November 8 – Cover Reveal of Monsters in the Briny

Monsters in the Briny

Written by Lynn Becker | Illustrated by Scott Brundage

What do you do with a grumpy kraken, a sickly sea serpent, and a tearful gigantic tortoise? You sing them a tune! Following the sea shanty rhyme of “What Do You Do With . . . ,” a ship’s crew has to contend with a coterie of mythical sea creatures, all demanding comfort and attention. As each creature threatens to swamp the ship, the quick-thinking crew knows just what to do to save the day, from serving pancakes to mopping a sweaty forehead. But what happens when the sailors have had enough?

Back matter includes information about the sea creatures featured, music and lyrics, and a brief history of sea shanties.

I’m thrilled to be talking with author Lynn Becker and illustrator Scott Brundage about their rollicking sea-going adventure – a story and sea shanty that you can read or sing with your kids!

Meet Lynn Becker

celebrate-picture-books-picture-book-review-lynn-becker-headshot Lynn Becker has been a reader and creator all her life. These days, when she’s not writing picture books or children’s book reviews, she’s hiking, doing crazy-long yoga classes, and dreaming up even more picture books. After growing up in New York, Lynn spent many years in the Southern California desert with her husband, children, cats, dog, and lots and lots of chickens. She now lives in Colorado. The chickens stayed behind, but a few mythical beasties may have followed her to her new home…! You can connect with Lynn on Her Website | Facebook | Twitter .

Hi Lynn! Thanks for dropping by to talk about your first picture book. I’m so excited to be sharing the first look readers have of this fun book! I’m sure everyone is intrigued to learn how your book came to be, so let’s get started!

You grew up in New York City but have spent many years in the South California desert and Colorado. Did a longing for the sea inspire your unique story?

Kathy, thank you so much for hosting this Monsters in the Briny cover reveal!

I’ve actually been in and around both the Atlantic and Pacific Oceans quite a bit, and have always done lots of swimming. But my inspiration for this book absolutely came from my love of monsters. I’m drawn to mythological beings of all kinds, and always have been, maybe because thinking about them adds a dollop of fun and magic to real life. I grew up drowning myself in fantasy and fairy tales, folklore and mythology. My favorite stories tend to feature dragons. (Although I’m a sucker for vampire stories, and who doesn’t enjoy a good, witchy cackle now and then?!)

I knew I had to feature sea monsters in a picture book because, while writing a longer work (a bestiary/poetry collection), I decided to include a sea shanty. What else could I do but spotlight a kraken? And when my critique partners all demanded that this kraken star in a story of her own, Monsters in the Briny took off from there!

The sneak peek of your book is so enticing and really promises a madcap romp to come. How much fun was it to choose the sea creatures and match them with a problem? Can you take readers on the book’s journey?

Once I had my sea shanty format and my kraken, the song practically wrote itself. I used a famous tune that everyone should be familiar with (sorry in advance for any ear worms) and reworked it with my own rollicking, monster-and-kid-friendly scenario. Originally, the story was just about the kraken experiencing a variety of moods, but I got some terrific advice to try pairing each “crisis” with a different sea beast, and I think the story is much stronger for it.

It must have been so thrilling to see your story come to life through Scott Brundage’s illustrations and especially this awesome cover. Can you share your first reaction to seeing the final cover and the interior artwork?

You can’t possibly imagine how happy I was to see this art. I was in the supermarket when I first looked at the cover on my phone, and I cried, right there by the dairy case. It was so very perfect! But I had known from the moment I saw Scott’s website that he was the right person to illustrate this book. My editor, Barb McNally, and the entire team at Sleeping Bear Press (shout out to Hailey in Publicity!) has been a dream to work with, and I couldn’t be happier with the support and know-how they’ve brought to these Monsters. And I’m grateful to my wonderful agent, Lori Steel at Raven Quill Literary, for finding Kraken and Co. such a wonderful home.

You’ve previously worked in animation for films and TV, and Monsters in the Briny is your debut picture book. Do you find that your work in animation influences your writing for kids? What made you want to write for children?

For me, the best picture books are a perfect pairing of words and art. I’ve been enjoying—and studying—them for quite a while now, and for a long time I thought I might also illustrate my own work. Because I previously worked on films, my book dummies often felt like animation storyboards. However, I found that when I wrote a manuscript with no intention of illustrating it, my writing became a lot more interesting. In part because I’m not limited anymore to what I think I can draw! More importantly, without the images to rely on, the writing had to do a lot more heavy lifting. And, since this was about the time I realized I enjoyed the writing part more than the illustrating, this scenario worked out really well.

What are you most looking forward to when the book launches in March? Do you have any book events scheduled that you’d like to tell readers about?

The book launches on April 15 now and I can’t wait to share it with kids! I hope they get as big a kick out of it as I got while writing it. When it publishes, I have a number of blog posts and giveaways lined up. There will also be a book launch scheduled for around that time, and readers can check my website for information on these and other book-related events. I’ll be posting a musical track for the Monsters song, an animated book trailer, and other fun extras on my website.

Meet Scott Brundage

celebrate-picture-books-picture-book-review-the-first-men-who-went-to-the-moon-scott-brindage-head-shot Scott Brundage is a Brooklyn-based illustrator and character designer. As a child, his parents rightly decided he was far too indoorsy for his own heath and encouraged him to try various hobbies. When T-ball’s rules confused him and judo required too much coordination, he found his love for drawing cartoons at a local art class. Scott has sketched and painted ever since, eventually attending the University of the Arts in Philadelphia. His children’s books include Where’s My Cow? and The First Men Who Went to the Moon. His work has been recognized by American Illustration, the Society of Illustrators of Los Angeles, and the Society of Illustrators. You can connect with Scott on His Website | Instagram | Twitter.

Hi Scott! Welcome back to Celebrate Picture Books! As soon as I learned that you illustrated Monsters in the Briny, I knew kids and adults are in for a special treat, and this cover is just the start as it really sparks the imagination!

Can you share what you loved about Lynn’s story from an illustrator’s point of view?

Well, I was sold at “Monsters.” The Briny part was gravy after that. I’d jump at any opportunity to take a monster and twist it to fit a children’s audience. This book is just that, a fun twist on a sea shanty about the creepy things in the ocean. I think the cover makes a nice lure to get kids’ minds thinking of what could possibly be lurking deep in the ocean, and the book’s contents shows them just that, but also reassures them that they mostly just want some snacks or a haircut.

How many different versions of the cover did you design before the final one was chosen? I love how realistic the ocean looks in this illustration! Can you share your process in creating the cover and interior images?

We had the rough idea of what the cover could be pretty early. The bare bones of illustrated text as old, submerged lumber from a boat, interacting with giant tentacles below a tiny ship. When I originally painted the final art, I had just come off several weeks of 16-hour days working on an animated movie. I gave myself one exhausted day to get it done and, unsurprisingly, I was given notes to revise it quite a bit. Sleeping Bear Press found a couple more weeks for me to work on it, which allowed me to rest a bit and give it it’s proper care. I’m glad too, I’m super happy with the final product, even though I was a shell of myself when I started it.

celebrate-picture-books-picture-book-review-monsters-in-the-briny-cover-reveal-early-cover-sketched

Image copyright Scott Brundage, 2021. Courtesy of Scott Brundage and Sleeping Bear Press.

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Image copyright Scott Brundage, 2021. Courtesy of Scott Brundage and Sleeping Bear Press.

I had the interior sketches finished pretty early on, but my first pass had all the sailors as adults, since I was diving headlong into full on pirates. My art director suggested, very wisely, that they all be children, with a running musical gag involving an accordion player. Oh, right! This is for children. This is why art directors are great!

celebrate-picture-books-picture-book-review-monsters-in-the-briny-cover-reveal-Kraken-with-adult-pirates

Image copyright Scott Brundage, 2021. Courtesy of Scott Brundage and Sleeping Bear Press.

celebrate-picture-books-picture-book-review-monsters-in-the-briny-cover-reveal-Kraken-with-kids

Image copyright Scott Brundage, 2021. Courtesy of Scott Brundage and Sleeping Bear Press.

The way I normally work is to pitch a very rough idea of what the pages could be. Once that’s approved, I develop the sketches a bit more and send for approval. After any revisions or notes to the sketch, I develop a more finished drawing and print the clean drawing on watercolor paper, then paint it. Final touches in photoshop after that.

Did you need to do any kind of research before drawing the sea creatures? How or where did you do this? Did you discover anything surprising along the way?

I needed a bunch of research for the sea creatures, which was pretty easy to find. I wasn’t aiming to make anything super accurate in terms of specific types of animals, more a fun design that would work for the story. It was easy enough to grab a bunch of photos of snakes or turtles or old illustrations of hydras, then put my spin on how they could look.

The much more difficult part was researching the ship itself. I know very little about nautical anything, much less historical pirate ship shapes, types, how the rigging and sails work, etc. Luckily, another illustrator friend of mine, Gregory Manchess, had done a series of murals for National Geographic specifically about historically accurate pirates. He was kind enough to send me piles of ship reference, as well as pirate clothing reference.

So, what I discovered along the way is that those ships are waaaaaay more complex than I had previously guessed. Most of the finished pages would have been intricate webs of ropes and knots had I tried to be super accurate. So, instead… we have a ship that hopefully feels relatively similar throughout, but with a lot of liberties taken.

Did you have a favorite sea monster and/or scene to create? What made it your favorite? Can you give readers a little preview of one of the sea monsters?

I have a couple favorites, but the kraken is probably at the top. Tentacles are always fun to draw, they can feel long, elegant, and powerful in their gesture and shape, but also have those inherently upsetting but also sorta silly suction cups. And playing with the giant squid’s scale in relation to the ship adds fun aspect to designing the illustrations. The tentacles can literally hug the ship and highlight whatever I want to call attention to. There’s not much more an illustrator could ask for. Plus, it’s a ridiculous bright red, who isn’t a fan of that?

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Image copyright Scott Brundage, 2021. Courtesy of Scott Brundage and Sleeping Bear Press.

What would you like for kids to take away from your illustrations for Monsters in the Briny?

Well, for one, I hope the song gets stuck in their head. But that aside, I hope kids realize that giant sea monsters are fun and usually just need some music and a pancake to be your friend.

Sea monsters, an unforgettable sea shanty, and pancakes! I can’t wait to read the whole story – and I’m sure readers are hooked too! Thanks, Lynn and Scott, for stopping by to give us a preview of your treasure to come!

Monsters in the Briny will be published this coming spring. Preorder your copy now from these booksellers!

Amazon | Barnes & Noble | Books-a-Million | The Wandering Jellyfish

Picture Book Review

November 5 – It’s Family Stories Month

Posted by Kath Carroll

celebrate-picture-books-picture-book-review-niki-nakayama-a-chef's-tale-in-13-bites-cover

About the Holiday

Children benefit in many ways from close relationships to grandparents, aunts, uncles, cousins, and other extended family members. This month and next, as family gathers together for special holiday events, it’s a terrific time for adults to share family history and their own stories of growing up with the younger generation. Letting kids know how much they’re loved by everyone in the family helps them develop a sense of belonging, a good self-image, and confidence. Reading together is a perfect way to spend time together and get conversations started.

Niki Nakayama: A Chef’s Tale in 13 Bites

Written by Jamie Michalak and Debbi Michiko Florence | Illustrated by Yuko Jones

This true story opens with an invitation to listen as Niki Nakayama talks about her journey to becoming a chef in thirteen bites. “Come. Sit. Taste…” Bite 1: Niki was born in California but her parents were born in Japan. “Outside of Niki’s house was Los Angeles. Inside of her house was Japan.” While the two cultures often felt disparate, in Niki’s family’s kitchen “they became one.” Niki’s mother always put a Japanese twist on American dishes, with soy sauce or rice or teriyaki.

Bite 2: Close to New Year’s Eve, Niki’s grandmother took her to the grocery store to shop for the holiday dinner. Niki was excited. She loved buying all the ingredients for the feast to come: an opportunity to share “a table of love and laughter” in addition to the food. As Niki grew older, she created her own recipes and determined that she would get away from her family’s seafood-selling business and do her own thing.

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Image copyright Yuko Jones, 2021, text copyright Jamie Michalak and Debbi Michiko Florence, 2021. Courtesy of Farrar Straus Giroux.

Niki’s dreams seemed to get little attention from her parents, who doted on their son and encouraged his success. But Niki new she could be successful too. “Kuyashii! Niki thought. ‘I’ll show them!’” After high school, Niki traveled to Tokyo, Japan, tasting all the delicious food on offer. Later she took the train to where her cousins owned an inn. There she was served a meal comprised of many dishes, each “a work of art” and each with a delicious memory attached or story to tell. “Niki learned this storytelling feast had a name: kaiseki.”

When Niki returned home, she told her mother she wanted to go to school to become a chef. Her mother discouraged her, but Niki went anyway. “She began to see food as art—a carrot as a mountain.” And while her family thought her cooking was just a hobby, Niki thought “Kuyashii! ‘I’ll show them!’” Niki got a job at a sushi restaurant. “Female sushi chefs were rare,” and the head chef didn’t think she could handle the work. “‘You’re just playing chef,’ he joked.” But Niki told him she wasn’t playing.

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Image copyright Yuko Jones, 2021, text copyright Jamie Michalak and Debbi Michiko Florence, 2021. Courtesy of Farrar Straus Giroux.

After working there and learning all she could, Niki decided to travel back to her cousins’ inn to study kaiseki. But there was a big obstacle. “As far as she knew, female kaiseki chefs didn’t exist. In Japan recipes and training was only handed down to males. People told Niki her dream was impossible, but she thought she could do it. Niki studied for three years and then returned to Los Angeles to open a sushi restaurant of her own.

Instead of being happy for her, her family was dismissive. At last she convinced them to give her a loan—but it came with the stipulation that “if the restaurant failed, she would have to close it and say goodbye to her dream forever.” Instead of the kaiseki dishes she wanted to serve, her mother thought sushi would be a better choice. Against her own wishes, she agreed. In a year, customers were lining up for her food. But making sushi was not what she really wanted to do.

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Image copyright Yuko Jones, 2021, text copyright Jamie Michalak and Debbi Michiko Florence, 2021. Courtesy of Farrar Straus Giroux.

She closed her restaurant and wondered what to do next. Then, after much thought and exploration, she had her answer. She wanted to serve kaiseki that told her story—both Japanese and Californian. “Niki called her new restaurant n/naka. Naka means ‘inside’ in Japanese. Finally, Niki was inside her dream.” Through thirteen courses she told her stories—never serving customers the same meal twice. Now, every night tables are full of love and laughter, and Niki showed everyone that she could be a master chef.

Back matter includes a timeline of Niki Nakayama’s life from her birth in Los Angeles in 1974 to the awarding of two Michelin stars for her restaurant n/naka in 2019; a discussion of the words kuyashii and kaiseki; and a recipe for wonton pizza.

celebrate-picture-books-picture-book-review-niki-nakayama-a-chef's-tale-in-13-bites-kaiseki

Image copyright Yuko Jones, 2021, text copyright Jamie Michalak and Debbi Michiko Florence, 2021. Courtesy of Farrar Straus Giroux.

Jamie Michalak and Debbi Michiko Florence’s biography of Niki Nakayama is an enthralling story of self-confidence, obstacles overcome, and success that will inspire readers to stay true to the voice inside themselves. Telling Nakayama’s story through thirteen bite-sized vignettes that reveal formative moments in her life that informed her journey is a captivating and effective way to show Niki’s growth as a chef as well as to explain the meaning and experience of kaiseki.

Readers will respond to Michalak’s and Florence’s straightforward text and the details of the hurdles placed in her way. One take-away for adult readers is the importance of recognizing, encouraging, and supporting their children’s dreams and talents—an awareness that can lead to ongoing discussions with kids as they grow, learn, and get involved in activities.

Yuko Jones’ lovely illustrations take readers into Niki Nakayama’s home to see her interacting with her family and the foods that so inspired her life’s work. Jones’ images of Japanese delicacies are particularly beautiful, giving kids a strong understanding of the courses served during a kaiseki meal. Niki’s self-assurance in the face of her family’s protests and her male-dominated culinary school class as well as the rarity of female sushi chefs is stirring for all readers. Jones’ final page spreads reveal the gorgeous dishes Niki serves and the inviting atmosphere at her restaurant n/naka.

A captivating and impactful biography of a contemporary chef and role model, Niki Nakayama: A Chef’s Tale in 13 Bites is a must for home, classroom, school, and public library collections to inspire all kids who are contemplating their place in the world now and in the future.

Ages 4 – 10

Farrar, Straus, and Giroux, 2021 | ISBN 978-0374313876

Discover more about Jamie Michalak and her books on her website.

You can learn more about Debbi Michiko Florence and her books on her website.

To learn more about Yuko Jones and see a portfolio of her work, visit her website.

You can learn more about n/naka and view a gallery of Niki Nakayama’s spectacular dishes on the n/naka website.

Family Stories Month Activity

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Niki Nakayama: A Chef’s Tale in 13 Bites Activity Kit

Educators and families can find an extensive Activity Kit and coloring pages to accompany classroom or homeschool lessons or just for fun on Jamie Michalak’s website and Debbi Michiko Florence’s website.

**You can find Niki Nakayama: A Chef’s Tale in 13 Bites at these booksellers**

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

November 4 – It’s Picture Book Month

Posted by Kath Carroll

About the Holiday

November is all about picture books thanks to Picture Book Month founder author and storyteller Dianne de Las Casas and co-founders author/illustrators Katie Davis, Elizabeth O. Dulemba, Wendy Martin, and author Tara Lazar. This month-long international literacy initiative celebrates print picture books and all that they offer to young (and even older) readers. With gorgeous artwork and compelling stories, picture books open the world to children in surprising ways. They entertain, explain, excite, and help children learn empathy and understanding. If you want to learn more about the holiday and read engaging daily posts about why picture books are important by your favorite authors, illustrators, and others in the children’s publishing industry, visit picturebookmonth.com.

Don’t Get Your Tutu in a Twist

Written by Jenny Moore | Illustrated by Barbara Bakos

Miss Gorilla is hanging the final practice session reminders for her class’s dance recital that night when she comes upon Mrs. Sloth, snoozing in her hammock hung right on the Dance Show billboard. But Ms. Gorilla doesn’t try to rouse her. Instead, she encourages her to dream and rest, wanting her to be at her “dancing best.”

At four o’clock, when the dancers assemble at the theater, Miss Gorilla gives each of them some pointers to make their routines shine. First up is Mr. Elephant who’s having a bit of trouble with the costume and the steps. Miss Gorilla calmly tells him “Don’t get your tutu in a twist, Mr. Elephant, / don’t get your tutu in a knot. / Arms out wide, then turn and glide, / with a graceful jump and a tippy-toe trot.” Next, Mrs. Pelican is all aflutter what with trying to tap and smile, keep her wings up and get her dance right.

Image copyright Barbara Bakos, 2021, text copyright Jenny Moore, 2021. Courtesy of Maverick Arts.

Mr. Polar Bear can’t seem to keep his top hat in place and whirl and twirl at the same time. Miss Gorilla reminds him to “just listen to the beat as you move your feet…” during his soft shoe routine. Miss Gorilla’s glad to see that Mrs. Sloth made it to rehearsal, but now she’s sleeping again! Miss Gorilla gets her tap shoes on her, but that only lasts a moment. Mrs. Sloth keeps sleeping here and sleeping there. She’s even brought the curtain down—but not in a good way; she’s crashed into the stage lights, which lie broken on the floor. Miss Gorilla picks her up and carries her off to find Mr. Crocodile and give him his pep talk. But the minute she’s turned her back, Mr. Crocodile is chewing the curtains and Mrs. Sloth is sleeping in the seats.

Image copyright Barbara Bakos, 2021, text copyright Jenny Moore, 2021. Courtesy of Maverick Arts.

At last it’s time for the big show and the theater is packed. Miss Gorilla encourages her dancers once more—“It’s time to shine –you’ll all be fine, / lights up, drum roll… let’s go!” But the dancers? They don’t look too confident. When Mrs. Pelican goes first her knees knock together and stage fright has her stuck. Next, Mr. Polar Bear takes the stage, but he’s forgotten to listen to the beat, he trips over Mrs. Sloth, who’s dozing on the floor, and knocks Mr. Elephant into the orchestra pit. Mortified, Miss Gorilla, shouts, “Don’t squash the orchestra! No, Mr. Elephant, tippy-toe trot, not splat!” And then what horror does she see? “Don’t eat the audience! No, Mr. Crocodile, / didn’t I mention that?”

Image copyright Barbara Bakos, 2021, text copyright Jenny Moore, 2021. Courtesy of Maverick Arts.

Poor Miss Gorilla admonishes herself. She should have listened to those who told her teaching these students was hopeless. But suddenly she hears… could it be… the sound of applause? She peeks around the curtain to find Mrs. Sloth—her eyes still shut—gracefully gliding with new moves and a “three-toed tip tap groove.” The audience roars for more, and “Mrs. SUPER Sloth” obliges with leaps and twirls, handstands and whirls. But where has she learned all of these steps, Miss Gorilla wonders. Then she realizes and exclaims, Mrs. Sloth “a natural star, it seems… you’ve been dancing in your dreams!”

Image copyright Barbara Bakos, 2021, text copyright Jenny Moore, 2021. Courtesy of Maverick Arts.

Jenny Moore doesn’t tiptoe around the backstage nerves and missteps of a dance recital in her comical story. As Mrs. Gorilla tries to calm the dancer’s jitters and refine their steps, kids will be eager to see how the performance plays out—and, especially, will Mrs. Sloth wake up in time? Moore’s energetic rhymes and rhythms that pulsate with the motivational, slightly frantic beats of teachers or parents trying to get their young charges shipshape for a performance invite dramatic readings that will get kids laughing. Readers will enjoy spotting Mrs. Sloth deeply asleep in various spots at the theater. Encouragement and inspiration to do your best and follow your dreams underlies Moore’s funny story.

Barbara Bakos’s vibrant illustrations of Mr. Elephant, Mrs. Pelican, Mr. Crocodile, Mr. Polar Bear, and Mrs. Sloth are packed with humor as the animals try to rein in their nervousness and put on a good show. Bakos accentuates the mishaps with shocked and worried faces, less-than-graceful steps, and costumes that just don’t stay put. But when it seems that things can’t get any worse, kids will be surprised to see Mrs. Sloth—the most unlikely of prima ballerinas—save the show with her dreamy moves.

A lighthearted and funny book that will reassure dancers and any child taking part in a recital, performance, or presentation as well as entertain kids who just love to laugh, Don’t Get Your Tutu in a Twist is a terrific choice for animated story times at home, school, or public libraries.

Ages 4 – 9

Maverick Arts, 2021 | ISBN 978-1848867802

Discover more about Jenny Moore and her books on her website.

To learn more about Barbara Bakos, her books, and her art, visit her website.

Picture Book Month Activity

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Books to Love, Books to Read Book Bag

True book lovers can’t go anywhere without a book (or two or three) to read along the way. With this easy craft you can turn a cloth bag into a kid-size book bag!

Supplies

Printable Templates: Books to Read Template | Books to Love Template
Small cloth bag, available from craft or sewing stores—Recyclable Idea: I used the bag that sheet sets now come in
Cloth trim or strong ribbon, available from craft or sewing stores—Recyclable Idea: I used the cloth handles from shopping bags provided from some clothing stores
Scraps of different colored and patterned cloth. Or use quilting squares, available at craft and sewing stores
Pen or pencil for tracing letters onto cloth
Scissors
Small sharp scissors (or cuticle scissors) for cutting out the center of the letters
Fabric glue
Thread (optional)
Needle (optional)

celebrate-picture-books-picture-book-review-books-to-love-bag-empty

Directions

Print the sayings and cut out the letters
Trace letters onto different kinds of cloth
Cut out cloth letters
Iron cloth bag if necessary
Attach words “Books to Read” to one side of bag with fabric glue
Attach words “Books to Love” to other side of bag with fabric glue
Cut cloth trim or ribbon to desired length to create handles
Glue (or sew) handles onto the inside edge of bag

**You can find Don’t Get Your Tutu in a Twist at these booksellers**

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

November 3 – It’s Family Literacy Month

Posted by Kath Carroll

About the Holiday

National Family Literacy Month was designed to encourage parents and other adults to read together with the children in their life. Studies show that children who are read to are better prepared to read on their own and do better in school. Cuddling together before bedtime or during special story times with favorite books instills a love of reading that can last a lifetime. To celebrate, plan some special reading-related activities: take a trip to a local bookstore and let your child pick a book; if your child is old enough, visit the library to sign up for a library card; and schedule extra reading time, especially with grandparents or other family members who may be visiting for the holidays. A fun and educational board book like today’s book is a perfect way to get little ones enthusiastic about reading as they grow older!

Thank you to Abrams Appleseed and Barbara Fisch at Blue Slip Media for sharing Odd Beasts: Meet Nature’s Weirdest Animals with me for review consideration. All opinions about the book are my own.

Odd Beasts: Meet Nature’s Weirdest Animals

Written by Laura Gehl | Illustrated by Gareth Lucas

From their earliest years, kids are attracted to animals, whether for their fluffy coats, enthusiastic “kisses,” or silly antics. They love visiting the zoo and the aquarium to see – and maybe even touch – animals and sea creatures from around the world. And they’re always excited to meet new animals through the books they read. Through an age-appropriate short, charming poem played out over eight boldly illustrated pages, Laura Gehl does just that, introducing kids to a few of the earth’s most unusual animals.

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Image copyright Gareth Lucas, 2021, text copyright Laura Gehl, 2021. Courtesy of Abrams Appleseed.

Gehl begins with an animal from Asia and Africa that at first glance might appear like an unlikely combination of an anteater and a fish – the pangolin! Turning the page, readers do meet a fish – and what a fish! “This sunfish weighs a ton.” Another ocean dweller is introduced two pages later: “This angler sees no sun.” Readers will be equally charmed by a turtle whose “neck is long,” and a clever camouflaged insect whose “jumps are strong.”

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Image copyright Gareth Lucas, 2021, text copyright Laura Gehl, 2021. Courtesy of Abrams Appleseed.

In addition to these three quirky creatures, kids get to know a glass frog, a long-horned orb-weaver spider, and a bush baby. Then Gehl tickles kids’ funny bone with a surprising perspective about how beauty really is in the eye of the beholder. Following her lyrical pages, Gehl presents readers with a factual paragraph about each critter that reveals more about the trait that makes them so unusual and where they live. These descriptions are accompanied by a full-color photograph of the animal so kids can get a close-up view of nature’s amazing adaptations.

For young nature-lovers in the making, Odd Beasts: Meet Nature’s Weirdest Animals is an engaging way to introduce them to a few creatures from around the world that will whet their appetite for more discovery. The book would be a much-read addition to home, classroom, and school and public library bookshelves.

Ages 2 – 4

Abrams Appleseed, 2021 | ISBN 978-1419742224

Discover more about Laura Gehl and her books on her website.

You can connect with Gareth Lucas on Instagram and Twitter.

Family Literacy Day Activity

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Odd Beasts Coloring Pages

These odd beasts could use some color! Download and print these three coloring sheets from Laura Gehl’s website!

**You can find Odd Beasts: Meet Nature’s Weirdest Animals at these booksellers**

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

November 2 – It’s Historic Bridge Month

Posted by Kath Carroll

About the Holiday

Bridges can do so much more than just take vehicles and people over waterways or highways. Many are beautiful structures that enhance the skyline or environment in which they’re found. Covered bridges, stone bridges, and soaring steel and cable bridges all have their own stories to tell and inspire awe in their own way. Unfortunately, many older bridges are slated for destruction or replacement. To honor this month’s holiday, visit a historic bridge in your area or research famous bridges of the past and present. On November 6, we also celebrate National Saxophone Day! To get in the swing of this holiday, why not listen to music by Sonny Rollins? You can find his jazz classics on YouTube. To get started, you can listen to The Bridge here.

Thanks go to Nancy Paulsen Books for sharing a copy of Sonny Rollins Plays the Bridge with me for review consideration. All opinions on the book are my own.

Sonny Rollins Plays the Bridge

Written by Gary Golio | Illustrated by James Ransome

“The Bridge / leaps / spreads its wings / joyfully / joining shore to shore”

“Steel towers / standing tall / reaching high / touching / sky” as people – walking and riding bikes – and cars and trucks move above “the River / stretched out below / a shiny / endless / song”

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Image copyright James Ransome, 2021, text copyright Gary Golio, 2021. Courtesy of Nancy Paulsen Books, Penguin.

In another part of New York City, Sonny Rollins, already a jazz great, is trying to find a place to play his saxophone – to become a better musician and a better person. The neighbors in his apartment building complain from their windows as he practices on the fire escape, so he takes to the sidewalks to find a more accommodating spot. He wanders the busy streets until he sees, towering above the tall buildings, the Williamsburg Bridge and wonders…. He listens to “that / small voice / inside / which says / you need to do this“

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Image copyright James Ransome, 2021, text copyright Gary Golio, 2021. Courtesy of Nancy Paulsen Books, Penguin.

He climbs the stairs to the walkway high above the noisy, busy city and takes his saxophone from its case. Here, alone, Sonny finds the place where he can play as loud as he wants. But he’s not really alone. Around him the “clanking clanging” subway trains lend rhythm to his music, and the “tugboats / blowing bass notes / back / and forth” are answered “note-for-note / with / low moans” from Sonny’s sax while seagulls are “echoing / Sonny’s funny / squeaks / & / squawks.”

Here, this jazz great “can play / anything / EVERYTHING / that comes into his mind.” With his “mind opened wide,” Sonny finds the sound he’s been looking for and “the Bridge / leaps / spreads its wings / just like / Sonny.”

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Image copyright James Ransome, 2021, text copyright Gary Golio, 2021. Courtesy of Nancy Paulsen Books, Penguin.

Back matter includes more about the life and career of Sonny Rollins; a history of the Williamsburg Bridge and The Bridge – a series of songs inspired by his experience, recorded in 1962; and Sonny’s words about how he lives his life and what he thinks is important. Sonny’s website and recommended songs found on YouTube round out these informative pages.

Gary Golio’s story floats on the jazz rhythms of his poetic verses, enveloping readers in the musicality of Sonny Rollins’s life and the sounds of the city. In addition to relaying the facts of this seminal period in Rollin’s career, Golio emphasizes Rollin’s belief in the importance of listening to your own internal voice on the road to self-discovery. Lyrical descriptions of the impromptu “band” that accompanied Rollins on the bridge are both beautifully evocative and inspirational reminders for readers that they too can shine while working with or playing off of others.

James Ransome’s glorious watercolor and collage paintings give readers a sense of the time period as well as the scale of the bridge as it soars above the high-rise buildings, providing a practice room and stage for Sonny Rollins’ talent. Textured and patterned details along with a variety of perspectives echo Golio’s lyrical verses. Gold accents on each page mirror Rollins’ shiny saxophone and visually represent the notes that rise and float away over the city.

A gorgeous and jazz-infused snapshot of a stirring and influential time in Sonny Rollins’ life, Sonny Rollins Plays the Bridge will delight any music lover and inspire all readers to search for the best in themselves. The book is highly recommended for home, school, and public library collections.

Ages 4 – 8

Nancy Paulsen Books, Penguin Random House, 2021 | ISBN 978-1984813664

Discover more about Gary Golio and his books on his website.

To learn more about James Ransome, his books, and his art, visit his website.

Historic Bridge Awareness Month Activity

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Build a Remarkable Recycled Bridge

You don’t need fancy blocks and construction materials to build a bridge! Little ones will be fascinated to put together a bridge made out of items you already have at home or that may even be slated for the recycle bin. Spaghetti boxes make great roadways, and cut-up egg cartons can be used as supports.

Want to build a whole town? Cereal boxes and pasta boxes make skyscrapers, apartment buildings, fire stations, and more. Need a farm silo? Grab a peanut butter jar, oatmeal container, or aluminum can. You can use them as is or—if your kids are sticklers for a little more detail—add some paint and details! So look around, use your imagination, and get creative!

**You can find Sonny Rollins Plays the Bridge at these booksellers**

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

November 1 – National Author’s Day

Posted by Kath Carroll

About the Holiday

There may be no better month to celebrate Author’s Day than in November. Not only is it Picture Book Month, but thousands of people set aside their usual routine to take part in NaNoWriMo or National Novel Writing Month, when writers try to complete at least a first draft of a novel in one month. The holiday was instituted in 1928 by Nellie Verne Burt McPherson, president of the Bement, Illinois Women’s Club. An avid reader, she established Author’s Day to thank writer Irving Bacheller who sent her an autographed story in response to her fan letter. The day was officially recognized in 1949 by the United States Department of Commerce. McPherson’s granddaughter, Sue Cole, promoted the holiday after Nellie’s death in 1968. To celebrate, people are encouraged to write a note of appreciation to their favorite author.

Thanks go to Workman Publishing and Big Honcho Media for sharing a copy of The ABCs of Black History with me for review consideration. All opinions on the book are my own.

The ABCs of Black History

Written by Rio Cortez | Illustrated by Lauren Semmer

This stunning compendium of lyrical verses defies easy categorization as it bridges the genres of alphabet books, encyclopedias, history books, biographies, and more for young readers. The book opens with words from James Baldwin, in which he says “History is not the past. It is the present. We carry our history with us. We are our history,” and within its pages children discover not only specific events and well-known people, but the emotions, philosophies, and traits that have carried and sustained African Americans.