability to leverage those skills into a viable career. I think what really changed my mind was being introduced to online t-shirt design competitions where I got hooked on having to design around certain prompts and parameters, meet deadlines, and then sometimes (miraculously) even get paid for my work! I realized the potential to build a career on doing that professionally and that’s when I officially decided to go back to school for illustration.  

Then, throughout all that soul-searching for style I previously mentioned, I discovered that a key, defining aspect of my art is nostalgia. I realized that, all along, every drawing had been an attempt to re-open the floodgates of imagination that had flown so freely in my childhood games of pretend. At some point in my time at the University of the Arts, I figured that if childhood was where my heart was, then the people that I should make illustrations for were children!

After that I joined SCBWI which provided me with a ton of essential resources for embarking on the journey to publication. I got an agent through a local SCBWI pitch day and we workshopped Maria a little bit but ultimately made the mutual decision to go our separate ways. I regrouped after that setback, used the SCBWI handbook to create a small list of dream agents, and sent my portfolio out to all of them. A little while later, I got an email from Stephanie Fretwell-Hill at Red Fox Literary and immediately felt like she was a great fit. Stephanie helped me re-visit Maria and while we were polishing that up together, I attended the SCBWI winter conference in New York where I went to a breakout session hosted by Kristen Nobles of Page Street Kids.  She said she was on the hunt for new manuscripts so almost as soon as I got back, Stephanie and I made sure to get Maria in front of her. Luckily, she liked it, and within a few months, we’d signed a contract for my very first author-illustrated picture book!

You have another book coming soon from Page Street called Dogs and Their People. Can you give readers a sneak peek? In your bio you mention that you have a dog Eevee (that’s such a cute name!). What kind of dog is she, and is she like you or anyone in your family? If so, how?

Dogs and Their People is basically an anthology of different types of people-dog relationships tied together by who the narrator sees on her walk home from school. There are small people with tall dogs, people and dogs who share ice cream, and even pairs with matching mustachios. Some people are just like their dogs and some are very different, but no matter what, each person and each dog is clearly with their very best friend.  When the girl finally makes it home, the best friend that she has waiting for her provides a surprising comedic twist to the story’s end.

My dog, Eevee is a chowbrador (a mix between a labrador and a chow-chow). I definitely think she and I have a lot in common. She’s a little aloof for a dog, and it takes her a little while to warm up to new places and new people. However, once you’re “in” her enthusiasm to hang out with you will verge on embarrassing. She’s completely comfortable spending time alone, but she’s still very excited when she gets to have all her favorite people in one place. And lastly, like me (and Maria for that matter), she is highly food motivated and loves her snacks!

What advice would you give a young person who would like to pursue art as a career?

Never be ashamed of what you love even if—actually especially if—it’s something that you feel like no one else loves. Your personal combination of unique interests is going to be what makes your artistic style something the world has never seen before. Also, understanding why you love that thing that no one else loves will be a big clue to figuring out your ultimate purpose as an illustrator and/or author and the types of messages you want to convey. 

What’s up next for you?

After Dogs and their People, I illustrated another picture book called The Traveler’s Gift by Danielle Davison. That’s set to hit shelves in October of this year. I’ve also just begun work on two new picture books, How to Build an Insect by Roberta Gibson for Millbrook Press and The Poisoned Apple, my third author/illustrated book with Page Street Kids. Both of those are set to come out fall of 2020. I’m super excited about both of them!

What’s your favorite holiday

Oh boy…another hard choice to make.  It might be cliché, but I’ve always loved Christmas. I love the decorations and the lights and the food, and I love spending time with my family and re-visiting all the good memories and traditions we’ve built since I was small. I also consider myself a champion gift-giver and getting to see other people open gifts from me is way more fun (in my opinion), than getting to open my own.

A close second, though, would be Halloween. Once I’ve thought of a costume idea I really like, I feel giddy anticipation about it for weeks to months in advance. 

Do you have any anecdote from a holiday that you’d like to share? (Alternately, has a holiday ever influenced your work?)

I remember one Christmas Eve when I was very little, my mom was reading me a bedtime story. Meanwhile, my dad went outside, stood under my bedroom window and shook a set of sleigh bells. My mom convinced me that it was the sound of Santa’s sleigh flying by overhead.  It was probably one of the most magical moments of my life, and I love that my parents were so enthusiastic about making the magic of Christmas seem real for me. One of my favorite things about both Christmas and Halloween is that, as a kid, they made me feel like there was actually magic tucked away in the unseen corners of the world…whether that be toy-making elves at the North Pole or a ghost in an old, abandoned house or just the promise that if you put on a mask, you can become whoever you want. I think the best children’s books bring that same promise of magic to the world, and that will always be something that motivates what I create.

Thanks, Anne for this amazing talk and the reminder that people should always embrace their uniqueness and be true to themselves. I wish you all the best with Maria the Matador and all of your upcoming projects!

National Dance Week Activity

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Get up and Dance! Word Search Puzzle

 

There are so many different kinds of dances to learn and enjoy! Can you find the sixteen styles in this printable puzzle?

Get up and Dance! Word Search Puzzle | Get up and Dance! Word Search Solution

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You can find Maria the Matador at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review