August 2 – National Coloring Book Day

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About the Holiday

A few years back adults discovered (or rediscovered) what kids already know—that coloring is fun! Not only is it fun, but letting your creativity turn a page from black-and-white to full-color is relaxing and satisfying. Today’s holiday was established in May 2015 by Dover Publications, a leader in the coloring book industry. In fact, Dover published the first coloring book for adults—Antique Automobiles Coloring Book—in 1970. You know how to celebrate today! Grab your box of crayons, your kids, and your friends and have a coloring party! To learn more about the holiday and download a free mini coloring book visit the Coloring Book Day website. You can find more coloring pages to download on the Crayola website. To learn more about the man who invented crayons, keep reading!

The Crayon Man: The True Story of the Invention of Crayola Crayons

Written by Natascha Biebow | Illustrated by Steven Salerno

 

Edwin Binney was an inventor who truly appreciated all the colors around him. In fact, “color made him really, really HAPPY!” Perhaps he loved color so much because all day long in the mill where he worked he was surrounded by nothing but black: “black dust, black tar, black smoke, black ink, black dye, black shoe polish. His company sold carbon black, a new kind of pigment, or colored substance, make from the soot of burning oil and natural gas.” Edwin worked with his cousin C. Harold Smith, and their company was called Binney and Smith.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

While Harold was the salesman, Edwin was the tinkerer who had made better pencils for writing on slate and a wax crayon that wrote on both paper and wood. His wife, Alice, thought he was just the person to create better crayons for kids. The existing crayons were too big and clunky, and artists’ crayons were too expensive.

Edwin gave it some thought and started experimenting with wax for substance and rocks and minerals for color. Then he and his workers fine-tuned their batches, adding only “a pinch of this pigment, a sploosh of that one, a little hotter, a little cooler…and voilà, LOTS of different shades!” Now, instead of being covered in black dust at the end of the day, “Edwin came home covered in color.”

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

At the factory, Edwin’s team worked on their top-secret formula and finally poured the mixtures into “thin, crayon-shaped molds” to make crayons that were just the right size for children. Finally, in 1903, Edwin had the product he wanted. “He’d invented a new kind of colored crayon” and wanted a new name to go with it. Alice had just the right suggestion, and Crayola crayons were born.

The first boxes contained eight colors and sold for a nickel. As they shipped out to stores, Edwin wondered if the kids would like them. Children loved their fine points, clear lines, and long-lasting color. By this time, inexpensive paper was also available, so kids didn’t have to draw or write on slate tablets anymore.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

At the St. Louis World’s Fair in 1904, Edwin’s Crayola crayons won a gold medal. As time went on, Edwin and his team made even more colors, many inspired by nature and even the flowers in Edwin’s own garden. Some of the colors you’ll find in a box today were given their names by children, including “macaroni and cheese” and “robin’s egg blue.” Now, kids all around the world can create just the picture they want, with lots and lots of color.

Back matter includes an illustrated description of the process of making Crayola crayons, an extended biography of Edwin Binney, and a bibliography of resources.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

Natascha Biebow’s quickly paced biography of Edwin Binney and the invention of Crayola crayons is a deft portrait of the man and his times that were on the cusp of and central to so many innovations that created the modern world. Biebow’s emphasis on Binney’s willingness to listen and match his inventions to people’s needs is a lesson on collaboration and the true spirit of invention for today’s future pioneers. In her fascinating and accessible text, Biebow relates the problems with late 1800s writing and drawing mediums while also building suspense on how Binney and his team created the new crayons. Children will be awed to discover the thought, experiments, and materials that went into those first thin sticks of color. Short paragraphs that explain more factual information about topics in the story, including carbon black, the availability of paper, European crayons, and pigments are sprinkled throughout the pages.

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Image copyright Steven Salerno, 2019, text copyright Natascha Biebow, 2019. Courtesy of HMH Books for Young Readers.

Steven Salerno’s color-drenched pages are beautiful tributes to the man who brought a new age of color into children’s lives. In a clever page turn, Edwin Binney stands in his garden with his arms outstretched appreciating the rainbow of flowers, the deep-blue sea, the light-blue sky, and a fiery red cardinal flying by. The next page takes kids into Binney’s mill, where he stands in the same position, but now seeming to bemoan the sooty environment. Salerno brings the time period alive for kids through hair and clothing styles and school and home furnishings. Several pages give readers a field trip into Binney’s secret lab to see the mechanics of making crayons at work. The front and end papers invite kids to give the wrapper-less crayons pictured a name based on their colors and then to make a drawing of their own.

A high-interest biography of the man who changed the way kids could interpret their world, The Crayon Man is a must for young inventors, artists, and thinkers as well as for classroom story times, social studies lessons, and art classes. The book would be a welcome addition to home, school, and public libraries.

Ages 6 – 9

HMH Books for Young Readers, 2019 | ISBN 978-1328866844

Discover more about Natascha Biebow and her books on her website.

To learn more about Steven Salerno, his books, and his art, visit his website.

National Coloring Book Day Activity

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Cool Coloring Pages

 

You know what to do on Coloring Book Day! Here are three coloring pages for you to print and enjoy!

Cave kid Coloring Page | Dragon Coloring Page | Mermaid Coloring Page

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You can find The Crayon Man: The True Story of the Invention of Crayola Crayons at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

January 31 – Inspire Your Heart with Art Day

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About the Holiday

Celebrating art is always a great thing! Today we champion that feeling you get inside when you create or experience art—no matter what kind is your favorite. Paintings, books, music, sculpture, quilts, photography, and other arts show you a bit of the world in a new way—a way, perhaps, you’ve never thought of before. Art can inspire, gladden, sadden, anger, teach, and compel action. It can also provide joy and inspiration when you need it most—as you’ll see in today’s book. Celebrate today’s holiday by visiting a museum, bookstore, library, concert, or gallery.

The Hiding Game

Written by Gwen Strauss | Illustrated by Herb Leonhard

 

It was October of 1940, and after moving from place to place to stay “one step ahead of the German soldiers,” Aube and her family had found a home where they could “live together until it was their turn to flee to safety. The Villa Air-Bel was rented by Varian Fry—a magician—and his assistant Danny Bénédite and served as a place to hide those looking to escape the war-torn country. On Sundays, the house was full of “thinkers, artists and writers who had to hide from the German soldiers because of their ideas of freedom and liberty” like Aube’s parents.

On those days, everyone played games, danced and made collages. One of Aube’s favorite games was Cadavre Exquis, in which a piece of paper was folded and each participant drew a design on one fold. When the whole paper was unfolded, amazing, artistic pictures emerged. These games and entertainment, Aube’s father told her, were their ways of fighting against fear. Because of the danger, many things had to be hidden at the Villa, including the radio and the cow that provided milk. Many ingredients for cooking were scarce. But even then Aube’s father used art to lighten the mood, leaving a drawing of a roast beef in the pantry where a real roast should have been.

Because the authorities were reading Varian and Danny’s mail and were listening to their phone calls, they had devised a way of hiding messages in toothpaste tubes that escaped the guard’s searches. The messages went to other people helping along the escape route to tell them who to expect next. Everyone in the house also had to have a special hiding place in case the police came. Aube chose the an old cabinet in the kitchen.

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Image copyright Herb Leonhard, 2017, text copyright Gwen Strauss, 2017. Courtesy of Pelican Publishing Company.

Whenever a new group of people were scheduled to “make the dangerous journey to a new country, they held a Sunday party and art sale to raise money.” Canvases painted by famous artists were hung among the branches of a large tree on the Villa grounds. When winter came, the Villa was so cold everyone had to wear all of their clothes to stay warm. They kept their spirits warm, too, by singing their favorite songs.

During the winter Danny visited camps where people were being held under terrible conditions. “Aube understood now that the danger was that they would be sent to the camps,” where people were dying of starvation and disease. They had little clothes and no blankets even though it was snowing. The people, Danny said, were going to freeze. Aube thought of the game freeze tag and worried about all of those “people freezing, waiting for someone to set them free.”

One day in December, the police raided the Villa. They took away all the men, including Danny, Varian, and Aube’s papa. Aube cowered in the kitchen cabinet with their dog in fear. The next week, the men were released, but they knew that the police would be back. Danny and Varian began to plan their escape. Before they all left, Aube’s father devised one more game. Each artist would paint their own version of a playing card to create a collective work of art. “The cards would remind them that they had laughed together and stayed free in their hearts even during the darkest times.”

Aube’s family were placed on a ship sailing to South America, and on February 18, 1941 they left the Villa and Danny and Varian behind and made the one-month-long journey to freedom. Several months later, Varian was “forced to leave France and return to America.” Danny went underground and “helped another 300 people escape France.” In 1943, however, Danny was “arrested by the Nazis and sentenced to death.” Just as he was facing the firing squad, soldiers fighting the Nazis burst through the gates of the camp and freed him and the other inmates.

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Image copyright Herb Leonhard, 2017, courtesy of Pelican Publishing Company.

Gwen Strauss includes extensive backmatter on this true-life story about her great-uncle Danny Bénédite. A detailed account of the work by Varian Fry, Danny Bénédite, and the American Rescue Committee, complete with photographs, as well as short biographies of some of the artists who visited the Villa (and a compelling list of others) plus resources for further study round out this compelling book.

Clearly written and with details from a child’s point of view that will resonate with readers, The Hiding Game is an absorbing tribute not only to two men involved in the Nazi resistance movement but to the resilience that uplifts people during the darkest times. This fascinating true story also offers a glimpse into the important role that artists and writers play in shining a light on history, interpreting it, and fighting against forces that destroy. Rich with the atmosphere of intrigue, suspense, and simple pleasures enjoyed, Strauss’s dynamic storytelling will thrill children. The Hiding Game will prompt them to learn more about this time period and will inspire in them their own acts of heroism.

Herb Leonhard’s realistic drawings of the Villa Air-Bel, the families who stopped there on their way to freedom, the moments of joy that sustained them, and the secret measures necessary for people’s safety take readers into the heart of the story and allow them to witness the danger and the creativity that swirled side-by-side within the Villa and the people living there. Largely depicted in somber tones of gray and green, the pages brighten with glowing yellows during times of laughter, games, and creativity. An illustration of the mammoth tree hung with canvases by famous artists will impress children, and the final image will leave an indelible and thought-provoking impression on young readers and adults.

An excellent book for facilitating discussions about World War II and the Holocaust with children at home and in the classroom as well as offering opportunities for cross-curricular learning in history, art, reading, and more, The Hiding Game is a superb choice to add to home, school, and public libraries.

Ages 7 – 12

Pelican Publishing Company, 2017 | ISBN 978-1455622658

Discover more about Gwen Strauss and her books on her website.

To learn more about Herb Leonhard, his books, and his art, visit his website.

Inspire Your Heart with Art Day Activity

I Love Art! Word Search Puzzle

 

Art has a language all its own! Have fun finding the twenty-five art-related words in this printable puzzle.

I Love Art! Word Search Puzzle and I Love Art! Word Search Solution

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You can find The Hiding Game at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

 

 

 

October 7 – National Photographer Appreciation Month

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About the Holiday

National Photographer Appreciation Month is for all photographers, whether professional or amateur. The month-long holiday gives people an opportunity to really look at the photographs they see in newspapers, books, online, and even in their own home and truly appreciate the artistry that goes into capturing a moment, a place, or a personality to tell a bigger story. October is also a great month to go through your own family photographs from today to generations past and relive or rediscover memories.And for those job seekers, a professionally taken picture for your online profiles can make a big difference in how you are perceived by potential employers. To celebrate, consider having a professional portrait taken of yourself, your kids, or your whole family to decorate your home, give as gifts, or send as a holiday card. There are also lots of galleries displaying photographic work to explore. 

Dorothea’s Eyes: Dorothea Lange Photographs the Truth

Written by Barb Rosenstock | Illustrated by Gérard DuBois

 

When Dorothea Lange opens her green eyes, she sees things others miss. In the shadows, in patterns within the grain of wooden tables, in the repeated shapes of windows on a wall, and most especially in people’s faces. “Dorothea loves faces! When Dorothea looks at faces, it’s like she’s hugging the world.”

When Dorothea is seven she contracts polio. The disease withers her right leg and forever after she walks with a limp. Other kids tease her and make her want to hide. Her mother encourages her, but Dorothea pretends to be invisible. When her father leaves his family, her mother gets a job in New York and Dorothea goes to a new school. She is different and lonely.

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Image copyright Gérard DuBois , text copyright Barb Rosenstock. Courtesy of Caulkins Creek.

As Dorothea waits for her mother to finish work, she looks around her, spying “into crowded tenements where fathers, home from peddling, read newspapers, and mothers wash dishes, clothes, and babies in rusty sinks—happy and sad mixed together.” She begins to skip school to wander the city, gazing at it with her curious eyes and heart.

When Dorothea grows up she decides to become a photographer. Her family is surprised—it is not a ladylike profession. She works any job she can find in the photography industry, learning about cameras, darkrooms, negatives, and the printing process. “Alone in the darkroom’s amber glow, she studies the wet printing paper while faces appear in black and white. Dorothea loves faces!”

When she is 23 Dorothea travels west and when all her money is stolen in San Francisco, she stays, gets a job, and starts her own portrait studio. She becomes the sought-after photographer of the richest families in California. She makes money, gains friends, gets married, and starts a family of her own. But she always wonders, “Am I using my eyes and my heart?”

When the stock market crashes and the Great Depression sweeps the country, Dorothea focuses her camera on the desperate and the downtrodden. Her friends don’t understand, but Dorothea sees into these poor people’s hearts. She “knows all about people the world ignores.” For five years she goes out into the fields, peers into tents, documents families living in their cars, crouches in the dirt to reveal the stories of the people struggling with the devastation wrought by the Dust Bowl.

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Image copyright Gérard DuBois , text copyright Barb Rosenstock. Courtesy of Caulkins Creek.

Newspapers and magazines publish her pictures. “Her photographs help convince the government to provide parents with work, children with food, and families with safe, clean homes. “The truth, seen with love, becomes Dorothea’s art.” Dorothea’s photographs are still known today. Their subjects continue to help us see others with our hearts.

Six of Dorothea Lange’s most famous and recognizable photographs are reproduced on the last page—still as riveting today as they were in the 1930s. Further information on her life and work is provided as well as sources where her photographs can be viewed, resources for further study, and a timeline of her life.

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Image copyright Gérard DuBois , text copyright Barb Rosenstock. Courtesy of Caulkins Creek.

Barb Rosenstock brings Dorothea Lange’s vision to the page with love, honesty, and understanding in this excellent biography of a woman whose photographs defined the Great Depression and Dust Bowl era. Lange’s life-long connection to the poor and often overlooked people of the world is beautifully described and explained in a gentle, compassionate way that will resonate with children. Rosenstock’s language is lyrical with staccato sentences that echo the clicks of Lange’s shutter capturing life’s reality with her eyes and her heart.

Gérard DuBois’s illustrations are arresting and set Dorothea Lange’s story firmly in its historical and emotional landscape. Rendered in acrylic and digital imagery, they feature the muted colors and style of book illustrations from long ago. By placing the images of Dorothea, her family, and her photography subjects against white backgrounds, DuBois emphasizes Lange’s focus on the people she met and faces that inspired her. Distressed textures accentuate the troubled times and the anguish of both Dorothea and her subjects.

Ages 7 – 12

Calkins Creek, 2016 | ISBN 978-1629792088

Discover all the amazing books by Barb Rosenstock on her website!

View a portfolio of art and book illustration by Gérard DuBois on his website!

Here’s a snapshot of Dorothea’s Eyes!

National Photography Month Activity

CPB - New Professionals Picture

News Professionals Clothespin Figures

 

Make one of these clothespin figures that honors the men and women who work to keep the world informed.

Supplies

Directions

  1. Draw a face and hair on the clothespin
  2. Cut out the clothes you want your journalist or photographer to wear
  3. Wrap the clothes around the clothespin. The slit in the clothespin should be on the side.
  4. Tape the clothes together
  5. Cut out the camera
  6. Tape one end of a short length of thread to the right top corner of the camera and the other end of the thread to the left corner. Now you can hang the camera around the figure’s neck.

Idea for displaying the figures

  • Attach a wire or string to the wall and pin the figure to it
  • Pin it to your bulletin board or on the rim of a desk organizer

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You can find Dorothea’s Eyes: Dorothea Lange Photographs the Truth at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

 

Picture Book Review

September 10 – It’s New York Fashion Week

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About the Holiday

A full month of attention to new fashions worldwide begins this week in New York with the 2019 Spring/Summer fashion collections shown to buyers, the press, and the public. Created in 1943 as Press Week, the New York show aimed at diverting attention away from the Paris event during World War II, when “fashion industry insiders were unable to travel to Paris,” and hoped to highlight American designers, whose innovations had largely been ignored. Showcasing the world’s most highly skilled and creative designers, famous models, and plenty of eye-catching styles, Fashion Week is a favorite event for celebrities and fashion lovers alike. As the show in New York winds down on September 14 , eyes will turn to London from September 14 to 18, Milan from September 19 to 25, and, finally, Paris from September 25 to October 3.

little bee books sent me a copy of Polka Dot Parade: A Book about Bill Cunningham to check out. All opinions are my own. I’m also excited to be partnering with little bee in a giveaway of the book. See details below.

Polka Dot Parade: A Book about Bill Cunningham

Written by Deborah Blumenthal | Illustrated by Masha D’yans

 

As Bill Cunningham bicycled through New York City in his trademark blue jacket, tan pants, and black shoes with his ever-present camera, he was forever searching for beauty. And he found it wherever he went. He saw “‘sheer poetry’ in the drape of an evening dress” and “delight in the swoosh of a knife-pleated skirt.” He clicked away as Hermès bags, plaids, stripes, polka dots, and even fanny packs and “fancy-pants dog clothes” paraded by. And the people wearing all of this? “‘I don’t really see people, I see clothes,’ Bill said.”

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Image copyright Masha D’yans, 2018, text copyright Deborah Blumenthal, 2018. Courtesy of simonandschuster.com.

For Bill, all of these colorful clothes and creative styles told stories about the people who wore them—people daring enough to be creative whether they were rich or poor. “People who looked like leopards in their leopard prints, cool cats in their hats, dudes in dots and spots.” The New York Times newspaper published Bill’s photographs, letting the world see these stories too.

Before Bill taught himself the art of photography, he worked as a hat maker and then as a fashion writer. He believed that an individual’s sense of fashion was a kind of freedom. Bill found subjects to photograph at “posh parties,” Paris Fashion Week, and even on the streets of New York. His favorite New York corner was Fifth Avenue and Fifty-Seventh Street. He blended in to the hustle and bustle to snap pictures of passersby in all weather and seasons.

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Image copyright Masha D’yans, 2018, text copyright Deborah Blumenthal, 2018. Courtesy of simonandschuster.com.

The people he photographed and those he worked for all loved Bill and his singular vision. In 2008, he was awarded the French Legion of Honor, and Bergdorf Goodman department store celebrated his work with a “lavish display in their Fifth Avenue window.” But Bill shunned the spotlight, preferring that others be recognized. When Bill died in 2016 at the age of 87, the fashion world mourned. But his life and his work live on in his “glorious pictures of clothes and the power they lend us…as we dress each day for the runway called life.”

An Authors Note giving more details about Bill Cunningham’s life follows the text,

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Image copyright Masha D’yans, 2018, text copyright Deborah Blumenthal, 2018. Courtesy of simonandschuster.com.

With lyrical storytelling and staccato phrasing like the beat of a camera’s shutter, Deborah Blumenthal frames Bill Cunningham’s life in snapshots of the color, patterns, people, and philosophy that fueled his talent and his passion. Cunningham’s appreciation for the unique, quirky, and original is celebrated throughout and will inspire young readers to embrace their own identity and display it in their own, particular way.

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Image copyright Masha D’yans, 2018, text copyright Deborah Blumenthal, 2018. Courtesy of simonandschuster.com.

Visually stunning, Masha D’yans’ vibrant watercolor and mixed-media illustrations float across the pages with the beauty and flow of the runway as well as the hustle, bustle, and stories of the street. Just as in real life, Cunningham fades into the background, but his camera is always focused on the fashion and what it tells him. Images of Cunningham’s photographs scattered across the newspaper page, strings of negatives hanging like party streamers in his darkroom, and the gray treasure boxes in his stark apartment, provide readers with a deeper understanding of his work and world.

For children fascinated by fashion or who follow their own muse—or want to, Polka Dot Parade is an inspirational book to add to any home or classroom library.

Ages 4 – 8

little bee books, 2018 | ISBN 978-1499806649

Discover more about Deborah Blumenthal and her books on her website.

To learn more about Masah D’yans, her books, and her art, visit her website.

Polka Dot Parade: A Book about Bill Cunningham Giveaway

I’m excited to partner with little bee books in this giveaway of:

  • One (1) copy of Polka Dot Parade: A Book about Bill Cunningham written by Deborah Blumenthal | illustrated by Masha D’yans

To be entered to win, just Follow me on Twitter @CelebratePicBks and Retweet a giveaway tweet during this week, September 10 – September 16. Already a follower? Thanks! Just retweet for a chance to win.

A winner will be chosen on September 17.

Giveaway open to US addresses only. | Prizing provided by little bee books.

New York Fashion Week Activity

celebrate-picture-books-picture-book-review-hanger-photo-hanger-craft

Decorative Hanger Photo Hanger

 

A colorful plastic hanger, some washi tape, a few clothespins, and your own photos or pictures can make a one-of-a-kind way to display your art and personality!

Supplies

  • Plastic Hanger
  • Washi tape – 2 patterns (optional)
  • 3 to 4 clothespins
  • Craft paint
  • Paint brush
  • Photos or pictures

Directions

  1. Wrap the washi tape around the hanger. If using two patterns of tape, wrap the hook and neck of the hanger with one pattern and the body of the hanger in the other
  2. Paint the three or four clothes pins with one or more colors, let dry.
  3. Clip the clothespins to the hanger
  4. Insert photos into the clothespins

celebrate-picture-books-picture-book-review-polka-dot-parade-cover

You can find Polka Dot Parade at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

August 22 – It’s American Artist Appreciation Month

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About the Holiday

From the earliest days of the exploration and settlement of America, artists have been creating works that reveal the beauty, complexity, and meaning of this country and her people. Over the years American artists have developed innovative styles and delved into universal subjects in new ways. This month we celebrate these artists of the past and present who, through their work, make us see the world in fresh ways.

Nature’s Friend: The Gwen Frostic Story

Written by Lindsey McDivitt | Illustrated by Eileen Ryan Ewen

 

“Gwen followed her brothers and sisters everywhere, like a small fawn follows its herd.” Even though an illness in babyhood had left her hands and one foot weak and her speech slurred, Gwen grew up confident that she could do anything. Born in 1906, Gwen, as a child with disabilities, would normally have stayed home instead of attending school. But her mother had been a teacher, so she sent her to school and “pushed her to learn.”

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Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

The other kids giggled and whispered behind her back, and while she wanted to hide, she instead “gathered up knowledge like a bird builds a nest.” Her teachers thought she would never be able to write. To strengthen her hands, her mother encouraged her to draw, keeping a drawer full of supplies within reach. As Gwen sketched, her grip grew firmer.”

While making friends was difficult, Gwen found companionship in nature. She loved to spend time outdoors watching the unfurling ferns and frogs that “lapped up bugs with long, quick tongues.” From nature, Gwen learned, “‘all things are vital to the universe…all are equal…and at one…different.’”

celebrate-picture-books-picture-book-review-nature's-friend-the-gwen-frostic-story-school

Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

A move to Detroit when she was twelve introduced Gwen to the buildings and people of a big city. In high school, Gwen, now stronger, took mechanical drawing and shop class. Later, in art school, Gwen was introduced to linoleum, in which she carved intricate images for printmaking. Gwen’s dream was to be an artist, but she also knew she needed to earn money to pay expenses.

She started a business making objects from hammered metal. Word of her art spread quickly. It was bought by leading Detroit families, and Gwen was invited to exhibit her art at the 1939 World’s Fair in New York. When World War II broke out, Gwen went to work building bombers. She even designed tools for building the planes. Contributing to the war effort was important, but Gwen still “longed to create art.” She bought a printing press and opened “Presscraft Papers stationery company.”

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Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

Gwen began to miss the nature she loved so much, so she packed up and moved back to Michigan. There, “she walked deep into the wetlands” and began carving linoleum blocks, recreating nature as she saw it. “She wanted others to see nature as she did, to recognize the value of plants, trees, and animals.” She made prints from her linoleum blocks and created greeting cards on her press. Her beautiful artwork reminded people of nature’s bounty at a time when the environment was threatened with pollution. People came from all over to her shop in the Michigan woods to buy her art that spoke to them: “‘Love this earth, / Love it’s waters… / Care enough to keep it clear.’”

An Author’s Note reveals more about Gwen Frostic’s life and provides a sketching craft for readers.

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Image copyright Eileen Ryan Ewen, 2018, text copyright Lindsey McDivitt, 2018. Courtesy of Sleeping Bear Press.

Lindsey McDivitt’s superb biography of Gwen Frostic—an artist, inspiration, and pioneer for career women and the disabled—introduces children to a woman who, through persistence and confidence, lived life on her own terms. McDivitt’s lyrical prose infuses the story with the poetry of nature that Gwen internalized and translated into the art that people continue to admire and seek out. McDivitt’s thorough storytelling and excellent pacing allow for a full understanding of Gwen Frostic’s achievements. Young readers will be fascinated by the life work of this talented and determined artist.

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Eileen Ryan Ewen captures Gwen Frostic’s strength of character, can-do attitude, and love of nature in her stunning artwork. Full-page illustrations follow Gwen from her beloved Michigan woodlands to Detroit to art school and through her life as an artist and business woman. Images of Gwen carving a linoleum block, sketching designs for new tools as she sits next to a fighter plane and the woman installing rivets, working an old printing press, and greeting visitors at her shop broaden readers’ understanding of the times and Gwen’s work.

An exceptional picture book that provides encouragement and inspiration, Nature’s Friend: The Gwen Frostic Story is a must for classroom libraries and would make a positive impact on young readers as part of their home library.

Ages 6 – 10

Sleeping Bear Press, 2018 | ISBN 978-1585364053

Discover more about Lindsey McDivitt and her books on her website.

To learn more about Eileen Ryan Ewen, her art, and her books, visit her website.

American Artist Appreciation Month

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Nature Coloring Pages

 

If you love nature like Gwen Frostic did, you’ll enjoy these printable Nature Coloring Pages.

Meadow Coloring PageOcean Coloring Page

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You can find Nature’s Friend: The Gwen Frostic Story at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

March 10 – It’s National Women’s History Month

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 About the Holiday

This month we celebrate the accomplishments of women in the past who have broken barriers and forged paths for today’s women and who still inspire the leaders of tomorrow. To honor women this month, learn more about the influential woman in your own field or in areas you enjoy as hobbies and teach your children about the women who made incredible contributions to the world long ago and those who are changing the way we live today.

Maya Lin: Artist-Architect of Light and Lines

Written by Jeanne Walker Harvey | Illustrated by Dow Phumiruk

 

As a child, Maya Lin loved playing and interacting with nature near her home. She and her brother liked to run over what Maya had named “the Lizard’s Back”—a hill behind her house—and into the woods. Sometimes Maya went into the woods alone and “sat as still as a statue, hoping to tame rabbits, raccoons, chipmunks, and squirrels.” She liked to play chess with her brother and build towns from scraps of paper, boxes, books, and other things she found around the house.

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Image copyright Dow Phumiruk, 2017, text copyright Jeanne Walker Harvey, 2017. Courtesy of us.macmillan.com.

Maya’s “parents had fled China at a time when people were told what to be and how to think.” They did not want the same for their children and always encouraged Maya to be and think what she wanted. Maya grew up surrounded by art. Her father worked with clay, and her mother was a poet. Maya also liked to make things with her hands. The beautiful library where she went to college inspired Maya to become an architect.

To learn about different buildings, Maya traveled all over the world. When she was only a senior in college, “Maya entered a contest to design a memorial to honor soldiers who died during the Vietnam War.” The contest stated two rules: the memorial had to fit in with a park-like setting, and it had to include the 58,000 names of the soldiers who had died in the war. These rules resonated with Maya. She “believed that a name brings back all the memories of a person, more than a photo of a moment in time.”

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Image copyright Dow Phumiruk, 2017, text copyright Jeanne Walker Harvey, 2017. Courtesy of us.macmillan.com.

Maya visited the site where the memorial would be built. As she looked at the gently rolling hill, she envisioned a simple cut in the earth that would support a polished wall covered in names. Not only would the wall reflect those who died, but also those who came to visit and the surrounding nature. At school, Maya worked with mashed potatoes and then with clay to help her create the perfect monument. When she had finished her drawings and plans, she wrote an essay to accompany them. She wrote that her monument would be “a place to be experienced by walking down, then up past names that seemed to go on forever.”

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Image copyright Dow Phumiruk, 2017, text copyright Jeanne Walker Harvey, 2017. Courtesy of us.macmillan.com.

More than 1,400 artists and architects—many of them famous—entered the contest. The designs were hung in an airplane hangar anonymously for judging. Finally, the day came for the announcement of the winner. When the judges called out Maya Lin’s name and she came forward, they were surprised to find that she was so young. Maya was excited to have won, but then some people began to object to her design. Some said her “design looked like a bat, a boomerang, a black gash of shame.”

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Image copyright Dow Phumiruk, 2017, text copyright Jeanne Walker Harvey, 2017. Courtesy of us.macmillan.com.

Maya was hurt by these comments, but she defended her design and, finally, it was approved. Maya worked with the architects and engineers who excavated the land and built the wall. As each granite panel was polished, engraved with the soldiers’ names, and set in place, Maya looked on. The memorial opened on Veterans Day in 1982. Thousands of people came to see it and to find the names of loved ones they had lost. As Maya approached the wall, “she searched for the name of the father of a friend. When she touched the name, she cried, just as she knew others would.” Every day since then visitors come to the wall to remember.

Maya Lin has gone on to design many more works of art and architecture that can be seen inside and outside. Each piece has a name and a particular vision. Maya wants people to interact with her art—to touch it; read, walk, or sit near it; or think about it. After each piece is finished, Maya thinks about her next work and how she can inspire the people who will see it.

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Image copyright Dow Phumiruk, 2017, text copyright Jeanne Walker Harvey, 2017. Courtesy of us.macmillan.com.

An Author’s Note about Maya Lin and the Vietnam War Memorial follows the text.

Jeanne Walker Harvey has written an inspiring biography of Maya Lin that reveals not only her creativity but the importance of creative freedom for children. Lin’s confidence that led her to enter the contest and then defend her winning design will encourage readers to pursue their dreams. Harvey’s lyrical storytelling reflects Maya Lin’s quiet, introspective nature, the influences that nurtured her creative spirit, and her dedication to inviting others to be part of her art.

Dow Phumiruk’s graceful, soft-hued illustrations allow children to follow Maya Lin as she grows from a girl discovering nature, constructing cardboard cities, and learning the arts from her parents to a young woman who draws inspiration from the world’s buildings and relies on her own sensitivity to guide her. Back-to-back pages of the landscape of Vietnam and the site of the memorial connect the two places for children’s better understanding. Phumiruk’s depictions of the Vietnam War Memorial also give children an excellent view of this moving monument. Her images of Lin’s other architectural work will entice young readers to learn more about her and to explore where each of these pieces can be found.

Ages 4 – 8

Henry Holt & Company Books for Young Readers, 2017 | ISBN 978-1250112491

Discover more about Jeanne Walker Harvey and her books on her website!

Learn more about Dow Phumiruk, her art, and her books on her website!

National Women’s History Month Activity

 celebrate-picture-books-picture-book-review-maya-lin-coloring-page

Maya Lin Coloring Page

Maya Lin’s accomplishments are inspirational for all children! Here’s a printable coloring page that you can personalize and hang in your room or locker to remind you that you can reach your goals too!

Maya Lin Coloring Page

Picture Book Review

August 2 – It’s American Artist Appreciation Month

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About the Holiday

Celebrating art is always a great thing! This month we celebrate art created in America. The unique history, landscape, population, and cultural influences of the United States fosters artwork that is distinctively American. This month gives us the opportunity to explore pieces dating back to the founding of our country as well as the paintings, sculpture, crafts, pottery, and other arts being created today. Take the time to visit museums, galleries, arts and craft shows, and theaters to discover old favorites and new inspiration.

Seen Art?

Written by Jon Scieszka | Illustrated by Lane Smith

 

A little boy has arranged to meet his friend Art at the corner of Fifth Avenue and Fifty-third Street in New York City. When he arrives, however, Art isn’t there. The boy asks a woman nearby, “‘Have you seen Art?’” The lady points him in the direction of a beautiful new building further down the street. When he gets there, the boy doesn’t see Art, but he does meet an official-looking gentleman. “‘You seen Art?’” the boy inquires.

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Image copyright Lane Smith, 2005, text copyright Jon Scieszka, 2005. Courtesy of Viking Books for Young Readers.

“‘MoMA?” the man asks. The boy thinks, didn’t the lady ask the same thing? Figuring it’s some kind of code word, he answers, “‘Yes.’” Great news! The building is just opening, the man tells him. After giving another woman the code word, the boy is led upstairs. She stops in front of a painting with blue swirls, writhing trees, and a moon glowing over a quiet village. “‘Can’t you just feel the restlessness? The color? The emotion?’” The boy can feel it, but he’s more interested in finding Art.

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Image copyright Lane Smith, 2005, text copyright Jon Scieszka, 2005. Courtesy of Viking Books for Young Readers.

A little man standing nearby seems to know where to go, and he leads the boy through a room filled with more paintings and sculpture. The man stops in front of a painting. “‘Look at that red! Look at that open box of crayons inviting us in. The grandfather clock? It has no hands. Time is suspended.’” The boy sees all this too. But, really, what he wants to know is—“‘is Art here?’”

A little girl across the room knows what he means. She can show him art. She takes him past a fur-covered teacup and spoon to a painting of an eye. But this is no ordinary eye. Instead of blue, brown, or green, this eye is clouds. “‘Your dream can be what is real,’” she explains. They see another painting with a melting clock in which time is messed up too, but it’s still not Art.

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Image copyright Lane Smith, 2005, text copyright Jon Scieszka, 2005. Courtesy of Viking Books for Young Readers.

Suddenly, a painter hugs the boy for his astute observation. He asks, is art “‘trying to capture dreams? Or is it making images everyone can recognize?’” Next, a lady shows the boy an alarming painting of a woman with whom she identifies, and a baby points out a picture of a brown “‘moo moo’” cow. It seems that in every corner there is another person expounding on a painting in front of them: the shapes, the mystery!, the composition, the color, the atmosphere.

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Image copyright Lane Smith, 2005, text copyright Jon Scieszka, 2005. Courtesy of Viking Books for Young Readers.

But each time the boy answers, “‘Not exactly the Art I was looking for.’” Perhaps, he is interested in the Bell-47D1 helicopter hanging from the ceiling. Is it art? The boy strides past more pieces; they are puzzling, personal, playful, provocative and powerful. Art is not just paintings, he is told. Finally! They seem to be getting it. He begins to ask one more time about his friend, but he’s shown more photographs, sculpture, objects, and films.

The boy decides he needs to find Art on his own. He discovers a majestic painting as long as two rooms, a slippy-slidey chair, images of soup cans that make him hungry…the café…and sculptures of a family and a goat. Soon itvs time to leave. Back on the sidewalk and feeling dejected, the boy thinks he’ll never find his friend. “‘Hello, again,’” he hears. It’s the lady he met that morning. “‘Did you find art?’” she asks.

The boy is about to say no, but he remembers everything he has seen. “‘Yes,’” he answers. And when he finds Art waiting for him, the two go through MoMA again.

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Image copyright Lane Smith, 2005, text copyright Jon Scieszka, 2005. Courtesy of Viking Books for Young Readers.

Notes on each piece along with thumbnail images follow the text.

With clever word play, a humorous nod to the juxtaposed ideas “I know what I like/I like what I know,” and a wink at the world of art criticism, Jon Scieszka takes readers on a tour of the art collection at New York’s Museum of Modern Art. The simple misunderstanding of the word Art in the story introduces children to the nature of interpretation and the variety of forms it can take. Through the many people the little boy meets, Scieszka presents a fabulous opportunity for adults and children to talk about opinions and how each person can have their own while accepting those of others. Scieszka’s rich language is as enticing as the art presented and gives kids and adults a vast vocabulary to use in talking about what art—and life—has to offer.

Lane Smith’s simple line-drawn and abstract figures are the perfect tour guides to the reproductions of famous paintings, sculpture, installations, and other art found at MoMA. Printed in full, vibrant color, the artwork dazzles, drawing readers in to stop and explore each image. An excellent survey of classic and modern pieces will delight and fascinate kids.

For art lovers and those just discovering the world of creativity, Seen Art? is an absorbing book that will entice both children and adults to learn more about art. The book would be a fun and engaging addition to school art programs or units as well as for home libraries.

Ages 3 – 8 and up

Viking Books for Young Readers, 2005 |ISBN 978-0670059867

Discover more about about Jon Scieszka, his books, and other fun stuff on his website.

View a gallery of book illustration and other artwork by Lane Smith on his website.

American Artists Appreciation Month Activity

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Rainbow Crayon Art

 

With this cool project you can create an art piece that’s as colorful as a rainbow and as unique as you are! Adult help is needed for children.

Supplies

  • Box of 24 crayons
  • White foam board or thick poster board, 8 inches by 17 inches
  • A small piece of corrugated cardboard, about 5 inches by 5 inches (a piece of the foam board can also be used for this step)
  • A small piece of poster board, about 5 inches by 5 inches
  • Scissors
  • X-acto knife (optional)
  • Hot glue gun
  • Hair dryer
  • Old sheets or towels, newspapers, a large box, or a trifold display board

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Directions

  1. Remove the various red, orange, yellow, blue, indigo, and violet hued crayons from the box of crayons
  2. Strip the paper from the crayons by slicing the paper with the x-acto knife, or removing it by hand
  3. Line them up in order at the top of the white foam board
  4. With the hot glue gun, attach the crayons to the board with their tips facing down 
  5. Cut an umbrella or other shape of your choice from the poster board
  6. Trace the umbrella or other shape onto the corrugated cardboard or a piece of the foam board and cut out
  7. Glue the umbrella or other shape to the foam board, about 4 ½ inches below the crayons, let dry
  8. Set up a space where you can melt the crayons. The wax will fly, so protect the floor and walls by placing the art piece in a large box or by hanging newspapers, old sheets or towels on the walls and placing newspapers on the floor. A trifold display board and newspapers works well.
  9. Stand the art piece upright with the crayons at the top
  10. With the hot setting of the hair dryer, blow air at the crayons until they start to melt
  11. Move the hair dryer gently back and forth across the line of crayons from a distance of about 6 to 12 inches away. The closer you are to the crayons, the more they will splatter.
  12. The crayons will begin to melt and drip downward
  13. You can experiment with aiming the hair dryer straight on or at an angle to mix colors
  14. Wax that drips onto the umbrella or other shape can be chipped off after it dries or wiped off to create a “watercolor” effect on the shape
  15. Once the hair dryer is turned off, the wax cools and dries quickly
  16. Hang or display your art!

Picture Book Review