National Live Creative Day was established to encourage people to embrace their innovative side. There are so many ways to be creative from the arts to science to sports to how you express yourself. Kids seem to know this inherently as they go about exploring and interacting with all the new things they see, hear, and do every day. Introducing kids to all kinds of hobbies, subjects, and professions expands their definition of creativity and their outlook on the future. Encouraging them to use their particular talents, helps them build confidence and find their place in the world. Reading today’s book with them is a great way to start! To celebrate today, take time to share your talents with others. You may be surprised at how creative you really are!
Thanks go to Beach Lane Books and Blue Slip Media for sharing a copy of Annette Feels Free with me for review consideration. All opinions on the book are my own.
Annette Feels Free: The True Story of Annette Kellerman, World-Class Swimmer, Fashion Pioneer, and Real-Life Mermaid
Written by Katie Mazeika
It was early 1900 and teenage Annette Kellerman was making a splash at Australia’s Melbourne Aquarium. She “was a real-life mermaid swimming and dancing with the fish…” to entertain visitors. The newspapers wrote about her, and people flocked to watch. Annette had always loved the freedom she felt while dancing, but when she was six, her legs became too weak for her to dance or to run or even to walk without braces. Sitting at home, Annette was no longer the happy little girl she had been.
Then one day, her father took Annette to swim in Lavender Bay. “She laughed and danced in the waves, kicking her legs. Splash, splash!” Annette swam so much that “she became the strongest swimmer in New South Wales” and no longer needed her leg braces. In addition to performing, Annette raced and soon she had broken all of Australia’s long-distance swimming records. She then moved to London and thrilled audiences there.
Copyright Katie Mazeika, 2022, courtesy of Beach Lane Books.
Annette and her father then traveled throughout Europe and America, where Annette performed her water dancing and raced against other swimmers—men included—and won. But there was one thing that was holding her back from even greater success—her swim costume. “Because she was a woman, she still had to perform and compete in a full skirt and pantaloons.” Why, she thought, did she have to wear something different and so cumbersome?
Annette decided to sew her own swim costume. Her new one-piece suit with short legs was so liberating. She felt as she had as a girl first learning to swim and dance in Lavender Bay. But not everyone saw her swimsuit in the same light. When she wore it to the beach in Boston, the crowd was shocked, and she was even arrested for “not wearing enough clothing!” Arguing her case in front of a judge, Annette showed the court the difference in men’s and women’s swimwear and stated that she should have the same freedom as men. The judge agreed, but with a caveat: she had to remain covered up all the way to the water’s edge. Her new swimwear became a hit with other women, who even called it the Annette Kellerman.
Copyright Katie Mazeika, 2022, courtesy of Beach Lane Books.
Annette’s career continued to take her all over the world and even made her a movie star! She trained other women in “ornamental swimming”, which later became known as “synchronized swimming.” Now called “artistic swimming”, Annette Kellerman’s revolutionary style is a recognized sport at the Summer Olympics.
Back Matter includes an expanded biography of Annette Kellerman, complete with photographs, and an Author’s Note about Katie Mazeika’s own experiences with a physical disability and how these life-changing occurrences shape who someone is and the careers they pursue.
Copyright Katie Mazeika, 2022, courtesy of Beach Lane Books.
A comprehensive and compelling biography of a woman who broke barriers while advocating for women and changing fashion mores forever, Annette Feels Free is historical storytelling at its best. Katie Mazeika clearly links Annette’s early disability, her perseverance, and her recovery to her recognition of her unique talent. Mazeika’s conversational narrative draws readers into Annette’s emotions and passion for swimming. Historical points of interest—women’s swim costumes, hot cocoa sipped mid-swim across the English Channel, Annette’s success in court, and her continued influence on swimming, for example—will amaze children and spark a desire to investigate more about Annette Kellerman and her times.
Mazeika’s full-bleed illustrations in this slightly oversized book lend grandeur to the pages, bringing readers into the aquarium’s fish tank to watch spectators’ reactions as Annette becomes “the original mermaid”; depicting her early love of dancing and distress at her braced legs; and falling with her as she thrills London audiences with graceful dives. Children will be particularly fascinated by images of Annette swimming, diving, and dancing in the proscribed swimming costume for women that included a cap and dress trimmed in lace, pantaloons, tights, and ballet-flat type shoes tied to her ankles. Her self-confidence and indomitable spirit grace each spread and are sure to inspire readers.
For young readers, Annette Kellerman’s long, prolific, and creative career has the power to inspire their own creative endeavors. Annette Feels Free offers multilevel opportunities for lessons in history, the arts, and even math and science (how much did that swim costume weigh, anyway?). The book is highly recommended for home, school, and public libraries.
Ages 4 – 8
Beach Lane Books, 2022 | ISBN 978-1665903431
Katherine Mazeika is an author and illustrator with a BFA from the Columbus College of Art and Design. When she isn’t in the studio, she likes to spend time at the theater, in her garden, or getting lost in a good book. She lives in Ohio with her husband, two kids (Lillian and Jack), and two dogs.
Video of Annette Kellerman’s “Ornamental Swimming”
Watch Annette Kellerman swim her water ballet in this rare footage from MermaidFX.
Million Dollar Mermaid Movie Scene
Now watch a thrilling scene from the movie Million Dollar Mermaid, the 1952 biopic about Annette Kellerman’s life starring Esther Williams, whose career was inspired by Kellerman.
You can find Annette Feels Free at these booksellers at
We all have unique talents and abilities. Today’s holiday was established for us to define our abilities and think about how we would like to use them for ourselves and others. Whether your talents lie in the arts; science, math, and technology; the humanities; teaching and leadership; or kindness, with courage, confidence, and practice you can accomplish amazing things. Today’s books feature two very different talents and are accompanied by videos that can teach you how to use your creativity to achieve success.
You Can Draw Comic Book Characters
By Spencer Brinkerhoff III
Do you have a comic book creator inside yearning to blast free? In this step-by-step guide, Spencer Brinkerhoff III shows you how to draw more than 25 original -comic book characters, draw with perspective and from different angles, and how to use simple shapes to create all of the characters running around in your imagination. To get started, Brinkerhoff introduces readers to the tools of the trade, especially one type of template that ensures that your characters are always in proportion whether they’re standing still, flying, climbing, running, or engaged in battle.
Whether you’re drawing a hero or a villain, Brinkerhoff presents illustrated steps for creating the head, complete with guidelines that tell you where to put the eyes, hair, and other facial features; how to add the body and sketch in arms and legs in active poses. Brinkerhoff then invites artists to make these prototype characters their own by showing how through hairstyles, clothing, and facial features you can add personality and individuality to your characters.
Copyright Spencer Brinkerhoff III, 2020, courtesy of Walter Foster, Jr.
But characters aren’t just created through their physical appearance—readers also want to know what makes them tick. Brinkerhoff adds specific and enlightening guidance on how to design a well-rounded character that readers will care about. He discusses general ideas on how heroes and villains come to be then gives specific examples of backstories, motivations, powers, and limitations for heroes, villains, and all the minions and sidekicks in between.
Once you’ve practiced drawing your character, it’s time to add some color, and Brinkerhoff has you covered there too with tips on choosing colors to make an effect, how to make it look as if a character is wearing a helmet with a face shield, and how to make Zaps and Zings really shine.
So, you have characters with histories—now what? They need a story to live in! Brinkerhoff reveals how to develop a strong story from beginning to end and create a script. Then he shows artists how to plan and draw panels that help tell the story, create good story flow, establish mood and location, include dialogue and sounds, and add the kind of suspense that keeps readers turning the pages. Finally, Brinkerhoff shows readers how to put it all together to make a complete comic book. He follows this up with larger templates for characters who are standing, flying, and fighting as well as a few in various action poses.
Copyright Spencer Brinkerhoff III, 2020, courtesy of Walter Foster, Jr.
Spencer Brinkerhoff presents an excellent guide for artists and would-be artists of all ages with specific help and plenty of opportunities to practice a variety of body styles, facial expressions, poses, and all accompanying accents. The diversity of examples and the emphasis on other aspects to creating successful characters and complete comics will spark children’s imagination and help them develop their talent for both drawing and writing, which are equally important in creating the kinds of comics that readers fall in love with and want to read again and again.
A superb drawing book for children, You Can Draw Comic Book Characters would make a much-appreciated gift for young artists and an often-used, go-to book as children or adults work on improving their drawing and visual storytelling abilities. The book is a must for home bookshelves for aspiring artists as well as for school and public library collections.
Ages 6 – 10 and up
Quarto Knows, Walter Foster Jr., 2020 | ISBN 978-1633228665
About Spencer Brinkerhoff
Spencer Brinkerhoff III started drawing and making art at an early age and has never stopped. Spencer’s professional work has included creating Star Wars art for Lucasfilm Ltd, animating an educational game for the World Health Organization, creating and starring in a video that won him Burt Reynolds’ Trans Am, and creating some of the horse sculptures for the PF Chang’s restaurants. In addition to working on these licensed projects, he has also created a glasses-less 3-D image platform called ShadowBox Comics, an in-camera special effect keychain called LightStickFX, and a drawing system called DrawingIsSimple. You can discover more about Spencer Brinkerhoff III, his art, and his work on his website.
Drawing Captain Jinx Tagget and Savage with Spencer Brinkerhoff III
In this video and two more videos from Quarto Classroom, children and adults can learn from Spencer Brinkerhoff III how to create two original characters from You Can Draw Comic Book Characters: Captain Jinx Tagget and Savage. In the first video Spencer Brinkerhoff demonstrates each step in drawing his hero Jinx, talking viewers through an easy method for creating the head and body, the whys and hows of facial-feature placement, and how to add accents to make each character distinctive. In his second video, Brinkerhoff uses a prop that gives new artists clear visual help in understanding how a face can be drawn when tilted and turned. He also demonstrates how to draw Jinx when flying.
In his third video Brinkerhoff shows kids how to draw the imposing Savage, a character that uses different proportions yet is still derived from basic shapes beginning with a circle. At the end of each twenty-five-minute session, he gives a lesson on adding color to the character. Brinkerhoff’s easy-going and encouraging delivery will instill confidence in artists and get them excited about designing their own characters.
You can find You Can Draw Comic Book Characters at these booksellers
Written by Maria Isabel Sánchez Vegara | Illustrated by Ginnie Hsu
Maria Corazon—better known as Cory—was a little girl growing up in the Philippines, a country made up of thousands of islands. At school, she learned lessons on reading and writing and math and also “how to take a step forward.” For example, when one of her classmates was not able to make a speech in front of the school, Cory volunteered to give it.
Image copyright Ginnie Hsu, 2020, text copyright Maria Isabel Sánchez Vegara, 2020. Courtesy of Frances Lincoln Children’s Books.
When Cory was still a child, her parents send her to America to study. When she returned home after graduating from college, she was determined to become a lawyer. While in law school, “she became close with a student as honest and as bold as her.” His name was Benigno, but those who loved him called him Ninoy. Ninoy went on to become a politician. He wanted to help his fellow Filipinos and became an ardent critic of the country’s dishonest president. Because of his opposition to the president, he was arrested. Then Cory wrote speeches and became her husband’s voice for nearly eight years while he was in prison.
Declaring more and more unfair laws, the president became a dictator and forced Ninoy, Cory, and their family to leave the country. They moved to Boston, Massachusetts and were happy there, but after three years “Cory knew that Ninoy had to go home and try to restore democracy, giving power back to the people.” They returned to the Philippines, but the president’s men were waiting for them and Ninoy was killed.
Image copyright Ginnie Hsu, 2020, text copyright Maria Isabel Sánchez Vegara, 2020. Courtesy of Frances Lincoln Children’s Books.
Cory felt alone, but at Ninoy’s funeral millions of people showed that they were with her, giving “her their love and support.” Cory decided it was up to her to continue Ninoy’s work. She ran for president and won, but the defeated president “faked the results of the election” and sparked a revolution. For four days “millions of people armed with courage took to the streets and proclaimed Cory president of the Philippines. The dictatorship crumbled and Cory became the first female President of the Philippines. Through her lifelong courage and honesty, little Cory grew up to save democracy for her people and change their lives forever.
A timeline of Corazon Aquino’s life follows the text.
Image copyright Ginnie Hsu, 2020, text copyright Maria Isabel Sánchez Vegara, 2020. Courtesy of Frances Lincoln Children’s Books.
Maria Isabel Sánchez Vegara’s excellent biography of Corazon Aquino for young readers introduces them to this amazing woman with well-chosen details about her life and the personality traits that made her singularly suited for her role in leading the Philippines out of the darkness of dictatorship. Vegara’s straightforward storytelling reveals her respect for the intelligence and social conscience of her readers as she relates hard facts about life in the Philippines at the time and its personal consequences for her family. Examples of Corazon’s courage, from giving a speech at school to giving voice to millions of people, will inspire readers to show bravery in their own pursuits, both big and small, and prompt them to look for ways that they can make a difference.
Through Ginnie Hsu’s captivating illustrations, readers are introduced to a brief view of the diversity of communities among the islands of the Philippines and the cities and schools that nurtured her while growing up. Children see the enthusiasm with which crowds met Cory and Ninoy on his political rise. In a clever two-page spread, a speech that Ninoy is writing spills from his typewriter, across the two pages and into Cory’s hands as she reads her husband’s words after his arrest. Images of people lining up to vote will be familiar from our own recent election and offer opportunities for adults to discuss the importance of voting. Adults may remember Corazon Aquino’s signature yellow outfits, which Hsu recreates here. Hsu’s vibrant illustrations, packed with the people that supported the Aquinos, demonstrate the change that, together, people of courage can affect.
An inspirational biography of an influential leader, Corazon Aquino is an excellent addition to the Little People, BIG DREAMS series and offers a meaningful way for adults to introduce young readers to political and social leaders and the ideas of responsibility and leadership. The book is highly recommended for home, school, and public library collections.
Ages 4 – 7
Frances Lincoln Children’s Books, 2020 | ISBN 978-0711246843
About Maria Isabel Sánchez Vegara
Maria Isabel Sánchez Vegara, born in Barcelona, Spain, is a writer and creative director in constant search of new concepts for children’s books and the author of the multimillion-copy best-selling Little People, BIG DREAMS series of picture books that explore the lives of outstanding people. Working for more than fifteen years for clients in top advertising agencies, her books combine creativity with learning, aiming to establish a new and fresh relationship between children and pop culture. You can connect with Maria Isabel Sánchez Vegara on Instagram.
About Ginnie Hsu
Ginnie Hsu is an illustrator, designer, and educator living in upstate New York. Her work is often inspired by everyday life, nature, human living, and well-being. Ginnie also enjoys foraging, yoga, and herbalism. To learn more about Ginnie Hsu, her books, and her art, visit her website.
Corazon Aquino: Little People, BIG DREAMS video with Ginnie Hsu
In this video from Quarto Classroom you can listen to Ginnie Hsu read Corazon Aquino: Little People, BIG DREAMS and learn about the importance of the color yellow throughout the story as well as how color has become associated with other revolutions around the world. Hsu also introduces viewers to the meanings behind eight colors and how using these colors adds depth and meaning to a picture book and other illustrations. For example, yellow carries with it the ideas of positivity and happiness. After learning about colors and their meanings, Hsu invites kids to gather supplies in a color of their choice and to create a project meaningful to them. In keeping with the yellow in her book, Hsu chooses to make a sunflower from felt and a digital sunflower collage. She demonstrates how she puts together her felt sunflower and then shows children the variety of ways a sunflower can be drawn.
You can find Corazon Aquino: Little People, BIG DREAMS at these booksellers
With this printable guide from Spencer Brinkerhoff III, you can learn to draw Captain Jinx Tagget standing and in action with detailed and specific steps from making your first circle for the head to completing her superhero suit. You’ll find another guide on how to draw Savage at Quarto Classroom
Today, I’m featuring another interactive book that will get young readers excited about learning more about art—or in this case—architecture. A great book can help kids find role models from the past or today that they can connect with philosophically and creatively. A book that touches on, validates, and encourages a child’s talent or dream is a gift that lasts a lifetime.
Meet the Architect! Frank Lloyd Wright
By Patricia Geis
Artists can be endlessly fascinating not only for their work but for their lives, which influence where they get their ideas, how they create each piece, and what made them an artist in the first place. In Meet the Architect! Frank Lloyd Wright, readers get an opportunity to discover the backstory, the influences, the three architectural rules, the clients, and, of course, the buildings of this master architect, whose mother predicted his profession before he was even born and “surrounded his crib with drawings of cathedrals.” This deep dive into Frank Lloyd Wright’s life is accomplished not only through text, but with little fold-outs that are themselves illustrated booklets, 3D popups, illustrated panels that extent the pages, tabs, a portfolio of postcards, and more.
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
But let’s get started! Young readers may wonder what Frank was like as a kid. Learning that his grandfather, Richard Lloyd Jones, a Welsh milliner who made “‘black cone-shaped hats that ended in a point, worn as much by witches when they flew on their broomsticks as by other Welshmen,” will only whet their appetite to know more, and they won’t be disappointed. In addition to the text that briefly outlines Wright’s ancestry and earliest work experiences and defines what an architect is, a child asks a few questions.
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
The first speech bubble asks, “How was he as a kid?” Readers open it up to see a photograph of Frank at age 10 accompanying a description of the books he read, the activities he and his best friend did, the newspaper he created, and even why “he called himself Aladdin” for a while. Readers next meet him at 16 in a photo of his very large extended family, and they also get to see his Uncle James’ house where he spent eight summers working on the farm. The exterior photo of the house Wright made for his family. Two other speech bubbles introduce children to the house Wright designed and built for his family and a discussion of his favorite color, complete with full-color photographs.
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
No artist is created in a vacuum, so author Patricia Geis includes a discussion of Friedrich Froebel, the creator of kindergarten and designer of twenty games that engaged children in geometry, creating dimensional shapes, building, and crafts and were influential in Wright’s development as well as in that of many well-known “artists, philosophers, and architects who would invent the abstract language of modern art.” A popup on the page replicates one of Froebel’s games.
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
Wright’s father was also influential in his son’s education. He taught him to love music and “see the composer as a builder. For Wright, music and architecture were constructed by means of a system of units: the notes in music and the bricks in a house.” Just as notes are written on a staff, an architectural drawing is created on a grid. A detailed popup of Unity Temple built in 1908 in Oak Park, Illinois demonstrates how the building is positioned on a grid while a fold-out panel presents images of a floor plan, a cross section, a perspective drawing, and two photographs—one of the exterior and one of the interior of this beautiful temple.
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
Wright is well-known for setting his buildings in harmony with their surroundings. In her chapter “The Landscape,” Geis explains that Wright believed all buildings should adhere to “‘organic architecture,’” which meant they should “be in harmony with the landscape, respect the materials of construction, and respond to the need of the client.” She goes on to talk about Taliesin, the house, studio, and farm where he opened a school of architecture in 1932,, and Taliesin West in Arizona. These two landmarks are presented first with small framed photos (which cleverly mirror pictures on an art gallery wall) that open up to show how the buildings blend in with the environment and second with foldouts that include interior and exterior photographs as well as accompanying text.
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
Fallingwater, built in 1936, is one of Wright’s most famous designs, and with the pull of a tab, readers can transform the waterfall that hosts this house into the showstopper it became. More photographs and text present Wright’s philosophy about the house and land as well as the level of detail that went into building it—even to his choice to paint “the upper part the same color as the underside of a rhododendron leaf.”
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
“Wright believed that every house should fit its inhabitants, like a made-to-measure suit.” To see just how he accomplished creating one-of-a-kind houses, readers can flip through a portfolio of five postcards, each of which presents a color photograph of the exterior of the house on the front and a description and interior photographs on the back. Visitors to the Guggenheim Museum in New York have experienced how Wright brought “the forms of nature to the city.” Shaped with the spiral of a snail’s shell, the museum showcases the art collection of Solomon r. Guggenheim, who bought “the works of such avant-garde artists as Kandinsky, Klee, Picasso, and Mondrian. Perhaps Wright’s connection with some of these artists through their common adoption of Froebel’s games early in their development is one reason the museum and the art work so well together.
A natural teacher, Wright would no doubt invite readers of this book to do some architectural exploration of their own, and so Geis has included sheets of card stock blocks, shapes, cubes to build, and other elements as well as a grid for children to play with.
Copyright Patricia Geis, 2019, courtesy of Princeton Architectural Press.
Patricia Geis is an engaging and compelling tour guide on this absorbing survey of Frank Lloyd Wright’s life that spanned from 1867 to 1959 taking in Reconstruction, “the Industrial Revolution, the coming of electricity, two world wars, and the invention of television.” Her clear and straightforward storytelling draws readers in with intriguing details, information about his childhood, and sprinkled-in direct appeals for them to look closer at or notice something in the photographs. Geis does an excellent job of connecting Wright’s early influences to his later work and his architectural philosophies to his finished projects. Each two-page spread creates a chapter of sorts, making it easy for kids and adults to dip into the book as they wish or to read it all in one sitting. Charming illustrations of wanna-be architects on various pages invite kids along on this beautiful and beautifully done journey of discovery.
A stunning book that any child—or adult—would cherish, Meet the Architect! Frank Lloyd Wright is highly recommended for anyone interested in architecture or any of the arts. I would also encourage readers to check out the other books in this series, including Meet the Artist! books about Henri Matisse, Pablo Picasso, Alexander Calder, Vincent van Gogh, and Leonardo da Vinci. If you are looking for a unique gift for a teacher or someone on your list, you can’t go wrong with this book.
Ages 7 – 12 and up
Princeton Architectural Press, 2019 | ISBN 978-1616895938
You can learn more about Patricia Geis, her books, and her art here.
You can find Meet the Architect! Frank Lloyd Wright at these booksellers
Celebrated annually on May 21, “I Need a Patch for That” Day gives a little love to patches of all kinds. Have you been out working in your garden patch? Fabulous! Did you just finish all the requirements for a scouting patch? Good job! Waiting on a fix for the latest software kerfuffle? Who isn’t? Are you a pirate keeping one eye ready for the dark? Argghh! Do you need to patch up a misunderstanding? Good luck! Or maybe you’re a quilter like the amazing women in today’s book who create a patch to remember each of life’s important, inspirational, and formative events.
Stitchin’ and Pullin’: A Gee’s Bend Quilt
Written by Patricia C. McKissack | Illustrated by Cozbi A. Cabrera
In this story told through poems, a little girl begins telling readers about her life, starting with a recitation on Gee’s Bend Women: “Gee’s Bend women are / Mothers and Grandmothers / Wives / Sisters and Daughters / Widows.” They are every kind of woman you know, doing every type of work and activity. “Gee’s Bend women are / Talented and Creative / Capable / Makers of artful quilts / Unmatched. / Gee’s Bend women are / Relatives / Neighbors / Friends— / Same as me.”
In Who Would Have Thought, the girl muses on how perceptions change. “For as long as anyone can remember,” she says, the women of Gee’s Bend, Alabama have created quilts that were slept under, sat on, and wrapped around the sick or cold. But now those same quilts are “…hanging on museum walls, / their makers famous….”
When she was just a tot “Baby Girl” reveals in Beneath the Quilting Frame, she played under the quilting frame, listening to her “mama, grandma, and great-gran / as they sewed, talked, sang, and laughed / above my tented playground.” She remembers the “steady fingers /[that] pieced together colorful scraps of familiar cloth / into something / more lovely / than anything they had been before” as her mother sang her a lullaby.
Image copyright Cozbi A. Cabrera, courtesy of Random House Books for Young Readers
In Something Else, “Baby Girl” is growing too big to play underneath the frame. Her legs are becoming longer and her mind is full of “recipes for eleven kinds of jelly…how to get rid of mold…and the words to a hundred hymns and gospel songs” while she waits for her turn at the frame. At last, her time does come, and in Where to Start?, the girl asks her mama how to begin. Her mother answers, “‘Look for the heart. / When you find the heart, / your work will leap to life… / strong, beautiful, and… / independent.’”
In Remembering, the girl thinks about how her mama has told her that “cloth has a memory.” As she chooses the cloth that will become her quilt she recounts the life and the history in each.
Nothing Wasted sees Grandma pulling apart a red-and-white gingham dress stitch by stitch. Suddenly, the girl knows that this cloth will become the patch that “will be the heart of my quilt.” In Puzzling the Pieces the girl and her grandma stand over the quilting frame fitting the squares together in the perfect way to tell the girl’s story. Her quilt comes together piece by piece to tell the history of Gee’s Bend in The River Island. The brown strips along three sides mirror the muddy waters surrounding her town. The fourth side is a green strip—“a symbol of the fields where my ancestors / worked cotton from can to can’t— / can see in the morning until / can’t see at night.” Lined up next to the green strip are six squares representing the small communities “where families with / the same name / are not kin by blood / but by plantation.”
Being Discovered is portrayed with “a large smoke-gray square”—the color of the Great Depression and the 15 minutes of fame Gee’s Bend garnered when discovered “by sociologists, historians, / educators, and journalists” who came and went, leaving Gee’s Bend “the way it had been / before being discovered.”
Image copyright Cozbi A. Cabrera, courtesy of Random House Books for Young Readers
In Colors, the girl’s grandma explains the meanings and feelings behind each colored cloth. “Blue cools. / Red is loud and hard to control, / like fire and a gossiping tongue.” Green, orange, yellow, white, pink, and all the others have their own personalities. “Grandma says, / ‘Colors show how you / feel deep down inside.’”
In Dr. King Brings Hope, the little girl adds “a spotless white patch for the hope Dr. Martin Luther King / brought to the Bend” and goes on to tell how her grandma saw Dr. King at Pleasant Grove Baptist Church and what it meant to her. By and By follows the girl as she adds “golden thank-yous, for James Reeb,” a “bright blue piece of velvet for Viola Liuzzo,” and a “big plaid people circle of white, black, brown, yellow, and red for Reverend Dr. King, all “killed for believing in justice.”
In the 1960s, The Sewing Bee tells, Gee’s Bend quilters were once again discovered. Joining the Bee provided buyers for the handmade quilts, but there were stipulations on the types of quilts that could be made and sold. The girl asks her grandma if she was part of the Bee, to which she replies, “‘more money. Less freedom. I chose to stay free.’”
At last all of the patches are laid out and the time comes to stitch the girl’s quilt. Five women stand at the frame “all stitchin’ and pullin.’” They work “in a slow and steady rhythm” relaxing and enjoying being together until the quilt is finished. In Finished, the last stitch is sewn, and the thread bitten and knotted. The girl has hundreds of ideas for future quilts. “Quilts that are about me, / the place where I live, / and the people / who have been here for generations.”
Further poems unite the history of “Baby Girl,” her family, and neighbors, and an Author’s Note about quilting and the women of Gee’s Bend follow the text.
Patricia McKessack’s free verse poems capture the close relationships and camaraderie of the generations of women who join around the quilting frame to share and pass down their art and their heart. McKessack’s conversational verses, connected page after page like the patches of a quilt, reveal the complexity of this handmade art form in the way intimate talks between friends unveil a life. Readers learn not only about the little girl and her own thoughts, but the history and influence of her immediate family, world events, inspirational figures, and deeply held beliefs that make her who she is and ties her to the other Gee’s Bend women.
Cozbi A. Cabrera’s stunning acrylic paintings take readers inside the heart of the Gee’s Bend women, depicting the girl’s home, the table-sized quilting frame where the women collectively work, the plantations, the protests, and the changes that came but did not unravel the convictions, values, and love of the little girl’s family. Readers can almost hear the talking and singing of the Gee’s Bend women as they stitch their quilts, and the comforting, embracing environment is evident on every page. Cabrera’s portraits of the little girl, her mama, and her grandma are particularly moving. For What Changed, Cabrera depicts a yellow school bus appearing on the dirt road from the right hand corner of the page. In the driver’s side mirror, a dot of a house is reflected, reminding readers that no matter how far these women are from home, Gee’s Bend is always with them.
Children—and adults—will find Stitchin’ and Pullin’: A Gee’s Bend Quilt inspirational and uplifting. This volume of poetry can be read at one sitting or delved into again and again, making it a wonderful choice for home libraries and a must for school and public libraries.
Ages 5 – 12
Dragonfly Books, Random House, 2016 (paperback edition) | ISBN 978-0399549502
View a gallery of fashion designs, dolls, and other handmade art work by Cozbi A. Cabrera on her website!
“I Need a Patch for That” Day Activity
Design a Quilt Coloring Pages
Quilts are so much more than pieces of material sewn together—they’re life stories! Here are two quilt coloring pages for you to design and color. What does each piece mean to you? As you color each section, write a sentence about an event or thought that is important to you.
We love animals, but do we take care of them the way we should? Today’s holiday was established in 1931 to promote global awareness of animals and the issues surrounding their welfare. From pets to domesticated animals to wild creatures, humans must protect and advocate for their companions and fellow travelers on this earth. Issues such as pollution, habitat destruction, and poaching threaten the world’s wide variety of species, while closer to home spaying and neutering controls the population of feral animals that often suffer from a lack of resources.
The wildlife kingdom is majestic and awe-inspiring. Today celebrate the world’s animals by taking a trip to a zoo, aquarium, or animal preserve, consider adopting a shelter animal, or donating your time or talents to your favorite animal cause.
Pink is for Blob Fish: Discovering the World’s Perfectly Pink Animals
Written by Jess Keating | Illustrated by David DeGrand
Pink is sweet like cotton candy, right? Pink is pretty like a rose, isn’t it? Pink is quiet like twightlight, don’t cha think? Well…yes, and…maybe not so much. You’d be pardoned for squirming in the presence of a pinktoe tarantula which is found in the rain forests of Matinique and Guadeloupe and can defeat predators with their spiky hairs, and if you can’t make heads or tails of the Pink Fairy Armadillo, which looks like a cross between a lobster tail and a shag rug, no one will blame you.
Text copyright Jess Keating, illustration copyright David DeGrand, courtesy of Penguin Random House
But the world is full of pink, and for each of these grimace-inducing bubble-gum-hued creatures there are plenty who simply take your breath away with their beauty. Imagine watching a duo-toned light-and-dark-pink Roseate Spoonbill take off and soar over marshland along America’s Gulf Coast or a river in South America or the West Indies like a valentine on the wind. You will likewise marvel when you see the delicate form of the Orchid Mantis. This variety of praying mantis found in the rain forests of Indonesia and Malaysia is so identical to real orchids that other insects can’t tell the difference and often land in the grasp of their tricky predator.
Text copyright Jess Keating, illustration copyright David DeGrand, courtesy of Penguin Random House
Seas and rivers also teem with pink wildlife. Pygmy Seahorses swimming in the waters of the South Pacific blend in to their coral surroundings like a spiky ball among hedgehogs. With white-and-pinkish bodies dotted with strawberry-colored knobs, these seahorses are perfectly camouflaged against predators. The rose-colored Amazon River Dolphin hunts for piranhas, crustaceans and bottom dwelling fish with its long snout in the freshwater rivers of South America. The rivers, lakes, and swamps of sub-Sahara Africa are home to Hippopotamuses, which “ooze thick pink oil all over their skin. This pink ‘sweat’ acts like an antibiotic sunscreen, so hippos can stay out in the sun all day without getting burned.” Imagine if you could do that!
Of course, there is also the Blobfish, recently voted as the world’s ugliest animal. But isn’t this little glob of gelatinous goo really so ugly it’s cute? Found in deep waters off the coasts of Australia and New Zealand, this fish survives where others cannot by simply opening its mouth and gobbling down whatever floats by.
With many more examples of pink wildlife in this captivating book, it’s guaranteed that after flipping through the pages of Pink is for Blobfish you will never look at pink the same way again!
Text copyright Jess Keating, illustration copyright David DeGrand, courtesy of Penguin Random House
Jess Keating highlights a host of fascinating pink animals in this volume that is sure to delight kids and get them excited about the world less seen. The first in the World of Weird Animals series, Pink is for Blobfish is loaded with scientific facts, remarkable trivia, and humorous asides to pique the interest of readers’ inner zoologist. Each two-page spread provides a spectacular up-close photograph of the animal, insect, or fish described as well as its common name, species name, size, diet, habitat, and predators or threats. Keating also taps into her audience’s love of the unique and even the bizarre with conversational paragraphs that reveal unusual habits, traits, survival mechanisms, and more for each creature featured.
David DeGrand lends his unique illustration style to the pages with funny cartoon portrayals of the creatures and one of their signature traits. These humorous depictions will not only make kids and adults laugh but will promote better understanding of each unique animal.
Pink is for Blobfish is a perfect addition to personal libraries for budding environmental scientists or anyone interested in the wider, wilder animal world and is an exciting title for school libraries and classrooms, where it could inspire scientific study.
Ages 5 – 10
Knopf Books for Young Readers, Penguin/Random House, 2016 | ISBN 978-0553512274
You’ll discover books, videos, creature features, resources, and lots more on Jess Keating’s website!
You will find the world of David DeGrand‘s art and comics on his website!
Pink is for book trailers—at least this one!
World Animal Day Activity
Play the Wonderful Wildlife Board Game! Animal tokens images copyright Conor Carroll
Wonderful Wildlife Board Game
Fascinating animals are found in every part of the world. Play this fun printable Wonderful Wildlife Board Game to match each animal to the area where it lives.
Print one set of 16 Wildlife Tokens for each player
Print two copies of the 8-sided die, fold, and tape together
If you would like, color the map and tokens
Choose a player to go first
Each player rolls both dice and places an animal on their map according to these corresponding sums of the dice below
The first player to fill their map is the winner!
1 = Flamingo – South America
2 = Emperor Penguin – Antarctica (Southern Ocean)
3 = Giraffe – Africa
4 = Bald Eagle – North America
5 = Ibex – Europe
6 = Kangaroo – Australia
7 = Panda – Asia
8 = Orca – Antarctica (Southern Ocean)
9 = Toucan – South America
10 = Buffalo – North America
11 = Koala – Australia
12 = Lion – Africa
13 = Etruscan Shrew – Europe
14 = Manta Ray – Pacific Ocean
15 = Sea Turtle – Atlantic Ocean
16 = Tiger – Asia
Q&A with Author Jess Keating
Today I’m tickled pink to talk to Jess Keating about her work as a zoologist and an author, her favorite animals, and a very cool holiday tradition.
In your work, your books, and your online presence, you bring kids and adults closer to the animal kingdom. What in your early years inspired you to become a zoologist?
I wish there was one poignant answer to this question! The truth is, all my life I’ve been enamored with animals. A physicist I admire once said this: The world is beautiful to look at, but it’s even more beautiful to understand. To me, that sums it all up perfectly.
As a kid, animals sparked my curiosity, my imagination, and even my creativity. The diversity they represent is so amazing to me—they all live their lives so differently, with different senses, abilities, and environments, yet it works perfectly for them. I instantly felt a kinship with them, and as a kid, I wanted to know everything about them.
As I got older and was able to really get into zoology, my goal shifted. The world of animals is so endlessly fascinating, and I now I want to take every opportunity to share it with others, especially young readers.
All animals are amazing, but do you have a soft spot for one particular animal or species? If so, why?
Now this is such a hard question! My favorite animal has always been the wolf. I was lucky enough to see one in the wild once, and it’s pretty hard to come away from that experience without believing in magic!
Lately, I also have a soft spot for nudibranchs! I included one (the Hopkins’ rose nudibranch) in my last book, but there are so many other species that we know so little about! As I mentioned above, it’s the diversity that takes my breath away. Some of them look like bunnies:
Image courtesy of crawl_ray on flickr.com
Some even look like pizzas!
Image courtesy of Arthur Anker on flickr.com
You do such a great job of reaching out to kids through videos, KeatingCreature on Twitter, your YouTube Channel: Animals for Smart People, personal appearances, and Skype visits. Can you describe a funny or favorite anecdote from one of your events?
Thank you for the Youtube shout out! I really hope teachers find my videos useful! As for a favorite event, when you mix animals and kids, the results are often hilarious. Usually, my visits involve a lot of dead things. I bring a collection of skulls, animal bones, and animal track castings with me. Every so often, we get lucky with some live specimens.
One of my favorite events was a library visit that involved a 10+ foot python. I had her resting on my shoulders (as you do), and I remember laughing because almost all of the adults in the room were skittish, backing off toward the door.
When I asked who else wanted to hold this lovely python, every adult shook their head. There was no way they were going near it! But then, a tiny six year old girl rushed up to the front, with a massive smile on her face. She wasn’t afraid at all as she held that snake—and I’m pretty sure that her big moment meant as much to me as it did to her!
What inspired you to write Pink is for Blobfish?
Pink is for Blobfish is a book so close to my heart! I know that sounds strange, because it’s essentially a book filled with weirdos!
As you can probably guess, I’ve been reading animal books my whole life. I loved them all, but what I really wanted was to write something that says as much about us as it does about the wild animals on each page. A book that not only shares amazing animals with kids, but also gets them thinking critically about how they view the world, especially regarding their assumptions and judgments. Pink is for Blobfish is my way of getting readers to look at gender expectations, while (hopefully) instilling them with a little wonder about the natural world.
There’s so much humor in your writing and videos. How does your love of comedy help you connect to readers?
The short answer is, I’m just a big ham and love making people laugh. There’s also the added bonus with nonfiction: we’re much more likely to remember something if we connect with it emotionally. My way of accomplishing that is to be funny and get kids laughing. Fiction or nonfiction, one of the easiest ways for me to reach readers is through a well-timed joke.
But, you can also get a little deeper with it. I once heard that Jim Carrey doesn’t think of his job as “making people laugh.” Instead, he views it as “freeing people from concern.” The minute I heard that, it resonated with me. For those few moments, when you’ve got a reader laughing, they’re free from any concern in their lives. It’s a reprieve, a bright moment. It’s true for us as adults too—it’s pretty much impossible to be stressed out when you’re reading about a pigeon that wants to drive a bus!
Now, when I approach my writing, I look for those moments. If I can make myself laugh, that’s half the battle.
What’s the best part about writing books for kids?
For both fiction and nonfiction, my favorite part is seeing the look on a kid’s face when you open a door for them into a whole new world. Sometimes, it’s the ridiculously colorful world of nudibranchs. And sometimes, it’s helping them to the realization that they aren’t alone, no matter how weird they feel.
What’s up next for you?
I’m so glad you asked! I just received F&Gs of the second book in the World of Weird Animals series! I can’t give away the title just yet, but I can say we are going to look at MONSTERS. This isn’t just going to be a book of creepy creatures. We’re going to dig into why we see certain animals as monsters, and how those judgments and assumptions affect how we think of them. I was blown away with the discussions that Pink is for Blobfish prompted with kids, and I can’t wait to see how they respond to this book!
I also have my first picture book biography, SHARK LADY, coming out next year! I’ve always been a fan of sharks, and I was thrilled to tell the story of Eugenie Clark, one of the world’s first female shark scientists. Eugenie is one of those incredible women that changed the world just by being her fearless self, and I am so eager to share this book with everyone. Look for it around June!
I can’t let you get away without asking you a few holiday-themed questions, so…
You told me that World Animal Day is one of your favorite holidays. Can you talk a little about that?
What could be better than a day devoted to animals!? World Animal Day is a day to chat about animals all over the world, and how we can best protect them and their futures. A funny thing happens when you start talking about animals in the global sense—you can’t help them without also helping us. Education and awareness can accomplish so much!
Do you have an anecdote from any holiday that you’d like to share?
I have one that ties in really well here! When I was a teen, I had a really cool Christmas tradition that I highly recommend to parents of animal lovers. On Christmas morning (or any special holiday morning for you!) I would go to my local humane society, bring treats, and walk the dogs. Usually, these centers have lots of volunteers, but busy holidays are often pretty slow for them and there’s not a lot of help. I guarantee the dogs will love the company, and you’ll get to spend an hour surrounded by wagging tails! You can’t lose.
Has a holiday ever influenced your work?
Yes! A very savvy bookstore (DDG Books!) organized a “Valentine for Blobfish” event when Pink is for Blobfish came out. So many young readers felt bad that the blobfish was voted the world’s “Ugliest Animal” (true story!) and they wanted to send him valentine cards to make him feel better!
Thank you, Jess! It’s been so much fun! I wish you all the best with all of your books and your other ventures!
Learn more about Jess Keating!
As a zoologist turned middle grade and picture book author, Jess Keating has been sprayed by skunks, bitten by crocodiles, and been a victim to the dreaded paper cut. Her MY LIFE IS A ZOO series earned two Kirkus stars, a Red Maple nomination, a Rocky Mountain Book Award nomination, and a spot on the LA Times Summer Book Pick List.
Her quirky nonfiction picture book series kicked off with PINK IS FOR BLOBFISH, with a sequel to follow in 2017. Her first picture book biography, SHARK LADY, will also be published in 2017.
Jess is also the creator, writer and host of Animals for Smart People, a Youtube series about animals, science, and nature. Subscribe today and bring Jess into your classroom!
Connect with Jess Keating:
You can find Jess on Twitter @Jess_Keating and on Facebook @JessKeatingBooks!
Pink is for Blobfish can be found at these booksellers
celebratepicturebooks.com 