November 9 – National Aviation History Month

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About the Holiday

If you look back in history you see that people have always been fascinated with flight. The first kite was invented in 1000 BCE in China; around 400 BCE Archytas of Tarentum developed a steam-powered pigeon; and most people are familiar with the designs of flying machines that Leonardo de Vinci created in the late 1400s. An important discovery that led inventors in the right direction came in 1680 when an Italian mathematician determined that human muscles were incompatible with flight.

Zip ahead about 100 years and the first hot-air balloon flight was undertaken, which led to more and more complex technology, resulting in Wilbur and Orville Wright’s flight in 1903. From there, it seemed, the sky was the limit. Amelia Earhart became the first woman to complete a trans-Atlantic Ocean solo flight in 1932, and in 1947 Charles Yeager broke the sound barrier. But it’s astounding to think that from that modest 12-second first flight by the Wright Brothers to the first man in space—Soviet cosmonaut Yuri Gagarin—it took only 58 years! Today astronauts from countries around the world live and work in the International Space Station, and spacecraft are traversing deep space.

Wind Flyers

Written by Angela Johnson | Illustrated by Loren Long

With pride a young African-American boy tells the story of his great-great-uncle who was a Tuskegee Airman in World War II. His uncle was “a smooth wind flyer. A Tuskegee wind flyer…,” the boy says. He knows well his uncle’s history—how like a bird, his uncle believed he was born to fly. “With his arms flapping, he jumped off a chicken coop at the age of five,” and when he was only seven he soared from a lofty barn into a pile of hay. His first real flight came at the age of eleven, when he paid 75 cents to be a passenger with a barnstormer.

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Image copyright Loren Long, courtesy of Simon & Schuster

Flying over lakes and fields, his uncle felt as if he were in Heaven, among clouds “like soft blankets, saying, ‘Come on in, get warm. Stay awhile and be a wind flyer too.’” The experience changed him forever. In fact he “cried when they landed because then he knew what it was like to go into the wind, against the wind, beyond the wind.” As a young adult his uncle contributed his dream and his skills to the World War II effort, becoming a Tuskegee Airman, one of the first black pilots in the United States military.

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Image copyright Loren Long, courtesy of Simon & Schuster

As the pair sit in the uncle’s barn, surrounded by his military uniform, leather jacket, and other memories of his flying career—after the war to continue flying he became a crop duster—the pair look through old photographs, seeing once more those young and brave pilots—the Tuskegee wind flyers. Planes are different now, Uncle says, but the clouds remain the same. The boy and his uncle climb to the highest point of the uncle’s barn to watch the jets—and in those moments they once more become the smooth wind flyers, flying into the wind and beyond.

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Image copyright Loren Long, courtesy of Simon & Schuster

In her soaring, rhythmic language, Angela Johnson captures the dreams and yearning of a young boy whose greatest desire is to fly among the clouds. Her combination of straight narration with lyrical lines as he joins the Tuskegee Airman in World War II enhances the sense of achievement and pride the young pilots felt. The structure of the story is well chosen, as relating the uncle’s life from childhood through old age through the eyes of his nephew strengthens the themes of strong familial relationships as well as shared dreams across generations.

Loren Long gives Wind Flyers additional power with his strong, vibrant paintings. Two-page spreads provide a sense of the vastness of the skies that so enticed the young would-be pilot. Even the clouds echo the emotion of the page—fluffy, floating, and alive in the flight scenes while linear, flat, and stationary when the plane and the uncle are earthbound. Realistic portrayals of the boy, his uncle, and the other Tuskegee Airmen are reminiscent of the WPA murals of the 1940s while still setting this book firmly in today for a new generation.

Wind Flyers is a wonderful book to share with aviation buffs, budding historians, and dreamers of all types and would make a welcome thoughtful book for quiet story times.

Ages 4 – 9

Simon & Schuster Books for Young People, 2007 | ISBN 978-0689848797

To learn more about Angela Johnson‘s books for all ages, visit her website!

View a gallery of artwork for picture books and other media by Loren Long, visit his website!

National Aviation History Month Activity

CPB - Biplane side

Head in the Clouds Box Biplane

If you love airplanes and flying, you’ll have fun making your own plane from recycled materials! Use your creativity to decorate your plane while you imagine yourself flying through the clouds on a beautiful day. Younger children will have fun sharing this activity with an adult or older sibling too!

Supplies

  • Travel-size toothpaste box
  • 3 6-inch x 1/2-inch craft sticks
  • 2  2 1/2-inch x 7/8-inch mini craft sticks
  • 5 Round toothpicks, with points cut off
  • Paint in whatever colors you like for your design
  • 4 small buttons 
  • 2 mini buttons
  • Paint brushes
  • Strong glue or glue gun

CPB - Biplane front

Directions

  1. Empty toothpaste box
  2. Paint toothpaste box and decorate it
  3. Paint the craft sticks and 5 toothpicks
  4. Paint one small craft stick to be the propeller
  5. Let all objects dry

To assemble the biplane

  1. For the Bottom Wing – Glue one 6-inch-long craft stick to the bottom of the plane about 1 inch from the end of the box that is the front of the plane
  2. For the Top Wing – Glue the other 6-inch-long craft stick to the top of the plane about 1 inch from the front of the plane
  3. For the Tail – Glue one mini craft stick to the bottom of the box about ¾ inches from the end that is the back of the plane
  4. For the Vertical Rudder – Cut the end from one of the painted 6-inch-long craft sticks, glue this to the back of the box, placing it perpendicular against the edge and half-way between each side

CPB - Biplane bottom

To assemble the front wheels

  1. Cut 4 painted toothpicks to a length of ¾-inches long
  2. Cut one painted toothpick to a length of 1-inch long
  3. Glue 2 of the 3/4-inch toothpicks to the back of 1 button, the ends of the toothpicks on the button should be touching and the other end apart so the toothpicks form a V
  4. Repeat the above step for the other wheel
  5. Let the glue dry
  6. Glue the 1-inch long toothpick between the wheels at the center of each wheel to keep them together and give them stability. Let dry

To make the back wheel

  1. Cut two ¼-inch lengths of painted toothpick and glue them together. Let dry
  2. Glue two mini buttons together to form the back wheel. Let dry
  3. Glue the ¼-inch toothpicks to the mini buttons. Let dry
  4. Glue these to the bottom of the plane in the center of the box directly in front of and touching the tail

Display your biplane!

Picture Book Review

Picture Book Review

November 8 – X-Ray Day and Q & A with Author Sara Levine

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About the Holiday

In 1895 while Wilhelm Conrad Rontgen was experimenting with cathode rays and glass, he noticed a glow coming from a nearby chemically coated screen. This led him to make an astounding discovery. He found that the electromagnetic energy that caused the glow—which he named X-rays—could penetrate human flesh, but not bone, thus allowing bone to be photographed. For the first time doctors could see inside the body without surgery. X-rays were first used during the Balkan War in 1897 to find bullets, shrapnel, and broken bones in soldiers. While X-rays were an amazing advancement for medical research and patient care, their danger was not readily understood. The novelty of this new technology was used by shoe stores as a fitting device in the 1930s through 50s until the harmful properties of radiation were better appreciated. Today, X-rays and the technology they led to are instrumental in diagnosing injuries and diseases and in targeting a medical response.

Bone by Bone: Comparing Animal Skeletons

Written by Sara Levine | Illustrated by T.S Spookytooth

 

Can you imagine if we sloshed through life like soup without a bowl? What would we set our hats on? Where would we carry our phones? How could we sit in class or the office or perform our favorite activities? And what would happen to our organs, our hair, our homes? It’s all a little disturbing! Fortunately, we don’t have to worry about that scenario because “we’re vertebrates, animals with bones. Our bones hold us up.” Phew!

There are different kinds of vertebrates—mammals, reptiles, fish, and more—but many of our bones are similar. For example, “all vertebrates have skulls and ribs. And we all have vertebrae. Vertebrae stack up one on top of another to make the spine, or backbone.” Humans have vertebrae that end…well…you know where, but imagine for a minute if your vertebra kept on going. What if they poked a hole right through your shorts? Yes! You’re right—you’d have a tail. Tails are pretty helpful for some animals. They help them swim, communicate, even keep their balance.

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Image copyright T. S Spookytooth, text copyright Sara Levine. Courtesy of Lerner Publishing

Good job! Let’s try again…how about if you only had a skull, vertebrae, and ribs. No arm bones; no leg bones. You’ve got it! A slithery snake! Nah…really…you’d look great! Okay, maybe you’d prefer if you had a skull, vertebrae, and arm bones—but no leg bones—and your nose was transferred to the top of your head. Sounds fishy? Maybe, but not quite. Oh! Did I give it away? Yep, you’d be a whale or a dolphin, and you’d use those powerful vertebrae to propel yourself to the ocean’s surface to grab a breath.

Imagine what kind of gloves and shoes you’d need if your “middle fingers and middle toes were so thick that they supported your whole body.” Hey, you’re good at this! It was a trick question. You wouldn’t need gloves, but you’d wear horse shoes (or no shoes if you’re a less domesticated animal like a zebra). Now, let’s take a trip through a room full of fun-house mirrors. What kind of animal would you be if your neck was reeeaally long and each vertebrae was “as big as your head?” Or if your legs were muuuuuch longer than your arms? Or your “finger bones grew so long that they reached your feet? Seeing those transformations is definitely worth the price of admission, right?

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Image copyright T. S Spookytooth, text copyright Sara Levine. Courtesy of Lerner Publishing

But getting back to the bowl of soup: “Could you be an animal if you didn’t have any bones at all?” Sure! Some insects and sea creatures “have their hard parts on the outside,” and some are just “mushy.” Think of worms, slugs, and jellyfish, just to name a few. But bones make life more fun, don’t ya think? So if all vertebrates have bones, what makes humans different? Well, for one thing we (as well as some apes and monkeys) have opposable thumbs, which means that “we can move our thumbs in a special way that allows us to do many things, including turning the pages of a book,” using tools, and picking up objects. “Did you get that one? If so, give yourself a thumbs-up!”

An Author’s Note including more about bones, the types of vertebrates, a glossary, and resources for further reading follow the text.

With humor and a kid’s sensibility of the bizarre, Sara Levine presents an anatomy lesson that young readers will respond to. Juxtaposing individual bony features of humans and animals is a brilliant idea to give children perspective on the differences in animal skeletons and the uses of each unique trait. Levine’s quiz-like format engages readers, encouraging independent thought and active participation as well as building suspense for what transformation comes next. Kids will laugh and learn and be on the lookout for other ways human and animal skeletons differ as they become more aware of the natural world around them.

With illustrations of tailbones sticking out of pants, empty socks, two fingered hands and two toed feet, a neck that needs two scarves, and more, T. S Spookytooth illuminates what it means to be human in an animal world or an animal in a human world. Kids will laugh imagining themselves as Spookytooth depicts them with animal features and “Ewww” when their portrayal dissolves into a muddy mess. The accurate drawings of human and animal skeletons educate readers on the names and placement of particular bones.

The unique approach to the study of human and animal skeletons, the wide range of animals presented, and the enticing writing and illustrations make Bone by Bone: Comparing Animal Skeletons a wonderful choice for libraries and home bookshelves of budding scientists and nature lovers.

Ages 5 – 10

Millbrook Press, 2014 | ISBN 978-0761384649

To learn more about Sara Levine and her books, visit her website! You’ll also discover fun Bone by Bone activities to enhance your reading!

View a gallery of artwork by T. S Spookytooth, plus videos and more on his website!

X-Ray Day Activity

celebrate-picture-books-picture-book-review-x-ray-craft-dog-paw

Dog Paw and Human Hand X-Ray Craft

 

X-rays are cool to look at, but they always stay at the doctor’s office! With this craft you can simulate an X-ray of a dog’s paw and a human hand!

Supplies

  • Printable skeleton templates: Human Hand Template | Dog Paw Template
  • Black chalkboard drawing paper, 8 ½ inches by 11 inches
  • White colored pencil
  • White chalk
  • Clear Plastic Report Sheet Protectors
  • Magnetic clip to hang your x-ray on the refrigerator or other metal surface (optional) OR
  • String or wire, adhesive squares, and clothes pins to hang x-ray on the wall (optional)
  • Scissors

Directions

  1. Print the Human Hand and Dog Paw Templates (you may want to print two—one to cut and one to follow when transferring the bones to the black paper)
  2. Cut the bones apart
  3. Lay the bones on the black chalkboard paper
  4. Trace the bones with the white colored pencil
  5. Color in the bones with the white chalk
  6. Slip the black paper into the plastic report sheet protector
  7. If desired, hang the x-ray on the refrigerator with the magnetic clip or on the wall using string, adhesive squares and clothespins

 

Q & A with Author Sara Levine

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Today, I’m thrilled to talk to Sara Levine about her writing as well as to learn about her early experiences with animals and to discover a kid’s-eye-view of women in science.

Your writing for kids is so infused with humor that really captures their attention. What were some of the books that you liked best as a child?

When I was younger, one of my favorite picture books was Katerine and the Box by Patricia Lee Gauch. I’ve noticed that this book has gone back into print; I was so happy to find it online. It’s basically about creativity. A girl and her friend keep finding new uses for a large cardboard box—a house, a car, a dance platform. I can still recall my feeling of excitement when hearing it read to me—it made me want to go make something. It’s actually a feeling very similar to what I have today when I think of a new idea for a book. There was also a book called Wisher, which was about difference—about a cat who dreamt he was really a fish. I remember that the illustrations were beautiful and somewhat scary—just done in blues, browns and yellows.  As an older child, I loved Charlotte’s Web by E.B White, Lizard Music by Daniel Pinkwater and pretty much everything by Judy Blume.

I don’t suppose any of these books are like the books I write. I used to tell people that I liked my science and my books separate. I just wanted to go outside to learn about science. But, I wanted stories in my books. I don’t think there were any of the sorts of books I write about science out for kids when I was young. At least I didn’t find them. But if I had, I think I would have enjoyed them—the fact that they were funny and interactive. But here’s a picture book I LOVE that I found as an adult that is certainly infused with humor and captures a kid’s (and a grown-up’s) attention: Bark, George, by Jules Feiffer. I think this is currently my favorite picture book.

You grew up on a farm in Guilford, Connecticut. Can you tell me a little about the farm and how or if it influenced your current work?

Calling it a “farm” might be a bit of a stretch. My parents were two kids who grew up in Brooklyn and then moved to CT and decided to get some animals, cheered on by their enthusiastic offspring. First there was a goat, who got lonely. So then there was another goat. And they had a baby. And there was a chicken at school who needed a place to go for the summer. And then never went back to school… And so on. We ended up having over 100 named animals—a horse, a cow, peacocks, geese, a donkey and more. I loved taking care of the animals, with my siblings. It was a wonderful experience, one that I’m very grateful for. But it wasn’t at all lucrative. I think the only money made was by my brother who would sell extra eggs to his teachers.

How did it influence my current work? I’m not sure. Certainly my interest in animals is a lifelong one. I think the stories about the animals actually show up more in my writing for adults than in my picture books. The ideas for the books for children come more from teaching ideas that I think will translate well into a picture book format.

You have a doctorate in veterinary medicine and a masters in fine art. When and how did the two merge into your work as an author?

What a great question. I have always had this science side and this humanities side. A lot of my life, I’ve been struggling with how to balance and feed both sides of myself. It’s taken me a long time to find a way to merge the two interests, and it’s been very satisfying to do so in writing about science, especially for kids.

You offer four different school and library programs, all of which sound fascinating. Do you have any anecdotes from a presentation you’d like to share?

In one of my workshops, the one for Bone by Bone: Comparing Animal Skeletons, I bring in an articulated skeleton for the kids to see and a disarticulated skeleton in a box. The kids learn the bones, and I then hand them each a bone which they take up to the standing skeleton to figure out which bone it is, and then work together to put together the second skeleton on the floor. Inevitably, someone asks if the skeletons are real. They are. I literally found them in the closets, when I started my teaching at Wheelock. There are all sorts of questions about that, generated by the kids, and then, often, someone will ask if the skeletons are “boys or girls.” Recently, at a school near Boston, I was explaining to a group of second graders that both were female, that we could tell by the shape of the hips, and I heard one girl, going, “YES!” and pumping her arm up and down, in victory. The boy next to her says, “Why are you so happy? That means a girl died.” To which she responds, “That’s true. But it also means one more girl in science!”

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Sara Levine leads a workshop at Cold Spring School

What’s the best thing about writing for kids?

I enjoy trying to think of engaging and interactive ways to teach something that hasn’t been taught before. I like the creativity involved. And, of course, reading it to the kids when I’m done and seeing them respond!

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Students at Al Hamra Academy examine a skeleton

You also write articles for adults and were nominated for a Pushcart Prize in 2007. Can you tell me more about your writing for adults?

I write science related essays for adults. The writing comes more from my own experiences.  I do have a handful of essays published. I think the one that was nominated for the Pushcart, “What Hands Can Do” is still available to read online. Here’s a link to it on Fictionaut. It’s about spaying a dog. And more, of course. I think my most successful essay is “The Body of a Cow” which originally appeared in the Massachusetts Review. It’s also on Fictionaut, if anyone wants to have a look. Eventually, I hope to work the essays into a memoir for adults.

What’s up next for you?

I have a book on dinosaur bones which will be published by Lerner next year. I also have three children’s books written which I’m trying to find homes for at the moment—one on animal classification (but interactive, written like a “do your own adventure” story), one on how plants communicate with animals, and one very funny one (if I can say so myself) called “Breakfast at the Omnivore Café,” which is about what animals eat. This one might never get published because it falls into the cracks between nonfiction and narrative fiction, but I haven’t given up on it yet. The book I’m currently working on is an attempt to explain climate change through stories of the carbon cycle. Doesn’t sound very interesting when put that way, but it’s written as an interactive story, and is also actually quite funny in parts, so I think kids will like it.

Since Celebrate Picture Books is a holiday-themed blog, I can’t let you get away without asking you what your favorite holiday is…

Passover. You get to tell a story to children in a way that is interactive and engaging for kids, AND it involves food. What could be better?

Thanks so much for chatting and sharing your unique perspective on the natural world, Sara! I, for one, would love to read Breakfast at the Omnivore Café—that would be one interesting menu, I bet! I wish you the best with all of your books!

You can connect with Sara Levine on:

Her Website | FacebookTwitter

About Sara Levine

Sara Levine is an assistant professor of biology at Wheelock College and a veterinarian.  Her science books for children include Bone by Bone: Comparing Animal Skeletons (2013) and Tooth by Tooth: Comparing Fangs, Tusks and Chompers (2016).  Her third book, Fossil by Fossil: Comparing Dinosaur Bones will be published in 2018.  Bone by Bone: Comparing Animal Skeletons has received much recognition, including the Utah Beehive Book Award, selection as a Bank Street College Best Children’s Book of the Year, and finalist for the Cook Prize for best STEM picture book.

Sara also writes science-related essays for adults, one of which was nominated for a Pushcart Prize in 2007.  Her writing has appeared in the Boston Globe, the Massachusetts Review, Bayou, and in the anthology And Baby Makes More. In addition to teaching college students, she has taught children’s environmental education classes for the Massachusetts Audubon Society and other nature centers in Massachusetts and Connecticut for over 15 years. 

Sara holds a doctorate in veterinary medicine (DVM) from Tufts University, a master of fine arts degree (MFA) in creative nonfiction writing from Lesley University and a bachelor of arts degree (BA) in English from Haverford College.  She is a native New Englander and lives with her daughter and their dogs and cat in Cambridge, Massachusetts.  

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Bone by Bone: Comparing Animal Skeletons and Sara’s other books can be found at:

Amazon | Barnes & Noble | Books-a-Million | IndieBoundLerner Publishing

Picture Book Review

November 7 – Job Action Day

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About the Holiday

Instituted in 2008 and now sponsored by LiveCareer to empower employees and job seekers to assess their careers, make plans, and take action, Job Action Day gives people a chance to reflect on their true goals in life. Are you doing the job you’re passionate about? Are you bringing your passions to the job you are doing? If you are unhappy or dissatisfied with your position, step back and take another look, broaden your horizons. Discover the possibilities and opportunities that lie within your current job and pursue them. You never know where a particular job will lead you if you put all your creativity, knowledge, and—most importantly—unique personality—into it. Job Action Day brings together experts across the web and in participating companies to provide the latest in career advice.

A Crow of His Own

Written by Megan Dowd Lambert | Illustrated by David Hyde Costello

 

When fame and fortune came calling for Larry, the charismatic rooster of Sunrise Farm, the daily routine turned upside down. “The animals overslept and no one knew what to do.” But while the cow, horse, sheep, chickens, and goose fretted, Farmer Jay and Farmer Kevin had a plan. One day they gathered all the animals and introduced Clyde, the new rooster. Looking at the “scrawny little guy” as he stammered his hello, the cow, horse, and sheep expressed doubt in his abilities, already comparing him to their beloved Larry.

Roberta, the goose, stepped forward, however, and reassured him that “they just miss Larry.” When Clyde asked who Larry was, the animals gasped. “Only the best rooster ever,” claimed the sheep. “Take it straight from my mouth: he was more than that,” said the horse. “He was a genius,” the cow chimed in.” And the chickens? In the dirt they scratched a heart with Larry and XOX in the center.

celebrate-picture-books-picture-book-review-a-crow-of-his-own-clyde-joins-the-farm

Image copyright David Hyde Costello, text copyright Megan Dowd Lambert. Courtesy of Charlesbridge

Clyde was worried—how could he ever live up to Larry? Roberta tried to soothe him. “‘Larry wasn’t a genius…he just made quite a show of it.” Emboldened and with an inkling of what he needed to do, Clyde thanked Roberta and dashed off. “Clyde spent the whole day gathering props, designing his costume, and choreographing a sublime two-step.” As Clyde gave himself one last look in the mirror in his top hat and cloak, he had misgivings. “Could he put on a show of a crow?” He went to bed, but hardly slept at all.

In the morning…well…Clyde overslept. The animals were not happy. “Who ever heard of a rooster sleeping in?” baaad mouthed the sheep. “What a worthless chicken,” complained the horse. And the cow had issues of her own. Once again Roberta came to Clyde’s defense. With a wagon full of new props and material, Clyde rushed away to prepare for the next day. Up bright and early and balanced on a unicycle atop the coop while surrounded by promotional signs, Clyde “opened his beak, and…promptly fell to the ground with an undignified croak.”

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Image copyright David Hyde Costello, text copyright Megan Dowd Lambert. Courtesy of Charlesbridge

Poor Clyde! Humiliated and hurt he once again had to endure the slights of the farmyard animals, but their comments only spurred him on. Vowing to go bigger and better, Clyde built himself a ramp, ordered roller skates for birds and a parachute, and designed a colorful Western-theme set. “‘Oh, my!’” remarked Farmer Jay as he walked by. “‘Try, try again,’ encouraged Farmer Kevin.” But in the morning Clyde’s spectacular trick left him hanging upside down from the chicken coop, and the animals more “disgruntled and dismayed” than before.

Clyde was distraught. “‘Forget about Larry.’” Roberta said. “‘Just crow your own crow.’” Clyde considered her advice. The next morning as the sky turned pink and orange with the rising sun, Clyde stood tall atop the chicken coop. He quietly cleared his throat and then—“COCK-A-DOODLE-DOO!” The newly awakened animals came running. Even Farmer Jay and Farmer Kevin came to see this new Clyde. The horse summed up their collective feeling: “It’s not so much like crowing, but crooning.” Roberta agreed. “‘Enough to give you goose bumps!’” she exclaimed. As an encore, “Clyde took a deep breath, gave a shake of his comb, and called out another crow of his own.”

celebrate-picture-books-picture-book-review-a-crow-of-his-own-sunrise

Image copyright David Hyde Costello, text copyright Megan Dowd Lambert. Courtesy of Charlesbridge

These days it’s nearly impossible for kids not to compare themselves or be compared to others—even those they’ve never met. All they need to do is jump on the Internet and discover that so-and-so has double, triple, or more friends and/or followers than they do; go to class and get their grade on that assignment they worked so hard on; or simply stand by their locker, go to lunch, or head out to gym and overhear the comments of other students. Avoidance isn’t the answer, but a good base of self-confidence and personal identity is. In A Crow of His Own Megan Dowd Lambert offers readers such a base in her entertaining and meaningful tribute to self-acceptance and love that hits all the right notes.

As soon as scrawny Clyde walks out of his crate to the scorn of his farm mates, kids will root for this underchicken. With a light touch and plenty of wordplay, Dowd deftly presents honest portrayals of the opposition Clyde is up against as well as Clyde’s distressed reactions. Clyde’s three attempts to act like Larry humorously demonstrate the difficulties of trying to be someone you’re not. When Clyde finally musters the courage to “crow his own crow” and is met with praise, readers will see that their own unique talents will find an appreciative audience.

David Hyde Costello knows how to put on a show! His Sunrise Farms is a gentle, bucolic spread still under the thrall of Larry. Humorous details, such as the valentines to Larry the chickens draw in the dirt, the movie house-style posters on the side of the barn, and the surprised and exasperated expressions of the animals, testify to Larry’s enduring legacy. But careful observers will notice that while Larry is a rather bland white rooster with some black tail feathers, Clyde is distinctively colorful from his comb to his feet. Kids will giggle at Clyde’s increasingly complex morning shenanigans even as they sympathize with his plight. When Clyde finally reveals his magnificent crow, readers will cheer.

A Crow of His Own is a winner on so many levels. It offers parents and children a way to discuss and begin building the strong sense of self so important to a happy and successful life. The book also presents a positive visual representation of diversity, and in Roberta and Farmer Jay and Farmer Kevin it shows that finding support helps. And it does all of this in a story that stands on its own as a funny, laugh-inducing romp. Because kids will want to hear this story over and over, A Crow of His Own would be a wonderful addition to libraries and home book collections.

Ages 4 – 9

Charlesbridge, 2015 | ISBN 978-1580894470

To learn more about Megan Dowd Lambert, her picture books, her Whole Book Approach to Reading, and more visit her website!

On David Hyde Costello‘s website you’ll find a gallery of artwork, a portfolio of picture books, videos, and more!

Job Action Day Activity

celebrate-picture-books-picture-book-review-chicken-craft

A Chicken to Crow About

 

A long-handled wooden turner makes a plucky decoration for your room or kitchen—and a great reminder to bring your passions to every job! In a few simple steps, you’ll have a cute companion you’ll want to crow about!

Supplies

  • Printable Comb and Scarf Template
  • Long-handled wooded turner, available in kitchen supply stores
  • Red felt
  • Yellow bakable clay
  • Fabric, 12 inches square
  • A small piece of white felt or fleece (optional)
  • White paint (or any color you would like)
  • Black marker
  • Fabric glue
  • Glue gun
  • Paint brush

celebrate-picture-books-picture-book-review-chicken-craft

Directions

  1. Paint the wooden turner, let dry
  2. Cut the scarf from the piece of fabric
  3. Make a beak from the yellow clay and bake it according to package directions

To make the comb

  1. Cut out the comb from the red felt
  2. Fold the felt in half and glue the end together with the fabric glue
  3. Cut short strips from the folded top of the felt, about ½-inch to ¾ -inch in length
  4. Round the corners of the strips slightly

To make the scarf

  1. Fold the fabric in half
  2. With the long, straight edge of the scarf template along the fold, cut out the scarf
  3. With the fabric glue, glue the two sides of the scarf together so that you have two “right” sides
  4. Let dry

To assemble the chicken

  1. Pinch the bottom of the comb together so that the strips open and the felt pleats a little
  2. With the glue gun attach the comb to the back of the painted turner, keeping the bottom pinched together
  3. Attach the beak to the front of the turner
  4. Draw eyes on the chicken with the black marker
  5. Tie the scarf around the neck of the handle, hold in place with a drop of glue in the back if necessary
  6. To make tail feathers in a turner with a hole in the handle, pinch together a small folded piece of white felt or fleece and push it through the hole in the handle of the turner.
  7. Cut or arrange to look like feathers

Picture Book Review

November 6 – Marooned without a Compass Day

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About the Holiday

It may seem appropriate that the origins of this holiday are lost to history, like someone left to languish on a deserted island. But it’s true that—at some time or another—most of us feel marooned without a compass, flailing with decisions about what to do, who to confide in, even who we are. Today is an opportunity to reflect on the direction you are going in life and, if you find you are off course, to steer once more down the right path. It’s comforting to know that someone will be waiting for you when you reach home—wherever that may be.

In a Village by the Sea

Written by Muon Van | Illustrated by April Chu

 

High on a cliff a small house looks out over the sea, where fishermen are poling their craft and setting their nets. “In that house, high above the waves, is a kitchen.” In the kitchen a warm fire blazes under “a pot of steaming noodle soup.” A woman, preparing ingredients for dinner, watches, mixes, and stirs while the pot simmers.

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Image copyright April Chu, courtesy of aprilchu.com

“By that woman is a sleepy child, yawning and turning. By that child, tucked in the shadows, is a dusty hole.” If you peer into that hole, you will see something astounding—a brown cricket is “humming and painting.” The cricket, brushes in four hands is surrounded by paints contained in seashells. It is painting a “sudden storm, roaring and flashing.”

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Image copyright April Chu, courtesy of aprilchu.com

A white boat rides this roiling sea, rising and dipping with the crashing waves as lightning flashes ahead. Under the cover of the boat’s canvas roof a fisherman eyes the threatening sky and waits for the storm to end. In his hand he opens a precious box. Inside are two pictures: one of a small house high on a hill; the other of a smiling woman holding a little child while their dog looks on. Next to these sits a special cricket.

In the painting there is also a small house, and “in that house is a family waiting for [the fisherman] to come home.”

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Image copyright April Chu, courtesy of aprilchu.com

Muon Van’s lyrical tale expands and contracts through the eyes of family members to reveal not only the actions and emotions of one afternoon but those that eternally exist in each character’s heart. In the opening page readers view the small house from afar as the husband and father fisherman casts off on his journey. Children are then invited into the kitchen and finally into a small crevice.

Through the cricket’s tiny painting, readers once again see the wider world with its storms and worries. Narrowing the perspective to the fisherman’s view as he looks at his photo box, however, they understand that comfort and reassurance are always close at hand. As the next page zooms out, children are again invited into the little home to join the woman, baby, and vigilant dog as they gaze out into the bay, watching and waiting for one particular boat.

Van’s quiet and simple story holds much universal feeling as it traverses both homey and unpredictable landscapes. As each page depends on the previous one, a gentle suspense builds, enticing readers to follow wherever the story takes them. The inclusion of the “dusty hole,” where a cricket—a symbol of good luck—paints the rest of the story, is irresistible and lends the tale a mystical quality.

celebrate-picture-books-picture-book-review-in-a-village-by-the-sea-on the shore

Image copyright April Chu, courtesy of aprilchu.com

April Chu’s gorgeous paintings transport readers to a Vietnamese fishing village with their delicate and colorful details. The small home glows with the light of paper lanterns and the fire in the stove. As the perspective of the text changes, so does the perspective of Chu’s paintings. When readers peer into the soup pot, bubbling with delicious vegetables, the family’s Labrador gazes up at them, almost begging to know what smells so good. Another bird’s eye view lets kids watch as the dog discovers the hole under the rug, a beautiful device to increase their enjoyment of and wonderment at the story.

Kids will marvel at the cricket’s artistic talent, as the stormy sea churns with whitecaps and lightning flashes from the tip of the small creator’s paintbrush. But it is Chu’s mastery that makes each page so meaningful.

Ages 3 – 10

Creston Books, 2015 | ISBN 978-1939547156

View a porfolio of picture books and other artwork by April Chu on her website!

Marooned without a Compass Day Activity

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Sailboat Maze

 

Sometimes getting through a maze is as smooth as sailing on a calm sea—and sometimes the path is a little choppy. Get your pencil ready and chart a path through this printable Sailboat Maze!

Picture Book Review

November 5 – Book Lovers Day

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About the Holiday

The first Saturday in November is set aside for all book lovers out there who like nothing more than to snuggle into a cozy nook with a favorite book. It’s a great day to discover a new author or to reread a beloved one. With so many kinds of books available—mystery, adventure, humor, biography, non-fiction, novels, and more—you may want to read more than one today! How many can you read?

Hug This Book!

Written by Bernie Saltzberg | Illustrated by Fred Benaglia

 

When you grab onto a book and open the cover, you know what to do! But did you know that books themselves may have some ideas on the subject? Today’s reviewed book has plenty of fabulous, page-turning ideas and is happy to share them with you. Its first thought is a pretty big one: “You can read this book to a hippo.” I know!—wouldn’t that be a blast?

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Image copyright Fred Benaglia, text copyright Barney Saltzberg. Courtesy of Phaidon Press

It seems that books watch how readers treat their pets, and they want in: “You can kiss and hug and smell this book. / That might sound sort of silly. / You can wrap this book in a sweater, / if it ever gets too chilly.” That sounds as cozy as enjoying hot chocolate in front of a fire—with this book, of course!

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Image copyright Fred Benaglia, text copyright Barney Saltzberg. Courtesy of Phaidon Press

The book continues—“You can make up a story to tell to this book.” Hmmm…I never thought about it. Maybe books don’t like doing all the work all the time. Maybe they’d like to just relax and be entertained. Well, I’m sure you can come up with something fun and fantastic! And just to keep you on your toes, the book offers a few more challenges: “Can you read this book in the mirror? / Or sing the words in this book like a song? / If you sing it to the birdies, maybe they’ll sing along.” After completing those activities maybe it’s time for a nap. Don’t forget to take the book too, but be ready to giggle because… “Maybe you’ll hear it snore.”

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And when you wake up all refreshed you can try reading the book while dancing, twirling, leaping, skipping…you can even take it to lunch, “just do not try to feed it.” Then suddenly and all too soon the book comes to the last page. Don’t be sad, though. “Even though this book is over, / it isn’t really the end. / You can start at the beginning / and read it to a friend!”

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Image copyright Fred Benaglia, text copyright Barney Saltzberg. Courtesy of Phaidon Press

Barney Saltzberg’s love for books is infectious. His witty rhymes bubble with the thrill of reading and playfully challenge kids to take books along no matter where they go or what they do. The cadence of Saltzberg’s lines invite multiple readings—the way the rhythm of movement in hopscotch, jump rope, or dancing is inherent in the fun. Kids will giggle at the examples Saltzberg conjurs up—reading to a hippo, listening to a book snore, feeding a book—and you can bet that they will want to invent some of their own! Get ready to hug this book—and many others. After all isn’t that what best friends do?

Fred Benaglia’s adorable characters swim and paddle, snuggle and swing, play and imagine all the while with their nose in this book. The fanciful coloring and quirky landscapes enhance both the originality and universality of this tribute to book love. Benaglia’s artwork—from the fish nibbling at a child’s toes to the cars zipping through the cities—radiate personality invites creative thinking. Readers will especially want to linger over the two-page spread of a smiling child conjuring up a host of stories to catch every imaginative detail in the chalk drawings. The big red heart on the  cover under the book jacket is a clever touch, connecting Hug This Book! to “this book” in the text.

For all book lovers, Hug This Book! is a fun, funny romp and will be a welcome, often-asked-for addition to a child’s library.

Ages 2 – 7

Phaidon Press, 2016 | ISBN 978-0714872841

You’ll love discovering all the books, music, and videos on Barney Saltzberg‘s website!

Cuteness abounds on Fred Benaglia‘s website, where you’ll find book illustrations and so much more!

Can you hug this Hug This Book! book trailer?

Book Lovers Day Activity

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Book Lovers Book Bag

 

Whether you’re buying new books at your local bookstore or checking some out at your library, carry those treasures home in their own special bag! This kid-sized bag was made from recycled materials!

Supplies

  • Printable Templates: Books to Read Template | Books to Love Template
  • Small cloth bag, available from craft or sewing stores—Recyclable Idea: I used the bag that sheet sets now come in
  • Cloth trim or strong ribbon, available from craft or sewing stores—Recyclable Idea: I used the cloth handles from shopping bags provided from some clothing stores
  • Scraps of different colored and patterned cloth. Or use quilting squares, available at craft and sewing stores
  • Pen or pencil for tracing letters onto cloth
  • Scissors
  • Small sharp scissors (or cuticle scissors) for cutting out the center of the letters
  • Fabric glue
  • Thread (optional)
  • Needle (optional)

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Directions

  1. Print the sayings and cut out the letters
  2. Trace letters onto different kinds of cloth
  3. Cut out cloth letters
  4. Iron cloth bag if necessary
  5. Attach words “Books to Read” to one side of bag with fabric glue
  6. Attach words “Books to Love” to other side of bag with fabric glue
  7. Cut cloth trim or ribbon to desired length to create handles
  8. Glue (or sew) handles onto the inside edge of bag

Picture Book Review

November 4 – Fountain Pen Day

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About the Holiday

Today we spend some ink to extol the virtues of the fountain pen. Designed in 1636 (a mere 22 years after William Shakespear wrote his last play), the fountain pen sported two clever improvments over the quill pen. First, it contained a reservoir of ink that made frequent dipping in the inkwell unnecessary. Second, it’s metal nib didn’t require cutting the way a feather did to retain sharpness. While there are now many alternatives to fountain pens, there are those who prefer its smooth elegant lines for writing everything from notes to novels. Fountain pens are also collectable, and craftsmen around the world create beautiful, innovative works of art on these functional canvases.

Will’s Words: How William Shakespeare Changed the Way You Talk

Written by Jane Sutcliffe | Illustrated by John Shelley

“In 1606 London was a bustling, jostling, clanging, singing, stinking, head-chopping, pickpocketing wonder of a city.” With that phenomenal sentence Jane Sutcliffe begins this fascinating and ingenious look at the Globe Theatre and the experience of attending a play in William Shakespeare’s time.

In addition to all the qualities of London mentioned above, the town was also a “play-going city.” Every day of the week except Sunday, a play—or maybe even two or three—was performed, and as many as 18,000 people attended plays every week! They just couldn’t get too much of a good thing!*” And everyone loved the plays written by William Shakespeare!

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

How did a day at the theater begin? Well, at 1:00 a banner was raised from the roof of the playhouse, and men, women, and children streamed through the streets toward the Globe. It cost a penny to get in, but if you paid more you got a chair, and if you paid a little more than that you were seated in the Lord’s Rooms. The Lord’s Rooms were actually for fashionable people who wanted to be seen but didn’t really care what play they were seeing.

All the actors were…well…actors. There were no actresses in those days. Men played women’s parts as well as men’s. And if you think phones and talking are problematic in today’s theaters, you would have been aghast at the audiences back then! They were not well behaved at all!

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

There were plays to please all tastes—comedies, tragedies, histories, and romances—all full of complicated plots and plenty of twists and turns. While the stories may have been intricate, the sets were not. But the bare-bones sets were made up for in gorgeous costumes and even some special effects accomplished through trap doors and ceiling holes. Sounds full of amazement, right? Good thing too because these plays could go on for hours, and most people stood through the whole thing, rain or shine!

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

While William Shakespeare’s plays ended when the last line was spoken, his influence continued. Theatre-goers repeated the lines they’d heard long after they left the Globe. They used Will’s words so much that his new phrases became part of the common language, and we still use them today!

Jane Sutcliffe inserts a tongue-in-cheek apology before the main text, explaining how she wanted to tell the world about the Globe Theatre in her own words, but that William Shakespeare’s words kept getting in the way. Yes, using another writer’s words is a no-no—but if they’re Shakespeare’s words? Words we use every day? Hmmm… Sutcliffe’s lively history of the Globe Theatre and Old London’s theater culture is conversational, humorous, and highly informative.

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

The left-hand page tells the story of the Globe with phrases and words coined by William Shakespeare sprinkled throughout and set in bold type. On the right-hand page readers learn the meaning of those words and phrases (some have changed a bit since Will’s time) and which play they come from. A final note from Sutcliffe at the end of the book reveals a bit more about the playwright. A timeline of Shakespeare’s life and a bibliography are also included.

John Shelley’s incredible illustrations of London and the Globe Theatre will take your breath away. The streets teem with vendors, knights, shoppers, kids, Ladies, and Lords. If you look closely at the intricate paintings you’ll also spy the seamier side of Old London—a pickpocket, a criminal in the stocks, a tavern brawl, a cat snatching a free meal, a woman about to empty a chamber pot on her unsuspecting downstairs neighbor’s head, and…could that be a dead rat?— and that’s only on the first page!!

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Image copyright John Shelley, 2016 text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

Subsequent pages show the waterfront with its sailing vessels, a peek into Shakespeare’s study and a look at the printing press, an aerial view of London, the Globe Theatre with its thatched awning, actors donning wigs and costumes, the audiences enjoying the plays and the fun of a day out. Each illustration is alive with color and movement, texture and design, expressive faces, and all the sights, sounds, and aspects of Old London. Kids will love lingering over each page picking out the funny events going on in the lanes, in the theater seats, and on stage.

So hurry to get your own copy of Will’s Words and enjoy it to your heart’s content! You will definitely get your money’s worth!

*Italicized words and phrases were invented by William Shakespeare

Ages 6 – 10 and up (Anglophiles and Shakespeare lovers will enjoy this book)

Charlesbridge, 2016 | ISBN 978-1580896382 (Hardcover) | ISBN 978-1580896399 (Paperback)

To learn more about Jane Sutfcliffe and her other picture books and books for early and middle grade readers visit her website!

View a portfolio of picture book illustration and other work by John Shelley on his website!

Fountain Pen Day Activity

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Write Like Shakespeare

William Shakespeare might have missed out on the new technology of fountain pens, but he sure did a great job with the quills of the day. Try your hand at making a quill pen—you may not be able to write with it, but it sure will look cool on your desk!

Supplies

  • Medium to large size feather with quill, available at craft stores
  • Clay, oven-bake or air-dry, in various colors if desired
  • Wire, beads, paint, and/or markers for decorating     
  • Scissors
  • Baking pan for oven-bake clay

Directions

  1. Roll clay 2 ½ inches to 4 inches long 
  2. Push the quill end of the feather into the clay
  3. Add bits of clay or roll sections of the clay between your fingers to give the clay shape
  4. To make the twisted shape pen, twist the length of clay around itself before adding the feather
  5. Shape the end or cut it with scissors to make the pointed writing nib
  6. If using air-dry clay: Add beads and/or wire and let clay dry around feather
  7. If using oven-bake clay: Add beads and other layers of clay before baking then carefully remove feather. Bake clay according to package directions
  8. Add wire and other decorations after clay has baked and cooled
  9. Reinsert feather into clay

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You can find Will’s Words at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

November 3 – National Sandwich Day

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Image copyright David Pelham, courtesy of candlewick.com

About the Holiday

Most people are familiar with the story of how the Earl of Sandwich created the first sandwich and parlayed his invention to world-wide stature, part of nearly everyone’s daily routine. And it all got started during a card game in the British town of Sondwic, which became Sandwic, and finally Sandwice—which means “Market town on sandy soil.” Seems the Earl got hungry but didn’t want to get his cards stained with greasy fingerprints, so he ordered his meat between slices of bread, and a new culinary star was born. Celebrate today by building yourself a delectable feast with all of your favorite ingredients!

Sam’s Sandwich

By David Pelham

 

With a gleam in his eye Sam entreats his sister to grab the bread and butter to make a sandwich. Starving and eager to “raid the pantry”, Sam’s sis urges her brother to slather on the butter. “‘Don’t worry, Sis.’” Sam smirks. “‘You’ll never / eat a tastier sandwich…ever!” But perhaps Sam’s eyes glint a little too much. While Samantha celebrates the crispy greenness of the lettuce leaves, “as a tasty little filler, / Sam popped in a… [caterpillar].”

Next Samantha adds “big tomatoes, red and round, / while in the garden Sam had dug / a hole and found a slimy…” (What do you think? Yes—“slug”). Another layer sports cheese and ants, topped with watercress and a creepy fly. Cucumber makes any sandwich yummy, but Sam’s wiggly worm? That’s kind of crummy.

Watching the sandwich grow, Samantha can hard wait to dig in: “‘Add some hard-boiled eggs as well.’ / Samantha drooled and cracked a shell. / But Sam had seen a silver trail / that led him to a crunchy…” (say it together?—“snail”). A spider rests in the pile of salami, and in the tier of onion rings, Sam gets creative, plopping down a small tadpole.

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Copyright David Pelham, courtesy of candlewick.com

Samantha pronounces the sandwich finished, and with a flourish sauces it up with a squirt of ketchup. “But Sam still felt that it might need / a creepy-crawly… [centipede].” Even though Samantha is licking her lips, she remembers the beloved sibling who helped her build such sustenance. As she reached “toward the plate and grabbed the bread, / “‘Would you like some, Sam?’ she said.”

Magnanimous to the end, Sam begs off: “‘I’m full. I’m stuffed. I really am. / so you can have it all,’” said Sam.”

This 25th anniversary edition of David Pelham’s classic sibling trickery is pure fun and eye-poppingly realistic. Opening the thick “bread” cover reveals layer after layer of sandwich fixin’s on the right hand side. The bright images of tomatoes, boiled eggs, lettuce, cucumbers, and the rest of the ingredients look good enough to eat—until readers fold out the edges to discover Sam’s special additions. The rhyming text is ingenious and sly, begging kids to shout out the name of the creature Sam has sprinkled into Samantha’s lunch. Guaranteed to make kids laugh, Sam’s Sandwich is a terrific addition to a child’s bookshelf for home story times and take-along reading.

Ages 3 – 8

Candlewick, 2015 | ISBN 978-0763678081

Check out what lurks between the bread in Sam’s Sandwich

National Sandwich Day Activity

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Enjoy a Sandwich! Coloring Page

 

Sandwiches are fun to build and delicious to eat! Before you grab your ingredients, grab your colored pencils for this printable Enjoy a Sandwich! Coloring Page.

Picture Book Review