February 16 – International Month of Black Women in the Arts

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About the Holiday

During this month we recognize the contributions of black women across the fields of literature, fine, performing, culinary, and healing arts. To celebrate, research black women artists and attend exhibits, readings, or other events that showcase these talented women.

Fancy Party Gowns: The Story of Fashion Designer Ann Cole Lowe

Written by Deborah Blumenthal | Illustrated by Laura Freeman

 

From the time that Ann Cole Lowe was old enough to thread a needle, she loved to sew. While her momma and grandma worked at their sewing machines, making dresses for the socialites of Alabama, Ann sat nearby turning “the wisps of cloth” that fell to the floor into “flowers as bright as roses in the garden.” Even at a young age Ann understood that “doing what you love could set your spirit soaring.”

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Image copyright Laura Freeman, text copyright Deborah Blumenthal, courtesy of simonandschuster.com

When Ann was only sixteen years old, her momma died. Not only did her mother’s death leave Ann bereft, it left her in charge of the business, and many women were waiting for gowns, most importantly the Alabama governor’s wife. “Ann thought about what she could do, not what she couldn’t change.” She sat down and finished the dresses. “Then she stood up and ran the business.”

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Image copyright Laura Freeman, text copyright Deborah Blumenthal, courtesy of simonandschuster.com

In 1916 a woman in Florida hired her to sew dresses. She also sent Ann to design school in New York. Because she was African American, however, Ann was required to study in a separate classroom by herself. Ann was not deterred. She continued to make unique gowns and dresses, and her client list grew. Finally, Ann had saved enough money to open a salon of her own in Manhattan. Sometimes she didn’t have enough money to pay all the bills, but she persisted. Her life was about “what she could do, not what she couldn’t change.”

One day Ann received an order for a wedding dress from a woman who was marrying a United States senator. The woman’s name was Jacqueline Bouvier and the man was John F. Kennedy, a future president of the U.S. Ann bought 50 yards of ivory silk taffeta and designed a beautiful dress with a bouffant skirt and pleated bands decorated with tiny wax flowers. She also made the dresses for Jacqueline’s attendants.

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Image copyright Laura Freeman, text copyright Deborah Blumenthal, courtesy of simonandschuster.com

Then ten days before the wedding, Ann walked into her workroom and discovered that a water pipe had burst, flooding the dresses, material, everything. Ten of the sixteen gowns Ann had sewn were destroyed. “Ann though about what she could do, not what she couldn’t change.” She ordered new fabric, hired more seamstresses, and went to work. On this job she lost money instead of making it, but none of that mattered. In eight days all of the dresses were ready.

When Ann delivered the gowns to the mansion in Newport, Rhode Island, the butler who answered the door told her workers needed to use the back entrance. Ann replied that “if she had to enter through the back door, the bride and bridesmaids wouldn’t be wearing her dresses for the wedding.” The front door swung open. On the day of the wedding—September 12, 1953—the whole world oohed and aahed over Jacqueline Bouvier Kennedy’s gorgeous gown and her bridesmaids’ dresses, but not many people thought about or knew the name of the woman who had created them. “Why? Because Ann Cole Lowe was African American. And life wasn’t fair.”

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Image copyright Laura Freeman, text copyright Deborah Blumenthal, courtesy of simonandschuster.com

Ann continued to design and sew party dresses and evening gowns for the women of high society. She “didn’t make fine clothes to get rich or famous,” however, but, as she once said, “‘To prove that a Negro can become a major dress designer.’” In 1961 Ann finally gained public recognition for her work when she was named “Official Couturiere” in honor of the 33 ball gowns she created for an elegant ball in Omaha, Nebraska. She proudly accepted her award as the fashion world applauded.

An Author’s Note explaining more about Ann Cole Lowe’s life and work follows the text.

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Image copyright Laura Freeman, text copyright Deborah Blumenthal, courtesy of simonandschuster.com

With straightforward storytelling adorned with lyrical passages, Deborah Blumenthal reveals Ann Cole Lowe’s lifelong love of fashion design, her struggles, and her ultimate acclaim. Lowe’s natural talent, single focus, self-confidence, courage, and persistence come through as she overcomes obstacles and prejudice to become the first African American couture designer. Children interested in fashion and history will find much to spark their curiosity and desire to know more about the woman and her times. Blumenthal’s repetition of Lowe’s philosophy to think about what she could do instead of what she couldn’t change will inspire readers to push past difficulties and find solutions.

Laura Freeman’s full-bleed illustrations are as bold and vivacious as Ann Cole Lowe herself. Beginning with the endpapers, which are scattered with drawings of Lowe’s one-of-a-kind gowns, Freeman takes readers on a tour of the workrooms and salons stocked with the fabrics that gave form to Lowe’s creativity. While the backgrounds are typically brilliantly colored and patterned, twice Freeman places Lowe on a completely white page—after her mother has recently died and she is left alone to finish dresses and when she is segregated from the other students in design school. These pages make a moving and effective statement. Children fascinated by fashion will love seeing the beautifully depicted gowns, and may be stirred to create styles of their own.

Ages 4 – 8

little bee books, 2017 | ISBN 978-1499802399

To learn more about Deborah Blumenthal and her books for children, young adults, and adults, visit her website!

Discover a gallery of illustration work by Laura Freeman on her website!

International Month of Black Women in the Arts Activity

celebrate-picture-books-picture-book-review-tablecloth-dress

 

Create Your Own Party Dress 

 

With this easy craft you can make a  fun sheath dress for playing dress-up. It’s also a great party activity! All you need is a plastic or paper party table cloth, Sharpies, and your imagination!

Supplies

  • 1 plastic party tablecloth (1 cloth will most likely make 4 dresses)
  • Sharpies or other permanent markers
  • Ribbon, scarf, crepe paper garland, or other material for a belt
  • Scissor
  • Newspaper, old sheeting or other material to protect the floor

Directions

  1. With the table cloth folded along one edge, cut a rectangle the appropriate size for the child
  2. In the middle of the folded edge cut a V-shaped or rounded opening for the child’s head. Begin with a small opening and enlarge it as needed
  3. Lay the dress on newspaper or other material to protect the floor
  4. Draw and color shapes, lines, figures, or other designs on the dress
  5. Slip on over a shirt and pants or leggings
  6.  Add a belt with a ribbon, scarf, piece of crepe paper garland, or other material

Picture Book Review

February 12 – It’s Black History Month

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About the Holiday

Black History Month, also known as National African American History Month celebrates the achievements and contributions of African Americans in United States History. Originally a week-long observance commemorating the birthdays of Abraham Lincoln on February 12 and Frederick Douglass on February 14,  Black History Month was officially established in 1976 by then president Gerald Ford.

Words Set Me Free

Written by Lesa Cline-Ransome | Illustrated by James E. Ransome

 

Born into slavery and separated from his mother in infancy, Frederick Bailey is raised by his Grandmama while his mother works on a separate plantation. When she is able Harriet Bailey walks the 12 miles between plantations to spend a few short hours with her son, watching him sleep before making the long journey back. While Frederick is still a very young child, his mother falls ill and dies. Douglass recalls never seeing his mother’s face in daylight.

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Image copyright James E. Ransome, text copyright Carole Boston Weatherford. Courtesy of Simon & Schuster.

At the age of six, Frederick is moved from his Grandmama’s cabin to the plantation house. At eight, he is sent to the master’s brother in Baltimore, Maryland. Here, the master’s wife, Sophia Auld, treats Frederick more like a paid servant then as a slave. When Frederick says he wants to learn how to read and write, she immediately begins teaching him the alphabet. Frederick is always mindful, however, that he may be punished for these lessons, and he has only memorized the letters and a few words before his master puts an end to his education. Angrily, the master explains to his wife, “If you teach him how to read…it would forever unfit him to be a slave.”

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These words are perhaps Frederick’s greatest lesson. He never forgets them, and they fuel his resolve to pursue an education. He makes clever use of the few resources he has and slowly learns to read and write. From the newspapers he discovers that the North offers freedom, and Frederick decides to escape. It’s many long years, however, before he can fulfill his dreams. At last, he sees an opportunity to leave the South behind, and using his talent for writing makes his escape a reality.

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Image copyright James E. Ransome, courtesy of Simon & Schuster.

Lesa Cline-Ransome has written a compelling biography of Frederick Douglass for children in Words Set Me Free. In straightforward language and through first-person point of view, Cline-Ransome reveals the brutal truth of Douglass’s life as a slave and his fight against injustice. As the title suggests, the book focuses on Frederick’s desire to become educated and the obstacles he overcame to succeed. This universally important message continues the work Douglass engaged in long ago.

James Ransome’s stirring paintings realistically highlight pivotal scenes of Frederick’s life, beginning with the tender moments he spends with his mother as a very young child. With an unstinting eye Ransome reveals the hardship and cruelty Frederick endured as a slave. His moving illustrations also demonstrate hope as Frederick, with blossoming intellect, resolves to educate himself and find a means of escape.

Ages 5 and up                                                                                                            

Simon & Schuster, New York, 2012 | ISBN 978-1416959038

Learn more about Lesa Cline-Ransome and her books on her website!

Find a gallery of illustration, paintings, drawings, videos, and more on James E. Ransome‘s website!

Black History Month Activity

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Frederick Douglass Word Search

 

Words were so important to Frederick Douglass that he risked everything to learn how to read and write. In this printable Frederick Douglass Word Search Puzzle you will find words about the subject of today’s book. Here’s the Solution

February 6 – It’s Hot Breakfast Month

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About the Holiday

Hot Breakfast Month was established to encourage people to have a hot, healthy breakfast before they go off to work or school. A good breakfast can keep your brain and your body working longer and better, which will result in a good day and more happiness in your life! Isn’t that worth cracking a few eggs in a pan, toasting some bread, or—as Paul Bunyan preferred—mixing up a batch of pancakes?!

Paul Bunyan and Babe the Blue Ox: The Great Pancake Adventure

By Matt Luckhurst

 

Everyone knows that Paul Bunyan and his best friend Babe the Blue Ox were “the greatest lumberjacks to every work the forests.” But not many people know just how that came to be. It all started because Paul was a very big boy in a very small town. He found it hard to concentrate on school because he was always thinking about his mom’s pancakes. “‘Math,” Paul said, “is just not very tasty.’”

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Copyright Matt Luckhurst, courtesy of mattluckhurst.com

Now, Paul and Babe were lucky enough to live in an area where lots of fresh fruit and vegetables were grown, but they only wanted pancakes. In fact when their mom tried to feed them broccoli, they spit it right out! So Paul’s mom made stacks and stacks of pancakes until she was out of breath—but she still had fields to tend to. Paul and Babe tried to free up time for Mom to keep cooking by working in the fields, “but their big feet just squished and squashed everything in sight.”

Finally, there were just not enough pancakes at home, so Paul hugged his mom and set off into the deep dark forest to find his “pancake fortune” with Babe at his heels. With their heads in the clouds and their bellies empty, they happened upon a lumberman with a huge problem. The Syrup River was dammed up with pancakes and the logs couldn’t get through. It was just the job for Paul and Babe!

celebrate-picture-book-picture-book-review-paul-bunyan-and-babe-the-blue-ox-and-the-great-pancake-adventure-babe-smiling

Copyright Matt Luckhurst, courtesy of mattluckhurst.com

Paul and Babe ate every last pancake until the river was clear. The lumberman was so impressed he offered them a job on the spot! And the best part was that they would be paid in pancakes! The trio tromped from Wisconsin to California, logging the land and making their mark. In Minnesota it was “so cold that all of Paul’s words froze before they could make a sound. They say you can still hear his voice in the forests there today as they thaw out.” Further west Paul and Babe had a little something to do with creating the Rocky Mountains, and the Grand Canyon would still be a flat plateau if it weren’t for Babe’s voracious appetite.

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Copyright Matt Luckhurst, courtesy of mattluckhurst.com

But one day Babe fell ill, and Paul was feeling a little under the weather himself. The doctor gave them a grave diagnosis. “‘You seem to have been eating too many pancakes!’” he announced. Paul was flabbergasted—how could there be such a thing as too many pancakes?! But the doctor explained that a balanced diet was best. Paul pondered where he could find good food. Then it hit him! Paul and Babe said goodbye and headed back home.

celebrate-picture-books-picture-book-review-paul-bunyan-and-babe-the-blue-ox-the-great-pancake-adventure

Copyright Matt Luckhurst, courtesy of mattluckhurst.com

Mom was thrilled to see them and cooked plenty of nutritious meals to make them healthy. They stayed in town and grew “Bunyan sized veggies,” helped the townspeople, and always listened to Mom. And they never ate another pancake ever again! Well….

As Matt Luckhurst so adroitly knows, there is no more fascinating figure of North American folklore than Paul Bunyan and no greater meal than a pancake breakfast! Combining the two is sweet genius and rollicking fun to boot! Tall tales capture the imagination, and Luckhurst has included plenty of fantastic events to keep kids enthralled from page to page. Luckhurst’s larger-than-life illustrations burst with color and dynamic 3-D typography that enhance the humor and heart of Paul and Babe’s predicament. The juxtaposition of sizes and folk-art influences create unique, eye-catching pages, and Paul and Babe’s endearing innocence make them loveable characters.

Perfect for folktale lovers, pancake aficionados, kids who follow a singular vision, and anyone who loves a good yarn, Paul Bunyan and Babe the Blue Ox: The Great Pancake Adventure is great fun and would be an often-read addition to a child’s bookshelf.

Ages 4 – 8

Abrams Books for Young Readers, 2012 | ISBN 978-1419704208

You’ll enjoy getting to know more about Matt Luckhurst and viewing a portfolio of his work on his website!

Take a peek at this awesome trailer for Paul Bunyan and Babe the Blue Ox: The Great Pancake Adventure!

Copyright Matt Luckhurst

Hot Breakfast Month Activity

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Pancake Flip-Out Game

 

Pancakes are served in a stack because they’re so delicious that each one doesn’t last long! This game gives you the chance to see how many pancakes you can flip onto a plate! You can play this game several ways:

  1. Give each player the same number of pancakes and see how many they can toss onto the plate during their turn
  2. Make a target with the plate in the middle and draw 3 concentric circles around it. Hitting the target can earn you 20 points. Getting your pancake in the first circle around the plate earns you 15 point, the second circle is worth 10 points, and the third is worth 5 points. Rotate through the players as many times as you like and add up the points at the end. The player with the most points wins!
  3. Instead of tossing the pancakes with your hands, try throwing them with a spatula!
  4. Make up your own rules—and have fun!

Supplies

Directions

  1. Print the Pancakes and Breakfast Plates and cut them out
  2. Glue the pancakes and plate to poster board, cardboard, or foam to give the pancakes more weight for throwing and the plate more support
  3. Once dry, the game pieces are ready for fun!

Picture Book Review

February 1 – National Freedom Day

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About the Holiday

National Freedom Day commemorates the February 1, 1865 signing by President Abraham Lincoln of a joint United States House of Representatives and Senate resolution that outlawed slavery and later became the 13th Amendment to the Constitution. Major Richard Robert Wright Sr., a former slave, called on local and national leaders to meet in Philadelphia and formalize a national day of remembrance. In 1947, a year after Wright’s death, the U.S. Congress passed a bill marking February 1 as National Freedom Day. The proclamation was signed into law on June 30, 1948 by President Harry S Truman. The holiday led to Black History Day, which was later expanded to Black History Month.

Freedom in Congo Square

Written by Carole Boston Weatherford | Illustrated by R. Gregory Christie

 

From sunup to sundown slaves brought to the state of Louisiana from their homelands in Africa and the West Indies toiled on plantations six days a week. The seventh day, Sunday, was set aside as a day of rest and worship, and in the afternoon people of African descent gathered in Congo Square in the heart of New Orleans to dance, play instruments, and talk. On Monday morning the long week began anew, but the rhythms of Congo Square sustained the men, women, and children through “hogs to slop, / mules to train, and logs to chop. / Slavery was no ways fair. / Six more days to Congo Square.

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Image copyright R. Gregory Christie, text Carole Boston Weatherford. Courtesy simonandschuster.com

On Tuesdays, with “cows to feed, / fields to plow, and rows to seed,” five more days stretched out in endless labor. “Wednesdays, there were beds to make, / silver to shine, and bread to bake. / The dreaded lash, too much to bear. / Four more days to Congo Square.” Thursdays came with wash tubs and drying lines, scrub brushes, and brooms. “Spirituals rose from the despair. / Three more days to Congo Square.”

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Image copyright R. Gregory Christie, text Carole Boston Weatherford. Courtesy simonandschuster.com

Fridays were spent in back-breaking work and though some brave souls dared to run, most were counting “Two more days to Congo Square.” Saturdays brought no more relief, but the days had whittled down to hours and “Freedom was slaves’ ardent prayer. / One more day to Congo Square.” At last came Sunday afternoon, and slaves and free rushed to Congo Square—“…a market and a gathering ground / where African music could resound.”

They met their kinsmen by nation, tribe, or language and revived their own stories and music played on drums, fiddles, shells, flutes, gourds, and bells that led to chants and dancing. “This piece of earth was a world apart. / Congo Square was freedom’s heart.”

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Image copyright R. Gregory Christie, text Carole Boston Weatherford. Courtesy simonandschuster.com

Through powerful rhythmic couplets, as spare and austere as the work they describe yet ending in a focal point of hope, Carole Boston Weatherford recreates the steady thrum that resonated in the hearts of slave and free men and women as they anticipated each afternoon in Congo Square.  As the days remaining until Congo Square are counted off, Weatherford’s predominantly one-syllable words form a staccato beat, the pounding of hard, physical work. When Sunday comes and people find joy in their shared music and dance, Weatherford’s phrasing within the same structured couplets rises, employing multi-syllable words that give the verses a pulsing flow that echoes the freedom they find in Congo Square.

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Image copyright R. Gregory Christie, text Carole Boston Weatherford. Courtesy simonandschuster.com

Gregory Christie’s vivid folk-art illustrations are a perfect complement to Weatherford’s verses. The elongated figures stand tall and proud amidst the fields and workrooms of the plantation. In some scenes the slaves’ angled bodies, leaning over to pick cotton, wash floors, or lift baskets may be bent, but they are not broken, and while two men work on building a wall, they seem to kneel prayerfully as they add another brick. In a moving two-page spread set at night, brown wood-grain houses superimposed with rows of sleeping slaves float on a blue-toned ground below a red sky, reminiscent of ships laden with Africans sailing the Middle Passage of the Atlantic slave trade. As the men and women congregate in Congo Square, Christie’s lithe figures raise their arms and kick their legs in dance. The fiery backgrounds swirl with color as the celebrants jump, stretch, play instruments and move with exultation.

A detailed Forward by historian and Congo Square scholar, Freddi Williams Evans and an Author’s Note following the text reveal more information on the history of Congo Square and its significance to Jazz music.

Freedom in Congo Square is both a heartrending and jubilant book that would make a wonderful and meaningful addition to any child’s home library.

Ages 4 – 8

little bee books, 2016 | ISBN 978-1499801033

Learn more about Carole Boston Weatherford and her books and discover book-related resources on her website!

If you’re lucky enough to live in Decatur, Illinois, you can visit R. Gregory Christie’s unique art studio, art school, and bookstore Gas-Art Gifts Autographed Children’s Bookstore. If you don’t live near Decatur, you can check out all the books, art, and items for sale on the website!

National Freedom Day Activity

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Freedom Stone

 

Freedom is a precious right—one that can be represented in different ways by each person. For today’s activity use a brick, paving stone, large stone, or molded plaster of Paris and decorate it with a picture or design that means freedom to you. Then put it in a special place—in a garden, near your front or back door, in your room, or in another spot—where it will remind you of freedom’s gifts.

Supplies

  • Brick, paving stone, large stone, plaster of Paris
  • Paint
  • Plastic gems, bead, or other small objects
  • Strong glue or other adhesive
  • Paint brush

Directions

  1. Create a design that shows what freedom means to you or an object that represents freedom to you
  2. Paint your stone with the design, let dry
  3. Add gems, beads, or other objects
  4. Display your Freedom Stone

Picture Book Review

January 27 – It’s Creativity Month

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About the Holiday

January is a time for reflection and new beginnings. What better time to start thinking creatively and finding your inner artist, scientist, inventor, thinker? Go ahead and do the thing you’ve always wanted to do!

Stitchin’ and Pullin’: A Gee’s Bend Quilt

Written by Patricia C. McKissack | Illustrated by Cozbi A. Cabrera

In this story told through poems, a little girl begins telling of her life, starting with a recitation on Gee’s Bend Women: “Gee’s Bend women are / Mothers and Grandmothers / Wives / Sisters and Daughters / Widows.” They are every kind of woman you know, doing every type of work and activity. “Gee’s Bend women are / Talented and Creative / Capable / Makers of artful quilts / Unmatched. / Gee’s Bend women are / Relatives / Neighbors / Friends— / Same as me.”

In Who Would Have Thought, the girl muses on how perceptions change. “For as long as anyone can remember,” she says, the women of Gee’s Bend, Alabama have created quilts that were slept under, sat on, and wrapped around the sick or cold. But now those same quilts are “…hanging on museum walls, / their makers famous….”

When she was just a tot “Baby Girl” reveals in Beneath the Quilting Frame, she played under the quilting frame, listening to her “mama, grandma, and great-gran / as they sewed, talked, sang, and laughed / above my tented playground.” She remembers the “steady fingers  /[that] pieced together colorful scraps of familiar cloth / into something / more lovely / than anything they had been before” as her mother sang her a lullaby.

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Image copyright Cozbi A. Cabrera, courtesy of Random House Books for Young Readers

In Something Else, “Baby Girl” is growing too big to play beneath the frame. Her legs becoming longer and her mind full of “recipes for eleven kinds of jelly…how to get rid of mold…and the words to a hundred hymns and gospel songs” while she waits her turn at the frame. Finally, in Where to Start? her time comes. The girl asks her mama how to begin and she answers, “‘Look for the heart. / When you find the heart, / your work will leap to life… / strong, beautiful, and… / independent.’”

In Remembering, the girl thinks about how her mama has told her that “cloth has a memory.” As she chooses the cloth that will become her quilt she sees the life and the history in each. 

Nothing Wasted sees Grandma pulling apart a red-and-white gingham dress stitch by stitch to become a quilting square that the girl suddenly knows “will be the heart of my quilt.” In Puzzling the Pieces the girl and her grandma stand over the quilting frame fitting the squares together in the perfect way to tell the girl’s story. Her quilt comes together piece by piece to tell the history of Gee’s Bend in The River Island. The brown strips along three sides mirror the muddy waters surrounding her town. The fourth side is a green strip—“a symbol of the fields where my ancestors / worked cotton from can to can’t— / can see in the morning until / can’t see at night.” Lined up next to the green strip are six squares representing the small communities “where families with / the same name / are not kin by blood / but by plantation.”

Being Discovered is portrayed with “a large smoke-gray square”—the color of the Great Depression and the 15 minutes of fame Gee’s Bend garnered when discovered “by sociologists, historians, / educators, and journalists” who came and went, leaving Gee’s Bend “the way it had been / before being discovered.”

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Image copyright Cozbi A. Cabrera, courtesy of Random House Books for Young Readers

In Colors, the girl’s grandma explains the meanings and feelings behind each colored cloth. “Blue cools. / Red is loud and hard to control, / like fire and a gossiping tongue.” Green, orange, yellow, white, pink, and all the others have their own personalities. “Grandma says, / ‘Colors show how you / feel deep down inside.’”

In Pinky, the harrowing facts of the march from Selma to Montgomery, Alabama frame the story of one marcher, Mr. Willie Quill who broke horses for the Alabama State Mounted Patrol and was saved from the Police attacks when one of the horses he’d trained knew his voice. In Dr. King Brings Hope, the little girl adds a “Patch of bright pink / to remember Pinky’s story. / Next to it I sew / a spotless white patch for the hope Dr. Martin Luther King / brought to the Bend” and goes on to tell how her grandma saw Dr. King at Pleasant Grove Baptist Church and what it meant to her.

By and By follows the girl as she adds “golden thank-yous, for James Reeb,” a “bright blue piece of velvet for Viola Liuzzo,” and a “big plaid people circle of white, black, brown, yellow, and red for Reverend Dr. King, all “killed for believing in justice.”

In the 1960s, The Sewing Bee tells, Gee’s Bend quilters were once again discovered. There were buyers for the handmade quilts, but stipulations. The girl asks her grandma if she was part of the Bee, to which she replies, “‘Yes, / more money. Less freedom. I chose to stay free.’”

At last all of the patches are laid out and the time comes to stitch the girl’s quilt. Five women stand at the frame “all stitchin’ and pullin.’” They work “in a slow and steady rhythm” relaxing and enjoying being together until the quilt is finished. In Finished, the last stitch is sewn, and the thread bitten and knotted. The girl has hundreds of ideas for future quilts. “Quilts that are about me, / the place where I live, / and the people / who have been here for generations.”

Further poems unite the history of “Baby Girl,” her family, and neighbors, and an Author’s Note about quilting and the women of Gee’s Bend follow the text.

Patricia McKessack’s free verse poems capture the close relationships and camaraderie of the generations of women who join around the quilting frame to share and pass down their art and their heart. McKessack’s conversational verses, on page after page like the patches of a quilt, reveal the complexity of this handmade art form in the way intimate talks between friends unveil a life. Readers learn not only about the little girl and her own thoughts, but the history and influence of her immediate family, world events, inspirational figures, and deeply held beliefs that make her who she is and ties her to the other Gee’s Bend women.

Cozbi A. Cabrera’s stunning acrylic paintings take readers inside the heart of the Gee’s Bend women, depicting the girl’s home, the table-sized quilting frame where the women collectively work, the plantations, the protests, and the changes that came but did not unravel the convictions, values, and love of the little girl’s family. Readers can almost hear the talking and singing of the Gee’s Bend women as they stitch their quilts, and the comforting, embracing environment is evident on every page. Cabrera’s portraits of the little girl, her mama, and her grandma are particularly moving. For What Changed, Cabrera depicts a yellow school bus appearing on the dirt road from the right hand corner of the page. In the side mirror a dot of a house comes into view, reminding readers that no matter how far these women are from home, Gee’s Bend is always with them.

Children—and adults—will find Stitchin’ and Pullin’: A Gee’s Bend Quilt inspirational and uplifting. This volume of poetry can be read at one sitting and delved into again and again, making it a wonderful choice for home libraries and a must for school, public, and other libraries.

Ages 5 – 12

Dragonfly Books, Random House, 2016 (paperback edition) | ISBN 978-0399549502

View a gallery  of fashion designs, dolls, and other handmade art work by Cozbi A. Cabrera on her website!

Creativity Month Activity

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Design a Quilt Coloring Pages

Quilts are so much more than pieces of material sewn together—they’re life stories! Here are two quilt coloring pages for you to design and color. What does each piece mean to you? As you color each section, write a sentence about an event or thought that is important to you.

Quilt Template 1 | Quilt Template 2

Picture Book Review

January 17 – Kid Inventors’ Day

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About the Holiday

Today’s holiday celebrates all those ingenious kids who have improved the world with their inventions. This date was chosen to commemorate another child inventor—Benjamin Franklin—who designed the first swim fins when he was just 12 years old! (Seriously, is there nothing this man didn’t or couldn’t do?). With their supple minds and can-do attitudes, kids have changed the ways things are done in the fields of medicine, technology, communications, and even food—as today’s book shows! To learn more about the day and find resources for young inventors, visit the K.I.D website.

The Hole Story of the Doughnut

Written by Pat Miller | Illustrated by Vincent X. Kirsch

 

In 1844 at the tender age of 13, Hanson Gregory left the family farm and went to sea as a cabin boy on the schooner Isaac Achorn. He quickly became the cook’s assistant and also learned how to rig the sails and “steer a ship over trackless waves by sun and stars.” By the age of 19 Gregory had become the captain of the schooner Hardscrabble, and within a few more years was racing “his cargo from Maine to California as commander of a clipper, the fastest ship on any ocean.”

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Image copyright Vincent X. Kirsch, courtesy of vincentxkirsch.com

Hanson Gregory may have been one of the best captains to sail the seas—once awarded a medal for heroism for rescuing seven shipwrecked Spanish sailors even though his own ship and crew were endangered. But his greatest achievement was not attained because of his seafaring skills—it was his ingenuity in the galley that people remember.

On June 22, 1847 as a 16-year-old cook’s assistant, Hanson was rustling up the crew’s breakfast—coffee and fried cakes, the same as every morning. While the pot of lard bubbled on the stove, Gregory formed balls of sweetened dough and dropped them in. They sizzled and crisped—at least around the edges. The centers were raw, heavy with grease, and they dropped like cannonballs in the stomach. “Sailors called them Sinkers.” But this morning Gregory had an idea. He removed the lid from the pepper can and cut out the center of the balls. “Then he tossed the rings into the bubbling lard.”

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Image copyright Vincent X. Kirsch, courtesy of vincentxkirsch.com

The cook and the sailors took one look at this odd concoction and…ate them up! “The cakes were brown, and sweet, and fully cooked. Sighs of delight rose above the noisy sea. A new breakfast tradition was born.” Gregory told his mom about his invention, and she fried up large batches of these ‘holey cakes’ that became a sensation at a friend’s store and on the docks.

You might think this is a pretty interesting tale in itself, “but sailors like their stories bold” and so they “spun legends worthy of such a delicious treat.” One tale had Captain Gregory inventing the doughnut while he saved his ship from disaster. Another told how Gregory, distraught over the drowning of five sailors pulled to the ocean floor by their “sinker” breakfast, punched holes in every cake to make them look like life rings and vowed, “‘Never again!’”

Captain Gregory had a sense of humor about his accomplishment. During an interview he once stated that “he had invented ‘the first hole ever seen by mortal eyes.’” Gregory lived to be 89 and is buried “overlooking the sea where stormy weather can be spotted as readily as it once was from the quarterdeck of the Hardscrabble.”

An author’s note expanding on the story of Captain Gregory, the doughnut, doughnut shops, a timeline, and a selected bibliography follow the text.

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Image copyright Vincent X. Kirsch, courtesy of vincentxkirsch.com

Doughnuts have never been so evocative! In Pat Miller’s humorous, informative history of this favorite pastry treat, readers can smell the salt air, feel the ocean swell and roll under their feet, and even ache a little for those poor sailors forced to eat “sinkers.” Seamlessly interwoven into this foodography is a fascinating look at the early days of sail. Miller’s language is immediately stirring: the Ivanhoe bucks and plunges, the sea becomes a monster, and Captain Gregory spears a sinker on the wheel spoke. Kids will marvel at a 13-year-old going off to sea and becoming an inventor at 16.

Vincent X. Kirsch provides just the right touch to this captivating true story with his cartoon-inspired watercolor and cut paper artwork. Ingeniously incorporating Hanson Gregory’s innovation of removing the center of the fried cakes, Kirsch’s illustrations are “cored” to allow for text, while the extracted section appears on the facing page as a glimpse through a porthole. The maritime atmosphere—from ship to shore—of the mid-1800s is beautifully represented in the folk-style sketches, and the humor that is so intrinsic to this story is wonderfully embraced.

The Hole Story of the Doughnut will delight foodies and history buffs alike and would make a fun gift and a delectable addition to personal libraries for all ages.

Ages 5 – 12

Houghton Mifflin Harcourt, 2016 | ISBN 978-0544319615

Vincent X. Kirsch’s website is full of illustrations from his books for children—take a look at his portfolio!

Spend some time with Pat Miller on her website that offers activities, tips, resources and many more books!

Kid Inventors’ Day Activity

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CD (Compact Doughnuts) Decoration

 

Are some of  your CDs a little passé? Not if you can turn them into cute décor like this doughnut hanging.

Supplies

  • Unused CDs
  • Craft paint in tan, black, pink, yellow, white (or any colors you want for the doughnut and the icing)
  • Ribbon, any color and length you want
  • Fine-tip markers in bright colors
  • Glue
  • Glue dots (optional)
  • Paint brush

Directions

  1. Paint a wavy edge around the CD, let dry
  2. Paint the center of the CD, leaving the clear circle unpainted
  3. When the icing paint is dry, draw sprinkles on the icing with the markers
  4. With the ribbon make a loop hanger and attach it to the back of the CD with glue or glue dots
  5. Hang your decoration

Picture Book Review

January 16 – Martin Luther King Jr. Day

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About the Holiday

Martin Luther King Jr. Day celebrates the life and legacy of the man who dedicated his life and work to teaching—as Coretta Scott King stated—“the values of courage, truth, justice, compassion, dignity, humility and service” and led a non-violent Civil Rights movement to enact racial equality and justice throughout state and federal law. President Ronald Reagan signed the holiday into law in 1983, setting it on the third Monday of January to coincide with Martin Luther King, Jr.’s birthday on January 15. The holiday was officially observed in all 50 states in 2000. Today, learn more about the life and work of Martin Luther King and how you can help promote justice and equality for all. Consider volunteering in your community where help is needed.

I am Martin Luther King, Jr.

Written by Brad Meltzer | Illustrated by Christopher Eliopoulos

 

Standing inside a church, Martin Luther King, Jr. introduces himself with two anecdotes from his childhood that demonstrate his world outlook. “When I was little,” he says, “I used to get into a lot of accidents.” He was hit in the head by a baseball bat, knocked down by cars and once even “tumbled over our banister, then bounced through an open door into the basement.” While these incidents could have made him cautious, Martin instead was determined to keep “getting back up.” His second influence were the books in which he could find “big words.” Even as a child Martin recognized that “there is power in words.”

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Image copyright Christopher Eliopoulos, text copyright Brad Meltzer. Courtesty of Dial Books for Young Readers

Before he went to school, Martin relates, his best friend was a white boy whose father owned a nearby store. They did everything together until school started. Then Martin went to a school with only black students while his friend went to a white-students-only school. Soon, Martin’s friend told him his father didn’t want them to play together anymore. Martin was confused. When his parents told him the reason was that they had different colored skin, Martin felt angry. He wanted to hate his friend and his father, but Martin’s parents taught him to love his friend, and his mother told him, “you must never feel that you are less than anyone else.”

It was a difficult lesson when all around him he saw inequality. White schools had better equipment, there were different elevators, bathrooms, water fountains, and other facilities for black people and white people, on buses black riders had to give up their seats to white riders. Everywhere black people and white people were segregated.

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Image copyright Christopher Eliopoulos, text copyright Brad Meltzer. Courtesty of Dial Books for Young Readers

When Martin was only 15 he was admitted to college. At 19 he entered the seminary where he learned about civil disobedience and nonviolent resistance—ways to use “love and peaceful methods to change unfair things in society.” These were lessons Martin wanted to share with others. His chance to put his thoughts into action came when Rosa Parks was arrested for refusing to relinquish her seat to a white man. Martin advocated a peaceful protest—a boycott of public buses. He reasoned that without the money from black riders, the bus companies would change their policies.

As the boycott began working, Martin gave a speech in Montgomery, Alabama, motivating people to continue their peaceful protest. Martin was put in jail and his house was bombed, but the boycott continued for more than a year. Eventually, the bus companies changed their rules. Other peaceful protests began to take place in restaurants and other public places.

One protest took place in Birmingham, Alabama.  Martin was again put in prison, where he wrote one of his most famous speeches. Children also took part in the Birmingham protest. The Children’s Crusade attracted more than 1,000 kids. On the first day 900 of them were arrested, but that only inspired the children more. On the second day 2,500 children showed up. They stood firm while they were sprayed with water hoses and attacked by police dogs. People—both black and white—watching the news reports were aghast. Three months later the rules began to change.

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Image copyright Christopher Eliopoulos, text copyright Brad Meltzer. Courtesty of Dial Books for Young Readers

“By the summer of 1963, an estimated one million Americans held their own protests in cities across the country.” Then A. Philip Randolph suggested a single huge march to convince “Congress and the president to pass laws so that no one in America can treat people differently based on skin color.” On August 28, 1963 the March on Washington for Jobs and Freedom took place. Martin gave what may now be considered his most famous speech in which he talked about his dreams for the country, for the people, and for their children.

Although Congress began passing new laws, the ability and right to vote in elections still eluded black people. To change the voting rules another march was organized to walk 54 miles from Selma to Montgomery Alabama. The 600 walkers were met by police who stopped them. Two days later 2,500 activists tried again but could not get through. On the third try 8,000 marchers showed up. This time, with the world watching on television, the activists made it to Montgomery, protected by troops sent by President Johnson.

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Martin continued to speak out, relating his philosophy and dreams for the nation. “To reach our goals, we must walk the path of peace,” he said. “We must lock arms with our brothers and sisters. We must march together. When we do…Our voices will be heard, and freedom will ring.” The lessons Martin Luther King taught still resonate today. He stands “as proof that no matter how hard the struggle, we must fight for what is right and work to change what is wrong.…if we stand together, if we remain united, nothing can stop our dream.”

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Brad Meltzer’s Ordinary People Change the World: I am… series of biographies are well-known for showing young readers that they can achieve their dreams and make a difference no matter what those hopes may be. In his biography of Martin Luther King, Jr., Meltzer depicts several incidents from King’s childhood and early adulthood that influenced his future work. These help readers understand not only the types of prejudice King and other African Americans experienced, but also the people who inspired his philosophy of peace.

Meltzer’s inclusion of King’s imprisonments and the violence that met the peaceful protesters deepens the understanding of the dangers King and other protesters faced, and provides an opportunity to open a discussion between adults and children about those times and what they now see in the news. Meltzer’s description of the Children’s Crusade will inspire readers, making them proud of children in the past and stirring them to actions of their own. Sections from King’s Letter from Birmingham Jail and his most famous speeches are presented in speech bubbles. The text is followed by photographs of Martin Luther King, Jr. with his family and at the March on Washington as well as a timeline of his life. Sources and resources for further reading are also included.

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In keeping with the style of all of Meltzer’s and Christopher Eliopoulos’s Ordinary People Change the World: I am… biographies, the illustrations are vibrant and cartoon-inspired. Martin Luther King, Jr. is depicted with the size of a child but the features of an adult, reinforcing the idea contained in the text of the dual nature of the future adult residing in the child and the ideals of the child remaining in the adult that appeals to ambitious young readers. Speech bubbles highlight text that carry emotional dialogue. Settings, including churches, Birmingham jail, Washington DC, the Edmund Pettus Bridge in Alabama, and the Martin Luther King, Jr. monument give children a look at the cities and places described in the text.

For young readers, I am Martin Luther King, Jr. offers a comprehensive biography of the man who was a national and world leader in the fight for equal rights for all people and makes an excellent starting place for classroom lessons and personal discussions.

Ages 5 – 8

Dial Books for Young Readers, 2016 | ISBN 978-0525428527

Discover more about Brad Meltzer and his books for adults and children as well as other goodies on his website!

Learn more about Christopher Eliopoulos, his books, and his comics on his website!

Martin Luther King Jr. Day Activity

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Martin Luther King, Jr. Portrait

 

Color this printable Martin Luther King, Jr. Portrait and then hang it in your room or locker to inspire you!

Picture Book Review