November 2 – It’s Picture Book Month

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About the Holiday

November is all about picture books thanks to Picture Book Month founder author and storyteller Dianne de Las Casas and co-founders author/illustrators Katie Davis, Elizabeth O. Dulemba, Wendy Martin, and author Tara Lazar. This month-long international literacy initiative celebrates print picture books and all that they offer to young (and even older) readers. With gorgeous artwork and compelling stories, picture books open the world to children in surprising ways. They entertain, explain, excite, and help children learn empathy and understanding. If you want to learn more about the holiday and read engaging daily posts about why picture books are important by your favorite authors, illustrators, and others in the children’s publishing industry, visit picturebookmonth.com

The Song for Everyone

By Lucy Morris

 

There was a tiny window “too high in the eaves to be noticed from below and too small to let in much daylight.” But one day a “delicate tune” wafted from it’s open panes and floated along the street. A boy trudging to school alone heard it and stopped to listen. As the music swirled around him, he felt happy and he skipped along on his way. Soon an old woman, slow and bent with age, walked by on her way to the market. As she passed under the window, “the sound flowed down and wrapped itself around her weary body.” Suddenly, she felt strong and joyful. A homeless cat followed stray notes from this tantalizing music and was led to two children “who longed for a cat of their own.”

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Copyright Lucy Morris, 2020, courtesy of Bloomsbury Children’s Books.

The music continued to float from the open window, always seeming to know who needed to hear it and making the townspeople begin to care for and connect with each other in new ways. The town grew content and peaceful. But then one morning, the music stopped. The town seemed gray and lifeless, and the people felt sad, lonely, and weary. The people held a meeting and decided to see what was behind the open window. The little boy who’d first heard the music climbed up the ladder of townspeople and clambered inside.

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Copyright Lucy Morris, 2020, courtesy of Bloomsbury Children’s Books.

There he found a little wren. She was tired and hungry and her song had left her. The boy promised to help her and he yelled down to the people gathered below. They gathered food and provisions and sent them up to the window in a basket. Two days passed, but the wren stayed silent. But then early one morning…! “A melody, a song. A sound so sweet” once again floated into the air and through the streets. Everyone rushed from their homes and crowded together under the window. There they saw “the boy and the wren making music together. Singing the song for everyone.” A they listened, the central square came alive with dancing, twirling, and playing.

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Copyright Lucy Morris, 2020, courtesy of Bloomsbury Children’s Books.

Lucy Morris’s lovely story—in both words and pictures—reveals the power of one person’s voice and/or actions to transform lives. The wren, singing from a darkened window offers her song, a melody that brings happiness and makes passersby realize they are not alone. Readers can imagine the cheered schoolboy, old woman, and new cat owners sharing their new-found joy with classmates, store clerks, other shoppers, parents, and friends, who also pass their sudden optimism to others until this small community embraces each other as never before. But one wren (or person) cannot sustain it alone. As the townspeople in Morris’s story discovers, it takes a group effort, and it is that coming together that truly creates change.

Morris’s beautiful, lyrical language is as light and buoyant as the wren’s song. Her word choices evocatively describe both the angst, weariness, and world view of the townspeople before the wren’s appearance and the joy, peace, and hopefulness they acquire after accepting her song.

celebrate-picture-books-picture-book-review-the-song-for-everyone-dancing

Copyright Lucy Morris, 2020, courtesy of Bloomsbury Children’s Books.

Morris’s charming illustrations, rendered in a serene color palette portrays a town where, despite the close proximity of the homes and buildings, the people are apparently distanced from each other. The wren’s music is depicted as a garland of flowers that once released into the air do not scatter, but remain strongly together to fill the streets, wrap around the needy, lead the lost, shelter the cold, and lift up those who need a boost.

While the loss of the wren’s song brings sadness, readers will also see that the wren has already accomplished much. Instead of returning to their solitary lives, the townspeople now gather together to discuss a solution. As a little girl addresses the group, kids will understand that their voice is important too. Images of the townspeople each contributing to the wellbeing of the wren and then celebrating her recovery reinforces Morris’ message of community.

A moving and triumphant story that will touch all readers and encourage them to use their individual talents to benefit others, The Song for Everyone will become a thoughtful favorite and is highly recommended for home, school, and public library collections.

Ages 3 – 8

Bloomsbury Children’s Books, 2020 | ISBN 978-1547602865

To learn more about Lucy Morris, her books, and her art, visit her website

Picture Book Month Activity

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Books to Love, Books to Read Book Bag

 

True book lovers can’t go anywhere without a book (or two or three) to read along the way. With this easy craft you can turn a cloth bag into a kid-size book bag!

 

Supplies

  • Printable Templates: Books to Read Template | Books to Love Template
  • Small cloth bag, available from craft or sewing stores—Recyclable Idea: I used the bag that sheet sets now come in
  • Cloth trim or strong ribbon, available from craft or sewing stores—Recyclable Idea: I used the cloth handles from shopping bags provided from some clothing stores
  • Scraps of different colored and patterned cloth. Or use quilting squares, available at craft and sewing stores
  • Pen or pencil for tracing letters onto cloth
  • Scissors
  • Small sharp scissors (or cuticle scissors) for cutting out the center of the letters
  • Fabric glue
  • Thread (optional)
  • Needle (optional)

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Directions

  1. Print the sayings and cut out the letters
  2. Trace letters onto different kinds of cloth
  3. Cut out cloth letters
  4. Iron cloth bag if necessary
  5. Attach words “Books to Read” to one side of bag with fabric glue
  6. Attach words “Books to Love” to other side of bag with fabric glue
  7. Cut cloth trim or ribbon to desired length to create handles
  8. Glue (or sew) handles onto the inside edge of bag

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You can find The Song for Everyone at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

 

October 1 – International Music Day and Interview with Author Gary Golio

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About the Holiday

International Music Day was established in 1975 by Lord Yehudi Menuhin, an American-born violinist and conductor  – widely considered to be one of the great violinists of the 20th century – to promote the art of music across all segments of society and to apply the UNESCO ideals of peace and friendship among all people, with an exchange of experiences and mutual appreciation of all cultures and their aesthetic values. To celebrate today’s holiday, listen to your favorite music and take some time to discover a new style – it might just become a favorite too!

Dark Was the Night: Blind Willie Johnson’s Journey to the Stars

Written by Gary Golio | Illustrated by E.B. Lewis

 

As readers open the cover to Dark Was the Night, they discover a date: 1977. In this year Voyager I was shot into space carrying “a precious Golden Record, a message to the Universe from Planet Earth.” The record contained pictures of the people and things that make up our life, sounds we hear every day, music from Navajo chants and West African drumming to Beethoven and Chuck Berry. There was also one “ghostly song, about loneliness and the night….a tune of light and hope” from a blind man named Willie Johnson.

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Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

Who was Willie Johnson? In 1897, he was a newborn baby in a small Texas town wrapped in his mother’s love. narrator picks up the thread of Willie’s story when he’s become a small boy who “loved to sing” and play the cigar box guitar his father made him. But that joy was interrupted when “your mama died, and some light went out of your life.” Then at seven or eight, Willie became blind, “and that’s when things got darker still.” But Willie rose above these hurdles. His blindness didn’t keep him “from singing in church, or on street corners.” Using his voice to uplift people brought him “back in the light.”

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Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

He sang blues and learned how to play a slide by running the edge of a pocketknife along the steel strings of his guitar. “This made a sound like someone laughing or crying, as if the guitar had a voice of its own.” He traveled from town to town in Texas, wherever farmers came to socialize and shop, setting up on street corners and collecting the coins people tossed into his tin cup. Little by little, people grew to know his name. “Then a man from a music company heard you sing. You were given the chance to make a record….”

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Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

On that record listeners heard “the sound of one human being reaching out to all the others, telling them not to be afraid of the dark.” That first record was a hit, lauded for its unique sound. One song in particular, “Dark Was the Night,” “touched people deep in their souls” and made Willie “a shining star.” The light Willie brought to people has never dimmed; in fact it continues to shine through the darkness on Earth and through Space.

Back matter includes a discussion on what is known about Blind Willie Johnson and what still remains a mystery as well more information about Voyager I and why Johnson’s song Dark Was the Night was chosen for inclusion on the Golden Record. A link to NASA’s Jet Propulsion Laboratory website, where readers can access Voyager I—The Golden Record is also included.

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Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

Gary Golio’s ethereal tale of the life of Blind Willie Johnson and his song, which has touched and continues to move so many people, is a stirring tribute to a unique artist and the power of music to change lives. Golio’s use of the second person creates a poignant personal bond between the story and reader, which allows children to put themselves in Willie’s shoes and believe that they, too, can inspire others with their talent and life. Golio’s lyrical storytelling flows with the cadence of the blues, and his evocative vocabulary brings Willie Johnson’s voice and times fully to life for young readers.

E.B. Lewis transports readers to early 1900s Texas in his stunning watercolor paintings rendered in soft washes of grays, blues, and greens punctuated with yellows that reflect the hope and light that spurred Willie on and flowed from his music. As his mother holds him in her arms as a baby, the landscape outside the window blazes with gold that reflects on Willie’s and his mother’s face. As children learn about Willie’s blindness, the page turns dark, except for a swatch of light across Willie’s eyes, representational, perhaps, of his inner sight that sustained him.

Among the realistic depictions of his farm home, the outskirts of a Texas town seen from a train, and a bustling city, where Johnson plays on a street corner to an appreciative audience, his tin cup hanging from a tuner on his guitar, are transcendent images of Willie performing, his face always lifted to the light. As people gather around a radio listening to Blind Willie Johnson, light once again streams into the shop, and as Golio describes how “Dark Was the Night” becomes a hit, Willie is bathed in a golden glow, his face euphoric with the joy of singing.

At once sensitive, rousing, and inspirational, Dark Was the Night is a beautiful book about one man’s talent and dream that will resonate with all readers. The book is highly recommended for home libraries and is a must for school and public library collections.

Ages 5 – 8

Nancy Paulsen Books, 2020 | ISBN 978-1524738884

Discover more about Gary Golio and his books on his website.

To learn more about E.B. Lewis, his books, and his art, visit his website.

Listen to Blind Willie Johnson’s “Dark Was the Night.”

Meet Gary Golio

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Gary Golio is the author of the New York Times bestseller JIMI: Sounds Like a Rainbow – A Story of the Young Jimi Hendrixwinner of a Coretta Scott King Illustrator Award; Bird & Diz and Strange Fruit – Billie Holiday and the Power of a Protest Song, both ALA Notables; and other books about legendary artists. A writer and musician, Golio has been featured on NPR’s “Weekend Edition”, CBS-TV’s “Sunday Morning News,” and on radio stations nationwide. He lives in the Hudson Valley with his wife, children’s book author Susanna Reich.

Today, I’m thrilled to talk with the multi-talented Gary Golio about Dark Was the Night, his love for writing and art, his father’s influence in his life, and the power of music.

Welcome, Gary! To start off, can you tell readers about your journey with this Dark Was the Night from idea to publication?

A few years back I was listening to some early blues songs, and came upon Willie Johnson’s “Dark Was the Night.” The song stunned me—and gave me the chills. I knew of Willie’s connection with the Voyager I space probe, but had no idea that blues aficionados and amateur music sleuths were devotedly digging for details of his life through the decades. So much mystery surrounded this man—revered by Jimmy Paige, Eric Clapton, and Lucinda Williams—but what intrigued me the most was that, after dying in poverty and being forgotten, Willie and his work enjoyed a revival of interest during the 1960s Folk Movement. Then, in 1978, “Dark Was the Night” ended up on Voyager‘s Golden Record, hurtling through space. And what that said to me is, you never know how a life, and its effect on others, will play out. It’s a hopeful message that inspired me to write the book.

Your father was an artist and you have worked as a fine-artist since you were a teenager. Can you talk about what inspired you to begin writing picture books? Did you always like to write?

My father is an ongoing inspiration in my life. He was a talented amateur artist who provided me with a real-life example of the Art Spirit by how he thought and created. Most importantly, he was a skilled improviser, and didn’t allow himself to be limited by what he didn’t have, something that’s always meant a lot to me. As for writing picture books, I mostly read comics as a boy, and I think it was that combination of pictures and text that really struck a chord. For me, the picture book is a modern descendant of cave painting, Egyptian wall art (images + hieoroglyphs), and Etruscan/Pompeian murals: using words and pictures to tell a story.

In your Author’s Note you talk about the dearth of knowledge about Willie Johnson’s life. Can you share one thing you learned about Willie that didn’t make it into the book?

Willie has a unique voice that somehow manages to balance the rough and the tender. There’s raw power there, but also delicacy, which is very rare. So Willie was in New Orleans at one point—during a recording session there in 1928—and the story goes that he began singing “If I Had My Way I’d Tear this Building Down” in front of the Customs House. A crowd had gathered, listening to him, and a police officer reportedly became so worried—thinking Willie was instigating a riot—that he considered arresting the man. That’s the power of music—to rouse, protest, and stir up human souls—and it’s easy to see why it threatens authority and institutions.

Dark Was the Night is your eighth biography of a musician or entertainer for children. Could you discuss what drew you to write about these musicians?

While there are no actual musicians in my family-of-origin, my parents, grandmother, and maternal aunt all had strong musical interests. Each exposed me to very specific genres and musical tastes—from Frank Sinatra and Bing Crosby to Count Basie, Louis Armstrong, Ella Fitzgerald, Nat King Cole (whom I adore), Willie Nelson, and Elvis Presley. Many of these people were Black, and many were strongly influenced by blues and jazz, and I have vivid memories of watching them on TV with my beloved grandmother, even at five and six years old. That openness to all kinds of music really shaped me, and growing up I looked for clues, in the lives of artists, that would help me find my own path and direction. So my books often focus on the early years of an artist’s/musician’s life, highlighting the roots of their artistry—what inspired and shaped them—to provide young readers with roadmaps, of sorts, to a life in the arts.

In addition to being an artist and writer, you also admit to being “a pretty good musician” – something you share with kids on school visits that sound awesome. Which instruments do you play and how do you incorporate music into your book events?

I play acoustic and electric guitar, mandolin, banjo, and very simple piano, but love above all to improvise. Since my first book on Jimi Hendrix came out, I’ve used the guitar (both electric and acoustic) to demonstrate a wide range of effects and possibilities (Hendrix and Santana), but also to accompany singalongs I did for my Bob Dylan/Woody Guthrie book. At one school visit, the entire fifth grade and I sang “This Land is Your Land” in Spanish, which was both meaningful and fun.

Each of your books has such distinctive illustrations from incredible illustrators. Can you talk a little about E.B. Lewis’s gorgeous illustrations in Dark Was the Night and how he captured your story and Willie’s personality?

E.B. is truly a master of illustration, and specifically of the watercolor medium. His real superpower, however, lies in his ability to convey human feeling, to mysteriously imbue a person or setting with mood and life. That’s remarkable—reminiscent of watching my father draw an American Indian on horseback, straight out of his head—and it’s what lends E.B.’s work both its power and subtlety. Not surprisingly, he has a real love for human beings, a quality fed by his passion for traveling and teaching all over the world. Though we only met at a bookstore panel five years ago, Earl and I have become close friends, and spend a lot of time on the phone collaborating about the joining of text and image. He’s a pleasure to work with, and his art for Dark Was the Night is truly sublime. This book also gave him the chance to bring his use of color (in his own words) to another level, something that will be obvious to anyone who knows his artwork and sees the new images.

From your bio on your website, you sound as if you were a pretty inventive kid – creating all sorts of cool electronic devices. And I love your story about being “shocked” to find books with Van Gogh’s paintings in them as a child and how formative that was. Could you discuss the importance of nonfiction, and biographies in particular, to children?

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My father could fix most anything, and it was that spirit of improvisation and inventiveness that led me to create little electronic gadgets a la James Bond and The Man from Uncle. For a time, I wanted to be an inventor or electrical engineer, but Art won out. As for van Gogh, watching Lust for Life with my dad had a HUGE impact on me, and seeing a book in the middle school library with all those paintings reproduced made it clear to me—even at 10 years old—that there was gold in reading about the lives of artists.

While I love fantasy, myth, and good stories, the thing about nonfiction is that you’re reading about real people—with all their talents and troubles—and so it’s easier to believe that if someone else muddled through to achieve something, you can also. That’s why I don’t shy away from talking about a person’s “faults” and failures (particularly in my books about John Coltrane and Billie Holiday), because I want kids to see that great people and artists are just as human as everyone else.

What’s up next for you?

Author-wise, I’ve a book coming out next year on the revered jazz saxophonist Sonny Rollins (based on many phone conversations we’ve shared), to be illustrated by the great James Ransome. I’ve also sold, just this year, two new picture book texts: one on Roy DeCarava—a gifted artist who photographed the people of Harlem in all their humanity—and another on Walt Whitman, focused on his remarkable and moving nursing experience during the Civil War. After that, who knows where Destiny will lead me?

International Music Day Activity

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I Love Music! Word Search Puzzle

 

International Music Day celebrates all types of music and instruments. Can you find the eighteen different instruments in this printable word search puzzle?

I Love Music! Word Search Puzzle | I Love Music! Word Search Solution!

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You can find Dark Was the Night: Blind Willie Johnson’s Journey to the Stars at these booksellers

The Village Bookstore, Pleasantville, NY | Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

 

August 12 – National Vinyl Record Day

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About the Holiday

Gary Freiberg chose the day in 1877 that Thomas Edison invented the phonograph to encourage people to enjoy music on vinyl records. Whether you grew up listening to records or are a recent convert to this art form that has had lasting appeal even in this technological age, today’s holiday gives music lovers an excuse to enjoy their favorite artists – and, of course, the subject of today’s book should be among them! 

Elvis Is King

Written by Jonah Winter | Illustrated by Red Nose Studio 

 

Elvis is King by Jonah Winter and Chris Sickels’ Red Nose Studio is an eye-popping wonder for fans of The King of Rock ‘n’ Roll wanting to share their love for Elvis with their kids. In short, lyrical chapters with dramatic titles that are cleverly reminiscent of the sensational headlines Elvis generated throughout his life (and even after), Winter peels back Elvis’s rags-to-riches story, encapsulating the depth of poverty, talent, and ambition that fueled his life. It’s all here—his birth “in a humble shack / on the wrong side of the railroad tracks, / the side where the poorest of the poor people live…;” his reason for being: singing; and the county fair talent show, where ten-year-old Elvis got his first taste of adoration and a “Fifth Prize!” award.

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Kids walk into the hardware store with Elvis’s barefoot mama, who “with pennies she saved…/ buys her eleven-year-old birthday boy / the most important gift he will ever receive. / It will be the key to his salvation.” Elvis plays that guitar everywhere, “All. The. Time.” There’s the moment Elvis overheard gospel singing coming from the African American Church and “The First Cheeseburger Ever Eaten by Elvis.” And that question: Why peanut butter and banana sandwiches? The answer’s here too.

When the family moves to Memphis, it’s up to teenage Elvis to make the money by “working nights as a ticket taker at a movie theater.” Then, suddenly during those years, Elvis finds the “Weird Teenage Elvis” inside him. He dyes his blond hair black and waxes it into a wave. At a thrift shop he buys green pants, a pink shirt, and a checkered jacket. Then at the high school talent show, he “KNOCKS ‘EM DEAD with his song.” And not only that “something happens, something big, when he’s up there: / He is no longer shy! / He can be whatever he wants to be—let loose, go crazy!”

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Along the way he falls in love, graduates from high school, and soaks up the sounds of the blues on Beale Street. For his mama’s birthday, he goes to Sun Studios, where anyone can record themselves singing. “(It also makes *real* records of big-time singers— / and Sly Elvis knows this.)” Elvis has his first recorded song for just $3.98. A bit later he gets the call he’s been hoping for from Sun Studios and discovers his signature sound and moves. The song—”That’s All Right”—plays on the radio, and where’s Elvis? Hiding out. Will people like it? Five thousand requests and fifteen replays in one night say Yes!

And when Elvis walks on stage for the first time to sing his song, he’s met with an “AVALANCHE of screaming—in a good way!” Goggle-eyed girls just want to be near him, and it’s the same no matter where he travels. This “Good-Lookin’ Heartthrob Elvis” is soon to lose his “One True Love, / his little darlin’, Dixie Locke. He uses that feeling, though, in a song—”Heartbreak Hotel” that “rises to number 1 on the pop charts.” So “What Is This Crazy Music, Anyway?” It’s not exactly country and it’s not exactly rhythm and blues. “It’s… / ROCK ‘N’ ROLL, baby. / And Elvis is its KING…!”

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Jonah Winter’s biography is in every way a loving tribute to Elvis Presley that also winks at his larger-than-life persona and the world’s obsession with him. Well-chosen adjectives presented in initial caps and attached to Elvis’s name, give titles to the phases of Elvis’s life and present an evocative way to show what and where he grew from and left behind on his rise to fame. Sprinkled with southern vernacular and touched with the cadence of a slow, considered southern drawl, Winter’s ingenious verses mirror song lyrics and echo themes that not only make up the country and blues standards that influenced Elvis’s music but that applied to his life. 

As always Chris Sickels’ Red Nose Studio artwork is nothing short of astounding. Each illustration is composed as a 3-D set handcrafted from polymer clay, wood, wire, fabric, and found objects. The intricate details and moving emotions, demonstrated in a look, by a gesture, and through perspective, give the illustrations a realism that goes beyond a photographic depiction to illuminate the heart of Elvis Presley’s story. Readers will want to linger over every page to absorb the cultural landscape and life-affirming moments that created The King of Rock ‘n’ Roll.

A joy to read aloud, Elvis Is King is an inspirational story for anyone with a dream, big or small. The personal, yet universal, story and phenomenal art make the book a stirring addition for home, school, and public libraries. 

Ages 4 – 8

Schwartz & Wade, 2019 | ISBN 978-0399554704

Discover more about Jonah Winter and his books on his website.

To learn more about the work of Chris Sickels and Red Nose Studio, visit his website.

National Vinyl Record Day Activity 

CPB - Record Bulletin Board

Make a Record Chalkboard Bulletin Board

 

Would you love to make a record some day? Why wait? In this fun craft you can create your own record bulletin board—and even create your own label art! While this record may not spin on turntables around the world, it will drop in a more important place—your very own room!

Supplies

  • Printable Record Label for you to design
  • Foam board, or a cork board at least 12-inches x 12-inches square
  • Adhesive cork
  • A 12-inch round plate, record, or other round object to trace OR a compass
  • Chalkboard paint, black
  • X-acto knife
  • Paint brush or foam paint brush
  • Mounting squares

Directions

  1. Cut a section from the adhesive cork a little larger than 12 inches by 12 inches
  2. Affix the cork to the foam board
  3. Trace the 12-inch round object onto the cork/foam board OR use the compass to make a 12-inch circle
  4. With the x-acto knife, carefully cut out the circle (adult help needed for children)
  5. Cut out a ¼ -inch circle in the center of the record bulletin board
  6. Paint the cork, sides and inside the spindle hole with the black chalkboard paint. Let dry
  7. Print the label template and design your own record label
  8. When the paint is dry, glue your label to the center of the bulletin board
  9. Hang your bulletin board with the mounting squares
  10. Decorate!

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You can find Elvis Is King at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

April 30 – International Jazz Day

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About the Holiday

International Jazz Day was instituted in November 2011 by the United Nations Educational, Scientific and Cultural Organization (UNESCO) to spotlight jazz and it’s role in uniting people worldwide. The holiday is celebrated by communities, musicians, students, teachers, historians, and especially jazz enthusiasts as a way to learn about jazz, its roots, and its influence. Every year, jazz is recognized for its part in promoting a dialogue among cultures, diversity, freedom, and respect for human rights. 

While the celebration was originally planned to take place in Cape Town, South Africa and in other cities around the world, this year International Jazz Day 2020 will take place online and be hosted by Herbie Hancock. The day’s centerpiece will be a Virtual Global Concert featuring artists from across the globe, streamed live on jazzday.com. The concert will begin at 3:00 pm US eastern time. This spectacular musical event is a great opportunity to introduce kids to jazz and to enjoy the masters of the form with jazz lovers around the globe.

Birth of the Cool: How Jazz Great Miles Davis Found His Sound

Written by Kathleen Cornell Berman | Illustrated by Keith Henry Brown

 

As a child, Miles Davis listens to the radio before school, clapping and swaying along to “Louis Armstrong’s soaring trumpet” and “Duke Ellington’s sensational big band.” The “swinging sounds of jazz / swirl together like / colors on a pinwheel.” When he’s older, Miles watches the riverboats on the Mississippi as they bring musicians from New Orleans to play in the East St. Louis clubs. At night he listens as “melodies drift down the street. / Some croon country, / some cry the blues. / Sassy saxophones wail / through the night.”

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

During the summer, Miles visits his grandfather’s farm in Arkansas. Here, he hears the music of horses’ hooves. On his walks through town, he listens to the sounds of guitars and singing, and at church he learns the notes of “soulful singing.” For his thirteenth birthday, Miles receives a trumpet. He takes lessons and practices again and again.

While he’s still in high school, Miles begins being paid to play at dance halls. His confidence grows and he begins to develop his own sound. A new form of jazz is attracting attention—Bebop: “far-out harmonies / with fast, flipping beats / that hop and bop.” He goes to clubs to listen to Charlie “Bird” Parker and Dizzy Gillespie play. He’s “blown away / by the energy of the music.”

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

Then one night, one of the band members doesn’t show up, and Miles—who always has his trumpet with him—is asked to fill the spot. In awe and a little intimidated in the presence of his idols, Miles’ playing “doesn’t shine.” But he knows that “jazz / is all he wants to play.” Miles moves to New York to go to school at Juilliard, but, really, to learn from Bird, Dizzy, and all of his idols. In the morning he goes to class, practicing between classes. At night he plays clubs throughout the city.

Soon, he leaves Juilliard to concentrate on playing and learning from the greats. His father advises him: “Don’t be like the mockingbird / that copies others. / Be your own man. / Be your own sound.” When Dizzy leaves Bird’s band, Miles takes his place. But he plays differently than Dizzy. “Some listeners put him down— / they want Dizzy’s rippling trumpet.” The criticism make Miles lose confidence and want to quit. But Bird encourages him.

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

With practice and patience, he discovers his own sound, holding and savoring perfect notes “just for the beauty of it.” He forms his own group with talented musicians who want to create new sounds. The nine musicians play “slowly and mysteriously…. Cool— / relaxed, / with a lighter, / lyrical feel.” Mile’s solos enchant audiences.

But the endless work takes its toll. He begins to lose gigs; his health declines. Miles doesn’t give up. “He climbs out / of his dark days / by playing his horn again.” Then in 1955 he takes the stage at the Newport Jazz Festival and begins to play. “…His mystical voice hangs / like a cloud, / leaving space / for each listener’s / imagination to wander.” The crowd cheers and applauds. Miles is back with his unmistakable sound and new ideas for the future of the music he loves.

Notes about Miles Davis from Wynton Marsalis, Kathleen Cornell Berman, and Keith Henry Brown as well as a selected discography and bibliography follow the text.

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

Kathleen Cornell Berman’s lyrical passages reveal a boy, a teenager, and a man who embodied music, listening to and absorbing the various sounds around him and incorporating them into his own, unique sound. Her evocative vocabulary (swirl, rollicking, croon, rumbling, far-out, rippling, blizzard of notes, itching to play) and phrasing that blends short staccato lines with longer sentences echoes the rhythm of jazz and will keep readers riveted to the story. Berman emphasizes the listening, practice, and experimentation that informed Miles Davis’s original sound, showing children that innovation is built on hard work, dedication, and even history. Her inclusion of Davis’s setbacks also demonstrates that perseverance is part of the success of any endeavor.

Keith Henry Brown’s gorgeous, detailed pen-and-ink and watercolor illustrations take readers from Miles Davis’s living room, where he listens to the radio as images of Louis Armstrong and Duke Ellington swirl through his imagination, to an overlook on the Mississippi River and its paddlewheel steam ships to the clubs and jam sessions of New York and finally, to the Newport Jazz Festival. Brown’s color palette of cool blues, greens, purples, and browns, punctuated with Davis’s ever-present gleaming brass trumpet, brings Davis’s country and city experiences to life while mirroring the tone and feel of his unique sound. Quotes from Miles Davis are sprinkled throughout the story and set apart with type that looks handwritten, giving his words a personal touch.

Sure to inspire readers to learn more about Miles Davis and listen to his music, Birth of the Cool: How Jazz Great Miles Davis Found His Sound would be an excellent accompaniment to school music programs, an inspiring book for biography lovers and young musicians of all types, and a beautiful addition to home, school, and public library collections.

Ages 8 – 12

Page Street Kids, 2019 | ISBN 978-1624146909

Discover more about Kathleen Cornell Berman and her books on her website.

To learn more about Keith Henry Brown, his books, and his art, visit his website.

Meet Kathleen Cornell Berman

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In your author’s bio you say that you fell in love with Mile’s Davis’ music when you were 10 years old. Was there a particular spark that made you love his music?

As a kid I loved all kinds of music. When I first heard Miles’ trumpet sound, I fell in love. His trumpet sound was different. It wasn’t flashy, it was slow, haunting and very beautiful. I longed to hear it again.

Can you take readers on your journey of writing Birth of the Cool and having it published? What kind of research did you do? What was the most surprising thing you learned about Miles Davis?

I was thrilled when I got the email from Charlotte Wenger from Page Street. It’s beyond exciting when you find someone who loves your story as much as you do. And Charlotte was a dream editor to work with.

I read Miles’ autobiography and many other books about him, as well as journal and magazine articles. I listened to countless interviews and researched players in his band. And I listened to his music a lot. He went through many changes in his musical career. I realized I had to keep my focus on his early career. 

I was surprised to learn he had slave ancestors who played music in the main house on a plantation. It was interesting to discover that Miles loved rural life (from his visits to his relatives’ farms). When he first moved to NYC, he visited the stables and asked to ride their horses. He had fond memories of riding them on his grandfather’s farm.

Keith Henry Brown’s pen-and-ink and watercolor illustrations are gorgeous and full of expression. Can you talk about your reaction to seeing the illustrations for the first time. Do you have a favorite spread?  

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Kathleen Cornell Berman and Keith Henry Brown at the book launch for Birth of the Cool and the Jazz Gallery in New York City.

My first reaction to Keith’s illustrations was like an “out of the body” experience. To see my words come to life was a wonderful feeling. His art illuminated Miles’ journey in a jazz inspired way. I was very happy when he accepted the job. I already knew he was a jazz fan, so he was a good choice.

Keith’s goal was to create drawings that weren’t too tight or realistic. He wanted to create a loose, abstract feeling. I think Keith achieved that beautifully. Kudos to his courage in creating illustrations in watercolor, a very unpredictable medium. It’s difficult for me to pick a favorite illustration, I really love them all.

Your inspirational biography highlights the ups—and downs—of Miles Davis’ early career. What message would you like readers to take away from the story?

Miles is a great example of how hard work pays off. Some kids today think it’s easy to play an instrument. For some it might be, but inventing your own sound, is extremely difficult. It takes perseverance and dedication to create your own voice on the instrument. That goes for anything you attempt, whether you become an architect, a visual artist, writer, or a singer. Unfortunately, many jobs don’t allow individuality, but finding something, anything that you’re good at can boost happiness.

I hope this story inspires kids to reach for the stars, to find their own voice, and never give up. I also hope kids will take time to listen to jazz; it’s America’s classical music. Listening to music has so many benefits, intellectually as well as emotionally.

I saw on your website that you like to collect words. Can you tell me five of your favorites and what you love about them? Do you remember where they first caught your eye—or ear?

I’m usually attracted to words that tickle the tongue and have a unique sound, like mesmerizing, prickly, crumpled, nuzzle, etc. There are so many. I love alliteration. When words are paired with another, they sing and make the text come alive. I usually have my wordbook at my side as I read any kind of book. I also use my phone memo to jot words as I hear them in daily life.  

Besides writing, you paint, and create assemblages from found objects. Your sculptures are gorgeous and fun and have so much personality! Which came first—writing or art? When creating an assemblage, do you start with one object or do you see how several of the materials you have can fit together?

Thank you very much. Creating found art sculptures is like therapy. I’ve always been into creating something out of ordinary things. The art and writing coincided with a strong desire to break out of the box of being a teacher.

I collect a lot of wood as well as words. When I find a piece that inspires me, I visualize what it might become and I begin the search for a complimentary piece. It’s kind of like doing puzzles.

Is there a similarity for you in constructing a sculpture and creating text for a picture book?

Yes, there is. I look for a seed of an idea that touches my senses or emotions. And in art I choose a piece of wood that inspires me visually. Then it all comes down to layering and adding details that make the story or art shine in a new way. Finally, adding the “just right” color or details can be compared to the continual revisions to discover perfect words that fit my story.

Birth of the Cool is your debut picture book. What are you looking forward to most as a picture book author?

Reading the book to children and getting them to reflect about their feelings. And, of course, introducing them to jazz.

I love writing picture book biographies. I also enjoy writing books that will amuse kids, as well challenge their thoughts about nature.

What’s up next for you?

I have a new picture book bio about another musician that I just started submitting. And I’ve started research on another interesting, relatively unknown musician that had a big impact on many.                                  

What is your favorite holiday?

My favorite holiday is Thanksgiving. I love the traditions and the history. Holidays are so important in bringing busy families together. As a former teacher,             Thanksgiving gave me the opportunity to discuss the importance of the Native American people. They taught us so much. At the Thanksgiving table, we as a family celebrate the Native American contributions to our country. I wish more people did the same.

You can connect with Kathleen Cornell Berman on

Her website | Facebook | Instagram | Twitter

Jazz Appreciation Month Activity

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Cool Jazz! Word Search Puzzle

 

Jazz has a sound and vocabulary all it’s own! Can you find the twenty jazz-related words in this printable puzzle? Then have fun coloring it!

Cool Jazz! Word Search Puzzle | Cool Jazz! Word Search Solution

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You can find Birth of the Cool: How Jazz Great Miles Davis Found His Sound at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

April 23 – National Frog Month

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About the Holiday

As the weather gets warmer, rain falls, and swampy areas and wetlands swell with water, the peeps and throaty croaks of frogs begins to fill the nighttime air. April is the perfect time to learn more about frogs and their importance to the ecosystem. Frogs are vital to the food system, and they eat insects that are harmful to crops and carry disease. Because they don’t drink water but absorb it through their skin, frogs are particularly susceptible to pollution. This, in addition to habitat destruction, climate change, and an increase in invasive species, threaten the frog population, making the conservation of their environment of utmost importance. This month, visit an aquarium, nature preserve, or zoo where you can learn more about these fascinating creatures.

By Jakki Licare

Pokko and the Drum

By Matthew Forsythe

Pokko’s parents believe that giving Pokko a drum was the biggest mistake they have ever made. There had been other questionable gifts: Once, Pokko had tried to launch herself with the slingshot they had given her. The llama had been another poor choice since it liked to sit on Pokko’s parents. When Pokko’s parents had given her a balloon, it had carried Pokko away. “But the drum was the biggest mistake.” 

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Copyright Matthew Forsythe, 2019, courtesy of Paula Wiseman Books/Simon & Schuster.

Pokko’s father tries to complain to his wife about giving Pokko the drum, but she shouts back that she can’t hear him over the noise. In bed that night, Pokko continues to beat her drum. Her father continues to complain, but still no one can hear him. The next day, Pokko’s father suggests that Pokko take the drum outside. She can’t be too loud though, he explains, because they are a quiet family who likes to keep to themselves. Pokko agrees and takes the drum outside.

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Copyright Matthew Forsythe, 2019, courtesy of Paula Wiseman Books/Simon & Schuster.

“It had just rained, and the forest was sparkling like an emerald.” Pokko thinks the forest is a little too quiet. She narrows her eyes and decides it is definitely too quiet. She starts to gently hit her drum. Behind her something moves. A raccoon playing a banjo emerges from the forest and joins Pokko. Pokko plays her drum proudly. Then a rabbit playing a trumpet tags along while Pokko continues to tap her drum. Next, a wolf appears and happily joins the parade. Pokko leads the group, continuing to beat her drum.

Suddenly, the wolf eats the rabbit and they all stop. Pokko turns to the wolf and tells him he can’t be in the band if he eats band members. The wolf apologizes. They continue on and play their instruments. A huge crowd gathers with instruments and joins them. More animals emerge from the forest. “And they were all following Pokko.”

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Copyright Matthew Forsythe, 2019, courtesy of Paula Wiseman Books/Simon & Schuster.

Pokko’s father shouts to her that dinner is ready, but Pokko doesn’t respond. Far away her father can hear music playing. He stands in the kitchen and can hear the music getting louder… and louder. The animal crowd spills into the house, sweeps up Pokko’s parents, and carries them off into the forest. Her father notices that Pokko is leading all the animals and listens thoughtfully. He admits to Pokko’s mother that Pokko is a great drummer. The music is too loud and no one can hear him speaking, but if they had…. “they all would have agreed.”

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Copyright Matthew Forsythe, 2019, courtesy of Paula Wiseman Books/Simon & Schuster.

“The biggest mistake Pokko’s parents ever made was giving her a drum.” This beautiful beginning sentence sets the readers up for the witty adventures of Pokko. This book has the perfect combination of spirited characters, playful text, and illustrative humor. Pokko is a strong froglet who isn’t afraid of her individuality like her frog family is. She is warned not to attract attention to herself, but she can’t stand how quiet the forest is. She makes her beautiful music unashamed of the attention, and the forest animals can’t help but to follow her. 

Forsythe’s visual humor delivers  punchline after punchline, making young readers giggle throughout this book. He illustrates a balloon carrying Pokko away, the parent’s legs sticking out from under the llama’s body, and Pokko launching herself with a slingshot. But through all this humor there is a sweet message of female empowerment. Pokko is the leader of the band and she bravely admonishes the wolf for eating the rabbit. Forsythe also paints the father making dinner and wearing an apron through the whole story.  

Forsythe’s glowing watercolor and colored-pencil illustrations make for a magical world of cozy toadstool homes in the colorful forest. Forsythe uses close ups of his characters to show emotions and to add humor. The first close up  is when Pokko decides the forest is too quiet. Her narrow-eyed determination builds the reader’s anticipation for her to start drumming. The second zoom-in comes when Pokko’s father hears the music getting louder and closer. The father is wide-eyed and, once again, the reader cannot wait to see what will happen next. 

A fun read aloud that could be accompanied by a variety of instruments and/or hand clapping, Pokko and the Drum is a multi-award-winning book that will quickly become a favorite for home, school, and public library collections. 

Ages  4 – 8 years

Simon & Schuster/Paula Wiseman Books, 2019 | ISBN: 978-1481480390

To learn more about Matthew Forsythe, his books, and his art, visit his website.

National Frog Month Activity

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Hopping Frog

Ready to hop to the beat of your own drum? Follow the instructions below to make your own hopping frog.

Supplies

  • Paper Plate
  • Scissors
  • Pencil
  • Ruler
  • Crayons, colored pencils, or paint

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Directions

  1. Fold plate in half

  2. Fold the bottom of the plate (folded side) 2 inches up.

  3. Now fold the same part back down a one inch. This creates a zig zag fold and will make the spring for the frog to hop.

  4. Copy the shape in this picture onto your plate. You can make your frog bigger or smaller just be sure the triangles are the same height.

  5. Cut out your frog

  6. Fold triangles down to make front legs

  7. Color your plate green and add color in eyes

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You can find Pokko and the Drum at these booksellers

Amazon | Barnes & Noble | Books-a-Million |IndieBound

Picture Book Review

September 9 – It’s National Hispanic Heritage Month

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About the Holiday

Beginning on September 15th  and running through October 15th, National Hispanic Heritage Month celebrates the contributions of those who come from or whose ancestors immigrated from Spain, Mexico, the Caribbean, Central America, and South America. Each year the holiday adopts a particular theme. This year’s theme is Hispanic Americans: A History of Serving Our Nation. From the military, to business and industry to culture, sports, and entertainment Hispanic Americans have made an important and indelible imprint on our country. First observed in 1968 as a week-long holiday, the commemoration was expanded to a month in 1988 under President Ronald Reagan. To celebrate, learn more about Hispanic Americans who have influenced our culture, attend a special event, and enjoy great books by Hispanic authors like today’s book! You can learn more about the holiday at the official Hispanic Heritage Month website.

Dancing Hands: How Teresa Carreño Played the Piano for President Lincoln

Written by Margarita Engle | Illustrated by Rafael López

 

Growing up in Venezuela, Teresa listened to her mother’s lullabies and learned how to play the piano from her father. It wasn’t always easy “to make the stubborn music behave as she practiced gentle songs that sounded like colorful birds…and powerful songs that roared like prowling jaguars, beside towering waterfalls in a mysterious green jungle.” But by the time she was six, she was composing her own songs and at seven, she played in the cathedral.

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Image copyright Rafael López, 2019, text copyright Margarita Engle, 2019. Courtesy of Atheneum Books for Young Readers.

When Teresa was eight, however, her world was rocked by war, and she and her family escaped by ship to America. In New York, she felt lost among all of the strangers, who didn’t speak Spanish and gawked at her and her family as if they “belonged in a museum of oddities.” Even here, they had not escaped conflict as the Civil War waged, pitting the North against the South and family against family.

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Image copyright Rafael López, 2019, text copyright Margarita Engle, 2019. Courtesy of Atheneum Books for Young Readers.

Teresa found refuge in her new piano and began to make friends with musicians who came to her home to listen and play along. Teresa practiced all types of music, “her strong hands accepting the challenge of life’s many dark and light moods.” She became well known as “the Piano Girl” and performed with big orchestras and in theaters. She became so famous that she was even invited to play for President Abraham Lincoln and his family at the White House.

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Image copyright Rafael López, 2019, text copyright Margarita Engle, 2019. Courtesy of Atheneum Books for Young Readers.

At the time Washington DC was awash in suffering, torn by war and weariness. President Lincoln’s young son had recently become sick and died. How, Teresa wondered, “could music soothe so much trouble?” Holding tightly to Papá’s hand, she entered the White House and was ushered into a room “as red as a storm or a sunrise.” As she sat at the piano, Teresa recalled past challenges and her discover that life was a “mixture of all sorts of feelings, happy and sad.”

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Image copyright Rafael López, 2019, text copyright Margarita Engle, 2019. Courtesy of Atheneum Books for Young Readers.

She began to play, but the piano was out of tune, “making her music sound ugly.” She stopped, but then President Lincoln requested she play his “favorite song, ‘Listen to the Mockingbird.’” This was a song Teresa could play on this imperfect piano. “Her fingers leaped across all the dark and light keys, improvising the way mockingbirds do, the melody changing as she went along.” Lincoln closed his eyes and was taken away on the soaring notes.

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Image copyright Rafael López, 2019, text copyright Margarita Engle, 2019. Courtesy of Atheneum Books for Young Readers.

When the song ended, the President rose and applauded. He smiled at Teresa and she smiled back, understanding that “her music had brought comfort to a grieving family, at least for one brief, wonderful evening of dancing hands.” Teresa continued to share her gift with the world, always bringing “beautiful dark and light moments of hope” to her listeners.

A Historical Note about the life of Teresa Carreño follows the text.

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Image copyright Rafael López, 2019, text copyright Margarita Engle, 2019. Courtesy of Atheneum Books for Young Readers.

Margarita Engle’s soaring biography introduces readers to an astounding woman who, even as a child, had not only a prodigious talent for the piano but a gift for understanding life as well. Engle, the 2017 -2019 national Young People’s Poet Laureate, infuses her story with beautiful lyricism and stirring metaphors that evoke the power of music in Teresa’s heart and hands. On these pages, music becomes a living thing, capable of forming friendships, soothing grief, providing escape, and offering hope. Engle’s focus on the meeting between Teresa Carreño and Abraham Lincoln is significant and offers inspiration to young readers. Like Teresa, who, concerned with playing just right, was presented with an imperfect piano but encouraged by Lincoln’s kindness, they too can learn that with a steady and courageous heart, anyone can use their talents to overcome challenges.

In Rafael López’s crisp, stylish illustrations, Teresa Carreño’s love of music and its emotional power serves as a counter point to the distress of war and anguish of grief. Using vibrant greens, pinks, oranges, and blues, Lopez surrounds Teresa with lush vegetation, dazzling birds, and the security of home. Muted variations of  these colors depict the bleakness of war. A moving image, washed completely in gray except for an approaching vivid bird and a tinge of soft rose dawn shows a mourning Abraham Lincoln alone in his office but soon to be comforted by Teresa’s music.

A beautiful and uplifting biography for kids of all talents, Dancing Hands: How Teresa Carreño Played the Piano for President Lincoln would be an inspiring addition to home, school, and public library bookshelves.

Ages 4 – 8

Atheneum Books for Young Readers, 2019 | ISBN 978-1481487405

Discover more about Margarita Engle, her books, and her poetry on her website.

To learn more about Rafael López, his books, and his art, visit his website.

National Hispanic Heritage Month Activity

CPB - Tortilla chips (2)

Homemade Baked Cinnamon Tortilla Chips

 

It’s easy to make these yummy tortilla chips at home! Why not invite your friends over and bake up a batch or two to enjoy while playing or reading together?

Ingredients

  • 2 10-inch flour tortillas
  • ¾ teaspoon cinnamon
  • 2 ½ tablespoons sugar
  • Butter

Directions

  1. Preheat oven to 350 degrees
  2. Combine the cinnamon and the sugar in a bowl
  3. Butter the tortillas
  4. Sprinkle the tortillas with the cinnamon sugar mixture
  5. Cut the tortillas into 8 pieces
  6. Place pieces on a baking sheet
  7. Bake in 350-degree oven for 12 – 15 minutes
  8. Chips will become crispier as they cool.

Makes 16 chips

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You can find Dancing Hands: How Teresa Carreño Played the Piano for President Lincoln at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

August 11 – It’s Elvis Week

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About the Holiday

Each year during the week in August surrounding the date of Elvis Presley’s death, fans gather in Memphis and at Graceland, his home that is now a monument to The King to celebrate his music, movies, and legacy. Events include concerts, workshops, dances, the Ultimate Elvis Tribute Artist Contest, and more. The annual Candlelight Vigil, which attracts tens of thousands of fans, is held from the evening of August 15 to the morning of the 16th. Participants carry a candle as they walk up the driveway to the Meditation Garden, listening to his music and taking in memorials created by fans. To learn more about Elvis Week, visit the Graceland website.

Elvis Is King

Written by Jonah Winter | Illustrated by Red Nose Studio 

 

Elvis is King by Jonah Winter and Chris Sickels’ Red Nose Studio is an eye-popping wonder for fans of The King of Rock ‘n’ Roll wanting to share their love for Elvis with their kids. In short, lyrical chapters with dramatic titles that are cleverly reminiscent of the sensational headlines Elvis generated throughout his life (and even after), Winter peels back Elvis’s rags-to-riches story, encapsulating the depth of poverty, talent, and ambition that fueled his life. It’s all here—his birth “in a humble shack / on the wrong side of the railroad tracks, / the side where the poorest of the poor people live…;” his reason for being: singing; and the county fair talent show, where ten-year-old Elvis got his first taste of adoration and a “Fifth Prize!” award.

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Kids walk into the hardware store with Elvis’s barefoot mama, who “with pennies she saved…/ buys her eleven-year-old birthday boy / the most important gift he will ever receive. / It will be the key to his salvation.” Elvis plays that guitar everywhere, “All. The. Time.” There’s the moment Elvis overheard gospel singing coming from the African American Church and “The First Cheeseburger Ever Eaten by Elvis.” And that question: Why peanut butter and banana sandwiches? The answer’s here too.

When the family moves to Memphis, it’s up to teenage Elvis to make the money by “working nights as a ticket taker at a movie theater.” Then, suddenly during those years, Elvis finds the “Weird Teenage Elvis” inside him. He dyes his blond hair black and waxes it into a wave. At a thrift shop he buys green pants, a pink shirt, and a checkered jacket. Then at the high school talent show, he “KNOCKS ‘EM DEAD with his song.” And not only that “something happens, something big, when he’s up there: / He is no longer shy! / He can be whatever he wants to be—let loose, go crazy!”

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Along the way he falls in love, graduates from high school, and soaks up the sounds of the blues on Beale Street. For his mama’s birthday, he goes to Sun Studios, where anyone can record themselves singing. “(It also makes *real* records of big-time singers— / and Sly Elvis knows this.)” Elvis has his first recorded song for just $3.98. A bit later he gets the call he’s been hoping for from Sun Studios and discovers his signature sound and moves. The song—”That’s All Right”—plays on the radio, and where’s Elvis? Hiding out. Will people like it? Five thousand requests and fifteen replays in one night say Yes!

And when Elvis walks on stage for the first time to sing his song, he’s met with an “AVALANCHE of screaming—in a good way!” Goggle-eyed girls just want to be near him, and it’s the same no matter where he travels. This “Good-Lookin’ Heartthrob Elvis” is soon to lose his “One True Love, / his little darlin’, Dixie Locke. He uses that feeling, though, in a song—”Heartbreak Hotel” that “rises to number 1 on the pop charts.” So “What Is This Crazy Music, Anyway?” It’s not exactly country and it’s not exactly rhythm and blues. “It’s… / ROCK ‘N’ ROLL, baby. / And Elvis is its KING…!”

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Jonah Winter’s biography is in every way a loving tribute to Elvis Presley that also winks at his larger-than-life persona and the world’s obsession with him. Well-chosen adjectives presented in initial caps and attached to Elvis’s name, give titles to the phases of Elvis’s life and present an evocative way to show what and where he grew from and left behind on his rise to fame. Sprinkled with southern vernacular and touched with the cadence of a slow, considered southern drawl, Winter’s ingenious verses mirror song lyrics and echo themes that not only make up the country and blues standards that influenced Elvis’s music but that applied to his life. 

As always Chris Sickels’ Red Nose Studio artwork is nothing short of astounding. Each illustration is composed as a 3-D set handcrafted from polymer clay, wood, wire, fabric, and found objects. The intricate details and moving emotions, demonstrated in a look, by a gesture, and through perspective, give the illustrations a realism that goes beyond a photographic depiction to illuminate the heart of Elvis Presley’s story. Readers will want to linger over every page to absorb the cultural landscape and life-affirming moments that created The King of Rock ‘n’ Roll.

A joy to read aloud, Elvis Is King is an inspirational story for anyone with a dream, big or small. The personal, yet universal, story and phenomenal art make the book a stirring addition for home, school, and public libraries. 

Ages 4 – 8

Schwartz & Wade, 2019 | ISBN 978-0399554704

Discover more about Jonah Winter and his books on his website.

To learn more about the work of Chris Sickels and Red Nose Studio, visit his website.

Elvis Week Activity

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Elvis Coloring Page

 

Elvis wowed audiences and movie goers with his moves and flair. This printable coloring page shows Elvis in of his well-known dance poses. In honor of Elvis Week, why not share Elvis is King, this page, and some of Elvis’s songs or movies with your kids?

Elvis Coloring Page 

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You can find Elvis Is King at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review