December 3 – Cover Reveal of Stompin’ at the Savoy: How Chick Webb Became the King of Drums

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Stompin’ at the Savoy: How Chick Webb Became the King of Drums

Written by Moira Rose Donohue | Illustrated by Laura Freeman

 

Although a disability stunted his growth and left him with a hunched back, William Henry “Chick” Webb didn’t let that get in the way of pursuing his dreams of being a musician. Even as a young child, Chick saw the world as one big drum. He pounded out rhythms on everything from stair railings to pots and pans with a wooden spoon until he earned enough money selling newspapers to buy himself a real set.

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Image copyright Laura Freeman, 2021, text copyright Moira Rose Donohue, 2021. Courtesy of Sleeping Bear Press.

He saved more money and was at last able to buy a drum set where he could “bang on the bass drum, crash the cymbals, and rattle the snare.” When he was still a teenager, he played drums in several bands. His talent and love for music eventually brought him to the big time as an influential big band leader. But Chick wanted to be at the top. Would he get his chance? This picture-book biography bops with the sounds and dance moves of the Swing era and one of the most famous clubs in America as it relates the life of Black American jazz drummer Chick Webb, who in the 1930s earned the nickname the “King of the Savoy.”

With Moira Rose Donohue’s scintillating storytelling about a time in musical history that still resonates today and Laura Freeman’s vibrant illustrations that ring with bright horns, soar on a sublime voice, and pulsate with the beat of a master drummer, Stompin’ at the Savoy – which Kirkus calls “an effervescent celebration”is a book that will inspire children.

I’m thrilled to be talking today with Moira Rose Donohue and Laura Freeman to learn more about how they brought the extraordinary story of Chick Webb to life for young readers. 

Meet Moira Rose Donohue

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Moira Rose Donohue has written over 35 books for children, most of them nonfiction, including National Geographic’s Little Kids First Big Book of the Rain Forest and two Junior Library Guild selections: Great White Sharks (Scholastic/Children’s Press) and The Invasion of Normandy (North Star Editions). She loves tap dancing, opera, hockey, and animals. Moira lives in St. Petersburg, Florida, with her dog, Petunia.

Among the many titles you’ve published are books on nature, history, and many, many biographies of figures from explorers to sports stars to civil rights leaders. What is your favorite thing about writing biographies? What was the initial spark that prompted you to choose Chick Webb as the subject of your newest book?

The thing I like most about writing biographies is that through the extensive research you have to do, you eventually discover the “essence” of the person—that unique quality that guided him/her/them to act in a way that made a difference in the world.

My initial interest in Chick was sparked when I was watching a re-airing of the Ken Burns documentary on jazz music. When the movie reached the evolution of swing and big bands, Chick Webb was mentioned. I have always loved Big Band music, even though it was not the music of my era. I was familiar with all the big band musicians discussed except Chick Webb. So, of course I had to research him. When I saw his life-loving grin and learned that he had to face the challenges of an affliction that left him no taller than an average eight-year-old boy, I was hooked.

Can you talk a little about the story readers will discover in Stompin’ at the Savoy and take readers on the book’s journey from idea to published book?

This book is not a chronicle of Chick’s life. It focuses on his resilient and competitive spirit because that’s what struck a chord with me. I love contests, and so, apparently, did Chick. To showcase his competitiveness, the climax of the book is his legendary band battle with 6-foot tall Benny Goodman, the King of Swing—a contest so exciting that almost 10,000 people showed up, inside the Savoy and outside on Lenox Avenue. You’ll have to read the book to find out who won!

What was one of the most surprising things you learned about Chick Webb during your research?

As a drummer and a band leader, Chick was precise and demanding. He told his musicians to practice and to be perfect. This didn’t surprise me because my daughter is a percussionist and I know that to be successful, practice and discipline are essential. What did surprise me is that, on occasion, Chick was known to give in to his wilder side and ride around town on the back of a motorcycle, standing up.

Researching Chick Webb was tricky because not much has been written about him. I had to call upon librarians, my superheroes, to watch a documentary at the Library of Congress and to find out what his childhood home looked like (thanks to the Enoch Pratt Free Library in Baltimore).

For an author it must be thrilling to see your story come to life visually. When did you see the cover and illustrations for your story? What was your first reaction?

I have been a big fan of Laura’s work for some time, so I knew when I got the sketches in May, 2020 that they would be wonderful. But the best part was that she completely understood the Big Band era and captured the ethos of the Savoy perfectly. It turns out that she had a connection to it—her father danced at the Savoy Ballroom.

As for the cover, which I didn’t see until early October, 2020, well…it brought tears to my eyes. The purple background is such a perfect choice for the King of Drums. And Laura even managed to put his signature green chicks on his drum set!

What would you like young readers to take away from the story of Chick Webb?

Although I cannot fully understand the magnitude and complexities of Chick’s struggle, as someone who is only 4 feet 11 inches tall and always trying to figure out how to reach things in high places, I relate to the challenges of being a short person. I completely understood his need to make his bass drum pedal higher so he could reach it! And I admired his perseverance. I hope the young readers will see Chick’s story as an inspiration—a story of someone who believed in himself and his music. Chick was a person with short stature who created a giant sound.  

When will readers be able to find Stompin’ at the Savoy on bookstore shelves? Do you have any special events planned that readers can look forward to?

Stompin’ at the Savoy will be available for purchase on January 15, 2021. We are planning on setting up a virtual book release celebration with Tombolo Books. For more information and updates, please check my website, moirarosedonohue.net. And I am hoping to have an in-person event in Baltimore, Chick’s (and my son’s) home, when it’s safe to do so. 

You can connect with Moira Rose Donohue on

Her website | Twitter

Meet Laura Freeman

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Laura Freeman has illustrated many fine children’s books over the years, including Fancy Party Gowns: The Story of Fashion Designer Ann Cole Lowe, written by Deborah Blumenthal, and the Coretta Scott King Honor book Hidden Figures: The True Story of Four Black Women and the Space Race, by Margot Lee Shetterly and Winifred Conkling. Laura now lives in Atlanta, Georgia, with her husband and their two children. 

I think readers are fascinated by an artist’s process in translating a manuscript to images that explain, highlight, and enhance the text. Can you talk a little about how you approached the manuscript for Stompin’ at the Savoy and then developed your illustrations – especially this stunning cover.

I always spend a lot of time looking at photos and researching the character and time period before starting. For Stompin’ I wanted to get in the mood, and so I searched for his music online and was surprised to find that I recognized the title song (which was written in 1933!). Maybe I watch too many old movies, but it really is great! I found great old photos of him at his drum kit and photos of the Savoy nightclub as well as people dancing and swinging to the orchestra. Since it was the ’30’s, all the photos I found were in black and white so I dug into the internet to find out what color his drum kit was… and I found conflicting information. One article stated that the kit was pearlized cream decorated with sparkly green chicks but the accompanying photo showed the chicks as being red. I ended up trusting the words since the photo was obviously hand tinted. I hope I got it right but guess it’s not the end of the world if I’m wrong! 

The cover is just a peek at what readers have to look forward to in the book. Can you give them a little taste of what’s in store inside?

I tried to give the illustrations a sense of movement to mimic the way Chick’s music makes me feel. There are a lot of colorful musical notes dancing throughout almost all of the pages. There is one spread in particular where if you look closely you can find them in a pattern in the ironwork of the staircase that Chick falls down as a child. Even though he’s not playing music on this page I wanted the notes to foreshadow his future.

What aspects of Chick Webb’s story did you most want to express in your illustrations? Is there a spread in the book that you particularly enjoyed creating?

Even though he had a tragic accident when he was a child that affected him for the rest of his life, his music is so full of joy – I wanted the book to feel joyful! I wanted it to be bright and colorful. There’s one spread in the book that depicts a battle of the bands. The one where Chick’s band goes up against Benny Goodman’s band. It was one of the last images I tackled because I have to admit, I had no idea how I was going to pull it off. There was just so much going on. I wanted to show the excitement and electricity of the moment – both bands playing their instruments, Chick’s band in white tuxedos, Benny Goodman’s band in black, Chick at his drum kit, Gene Krupka breaking his drum head. All this, but I didn’t want it to look busy and confusing. It ended up being one of my favorite images in the book!

I’ve been fortunate to review several of your picture books. In each one the illustrations are uniquely suited for the subject and yet instantly recognizable as your work. What would you say is your signature style? How did you develop it?

Thank you for saying so! I guess I’d say my illustrations are somewhat realistic in that I do try to capture a likeness. But still not so much so that I can’t deviate from reality to make a point. I guess you could say my work has a collage feel to it since I love to play around with patterns and textures too. I think that the amount of research I do shows up in the illustrations. I try to immerse myself in the time period of the book. I love finding the right clothing and hairstyles. What did the streets look like? The cars? What kind of technology was available? What about the furniture? I collect 100’s of photos of all these things. Very few end up in the books, but the essence of what I’ve seen does… I hope!

What do you hope children will take away from your illustrations for Stompin’ at the Savoy?

I hope that they can see themselves in his story. I love that he didn’t let his physical limitations stop him from doing what he wanted to do. He had to sit on a high stool to reach the drums. He couldn’t reach the bass drum pedal on the stool, so he had a special one made. He even embraced what surely started out as a derogatory nickname and called himself Chick.

Like Moira, many of your books for children are biographies. What draws you to those projects? What are the challenges and the rewards of working on biographies?

I especially like learning about people I may never have heard of and learning new things about people I have heard of. If I don’t know the information, chances are that most kids don’t either. With a biography there’s the challenge of capturing a likeness. Sometimes there are lots of photos and videos of the person I’m depicting to reference. Other times, not so much. I may need to distill the person’s facial features and try to figure out what they might look like from a different angle or as a child when there really aren’t any reference photos to go by. I want to do them justice because I feel honored to be involved in uncovering their stories.

You can connect with Laura Freeman on

Her website | Instagram | Twitter

Thanks so much Moira and Laura for these insightful answers! I’m sure readers are as excited to read Stompin’ at the Savoy: How Chick Webb Became the King of Drums as I am! While we have to wait a little longer to find the book in bookstores, everyone’s invited to enter my giveaway for a chance to win a copy!

Stompin’ at the Savoy: How Chick Webb Became the King of Drums Giveaway

 

I’m excited to partner with Sleeping Bear Press in Twitter giveaway of:

  • One (1) copy of Stompin’ at the Savoy, written by Moira Rose Donohue| illustrated by Laura Freeman 

Here’s how to enter:

  • Follow Sleeping Bear Press 
  • Retweet a giveaway tweet
  • Bonus: Reply with your favorite kind of music for an extra entry (each reply gives you one more entry).

This giveaway is open from December 3 through December 9 and ends at 8:00 p.m. EST.

A winner will be chosen on December 10. The prize book will be sent from Sleeping Bear Press in January.

Giveaway open to U.S. addresses only. | Prizing provided by Sleeping Bear Press.

To learn more about Stompin’ at the Savoy: How Chick Webb Became the King of Drums and other marvelous books from Sleeping Bear Press, visit their website.

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You can preorder Stompin’ at the Savoy: How Chick Webb Became the King of Drums at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

 

September 18 – National Respect Day

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About the Holiday

Today’s holiday was established to help people focus on how they can be more respectful of others—family, friends, and strangers. It’s also a day to think about yourself. Do you respect yourself and your abilities? Self-respect is crucial for achieving your goals, both personal and professional. There are many ways to show respect. Good manners, listening to others, acknowledging others with a “thank you” or “great job,” and inclusion are only a few of the ways that people can start building the kinds of respectful relationships that lead to success.

Aretha Franklin (Little People, Big Dreams)

Written by Maria Isabel Sánchez Vegara | Illustrated by Amy Blackwell

 

With a mother who was a gospel singer and a father who was a preacher and “believed that music could move not just people’s hearts, but the world,” Aretha Franklin was born to sing. Even though her mother left the family while Aretha was still young, Aretha found friendship and inspiration from the many musicians who often came to visit.

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Image copyright Amy Blackwell, 2020, text copyright Maria Isabel Sánchez Vegara, 2020. Courtesy of Frances Lincoln Children’s Books.

When she was a bit older, Aretha began singing in the gospel choir at her father’s church. Her voice was “powerful and as smooth as silk” and made “the whole congregation [feel] that tomorrow would be a brighter day.” recognizing her talent, Aretha’s father took her on tour from church to church. Her poise and voice moved people wherever she went.

As much as she loved singing in church, though, Aretha dreamed of making records. It was a dream that came true, and soon Aretha’s songs were topping the charts. Her most popular song “was called ‘Respect.’” It had been written by Otis Redding, but “suddenly, the words of a tired working man became an anthem for African American women demanding equal respect.” She also lent her voice to the fight against racism, standing alongside her friend Martin Luther King Jr.

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Image copyright Amy Blackwell, 2020, text copyright Maria Isabel Sánchez Vegara, 2020. Courtesy of Frances Lincoln Children’s Books.

Aretha didn’t just sing, she wrote and produced her own songs too in nearly every genre from “jazz, doo-wop and pop, to rhythm and blues.” While she wrote and sang many different types of songs, they all had one thing in common: “They had to talk about everyday ups and downs.” Aretha Franklin was in many ways a pioneer in music. She was the first woman to be inducted into the Rock & Roll Hall of Fame, and she influenced many female artists. But she considered her greatest honor to sing at the inauguration of Barak Obama—the first African American president of the United States. Aretha was unique in so many ways. That little girl with the big voice who “won the R-E-S-P-E-C-T of millions.”

A timeline and more information about Aretha Franklin’s life follows the text.

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Image copyright Amy Blackwell, 2020, text copyright Maria Isabel Sánchez Vegara, 2020. Courtesy of Frances Lincoln Children’s Books.

Maria Isabel Sánchez Vegara’s biography of Aretha Franklin will inspire all young singers—or artists of any kind—who dream of sharing their gift with the world. Her engaging storytelling will captivate little readers with descriptions of Aretha’s uplifting voice who could move people to cry, dance, and feel that positive change would come. This heartfelt depiction of Aretha Franklin’s amazing life will entice young children to discover or rediscover her music and follow her example.

Amy Blackwell’s bright and energetic illustrations are full of the joy that Aretha found in music and singing. Her interactions with choir congregation members show an early maturity and assurance that will inspire little readers. Images of a dance club and a performance of her signature song give kids portray the flair of the times, while pictures of her writing and a few of her many albums will impress children with her prolific talent. A later image of Aretha singing at President Barak Obama’s inauguration can inspire readers to watch this historic event once more.

Inspiring and uplifting, Aretha Franklin (Little People, Big Dreams) would be a welcome addition to home, school, and public library collections.

Ages 4 – 7

Frances Lincoln Children’s Books, 2020 | ISBN 978-0711246867

To learn more about Amy Blackwell, her books, and her art, visit her website.

National Respect Day Activity

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Kindness Cards

 

One way to show someone respect is to tell them how much they mean to you. These printable cards, make it easy for kids to tell a friend or family member how special they are.

Kindness Cards

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You can find Aretha Franklin (Little People, Big Dreams) at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

August 12 – National Vinyl Record Day

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About the Holiday

Gary Freiberg chose the day in 1877 that Thomas Edison invented the phonograph to encourage people to enjoy music on vinyl records. Whether you grew up listening to records or are a recent convert to this art form that has had lasting appeal even in this technological age, today’s holiday gives music lovers an excuse to enjoy their favorite artists – and, of course, the subject of today’s book should be among them! 

Elvis Is King

Written by Jonah Winter | Illustrated by Red Nose Studio 

 

Elvis is King by Jonah Winter and Chris Sickels’ Red Nose Studio is an eye-popping wonder for fans of The King of Rock ‘n’ Roll wanting to share their love for Elvis with their kids. In short, lyrical chapters with dramatic titles that are cleverly reminiscent of the sensational headlines Elvis generated throughout his life (and even after), Winter peels back Elvis’s rags-to-riches story, encapsulating the depth of poverty, talent, and ambition that fueled his life. It’s all here—his birth “in a humble shack / on the wrong side of the railroad tracks, / the side where the poorest of the poor people live…;” his reason for being: singing; and the county fair talent show, where ten-year-old Elvis got his first taste of adoration and a “Fifth Prize!” award.

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Kids walk into the hardware store with Elvis’s barefoot mama, who “with pennies she saved…/ buys her eleven-year-old birthday boy / the most important gift he will ever receive. / It will be the key to his salvation.” Elvis plays that guitar everywhere, “All. The. Time.” There’s the moment Elvis overheard gospel singing coming from the African American Church and “The First Cheeseburger Ever Eaten by Elvis.” And that question: Why peanut butter and banana sandwiches? The answer’s here too.

When the family moves to Memphis, it’s up to teenage Elvis to make the money by “working nights as a ticket taker at a movie theater.” Then, suddenly during those years, Elvis finds the “Weird Teenage Elvis” inside him. He dyes his blond hair black and waxes it into a wave. At a thrift shop he buys green pants, a pink shirt, and a checkered jacket. Then at the high school talent show, he “KNOCKS ‘EM DEAD with his song.” And not only that “something happens, something big, when he’s up there: / He is no longer shy! / He can be whatever he wants to be—let loose, go crazy!”

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Along the way he falls in love, graduates from high school, and soaks up the sounds of the blues on Beale Street. For his mama’s birthday, he goes to Sun Studios, where anyone can record themselves singing. “(It also makes *real* records of big-time singers— / and Sly Elvis knows this.)” Elvis has his first recorded song for just $3.98. A bit later he gets the call he’s been hoping for from Sun Studios and discovers his signature sound and moves. The song—”That’s All Right”—plays on the radio, and where’s Elvis? Hiding out. Will people like it? Five thousand requests and fifteen replays in one night say Yes!

And when Elvis walks on stage for the first time to sing his song, he’s met with an “AVALANCHE of screaming—in a good way!” Goggle-eyed girls just want to be near him, and it’s the same no matter where he travels. This “Good-Lookin’ Heartthrob Elvis” is soon to lose his “One True Love, / his little darlin’, Dixie Locke. He uses that feeling, though, in a song—”Heartbreak Hotel” that “rises to number 1 on the pop charts.” So “What Is This Crazy Music, Anyway?” It’s not exactly country and it’s not exactly rhythm and blues. “It’s… / ROCK ‘N’ ROLL, baby. / And Elvis is its KING…!”

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Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Jonah Winter’s biography is in every way a loving tribute to Elvis Presley that also winks at his larger-than-life persona and the world’s obsession with him. Well-chosen adjectives presented in initial caps and attached to Elvis’s name, give titles to the phases of Elvis’s life and present an evocative way to show what and where he grew from and left behind on his rise to fame. Sprinkled with southern vernacular and touched with the cadence of a slow, considered southern drawl, Winter’s ingenious verses mirror song lyrics and echo themes that not only make up the country and blues standards that influenced Elvis’s music but that applied to his life. 

As always Chris Sickels’ Red Nose Studio artwork is nothing short of astounding. Each illustration is composed as a 3-D set handcrafted from polymer clay, wood, wire, fabric, and found objects. The intricate details and moving emotions, demonstrated in a look, by a gesture, and through perspective, give the illustrations a realism that goes beyond a photographic depiction to illuminate the heart of Elvis Presley’s story. Readers will want to linger over every page to absorb the cultural landscape and life-affirming moments that created The King of Rock ‘n’ Roll.

A joy to read aloud, Elvis Is King is an inspirational story for anyone with a dream, big or small. The personal, yet universal, story and phenomenal art make the book a stirring addition for home, school, and public libraries. 

Ages 4 – 8

Schwartz & Wade, 2019 | ISBN 978-0399554704

Discover more about Jonah Winter and his books on his website.

To learn more about the work of Chris Sickels and Red Nose Studio, visit his website.

National Vinyl Record Day Activity 

CPB - Record Bulletin Board

Make a Record Chalkboard Bulletin Board

 

Would you love to make a record some day? Why wait? In this fun craft you can create your own record bulletin board—and even create your own label art! While this record may not spin on turntables around the world, it will drop in a more important place—your very own room!

Supplies

  • Printable Record Label for you to design
  • Foam board, or a cork board at least 12-inches x 12-inches square
  • Adhesive cork
  • A 12-inch round plate, record, or other round object to trace OR a compass
  • Chalkboard paint, black
  • X-acto knife
  • Paint brush or foam paint brush
  • Mounting squares

Directions

  1. Cut a section from the adhesive cork a little larger than 12 inches by 12 inches
  2. Affix the cork to the foam board
  3. Trace the 12-inch round object onto the cork/foam board OR use the compass to make a 12-inch circle
  4. With the x-acto knife, carefully cut out the circle (adult help needed for children)
  5. Cut out a ¼ -inch circle in the center of the record bulletin board
  6. Paint the cork, sides and inside the spindle hole with the black chalkboard paint. Let dry
  7. Print the label template and design your own record label
  8. When the paint is dry, glue your label to the center of the bulletin board
  9. Hang your bulletin board with the mounting squares
  10. Decorate!

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You can find Elvis Is King at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

April 30 – International Jazz Day

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About the Holiday

International Jazz Day was instituted in November 2011 by the United Nations Educational, Scientific and Cultural Organization (UNESCO) to spotlight jazz and it’s role in uniting people worldwide. The holiday is celebrated by communities, musicians, students, teachers, historians, and especially jazz enthusiasts as a way to learn about jazz, its roots, and its influence. Every year, jazz is recognized for its part in promoting a dialogue among cultures, diversity, freedom, and respect for human rights. 

While the celebration was originally planned to take place in Cape Town, South Africa and in other cities around the world, this year International Jazz Day 2020 will take place online and be hosted by Herbie Hancock. The day’s centerpiece will be a Virtual Global Concert featuring artists from across the globe, streamed live on jazzday.com. The concert will begin at 3:00 pm US eastern time. This spectacular musical event is a great opportunity to introduce kids to jazz and to enjoy the masters of the form with jazz lovers around the globe.

Birth of the Cool: How Jazz Great Miles Davis Found His Sound

Written by Kathleen Cornell Berman | Illustrated by Keith Henry Brown

 

As a child, Miles Davis listens to the radio before school, clapping and swaying along to “Louis Armstrong’s soaring trumpet” and “Duke Ellington’s sensational big band.” The “swinging sounds of jazz / swirl together like / colors on a pinwheel.” When he’s older, Miles watches the riverboats on the Mississippi as they bring musicians from New Orleans to play in the East St. Louis clubs. At night he listens as “melodies drift down the street. / Some croon country, / some cry the blues. / Sassy saxophones wail / through the night.”

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

During the summer, Miles visits his grandfather’s farm in Arkansas. Here, he hears the music of horses’ hooves. On his walks through town, he listens to the sounds of guitars and singing, and at church he learns the notes of “soulful singing.” For his thirteenth birthday, Miles receives a trumpet. He takes lessons and practices again and again.

While he’s still in high school, Miles begins being paid to play at dance halls. His confidence grows and he begins to develop his own sound. A new form of jazz is attracting attention—Bebop: “far-out harmonies / with fast, flipping beats / that hop and bop.” He goes to clubs to listen to Charlie “Bird” Parker and Dizzy Gillespie play. He’s “blown away / by the energy of the music.”

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

Then one night, one of the band members doesn’t show up, and Miles—who always has his trumpet with him—is asked to fill the spot. In awe and a little intimidated in the presence of his idols, Miles’ playing “doesn’t shine.” But he knows that “jazz / is all he wants to play.” Miles moves to New York to go to school at Juilliard, but, really, to learn from Bird, Dizzy, and all of his idols. In the morning he goes to class, practicing between classes. At night he plays clubs throughout the city.

Soon, he leaves Juilliard to concentrate on playing and learning from the greats. His father advises him: “Don’t be like the mockingbird / that copies others. / Be your own man. / Be your own sound.” When Dizzy leaves Bird’s band, Miles takes his place. But he plays differently than Dizzy. “Some listeners put him down— / they want Dizzy’s rippling trumpet.” The criticism make Miles lose confidence and want to quit. But Bird encourages him.

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

With practice and patience, he discovers his own sound, holding and savoring perfect notes “just for the beauty of it.” He forms his own group with talented musicians who want to create new sounds. The nine musicians play “slowly and mysteriously…. Cool— / relaxed, / with a lighter, / lyrical feel.” Mile’s solos enchant audiences.

But the endless work takes its toll. He begins to lose gigs; his health declines. Miles doesn’t give up. “He climbs out / of his dark days / by playing his horn again.” Then in 1955 he takes the stage at the Newport Jazz Festival and begins to play. “…His mystical voice hangs / like a cloud, / leaving space / for each listener’s / imagination to wander.” The crowd cheers and applauds. Miles is back with his unmistakable sound and new ideas for the future of the music he loves.

Notes about Miles Davis from Wynton Marsalis, Kathleen Cornell Berman, and Keith Henry Brown as well as a selected discography and bibliography follow the text.

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Image copyright Keith Henry Brown, 2019, text copyright Kathleen Cornell Berman, 2019. Courtesy of Page Street Books.

Kathleen Cornell Berman’s lyrical passages reveal a boy, a teenager, and a man who embodied music, listening to and absorbing the various sounds around him and incorporating them into his own, unique sound. Her evocative vocabulary (swirl, rollicking, croon, rumbling, far-out, rippling, blizzard of notes, itching to play) and phrasing that blends short staccato lines with longer sentences echoes the rhythm of jazz and will keep readers riveted to the story. Berman emphasizes the listening, practice, and experimentation that informed Miles Davis’s original sound, showing children that innovation is built on hard work, dedication, and even history. Her inclusion of Davis’s setbacks also demonstrates that perseverance is part of the success of any endeavor.

Keith Henry Brown’s gorgeous, detailed pen-and-ink and watercolor illustrations take readers from Miles Davis’s living room, where he listens to the radio as images of Louis Armstrong and Duke Ellington swirl through his imagination, to an overlook on the Mississippi River and its paddlewheel steam ships to the clubs and jam sessions of New York and finally, to the Newport Jazz Festival. Brown’s color palette of cool blues, greens, purples, and browns, punctuated with Davis’s ever-present gleaming brass trumpet, brings Davis’s country and city experiences to life while mirroring the tone and feel of his unique sound. Quotes from Miles Davis are sprinkled throughout the story and set apart with type that looks handwritten, giving his words a personal touch.

Sure to inspire readers to learn more about Miles Davis and listen to his music, Birth of the Cool: How Jazz Great Miles Davis Found His Sound would be an excellent accompaniment to school music programs, an inspiring book for biography lovers and young musicians of all types, and a beautiful addition to home, school, and public library collections.

Ages 8 – 12

Page Street Kids, 2019 | ISBN 978-1624146909

Discover more about Kathleen Cornell Berman and her books on her website.

To learn more about Keith Henry Brown, his books, and his art, visit his website.

Meet Kathleen Cornell Berman

celebrate-picture-books-picture-book-review-kathleen-cornell-berman-headshot

In your author’s bio you say that you fell in love with Mile’s Davis’ music when you were 10 years old. Was there a particular spark that made you love his music?

As a kid I loved all kinds of music. When I first heard Miles’ trumpet sound, I fell in love. His trumpet sound was different. It wasn’t flashy, it was slow, haunting and very beautiful. I longed to hear it again.

Can you take readers on your journey of writing Birth of the Cool and having it published? What kind of research did you do? What was the most surprising thing you learned about Miles Davis?

I was thrilled when I got the email from Charlotte Wenger from Page Street. It’s beyond exciting when you find someone who loves your story as much as you do. And Charlotte was a dream editor to work with.

I read Miles’ autobiography and many other books about him, as well as journal and magazine articles. I listened to countless interviews and researched players in his band. And I listened to his music a lot. He went through many changes in his musical career. I realized I had to keep my focus on his early career. 

I was surprised to learn he had slave ancestors who played music in the main house on a plantation. It was interesting to discover that Miles loved rural life (from his visits to his relatives’ farms). When he first moved to NYC, he visited the stables and asked to ride their horses. He had fond memories of riding them on his grandfather’s farm.

Keith Henry Brown’s pen-and-ink and watercolor illustrations are gorgeous and full of expression. Can you talk about your reaction to seeing the illustrations for the first time. Do you have a favorite spread?  

celebrate-picture-books-picture-book-review-kathleen-cornell-berman-and-keith-henry-brown

Kathleen Cornell Berman and Keith Henry Brown at the book launch for Birth of the Cool and the Jazz Gallery in New York City.

My first reaction to Keith’s illustrations was like an “out of the body” experience. To see my words come to life was a wonderful feeling. His art illuminated Miles’ journey in a jazz inspired way. I was very happy when he accepted the job. I already knew he was a jazz fan, so he was a good choice.

Keith’s goal was to create drawings that weren’t too tight or realistic. He wanted to create a loose, abstract feeling. I think Keith achieved that beautifully. Kudos to his courage in creating illustrations in watercolor, a very unpredictable medium. It’s difficult for me to pick a favorite illustration, I really love them all.

Your inspirational biography highlights the ups—and downs—of Miles Davis’ early career. What message would you like readers to take away from the story?

Miles is a great example of how hard work pays off. Some kids today think it’s easy to play an instrument. For some it might be, but inventing your own sound, is extremely difficult. It takes perseverance and dedication to create your own voice on the instrument. That goes for anything you attempt, whether you become an architect, a visual artist, writer, or a singer. Unfortunately, many jobs don’t allow individuality, but finding something, anything that you’re good at can boost happiness.

I hope this story inspires kids to reach for the stars, to find their own voice, and never give up. I also hope kids will take time to listen to jazz; it’s America’s classical music. Listening to music has so many benefits, intellectually as well as emotionally.

I saw on your website that you like to collect words. Can you tell me five of your favorites and what you love about them? Do you remember where they first caught your eye—or ear?

I’m usually attracted to words that tickle the tongue and have a unique sound, like mesmerizing, prickly, crumpled, nuzzle, etc. There are so many. I love alliteration. When words are paired with another, they sing and make the text come alive. I usually have my wordbook at my side as I read any kind of book. I also use my phone memo to jot words as I hear them in daily life.  

Besides writing, you paint, and create assemblages from found objects. Your sculptures are gorgeous and fun and have so much personality! Which came first—writing or art? When creating an assemblage, do you start with one object or do you see how several of the materials you have can fit together?

Thank you very much. Creating found art sculptures is like therapy. I’ve always been into creating something out of ordinary things. The art and writing coincided with a strong desire to break out of the box of being a teacher.

I collect a lot of wood as well as words. When I find a piece that inspires me, I visualize what it might become and I begin the search for a complimentary piece. It’s kind of like doing puzzles.

Is there a similarity for you in constructing a sculpture and creating text for a picture book?

Yes, there is. I look for a seed of an idea that touches my senses or emotions. And in art I choose a piece of wood that inspires me visually. Then it all comes down to layering and adding details that make the story or art shine in a new way. Finally, adding the “just right” color or details can be compared to the continual revisions to discover perfect words that fit my story.

Birth of the Cool is your debut picture book. What are you looking forward to most as a picture book author?

Reading the book to children and getting them to reflect about their feelings. And, of course, introducing them to jazz.

I love writing picture book biographies. I also enjoy writing books that will amuse kids, as well challenge their thoughts about nature.

What’s up next for you?

I have a new picture book bio about another musician that I just started submitting. And I’ve started research on another interesting, relatively unknown musician that had a big impact on many.                                  

What is your favorite holiday?

My favorite holiday is Thanksgiving. I love the traditions and the history. Holidays are so important in bringing busy families together. As a former teacher,             Thanksgiving gave me the opportunity to discuss the importance of the Native American people. They taught us so much. At the Thanksgiving table, we as a family celebrate the Native American contributions to our country. I wish more people did the same.

You can connect with Kathleen Cornell Berman on

Her website | Facebook | Instagram | Twitter

Jazz Appreciation Month Activity

celebrate-picture-books-picture-book-review-jazz-trumpet-word-search-puzzle

Cool Jazz! Word Search Puzzle

 

Jazz has a sound and vocabulary all it’s own! Can you find the twenty jazz-related words in this printable puzzle? Then have fun coloring it!

Cool Jazz! Word Search Puzzle | Cool Jazz! Word Search Solution

celebrate-picture-books-picture-book-review-birth-of-the-cool-cover

You can find Birth of the Cool: How Jazz Great Miles Davis Found His Sound at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

August 11 – It’s Elvis Week

celebrate-picture-books-picture-book-review-elvis-is-king-cover

About the Holiday

Each year during the week in August surrounding the date of Elvis Presley’s death, fans gather in Memphis and at Graceland, his home that is now a monument to The King to celebrate his music, movies, and legacy. Events include concerts, workshops, dances, the Ultimate Elvis Tribute Artist Contest, and more. The annual Candlelight Vigil, which attracts tens of thousands of fans, is held from the evening of August 15 to the morning of the 16th. Participants carry a candle as they walk up the driveway to the Meditation Garden, listening to his music and taking in memorials created by fans. To learn more about Elvis Week, visit the Graceland website.

Elvis Is King

Written by Jonah Winter | Illustrated by Red Nose Studio 

 

Elvis is King by Jonah Winter and Chris Sickels’ Red Nose Studio is an eye-popping wonder for fans of The King of Rock ‘n’ Roll wanting to share their love for Elvis with their kids. In short, lyrical chapters with dramatic titles that are cleverly reminiscent of the sensational headlines Elvis generated throughout his life (and even after), Winter peels back Elvis’s rags-to-riches story, encapsulating the depth of poverty, talent, and ambition that fueled his life. It’s all here—his birth “in a humble shack / on the wrong side of the railroad tracks, / the side where the poorest of the poor people live…;” his reason for being: singing; and the county fair talent show, where ten-year-old Elvis got his first taste of adoration and a “Fifth Prize!” award.

celebrate-picture-books-picture-book-review-elvis-is-king-school

Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Kids walk into the hardware store with Elvis’s barefoot mama, who “with pennies she saved…/ buys her eleven-year-old birthday boy / the most important gift he will ever receive. / It will be the key to his salvation.” Elvis plays that guitar everywhere, “All. The. Time.” There’s the moment Elvis overheard gospel singing coming from the African American Church and “The First Cheeseburger Ever Eaten by Elvis.” And that question: Why peanut butter and banana sandwiches? The answer’s here too.

When the family moves to Memphis, it’s up to teenage Elvis to make the money by “working nights as a ticket taker at a movie theater.” Then, suddenly during those years, Elvis finds the “Weird Teenage Elvis” inside him. He dyes his blond hair black and waxes it into a wave. At a thrift shop he buys green pants, a pink shirt, and a checkered jacket. Then at the high school talent show, he “KNOCKS ‘EM DEAD with his song.” And not only that “something happens, something big, when he’s up there: / He is no longer shy! / He can be whatever he wants to be—let loose, go crazy!”

celebrate-picture-books-picture-book-review-elvis-is-king-memphis

Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Along the way he falls in love, graduates from high school, and soaks up the sounds of the blues on Beale Street. For his mama’s birthday, he goes to Sun Studios, where anyone can record themselves singing. “(It also makes *real* records of big-time singers— / and Sly Elvis knows this.)” Elvis has his first recorded song for just $3.98. A bit later he gets the call he’s been hoping for from Sun Studios and discovers his signature sound and moves. The song—”That’s All Right”—plays on the radio, and where’s Elvis? Hiding out. Will people like it? Five thousand requests and fifteen replays in one night say Yes!

And when Elvis walks on stage for the first time to sing his song, he’s met with an “AVALANCHE of screaming—in a good way!” Goggle-eyed girls just want to be near him, and it’s the same no matter where he travels. This “Good-Lookin’ Heartthrob Elvis” is soon to lose his “One True Love, / his little darlin’, Dixie Locke. He uses that feeling, though, in a song—”Heartbreak Hotel” that “rises to number 1 on the pop charts.” So “What Is This Crazy Music, Anyway?” It’s not exactly country and it’s not exactly rhythm and blues. “It’s… / ROCK ‘N’ ROLL, baby. / And Elvis is its KING…!”

celebrate-picture-books-picture-book-review-elvis-is-king-beale-street

Image copyright Red Nose Studio, 2019, text copyright Jonah Winter, 2019. Courtesy of Schwartz & Wade.

Jonah Winter’s biography is in every way a loving tribute to Elvis Presley that also winks at his larger-than-life persona and the world’s obsession with him. Well-chosen adjectives presented in initial caps and attached to Elvis’s name, give titles to the phases of Elvis’s life and present an evocative way to show what and where he grew from and left behind on his rise to fame. Sprinkled with southern vernacular and touched with the cadence of a slow, considered southern drawl, Winter’s ingenious verses mirror song lyrics and echo themes that not only make up the country and blues standards that influenced Elvis’s music but that applied to his life. 

As always Chris Sickels’ Red Nose Studio artwork is nothing short of astounding. Each illustration is composed as a 3-D set handcrafted from polymer clay, wood, wire, fabric, and found objects. The intricate details and moving emotions, demonstrated in a look, by a gesture, and through perspective, give the illustrations a realism that goes beyond a photographic depiction to illuminate the heart of Elvis Presley’s story. Readers will want to linger over every page to absorb the cultural landscape and life-affirming moments that created The King of Rock ‘n’ Roll.

A joy to read aloud, Elvis Is King is an inspirational story for anyone with a dream, big or small. The personal, yet universal, story and phenomenal art make the book a stirring addition for home, school, and public libraries. 

Ages 4 – 8

Schwartz & Wade, 2019 | ISBN 978-0399554704

Discover more about Jonah Winter and his books on his website.

To learn more about the work of Chris Sickels and Red Nose Studio, visit his website.

Elvis Week Activity

celebrate-picture-books-picture-book-review-elvis-presley-coloring-page

Elvis Coloring Page

 

Elvis wowed audiences and movie goers with his moves and flair. This printable coloring page shows Elvis in of his well-known dance poses. In honor of Elvis Week, why not share Elvis is King, this page, and some of Elvis’s songs or movies with your kids?

Elvis Coloring Page 

celebrate-picture-books-picture-book-review-elvis-is-king-cover

You can find Elvis Is King at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

April 30 – It’s Jazz Appreciation Month

celebrate-picture-books-picture-book-review-birth-of-the-cool-cover

About the Holiday

Jazz Appreciation Month got its start at the Smithsonian National Museum of American History in 2001. The aim was to celebrate and educate people on the history of and continuing love for jazz. The holiday encourages people of all ages to become familiar with jazz music and the musicians of the past who created this original sound and those today who keep innovating jazz for new audiences. This year’s theme is “jazz beyond borders” and looks at the “dynamic ways jazz can unite people across the culture and geography.” In connection with this initiative, the Smithsonian Masterworks Orchestra will travel to cities in North America, Europe, and Asia as a way to use music to open dialogue about “diversity, identity, diplomacy, and innovation.” To celebrate jazz not only this month but anytime, attend a concert, listen to recordings, and read up on your favorite musicians or a new one. And don’t forget to share your love of jazz with your kids! A great place to start is with today’s book!

Birth of the Cool: How Jazz Great Miles Davis Found His Sound

Written by Kathleen Cornell Berman | Illustrated by Keith Henry Brown

 

As a child, Miles Davis listens to the radio before school, clapping and swaying along to “Louis Armstrong’s soaring trumpet” and “Duke Ellington’s sensational big band.” The “swinging sounds of jazz / swirl together like / colors on a pinwheel.” When he’s older, Miles watches the riverboats on the Mississippi as they bring musicians from New Orleans to play in the East St. Louis clubs. At night he listens as “melodies drift down the street. / Some croon country, / some cry the blues. / Sassy saxophones wail / through the night.”

During the summer, Miles visits his grandfather’s farm in Arkansas. Here, he hears the music of horses’ hooves. On his walks through town, he listens to the sounds of guitars and singing, and at church he learns the notes of “soulful singing.” For his thirteenth birthday, Miles receives a trumpet. He takes lessons and practices again and again.

While he’s still in high school, Miles begins being paid to play at dance halls. His confidence grows and he begins to develop his own sound. A new form of jazz is attracting attention—Bebop: “far-out harmonies / with fast, flipping beats / that hop and bop.” He goes to clubsto listen to Charlie “Bird” Parker and Dizzy Gillespie play. He’s “blown away / by the energy of the music.”

Then one night, one of the band members doesn’t show up, and Miles—who always has his trumpet with him—is asked to fill the spot. In awe and a little intimidated in the presence of his idols, Miles’ playing “doesn’t shine.” But he knows that “jazz / is all he wants to play.” Miles moves to New York to go to school at Juilliard, but, really, to learn from Bird, Dizzy, and all of his idols. In the morning he goes to class, practicing between classes. At night he plays clubs throughout the city.

Soon, he leaves Juilliard to concentrate on playing and learning from the greats. His father advises him: “Don’t be like the mockingbird / that copies others. / Be your own man. / Be your own sound.” When Dizzy leaves Bird’s band, Miles takes his place. But he plays differently than Dizzy. “Some listeners put him down— / they want Dizzy’s rippling trumpet.” The criticism make Miles lose confidence and want to quit. But Bird encourages him.

With practice and patience, he discovers his own sound, holding and savoring perfect notes “just for the beauty of it.” He forms his own group with talented musicians who want to create new sounds. The nine musicians play “slowly and mysteriously…. Cool— / relaxed, / with a lighter, / lyrical feel.” Mile’s solos enchant audiences.

But the endless work takes its toll. He begins to lose gigs; his health declines. Miles doesn’t give up. “He climbs out / of his dark days / by playing his horn again.” Then in 1955 he takes the stage at the Newport Jazz Festival and begins to play. “…His mystical voice hangs / like a cloud, / leaving space / for each listener’s / imagination to wander.” The crowd cheers and applauds. Miles is back with his unmistakable sound and new ideas for the future of the music he loves.

Notes about Miles Davis from Wynton Marsalis, Kathleen Cornell Berman, and Keith Henry Brown as well as a selected discography and bibliography follow the text.

Kathleen Cornell Berman’s lyrical passages reveal a boy, a teenager, and a man who embodied music, listening to and absorbing the various sounds around him and incorporating them into his own, unique sound. Her evocative vocabulary (swirl, rollicking, croon, rumbling, far-out, rippling, blizzard of notes, itching to play) and phrasing that blends short staccato lines with longer sentences echoes the rhythm of jazz and will keep readers riveted to the story. Berman emphasizes the listening, practice, and experimentation that informed Miles Davis’s original sound, showing children that innovation is built on hard work, dedication, and even history. Her inclusion of Davis’s setbacks also demonstrates that perseverance is part of the success of any endeavor.

Keith Henry Brown’s gorgeous, detailed pen-and-ink and watercolor illustrations take readers from Miles Davis’s living room, where he listens to the radio as images of Louis Armstrong and Duke Ellington swirl through his imagination, to an overlook on the Mississippi River and its paddlewheel steam ships to the clubs and jam sessions of New York and finally, to the Newport Jazz Festival. Brown’s color palette of cool blues, greens, purples, and browns, punctuated with Davis’s ever-present gleaming brass trumpet, brings Davis’s country and city experiences to life while mirroring the tone and feel of his unique sound. Quotes from Miles Davis are sprinkled throughout the story and set apart with type that looks handwritten, giving his words a personal touch.

Sure to inspire readers to learn more about Miles Davis and listen to his music, Birth of the Cool: How Jazz Great Miles Davis Found His Sound would be an excellent accompaniment to school music programs, an inspiring book for biography lovers and young musicians of all types, and a beautiful addition to home, school, and public library collections.

Ages 8 – 12

Page Street Kids, 2019 | ISBN 978-1624146909

Discover more about Kathleen Cornell Berman and her books on her website.

To learn more about Keith Henry Brown, his books, and his art, visit his website.

Meet Kathleen Cornell Berman

celebrate-picture-books-picture-book-review-kathleen-cornell-berman-headshot

In your author’s bio you say that you fell in love with Mile’s Davis’ music when you were 10 years old. Was there a particular spark that made you love his music?

As a kid I loved all kinds of music. When I first heard Miles’ trumpet sound, I fell in love. His trumpet sound was different. It wasn’t flashy, it was slow, haunting and very beautiful. I longed to hear it again.

Can you take readers on your journey of writing Birth of the Cool and having it published? What kind of research did you do? What was the most surprising thing you learned about Miles Davis?

I was thrilled when I got the email from Charlotte Wenger from Page Street. It’s beyond exciting when you find someone who loves your story as much as you do. And Charlotte was a dream editor to work with.

I read Miles’ autobiography and many other books about him, as well as journal and magazine articles. I listened to countless interviews and researched players in his band. And I listened to his music a lot. He went through many changes in his musical career. I realized I had to keep my focus on his early career. 

I was surprised to learn he had slave ancestors who played music in the main house on a plantation. It was interesting to discover that Miles loved rural life (from his visits to his relatives’ farms). When he first moved to NYC, he visited the stables and asked to ride their horses. He had fond memories of riding them on his grandfather’s farm.

Keith Henry Brown’s pen-and-ink and watercolor illustrations are gorgeous and full of expression. Can you talk about your reaction to seeing the illustrations for the first time. Do you have a favorite spread?  

celebrate-picture-books-picture-book-review-kathleen-cornell-berman-and-keith-henry-brown

Kathleen Cornell Berman and Keith Henry Brown at the book launch for Birth of the Cool and the Jazz Gallery in New York City.

My first reaction to Keith’s illustrations was like an “out of the body” experience. To see my words come to life was a wonderful feeling. His art illuminated Miles’ journey in a jazz inspired way. I was very happy when he accepted the job. I already knew he was a jazz fan, so he was a good choice.

Keith’s goal was to create drawings that weren’t too tight or realistic. He wanted to create a loose, abstract feeling. I think Keith achieved that beautifully. Kudos to his courage in creating illustrations in watercolor, a very unpredictable medium. It’s difficult for me to pick a favorite illustration, I really love them all.

Your inspirational biography highlights the ups—and downs—of Miles Davis’ early career. What message would you like readers to take away from the story?

Miles is a great example of how hard work pays off. Some kids today think it’s easy to play an instrument. For some it might be, but inventing your own sound, is extremely difficult. It takes perseverance and dedication to create your own voice on the instrument. That goes for anything you attempt, whether you become an architect, a visual artist, writer, or a singer. Unfortunately, many jobs don’t allow individuality, but finding something, anything that you’re good at can boost happiness.

I hope this story inspires kids to reach for the stars, to find their own voice, and never give up. I also hope kids will take time to listen to jazz; it’s America’s classical music. Listening to music has so many benefits, intellectually as well as emotionally.

I saw on your website that you like to collect words. Can you tell me five of your favorites and what you love about them? Do you remember where they first caught your eye—or ear?

I’m usually attracted to words that tickle the tongue and have a unique sound, like mesmerizing, prickly, crumpled, nuzzle, etc. There are so many. I love alliteration. When words are paired with another, they sing and make the text come alive. I usually have my wordbook at my side as I read any kind of book. I also use my phone memo to jot words as I hear them in daily life.  

Besides writing, you paint, and create assemblages from found objects. Your sculptures are gorgeous and fun and have so much personality! Which came first—writing or art? When creating an assemblage, do you start with one object or do you see how several of the materials you have can fit together?

Thank you very much. Creating found art sculptures is like therapy. I’ve always been into creating something out of ordinary things. The art and writing coincided with a strong desire to break out of the box of being a teacher.

I collect a lot of wood as well as words. When I find a piece that inspires me, I visualize what it might become and I begin the search for a complimentary piece. It’s kind of like doing puzzles.

Is there a similarity for you in constructing a sculpture and creating text for a picture book?

Yes, there is. I look for a seed of an idea that touches my senses or emotions. And in art I choose a piece of wood that inspires me visually. Then it all comes down to layering and adding details that make the story or art shine in a new way. Finally, adding the “just right” color or details can be compared to the continual revisions to discover perfect words that fit my story.

Birth of the Cool is your debut picture book. What are you looking forward to most as a picture book author?

Reading the book to children and getting them to reflect about their feelings. And, of course, introducing them to jazz.

I love writing picture book biographies. I also enjoy writing books that will amuse kids, as well challenge their thoughts about nature.

What’s up next for you?

I have a new picture book bio about another musician that I just started submitting. And I’ve started research on another interesting, relatively unknown musician that had a big impact on many.                                  

What is your favorite holiday?

My favorite holiday is Thanksgiving. I love the traditions and the history. Holidays are so important in bringing busy families together. As a former teacher,             Thanksgiving gave me the opportunity to discuss the importance of the Native American people. They taught us so much. At the Thanksgiving table, we as a family celebrate the Native American contributions to our country. I wish more people did the same.

You can connect with Kathleen Cornell Berman on

Her website | Facebook | Instagram | Twitter

Jazz Appreciation Month Activity

celebrate-picture-books-picture-book-review-jazz-trumpet-word-search-puzzle

Cool Jazz! Word Search Puzzle

 

Jazz has a sound and vocabulary all it’s own! Can you find the twenty jazz-related words in this printable puzzle? Then have fun coloring it!

Cool Jazz! Word Search Puzzle | Cool Jazz! Word Search Solution

celebrate-picture-books-picture-book-review-birth-of-the-cool-cover

You can find Birth of the Cool: How Jazz Great Miles Davis Found His Sound at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review