November 7 – Job Action Day

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About the Holiday

Instituted in 2008 and now sponsored by LiveCareer to empower employees and job seekers to assess their careers, make plans, and take action, Job Action Day gives people a chance to reflect on their true goals in life. Are you doing the job you’re passionate about? Are you bringing your passions to the job you are doing? If you are unhappy or dissatisfied with your position, step back and take another look, broaden your horizons. Discover the possibilities and opportunities that lie within your current job and pursue them. You never know where a particular job will lead you if you put all your creativity, knowledge, and—most importantly—unique personality—into it. Job Action Day brings together experts across the web and in participating companies to provide the latest in career advice.

A Crow of His Own

Written by Megan Dowd Lambert | Illustrated by David Hyde Costello

 

When fame and fortune came calling for Larry, the charismatic rooster of Sunrise Farm, the daily routine turned upside down. “The animals overslept and no one knew what to do.” But while the cow, horse, sheep, chickens, and goose fretted, Farmer Jay and Farmer Kevin had a plan. One day they gathered all the animals and introduced Clyde, the new rooster. Looking at the “scrawny little guy” as he stammered his hello, the cow, horse, and sheep expressed doubt in his abilities, already comparing him to their beloved Larry.

Roberta, the goose, stepped forward, however, and reassured him that “they just miss Larry.” When Clyde asked who Larry was, the animals gasped. “Only the best rooster ever,” claimed the sheep. “Take it straight from my mouth: he was more than that,” said the horse. “He was a genius,” the cow chimed in.” And the chickens? In the dirt they scratched a heart with Larry and XOX in the center.

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Image copyright David Hyde Costello, text copyright Megan Dowd Lambert. Courtesy of Charlesbridge

Clyde was worried—how could he ever live up to Larry? Roberta tried to soothe him. “‘Larry wasn’t a genius…he just made quite a show of it.” Emboldened and with an inkling of what he needed to do, Clyde thanked Roberta and dashed off. “Clyde spent the whole day gathering props, designing his costume, and choreographing a sublime two-step.” As Clyde gave himself one last look in the mirror in his top hat and cloak, he had misgivings. “Could he put on a show of a crow?” He went to bed, but hardly slept at all.

In the morning…well…Clyde overslept. The animals were not happy. “Who ever heard of a rooster sleeping in?” baaad mouthed the sheep. “What a worthless chicken,” complained the horse. And the cow had issues of her own. Once again Roberta came to Clyde’s defense. With a wagon full of new props and material, Clyde rushed away to prepare for the next day. Up bright and early and balanced on a unicycle atop the coop while surrounded by promotional signs, Clyde “opened his beak, and…promptly fell to the ground with an undignified croak.”

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Image copyright David Hyde Costello, text copyright Megan Dowd Lambert. Courtesy of Charlesbridge

Poor Clyde! Humiliated and hurt he once again had to endure the slights of the farmyard animals, but their comments only spurred him on. Vowing to go bigger and better, Clyde built himself a ramp, ordered roller skates for birds and a parachute, and designed a colorful Western-theme set. “‘Oh, my!’” remarked Farmer Jay as he walked by. “‘Try, try again,’ encouraged Farmer Kevin.” But in the morning Clyde’s spectacular trick left him hanging upside down from the chicken coop, and the animals more “disgruntled and dismayed” than before.

Clyde was distraught. “‘Forget about Larry.’” Roberta said. “‘Just crow your own crow.’” Clyde considered her advice. The next morning as the sky turned pink and orange with the rising sun, Clyde stood tall atop the chicken coop. He quietly cleared his throat and then—“COCK-A-DOODLE-DOO!” The newly awakened animals came running. Even Farmer Jay and Farmer Kevin came to see this new Clyde. The horse summed up their collective feeling: “It’s not so much like crowing, but crooning.” Roberta agreed. “‘Enough to give you goose bumps!’” she exclaimed. As an encore, “Clyde took a deep breath, gave a shake of his comb, and called out another crow of his own.”

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Image copyright David Hyde Costello, text copyright Megan Dowd Lambert. Courtesy of Charlesbridge

These days it’s nearly impossible for kids not to compare themselves or be compared to others—even those they’ve never met. All they need to do is jump on the Internet and discover that so-and-so has double, triple, or more friends and/or followers than they do; go to class and get their grade on that assignment they worked so hard on; or simply stand by their locker, go to lunch, or head out to gym and overhear the comments of other students. Avoidance isn’t the answer, but a good base of self-confidence and personal identity is. In A Crow of His Own Megan Dowd Lambert offers readers such a base in her entertaining and meaningful tribute to self-acceptance and love that hits all the right notes.

As soon as scrawny Clyde walks out of his crate to the scorn of his farm mates, kids will root for this underchicken. With a light touch and plenty of wordplay, Dowd deftly presents honest portrayals of the opposition Clyde is up against as well as Clyde’s distressed reactions. Clyde’s three attempts to act like Larry humorously demonstrate the difficulties of trying to be someone you’re not. When Clyde finally musters the courage to “crow his own crow” and is met with praise, readers will see that their own unique talents will find an appreciative audience.

David Hyde Costello knows how to put on a show! His Sunrise Farms is a gentle, bucolic spread still under the thrall of Larry. Humorous details, such as the valentines to Larry the chickens draw in the dirt, the movie house-style posters on the side of the barn, and the surprised and exasperated expressions of the animals, testify to Larry’s enduring legacy. But careful observers will notice that while Larry is a rather bland white rooster with some black tail feathers, Clyde is distinctively colorful from his comb to his feet. Kids will giggle at Clyde’s increasingly complex morning shenanigans even as they sympathize with his plight. When Clyde finally reveals his magnificent crow, readers will cheer.

A Crow of His Own is a winner on so many levels. It offers parents and children a way to discuss and begin building the strong sense of self so important to a happy and successful life. The book also presents a positive visual representation of diversity, and in Roberta and Farmer Jay and Farmer Kevin it shows that finding support helps. And it does all of this in a story that stands on its own as a funny, laugh-inducing romp. Because kids will want to hear this story over and over, A Crow of His Own would be a wonderful addition to libraries and home book collections.

Ages 4 – 9

Charlesbridge, 2015 | ISBN 978-1580894470

To learn more about Megan Dowd Lambert, her picture books, her Whole Book Approach to Reading, and more visit her website!

On David Hyde Costello‘s website you’ll find a gallery of artwork, a portfolio of picture books, videos, and more!

Job Action Day Activity

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A Chicken to Crow About

 

A long-handled wooden turner makes a plucky decoration for your room or kitchen—and a great reminder to bring your passions to every job! In a few simple steps, you’ll have a cute companion you’ll want to crow about!

Supplies

  • Printable Comb and Scarf Template
  • Long-handled wooded turner, available in kitchen supply stores
  • Red felt
  • Yellow bakable clay
  • Fabric, 12 inches square
  • A small piece of white felt or fleece (optional)
  • White paint (or any color you would like)
  • Black marker
  • Fabric glue
  • Glue gun
  • Paint brush

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Directions

  1. Paint the wooden turner, let dry
  2. Cut the scarf from the piece of fabric
  3. Make a beak from the yellow clay and bake it according to package directions

To make the comb

  1. Cut out the comb from the red felt
  2. Fold the felt in half and glue the end together with the fabric glue
  3. Cut short strips from the folded top of the felt, about ½-inch to ¾ -inch in length
  4. Round the corners of the strips slightly

To make the scarf

  1. Fold the fabric in half
  2. With the long, straight edge of the scarf template along the fold, cut out the scarf
  3. With the fabric glue, glue the two sides of the scarf together so that you have two “right” sides
  4. Let dry

To assemble the chicken

  1. Pinch the bottom of the comb together so that the strips open and the felt pleats a little
  2. With the glue gun attach the comb to the back of the painted turner, keeping the bottom pinched together
  3. Attach the beak to the front of the turner
  4. Draw eyes on the chicken with the black marker
  5. Tie the scarf around the neck of the handle, hold in place with a drop of glue in the back if necessary
  6. To make tail feathers in a turner with a hole in the handle, pinch together a small folded piece of white felt or fleece and push it through the hole in the handle of the turner.
  7. Cut or arrange to look like feathers

Picture Book Review

November 6 – Marooned without a Compass Day

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About the Holiday

It may seem appropriate that the origins of this holiday are lost to history, like someone left to languish on a deserted island. But it’s true that—at some time or another—most of us feel marooned without a compass, flailing with decisions about what to do, who to confide in, even who we are. Today is an opportunity to reflect on the direction you are going in life and, if you find you are off course, to steer once more down the right path. It’s comforting to know that someone will be waiting for you when you reach home—wherever that may be.

In a Village by the Sea

Written by Muon Van | Illustrated by April Chu

 

High on a cliff a small house looks out over the sea, where fishermen are poling their craft and setting their nets. “In that house, high above the waves, is a kitchen.” In the kitchen a warm fire blazes under “a pot of steaming noodle soup.” A woman, preparing ingredients for dinner, watches, mixes, and stirs while the pot simmers.

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Image copyright April Chu, courtesy of aprilchu.com

“By that woman is a sleepy child, yawning and turning. By that child, tucked in the shadows, is a dusty hole.” If you peer into that hole, you will see something astounding—a brown cricket is “humming and painting.” The cricket, brushes in four hands is surrounded by paints contained in seashells. It is painting a “sudden storm, roaring and flashing.”

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Image copyright April Chu, courtesy of aprilchu.com

A white boat rides this roiling sea, rising and dipping with the crashing waves as lightning flashes ahead. Under the cover of the boat’s canvas roof a fisherman eyes the threatening sky and waits for the storm to end. In his hand he opens a precious box. Inside are two pictures: one of a small house high on a hill; the other of a smiling woman holding a little child while their dog looks on. Next to these sits a special cricket.

In the painting there is also a small house, and “in that house is a family waiting for [the fisherman] to come home.”

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Image copyright April Chu, courtesy of aprilchu.com

Muon Van’s lyrical tale expands and contracts through the eyes of family members to reveal not only the actions and emotions of one afternoon but those that eternally exist in each character’s heart. In the opening page readers view the small house from afar as the husband and father fisherman casts off on his journey. Children are then invited into the kitchen and finally into a small crevice.

Through the cricket’s tiny painting, readers once again see the wider world with its storms and worries. Narrowing the perspective to the fisherman’s view as he looks at his photo box, however, they understand that comfort and reassurance are always close at hand. As the next page zooms out, children are again invited into the little home to join the woman, baby, and vigilant dog as they gaze out into the bay, watching and waiting for one particular boat.

Van’s quiet and simple story holds much universal feeling as it traverses both homey and unpredictable landscapes. As each page depends on the previous one, a gentle suspense builds, enticing readers to follow wherever the story takes them. The inclusion of the “dusty hole,” where a cricket—a symbol of good luck—paints the rest of the story, is irresistible and lends the tale a mystical quality.

celebrate-picture-books-picture-book-review-in-a-village-by-the-sea-on the shore

Image copyright April Chu, courtesy of aprilchu.com

April Chu’s gorgeous paintings transport readers to a Vietnamese fishing village with their delicate and colorful details. The small home glows with the light of paper lanterns and the fire in the stove. As the perspective of the text changes, so does the perspective of Chu’s paintings. When readers peer into the soup pot, bubbling with delicious vegetables, the family’s Labrador gazes up at them, almost begging to know what smells so good. Another bird’s eye view lets kids watch as the dog discovers the hole under the rug, a beautiful device to increase their enjoyment of and wonderment at the story.

Kids will marvel at the cricket’s artistic talent, as the stormy sea churns with whitecaps and lightning flashes from the tip of the small creator’s paintbrush. But it is Chu’s mastery that makes each page so meaningful.

Ages 3 – 10

Creston Books, 2015 | ISBN 978-1939547156

View a porfolio of picture books and other artwork by April Chu on her website!

Marooned without a Compass Day Activity

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Sailboat Maze

 

Sometimes getting through a maze is as smooth as sailing on a calm sea—and sometimes the path is a little choppy. Get your pencil ready and chart a path through this printable Sailboat Maze!

Picture Book Review

November 5 – Book Lovers Day

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About the Holiday

The first Saturday in November is set aside for all book lovers out there who like nothing more than to snuggle into a cozy nook with a favorite book. It’s a great day to discover a new author or to reread a beloved one. With so many kinds of books available—mystery, adventure, humor, biography, non-fiction, novels, and more—you may want to read more than one today! How many can you read?

Hug This Book!

Written by Bernie Saltzberg | Illustrated by Fred Benaglia

 

When you grab onto a book and open the cover, you know what to do! But did you know that books themselves may have some ideas on the subject? Today’s reviewed book has plenty of fabulous, page-turning ideas and is happy to share them with you. Its first thought is a pretty big one: “You can read this book to a hippo.” I know!—wouldn’t that be a blast?

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Image copyright Fred Benaglia, text copyright Barney Saltzberg. Courtesy of Phaidon Press

It seems that books watch how readers treat their pets, and they want in: “You can kiss and hug and smell this book. / That might sound sort of silly. / You can wrap this book in a sweater, / if it ever gets too chilly.” That sounds as cozy as enjoying hot chocolate in front of a fire—with this book, of course!

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Image copyright Fred Benaglia, text copyright Barney Saltzberg. Courtesy of Phaidon Press

The book continues—“You can make up a story to tell to this book.” Hmmm…I never thought about it. Maybe books don’t like doing all the work all the time. Maybe they’d like to just relax and be entertained. Well, I’m sure you can come up with something fun and fantastic! And just to keep you on your toes, the book offers a few more challenges: “Can you read this book in the mirror? / Or sing the words in this book like a song? / If you sing it to the birdies, maybe they’ll sing along.” After completing those activities maybe it’s time for a nap. Don’t forget to take the book too, but be ready to giggle because… “Maybe you’ll hear it snore.”

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And when you wake up all refreshed you can try reading the book while dancing, twirling, leaping, skipping…you can even take it to lunch, “just do not try to feed it.” Then suddenly and all too soon the book comes to the last page. Don’t be sad, though. “Even though this book is over, / it isn’t really the end. / You can start at the beginning / and read it to a friend!”

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Image copyright Fred Benaglia, text copyright Barney Saltzberg. Courtesy of Phaidon Press

Barney Saltzberg’s love for books is infectious. His witty rhymes bubble with the thrill of reading and playfully challenge kids to take books along no matter where they go or what they do. The cadence of Saltzberg’s lines invite multiple readings—the way the rhythm of movement in hopscotch, jump rope, or dancing is inherent in the fun. Kids will giggle at the examples Saltzberg conjurs up—reading to a hippo, listening to a book snore, feeding a book—and you can bet that they will want to invent some of their own! Get ready to hug this book—and many others. After all isn’t that what best friends do?

Fred Benaglia’s adorable characters swim and paddle, snuggle and swing, play and imagine all the while with their nose in this book. The fanciful coloring and quirky landscapes enhance both the originality and universality of this tribute to book love. Benaglia’s artwork—from the fish nibbling at a child’s toes to the cars zipping through the cities—radiate personality invites creative thinking. Readers will especially want to linger over the two-page spread of a smiling child conjuring up a host of stories to catch every imaginative detail in the chalk drawings. The big red heart on the  cover under the book jacket is a clever touch, connecting Hug This Book! to “this book” in the text.

For all book lovers, Hug This Book! is a fun, funny romp and will be a welcome, often-asked-for addition to a child’s library.

Ages 2 – 7

Phaidon Press, 2016 | ISBN 978-0714872841

You’ll love discovering all the books, music, and videos on Barney Saltzberg‘s website!

Cuteness abounds on Fred Benaglia‘s website, where you’ll find book illustrations and so much more!

Can you hug this Hug This Book! book trailer?

Book Lovers Day Activity

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Book Lovers Book Bag

 

Whether you’re buying new books at your local bookstore or checking some out at your library, carry those treasures home in their own special bag! This kid-sized bag was made from recycled materials!

Supplies

  • Printable Templates: Books to Read Template | Books to Love Template
  • Small cloth bag, available from craft or sewing stores—Recyclable Idea: I used the bag that sheet sets now come in
  • Cloth trim or strong ribbon, available from craft or sewing stores—Recyclable Idea: I used the cloth handles from shopping bags provided from some clothing stores
  • Scraps of different colored and patterned cloth. Or use quilting squares, available at craft and sewing stores
  • Pen or pencil for tracing letters onto cloth
  • Scissors
  • Small sharp scissors (or cuticle scissors) for cutting out the center of the letters
  • Fabric glue
  • Thread (optional)
  • Needle (optional)

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Directions

  1. Print the sayings and cut out the letters
  2. Trace letters onto different kinds of cloth
  3. Cut out cloth letters
  4. Iron cloth bag if necessary
  5. Attach words “Books to Read” to one side of bag with fabric glue
  6. Attach words “Books to Love” to other side of bag with fabric glue
  7. Cut cloth trim or ribbon to desired length to create handles
  8. Glue (or sew) handles onto the inside edge of bag

Picture Book Review

November 4 – Fountain Pen Day

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About the Holiday

Today we spend some ink to extol the virtues of the fountain pen. Designed in 1636 (a mere 22 years after William Shakespear wrote his last play), the fountain pen sported two clever improvments over the quill pen. First, it contained a reservoir of ink that made frequent dipping in the inkwell unnecessary. Second, it’s metal nib didn’t require cutting the way a feather did to retain sharpness. While there are now many alternatives to fountain pens, there are those who prefer its smooth elegant lines for writing everything from notes to novels. Fountain pens are also collectable, and craftsmen around the world create beautiful, innovative works of art on these functional canvases.

Will’s Words: How William Shakespeare Changed the Way You Talk

Written by Jane Sutcliffe | Illustrated by John Shelley

“In 1606 London was a bustling, jostling, clanging, singing, stinking, head-chopping, pickpocketing wonder of a city.” With that phenomenal sentence Jane Sutcliffe begins this fascinating and ingenious look at the Globe Theatre and the experience of attending a play in William Shakespeare’s time.

In addition to all the qualities of London mentioned above, the town was also a “play-going city.” Every day of the week except Sunday, a play—or maybe even two or three—was performed, and as many as 18,000 people attended plays every week! They just couldn’t get too much of a good thing!*” And everyone loved the plays written by William Shakespeare!

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

How did a day at the theater begin? Well, at 1:00 a banner was raised from the roof of the playhouse, and men, women, and children streamed through the streets toward the Globe. It cost a penny to get in, but if you paid more you got a chair, and if you paid a little more than that you were seated in the Lord’s Rooms. The Lord’s Rooms were actually for fashionable people who wanted to be seen but didn’t really care what play they were seeing.

All the actors were…well…actors. There were no actresses in those days. Men played women’s parts as well as men’s. And if you think phones and talking are problematic in today’s theaters, you would have been aghast at the audiences back then! They were not well behaved at all!

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

There were plays to please all tastes—comedies, tragedies, histories, and romances—all full of complicated plots and plenty of twists and turns. While the stories may have been intricate, the sets were not. But the bare-bones sets were made up for in gorgeous costumes and even some special effects accomplished through trap doors and ceiling holes. Sounds full of amazement, right? Good thing too because these plays could go on for hours, and most people stood through the whole thing, rain or shine!

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

While William Shakespeare’s plays ended when the last line was spoken, his influence continued. Theatre-goers repeated the lines they’d heard long after they left the Globe. They used Will’s words so much that his new phrases became part of the common language, and we still use them today!

Jane Sutcliffe inserts a tongue-in-cheek apology before the main text, explaining how she wanted to tell the world about the Globe Theatre in her own words, but that William Shakespeare’s words kept getting in the way. Yes, using another writer’s words is a no-no—but if they’re Shakespeare’s words? Words we use every day? Hmmm… Sutcliffe’s lively history of the Globe Theatre and Old London’s theater culture is conversational, humorous, and highly informative.

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Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

The left-hand page tells the story of the Globe with phrases and words coined by William Shakespeare sprinkled throughout and set in bold type. On the right-hand page readers learn the meaning of those words and phrases (some have changed a bit since Will’s time) and which play they come from. A final note from Sutcliffe at the end of the book reveals a bit more about the playwright. A timeline of Shakespeare’s life and a bibliography are also included.

John Shelley’s incredible illustrations of London and the Globe Theatre will take your breath away. The streets teem with vendors, knights, shoppers, kids, Ladies, and Lords. If you look closely at the intricate paintings you’ll also spy the seamier side of Old London—a pickpocket, a criminal in the stocks, a tavern brawl, a cat snatching a free meal, a woman about to empty a chamber pot on her unsuspecting downstairs neighbor’s head, and…could that be a dead rat?— and that’s only on the first page!!

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Image copyright John Shelley, 2016 text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

Subsequent pages show the waterfront with its sailing vessels, a peek into Shakespeare’s study and a look at the printing press, an aerial view of London, the Globe Theatre with its thatched awning, actors donning wigs and costumes, the audiences enjoying the plays and the fun of a day out. Each illustration is alive with color and movement, texture and design, expressive faces, and all the sights, sounds, and aspects of Old London. Kids will love lingering over each page picking out the funny events going on in the lanes, in the theater seats, and on stage.

So hurry to get your own copy of Will’s Words and enjoy it to your heart’s content! You will definitely get your money’s worth!

*Italicized words and phrases were invented by William Shakespeare

Ages 6 – 10 and up (Anglophiles and Shakespeare lovers will enjoy this book)

Charlesbridge, 2016 | ISBN 978-1580896382 (Hardcover) | ISBN 978-1580896399 (Paperback)

To learn more about Jane Sutfcliffe and her other picture books and books for early and middle grade readers visit her website!

View a portfolio of picture book illustration and other work by John Shelley on his website!

Fountain Pen Day Activity

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Write Like Shakespeare

William Shakespeare might have missed out on the new technology of fountain pens, but he sure did a great job with the quills of the day. Try your hand at making a quill pen—you may not be able to write with it, but it sure will look cool on your desk!

Supplies

  • Medium to large size feather with quill, available at craft stores
  • Clay, oven-bake or air-dry, in various colors if desired
  • Wire, beads, paint, and/or markers for decorating     
  • Scissors
  • Baking pan for oven-bake clay

Directions

  1. Roll clay 2 ½ inches to 4 inches long 
  2. Push the quill end of the feather into the clay
  3. Add bits of clay or roll sections of the clay between your fingers to give the clay shape
  4. To make the twisted shape pen, twist the length of clay around itself before adding the feather
  5. Shape the end or cut it with scissors to make the pointed writing nib
  6. If using air-dry clay: Add beads and/or wire and let clay dry around feather
  7. If using oven-bake clay: Add beads and other layers of clay before baking then carefully remove feather. Bake clay according to package directions
  8. Add wire and other decorations after clay has baked and cooled
  9. Reinsert feather into clay

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You can find Will’s Words at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

November 3 – National Sandwich Day

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Image copyright David Pelham, courtesy of candlewick.com

About the Holiday

Most people are familiar with the story of how the Earl of Sandwich created the first sandwich and parlayed his invention to world-wide stature, part of nearly everyone’s daily routine. And it all got started during a card game in the British town of Sondwic, which became Sandwic, and finally Sandwice—which means “Market town on sandy soil.” Seems the Earl got hungry but didn’t want to get his cards stained with greasy fingerprints, so he ordered his meat between slices of bread, and a new culinary star was born. Celebrate today by building yourself a delectable feast with all of your favorite ingredients!

Sam’s Sandwich

By David Pelham

 

With a gleam in his eye Sam entreats his sister to grab the bread and butter to make a sandwich. Starving and eager to “raid the pantry”, Sam’s sis urges her brother to slather on the butter. “‘Don’t worry, Sis.’” Sam smirks. “‘You’ll never / eat a tastier sandwich…ever!” But perhaps Sam’s eyes glint a little too much. While Samantha celebrates the crispy greenness of the lettuce leaves, “as a tasty little filler, / Sam popped in a… [caterpillar].”

Next Samantha adds “big tomatoes, red and round, / while in the garden Sam had dug / a hole and found a slimy…” (What do you think? Yes—“slug”). Another layer sports cheese and ants, topped with watercress and a creepy fly. Cucumber makes any sandwich yummy, but Sam’s wiggly worm? That’s kind of crummy.

Watching the sandwich grow, Samantha can hard wait to dig in: “‘Add some hard-boiled eggs as well.’ / Samantha drooled and cracked a shell. / But Sam had seen a silver trail / that led him to a crunchy…” (say it together?—“snail”). A spider rests in the pile of salami, and in the tier of onion rings, Sam gets creative, plopping down a small tadpole.

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Copyright David Pelham, courtesy of candlewick.com

Samantha pronounces the sandwich finished, and with a flourish sauces it up with a squirt of ketchup. “But Sam still felt that it might need / a creepy-crawly… [centipede].” Even though Samantha is licking her lips, she remembers the beloved sibling who helped her build such sustenance. As she reached “toward the plate and grabbed the bread, / “‘Would you like some, Sam?’ she said.”

Magnanimous to the end, Sam begs off: “‘I’m full. I’m stuffed. I really am. / so you can have it all,’” said Sam.”

This 25th anniversary edition of David Pelham’s classic sibling trickery is pure fun and eye-poppingly realistic. Opening the thick “bread” cover reveals layer after layer of sandwich fixin’s on the right hand side. The bright images of tomatoes, boiled eggs, lettuce, cucumbers, and the rest of the ingredients look good enough to eat—until readers fold out the edges to discover Sam’s special additions. The rhyming text is ingenious and sly, begging kids to shout out the name of the creature Sam has sprinkled into Samantha’s lunch. Guaranteed to make kids laugh, Sam’s Sandwich is a terrific addition to a child’s bookshelf for home story times and take-along reading.

Ages 3 – 8

Candlewick, 2015 | ISBN 978-0763678081

Check out what lurks between the bread in Sam’s Sandwich

National Sandwich Day Activity

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Enjoy a Sandwich! Coloring Page

 

Sandwiches are fun to build and delicious to eat! Before you grab your ingredients, grab your colored pencils for this printable Enjoy a Sandwich! Coloring Page.

Picture Book Review

November 2 – Look for Circles Day

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About the Holiday

Today is one of those days that gets you really observing the world in a new way. As you go about your day at the office, at school, at shops, or just while driving here and there, be aware of all the different circles you see. Sure, there are the obvious ones—the tires on your car, the signals on a stoplight, the lid of your water bottle or coffee cup…but how about all the less-seen circles? Knots on trees, a lemon slice, the center of a flower, the ripple of a raindrop or pebble dropped in a puddle… Whether you look for circles through the eye of geometry or they eye of art, be fully aware of the shapes around you!

Squares & Other Shapes: with Josef Albers (First Concepts with Fine Artists)

Paintings by Josef Albers

 

Opening Squares & Other Shapes, readers encounter a vibrant magenta square nesting in an autumn maple leaf-hued square which floats in a square of clear, winter-sky blue. On the next page two orange squares beckon you to follow into the glowing, yellow center square. Could it be a doorway or window leading somewhere?

In another painting, a bold yellow rectangle and an equally bold blue rectangle host guests: “two little rectangles lying down for a nap.” But the calm is shattered on the next page as stacks of red and blue rectangles shake and tumble: “Watch Out! It’s raining rectangles!”

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Image courtesy of phaidon.com

Now circles want a turn, and they want to have fun! In a large black rectangle a white circle and a red circle play stoplight: “Circle, Circle, Stop!” while on the next page blue, black and spirally circles jump and frolic—“Bounce, Circles, Bounce!” Turn the page—can you count all of the little circles in the rectangle or all of the baby circles in the rectangle on the right-hand page? Some of the babies are leaping away—or are they just joining the group? What do you think?

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Image courtesy of phaidon.com

Next the black rectangle is back, but this time with two white squares inside. Wait a minute—how did those little yellow circles get into the bottom square? “Hey circles, get out of that square!” Of course triangles don’t want to be left out. Dusky triangles in many sizes connected tip to tip enjoy their light, white background, but on the next page they’re left in shadow—“Hey triangles, who turned out the lights?”

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Image courtesy of phaidon.com

Be careful turning the page to look at the two intersecting triangles: “Ouch, these triangles look sharp!” Maybe it’s better to move on to the big, vivid triangle on the right. Oooh, so many colors! Nine, in fact! Hmmm… “Is this one big triangle, or lots of little triangles?” These paintings are getting more complex! Now there are “blue squares in pink squares, pink squares in blue squares; rectangles in rectangles, circles in circles, and more triangles in triangles. But here’s a different painting: the rectangles are perfect rectangles, but the squares are a little off, and what kinds of shapes do those curved lines make?—“Funny shapes in funny shapes!” And the last painting? Back to squares. Red, purple, and blue squares. “Beautiful squares.”

Following the paintings, the last page provides a captivating biography about Josef Albers’ life and work aimed at the book’s young audience.

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Image courtesy of phaidon.com

Imagine being able to own a stunning collection of famous paintings by a world-renowned artist and educator to teach your child about shapes, color, and art. With Squares & Other Shapes by Josef Albers you can! The second in the First Concepts with Fine Artists series, Squares & Other Shapes presents readers with more than 30 painting by Josef Albers, one of the most influential artists of the 20th century. Most well-known for his Homage to the Square paintings, Albers worked with color and shapes to challenge perceptions and promote creative thinking.

Shapes are one of the earliest concepts introduced to babies and young children. Even the youngest readers will be riveted by the beautifully reproduced paintings in this large board book that present squares, circles, rectangles, and trianges in clear but creative ways. The easily understood labels, repetition, and recognizable patterns offer key strategies that are known to build strong reading and comprehension skills. Kids will love the humorous text that brings the paintings to life, helping them to also see that art is not static, but active and open to interpretation by each viewer.

Squares & Other Shapes with Josef Albers is a wonderfully conceived concept book that can grow with children as it offers readers enjoyment and education on so many levels. The book would be an often-sought-out addition to home and library bookshelves and also makes a perfect present for baby showers and other gift-giving holidays.

Ages birth – 5 (and up)

Phaidon Press, 2016 | ISBN 978-0714872568

Look for Circles Day Activity

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Circle of Shapes Puzzle

 

Build a circle from different shapes with this puzzle that grows as you add pieces! You can also use these shapes to create your own art!

Supplies

Directions

  1. Print the shape templates
  2. Cut out the shapes
  3. Trace shapes onto different colored paper
  4. Cut out the colorful shapes
  5. Build the puzzle from the central square to the edges of the circle (It may be easier to keep the puzzle in place by sticking the pieces down with a little tape applied to the back of the pieces)

You can also use the shapes to create your own art!

Picture Book Review

 

November 1 – Dia de los Muertos (Day of the Dead)

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About the Holiday

Originating in Mexico, but celebrated throughout Latin America, Dia de los Muertos commemorates the lives of deceased loved ones with music, food, parties, and activities the person enjoyed in life. Dia de los Muertos revolves around the belief that death is just a natural part of the life cycle, and the dead are awakened from their eternal rest to once more join their community for this special day.

Funny Bones: Posada and His Day of the Dead Calaveras

By Duncan Tonatiuh

 

José Guadalupe Posada was born in 1852 in the Mexican city of Aguascalientes. His older brother, a teacher, taught Lupe how to read and write, and seeing how well he drew, helped him enroll in art classes. When Lupe was 18, he went to work in a print shop where he learned lithography and engraving. During working hours Lupe created labels, invitations, flyers, and other documents.

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Copyright Duncan Tonatiuh, courtesy of abramsbooks.com

After work, he gathered with other artists and talked about the government. They didn’t like how their government officials ran things. Lupe’s boss, Don Trinidad Pedroza, at the print shop also published a newspaper, and he invited Lupe to create editorial drawings to be included in the paper. Lupe’s drawings were humorous, but also highlighted the officials’ bad traits. After the elections some of these politicians remained in power and were angry with Lupe and his boss. Lupe and Don Trinidad decided to move to the city of León.

In León Lupe opened his own print shop, he got married, and had a son. He became well known not only for his printing work but also for book and pamphlet illustrations. People began to call him Don Lupe as a sign of respect. “But in 1888 a terrible flood destroyed a large part of the city, including Don Lupe’s shop.” He and his family moved to Mexico City, where in time he was able to open another print shop.

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Copyright Duncan Tonatiuh, courtesy of abramsbooks.com

He worked with Antonio Vanegas, a writer, who published his stories on large sheets of paper called ‘broadsides.’ “The tales were about a wide range of topics, including scary creatures, fires, miracles, violent crimes, heroes, bandits, cockfights, and bullfights.” Don Lupe drew illustrations for many of these stories. Even people who couldn’t read began buying the broadsides because they were fascinated by Don Lupe’s art.

Every November first and second, during the Dia de Muertos celebrations venders sold special “pan de muerto (bread), cempasúchil (marigold flowers), alfeñiques (sugar skulls), and papel picado (paper cutouts). People bought these and other items to decorate the ofrendas (offerings) they made for their loved ones who had died.” Don Antonio and other editors published “literary Calaveras, which were “short rhyming poems that featured a skeleton and made jokes about him or her. People thought they were very funny. Soon Don Lupe began drawing illustrations for these poems.

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Copyright Duncan Tonatiuh, courtesy of abramsbooks.com

Over time Don Lupe began using the technique of etching, and his illustrations grew more complex. In his calaveras drawings Don Lupe interpreted and commented on what he saw not only on Dia de Muertos, but every day. For example, he watched families gather at loved ones’ graves with food, stories, and music then “drew skeletons dancing and partying. Was he saying that…El Dia de Muertos is not only a celebration of death but also a celebration of life? A day when the dead become alive?”

In another drawing a skeleton wears a large hat covered with lace, feathers, and flowers. This illustration accompanied a poem about a woman who wore expensive clothes and thought she was better than others and ignored them when they needed help. “Was Don Lupe saying that…no matter how fancy your clothes are on the outside, on the inside we are all the same? That we are all calaveras?

Don Lupe also commented on the ever increasing hustle and bustle of society, the Mexican Revolution of 1910, revolutionary leaders and government officials, and just common people and events. Perhaps the main idea Don Lupe was trying to communicate was that “calaveras are all around us. That we are all calaveras, whether we are rich or poor, famous or not.”

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Copyright Duncan Tonatiuh, courtesy of abramsbooks.com

While many people loved and looked forward to Don Lupe’s artwork, they did not know the artist who drew them. It wasn’t until many years after his death in 1913 that “historians and artists such as Jean Charlot and Diego Rivera began to wonder who had drawn such wonderful images.” Today, we know Don Lupe by his last name—Posada—which is how he signed his work, and he and his work is still beloved around the world.

An extensive Author’s Note about El Dia de Muertos and Posada’s influence on other artists. A glossary, bibliography, art credits, and places where Posada’s work is displayed follow the text.

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Copyright Duncan Tonatiuh, courtesy of abramsbooks.com

In Funny Bones Posada and His Day of the Dead Calaveras, Duncan Tonatiuh accomplishes many things. First, his book is a fascinating look at the life of the man who entertained and enlightened the world with his distinctive talent and ideas. Tonatiuh’s straightforward storytelling reveals the personal and historical events that influenced Posada from childhood through adulthood, clearly explaining and highlighting each concept for his young audience. Second, Tonatiuh provides readers with brief primers on the printing processes of lithography, engraving, and etching with step-by-step descriptions of these interesting art forms.

Third, his own vibrant and expressive stylized illustrations both contrast with and complement the depictions of Posada’s life and his calaveras drawings. On nearly every two-page spread readers experience this biography through Tonatiuh’s portrayals of Don Lupe, the townspeople, and others as well as through Posada’s actual broadsides and editorial drawings. The juxtapositions allow children to fully appreciate the meaning and humor behind these famous drawings that are still so popular and resonant today.

Ages 6 – 10

Harry N. Abrams, 2015 | ISBN 978-1419716478

View a gallery of Duncan Tonatiuh‘s artwork for children and adults on his website!

Dia de los Muertas (Day of the Dead) Activity

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Calaveras Coloring Page

 

With their intricate designs and vibrant hues, calaveras are a joy to color. Grab your entire set of markers, pencils, or crayons and design a masterpiece with this printable Calaveras Coloring Page.

Picture Book Review