July 15 – It’s National Culinary Arts Month

About the Holiday

There’s a true art in putting together a delicious meal from seemingly disparate parts, and this month’s holiday honors those with a talent for combining tastes, flavors, and textures. With fresh ingredients available from farm stores, farmers markets, grocery stores, and maybe even your own garden, July is a great month for celebrating the culinary arts. This month, spend time with your kids in the kitchen. It’s a terrific way for them to learn cooking skills and even practice practical math while creating experimental or favorite recipes. And, of course, be sure to remember to make a few treats! Today’s book should get you off to a delicious start!

Thanks to Oni Press for sharing a digital copy of This Is a Birthday Cake with me for review consideration. All opinions about the book are my own.

This is a Birthday Cake

Written by Andrew Cangelose | Illustrated by Josh Shipley

Andrew Cangelose’s two-layered story about making a cake and the history of cake is by turns hilarious and informative. First, kids meet Shelly, a turtle and the forest’s official baker, and Bucky, a rabbit and baker-in-training. Shelly explains that she is “teaching Bucky how to make a birthday cake.” Bucky is rarin’ to go because as soon as the cake is baked, “the party will start.”

But wait! A narrator breaks in on the very next page to reveal that “cake was first used to celebrate birthdays in the Roman Empire two thousand years ago,” but “only became widely popular about two hundred years ago during the Industrial Revolution.” Bucky isn’t too keen on the delay this history lesson has caused, and even less patient with Ms. Shelly’s directive to “visualize out beautiful cake in our minds.”

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Image copyright Josh Shipley, 2022, text copyright Andrew Cangelose, 2022. Courtesy of Oni Press.

But wait! The narrator has another interesting point to make, during which Bucky takes to sticking birthday candles up his nose and in his ears. Finally, Shelly says it’s time to get the recipe and all of the ingredients. Bucky, it seems, is already those steps ahead of Ms. Shelly and hot-foots it out the door, giving her a podcast-worthy “Byeeeee!”

As Bucky speeds into the forest, the recipe tightly gripped in his hand, he imagines his success and the accolades that will follow. At home, Shelly is slowly and methodically making the batter. Bucky takes a moment to reflect on the results of his soon-to-be triumph: “another party just to celebrate [his] accomplishment” and the sad fact that he will most likely be asked to be the new official forest baker.

But what about the ingredients, Bucky? The narrator begins to outline the necessary elements to a good cake. Hmmm… seems Bucky has forgotten to bring these along. No worries, though. Garbage, the ground hog tells Bucky that dirt is delicious: “a little sweet. A little sour. A lot of worms.” Bucky adds it to his pot. Still, he needs a sweetener and a liquid as the narrator describes.

Now, with her cake in the oven, Shelly is relaxing with a hot cup of tea with honey, while Bucky is hightailing it away from a swarm of angry bees. A champion-spitting frog is happy to help out with the liquid. At last, it’s time for the mixing. Ignoring the narrator’s warning about overmixing, Bucky goes at it like a tornado. With no oven to bake his cake in, Bucky comes up with an… ingenious?… solution.

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Image copyright Josh Shipley, 2022, text copyright Andrew Cangelose, 2022. Courtesy of Oni Press.

What’s a birthday cake without decoration, though? To get things moving along quicker, Bucky elicits the help of his forest friends, and in no time, it’s finished. What about Shelly? She’s still carefully drizzling colorful icing on the layers. It’s a good thing Bucky’s cake is ready. The forest animals line up for big pieces, excited to party.

But while Bucky’s congratulating himself and extolling his speed, the animals are coming to a grim realization. It doesn’t take long for Bucky to understand that maybe his cake is a disaster. Fortunately, Shelly is on her way with another cake. The animals watch her coming closer, and closer, and closer… until ta da! “The birthday cake has arrived!”

With two cakes on offer, Shelly wonders about the voracious response to hers, and Bucky reveals his unique recipe. He even admits that he went to fast and that he needs to slow down when he’s excited. Shelly is understanding and promises they can try again tomorrow—if only they can get home before morning.

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Image copyright Josh Shipley, 2022, text copyright Andrew Cangelose, 2022. Courtesy of Oni Press.

Wonderfully paced and with funny, realistic dialogue, Andrew Cangelose’s fourth book in his This is a Taco series will have kids and adults laughing out loud as they read it together. Suspense builds as Bucky runs out to bake his own cake with only the recipe to follow. Wanting to discover what substitutions he makes for each ingredient will have readers whipping through the pages as fast as Bucky stirs the batter. And his self-confidence throughout adds another layer of amusing storytelling. Cangelose’s intermittent inclusions of information on the history of cake and a typical recipe is a genius device that not only informs but amplifies Shelly’s slow, careful process that drives Bucky crazy. Bucky’s admission that he worked too fast and Shelly’s patient and understanding response to his failed cake serve up just the right message, sweetened with love.

Josh Shipley’s hilarious illustrations perfectly convey Bucky’s impatience as well as his confidence in his baking prowess. As Bucky’s forest friends help him create his cake, their roles are all the more comical for Shipley’s understated depictions. Clever juxtapositions and well-loved cartoon tropes add to the fun. As the animals—all except one—reject (and eject) the cake, kids will laugh but also empathize with Bucky’s now-sheepish and disappointed expression.

A masterful collaboration between story and art, This Is a Birthday Cake is a humorous and heartfelt must for fans of the series and newbies alike. The book will become a quick favorite on home, school, and public library bookshelves.

Ages 4 – 8

Oni Press, 2022 | ISBN 978-1637150450

You can connect with Andrew Cangelose and Josh Shipley on Twitter.

You can read my review of This Is a Flying Rat here.

National Culinary Arts Month Activity

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Don’t Whisk Losing Your Page Bookmark

The author’s of your favorite books have cooked up such fantastic stories that you don’t want to risk missing a word! To make sure that doesn’t happen, use this culinary-themed bookmark!

Supplies

Printable Don’t Whisk Losing Your Page Bookmark
Poster board
Glue

Directions

Print your bookmark
Glue it to the poster board
Cut out the bookmark
Slip it into the book you’re reading now!

**You can find This Is a Birthday Cake at these booksellers**

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

July 28 – Beatrix Potter Day

Posted by Kath Carroll

About the Holiday

On this date in 1866, one of the world’s most beloved children’s authors was born – Beatrix Potter. Her twenty-three books about Peter Rabbit and his friends have enchanted children for generations, and the tale of how The Tale of Peter Rabbit came to be is as full of twists and turns as any good story – as you’ll see in today’s book. To celebrate today, why not go to your bookstore, library, or maybe even your own bookshelf at home and enjoy spending some time in the garden with Peter.

Saving the Countryside: The Story of Beatrix Potter and Peter Rabbit

Written by Linda Elovitz Marshall | Illustrated by Ilaria Urbinati

At home in London, young Beatrix Potter loved drawing and painting pictures of her pet rabbit, Benjamin Bouncer and other woodland creatures. Beatrix and her brother didn’t go to school but were taught at home under a strict daily timeline. “Then came summer and … freedom! During the summer, Beatrix’s whole household—pets included—moved to a country house where there were ducks, chickens, cows, and a garden.

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Image copyright Ilaria Urbinati, 2020, text copyright Linda Elovitz Marshall, 2020. Courtesy of little bee books.

When Beatrix’s brother grew a little older, however, he went away to a boarding school while Beatrix had to stay home. “But Beatrix wanted to do something important, something that mattered. She often helped her father with his hobby, photography.” She visited artists’ studios and museums. She learned about art and how to make her drawings better.

She made more pictures of Benjamin Bouncer and sent them to publishers. One publisher put her drawings on the front of greeting cards, and Beatrix began making money from her work. But Beatrix was also interested in the science of nature. She even wrote a paper about mushrooms and hoped to have it printed in a scientific journal, but it was rejected. Beatrix was disappointed but went back to drawing.

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Image copyright Ilaria Urbinati, 2020, text copyright Linda Elovitz Marshall, 2020. Courtesy of little bee books.

Then one day, to cheer up a sick child, Beatrix wrote and illustrated a story about Peter Rabbit. Later, she submitted it to publishers. When they told her they weren’t interested, she had books printed herself. She sold every copy—the second batch too. Finally, a publisher agreed to print her books. Beatrix went on to write more and more stories. At last she had fulfilled her dreams of creating something important. She was also an excellent marketer and self-promoter, and “soon people all over the world knew about Peter Rabbit, and they knew about Beatrix Potter too.”

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Image copyright Ilaria Urbinati, 2020, text copyright Linda Elovitz Marshall, 2020. Courtesy of little bee books.

As Beatrix grew older, she couldn’t draw in the way she had, but that didn’t mean she left the countryside behind. She wanted to protect the farmland she loved. She helped farms and families, paying for needed veterinary care for animals when the farmers couldn’t afford it and for a nurse when the flu hit. Beatrix Potter’s life was made up of so many things that mattered. Not only did she give the world the beloved Peter Rabbit and his friends, but through donations of farms and acreage she “made sure the land would be cared for, protected, and cherished. Forever.”

An Author’s Note about how she came to write this book and more information on Beatrix Potter’s legacy follows the story.

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Image copyright Ilaria Urbinati, 2020, text copyright Linda Elovitz Marshall, 2020. Courtesy of little bee books.

Linda Elovitz Marshall’s delightful and surprising biography of Beatrix Potter delves into the depths of her desire to make a difference with her life. A woman far ahead of her time, Beatrix Potter remains an inspiration for each new generation of readers not only for her well-loved stories but for her community work and foresight. Marshall’s thorough and well-paced story will captivate today’s children, who have the same hopes as Beatrix to influence the world with their talents and opinions. Marshall’s descriptions of Beatrix’s later largesse swell the heart and readers’ admiration for this exceptional woman.

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Image copyright Ilaria Urbinati, 2020, text copyright Linda Elovitz Marshall, 2020. Courtesy of little bee books.

Linda Marshall’s words are set among Ilaria Urbinati’s exquisite illustrations that take children inside Beatrix Potter’s world at home in London and out to the countryside she adored. Her delicate and detailed renderings of young Beatrix drawing with her pet Benjamin Bunny by her side, the farm where she spent summers, her scientific explorations, and her later successes immerse readers in the late 1800s to mid-1900s, allowing them to experience the environments that created one of the world’s most beloved authors. Urbinati’s glorious panoramas of the lake district farms that Beatrix saved are breathtaking and inspiring in their beauty.

For fans of Peter Rabbit and any lover of children’s literature, Saving the Countryside: The Story of Beatrix Potter and Peter Rabbit is a must. Stirring on so many levels, the book will inspire multiple readings as well as the discovery or rediscovery of Beatrix Potter’s tales. Perfect for home, school, and public library collections for story times and to enhance language arts lessons and even nature science studies.

Ages 4 – 8

little bee books, 2020 | ISBN 978-1499809602

Discover more about Linda Elovitz Marshall and her books on her website.

To learn more about Ilaria Urbinati, her books, and her art, visit her website.

Great Outdoors Month Activity

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Grow a Vegetable Garden Board Game

As all readers know, Peter Rabbit loved vegetable gardens. With this fun game you and your family can grow your own gardens inside! Roll the dice to see whose garden will fully ripen first!

Supplies

Printable Garden Plot Game Board
Printable Vegetable Playing Cards: Page 1 | Page 2
Printable Vegetable Playing Die
Black or brown crayon (optional)
Card stock or heavy paper for printing (optional)
Tape
Scissors

Directions

Object: The object of the game is for each player to fill their garden rows with vegetables. Depending on the ages of the players, the required winning number of rows to fill and the number of vegetables to “plant” in each row can be adjusted.

Print one Game Board for each player
Print one set of Playing Cards for each player (for sturdier playing items, print on card stock)
Print one Vegetable Playing Die and assemble it (for a sturdier die, print on card stock)
Cut the vegetables into their individual playing cards
Color the “dirt” on the Garden Plot with the crayon (optional)
Choose a player to go first
The player rolls the die and then “plants” the facing vegetable in a row on the game board
Play moves to the person on the right
Players continue rolling the die and “planting” vegetables until each of the number of determined rows have been filled with the determined number of vegetables.
The first person to “grow” all of their veggies wins!

**You can find Saving the Countryside: The Story of Beatrix Potter and Peter Rabbit at these booksellers**

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

February 3 – World Read Aloud Day and Interview with Andy Harkness

Posted by Kath Carroll

About the Holiday

Sponsored by global non-profit LitWorld and Scholastic, World Read Aloud Day encourages reading aloud to children not only today but every day. Reading aloud to children from birth is one of the best ways to promote language development, improve literacy, and enjoy bonding time together. Millions of people celebrate today’s holiday all across the United States and in more than one hundred countries around the world. Typically, special events are held in schools, libraries, bookstores, homes, and communities, and authors and illustrators hold readings and visit classrooms. This year, you can find virtual read alouds, live events on Instagram, Facebook, and Youtube, printable games, and book lists as well stickers, bookmarks, posters, and a reading crown to decorate, when you visit LitWorld.

Thanks go to Bloomsbury Children’s Books for sending me a copy of Wolfboy for review consideration. All opinions of the book are my own. I’m also thrilled to be teaming with Bloomsbury in a giveaway of the book. See details below.

Wolfboy

By Andy Harkness

The full moon hung in the sky like a golden, frosted cupcake. Down below in the darkened forest Wolfboy was on the prowl. “He was HUNGRY. ‘Rabbits, rabbits! Where are you?’ he howled.” But he could find no rabbits. He “sploshed” into the creek, but no rabbits answered his calls. Not only was he “HUNGRY,” now he was also “HUFFY.” He climbed to the top of a very tall oak tree and scoured the ground far and wide. No rabbits. In addition to being “HUNGRY” and “HUFFY,” Wolfboy had become “DROOLY. He needed rabbits.”

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Perhaps they were hiding in the bog, but there he only saw three crocodiles swimming his way. It made Wolfboy feel “GROWLY.” He made a daring leap into Moonberry Meadow. Surely, the rabbits were here. But no. Wolfboy could hardly contain himself. “he was HUNGRY and HUFFY and DROOLY and GROWLY and FUSSY.” He stomped and thrashed and leaped and menaced. He was done with rabbits, and he let the world (and those skittish rabbits) know it.

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But then he heard a rustle and a snap. He focused his attention and saw some tell-tail signs. “Wolfboy crouched low” just as a warren-full of little bunnies emerged into the clearing. Wolfboy showed his teeth. His roar shook the forest. “‘Rabbits, where have you been? You’re late for our feast!’” But the rabbits just giggled and brought out the moonberry pie they’d made him. In a frenzy Wolfboy “CRUNCHED and MUNCHED and GOBBLED and GULPED!” When the pie was gone, Wolfboy explained that he had just been so, well… HUNGRY. But now he felt better and there was one huge happy rabbit hug for dessert.

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Andy Harkness’s cumulative tale will get kids, who well-know that ravenously hungry feeling, up and growling along as Wolfboy goes from Hungry to Happy with all the personality-changing gastronomical feelings in between. Harness’s dialogue-rich storytelling is a delight, ripe for dramatic read alouds. The forest setting, with its creek, bog, oak, and ravine, inspires evocative vocabulary that enhances the suspense. What could this sharp-toothed, famished Wolfboy want with the rabbits? There could only be one thing… or could there? The endearing ending reaffirms that those Hangry wolves in our homes need only a little (or a big) treat to return to their true puppy natures.

Visually stunning, Harkness’s illustrations, built with clay and then photographed, immerse readers in extraordinary textured, intricate, and shadowy landscapes that beg close study. Neon blue Wolfboy, with his furrowed unibrow, rows of chicklet teeth, and long arms that waggle in hilariously menacing poses will have kids laughing out loud. And where are those rabbits? On every page! The little animal cracker-sized bunnies pop up in the most surprising places, and you can bet that you’ll hear plenty of “there’s one!” “I see two!” and “Let’s count them!” as you turn the pages.

For kids who love raucous, laugh-out-loud story times, those who appreciate exceptional art and the wonders of claymation, and readers who prefer their beasts to be big softies, Wolfboy is a must for home, school, and public library collections.

Ages 3 – 6

Bloomsbury Children’s Books, 2021 | ISBN 978-1547604425

Discover more about Andy Harkness, his books, movie work, and art on his website.

Meet Andy Harkness

celebrate-picture-books-picture-book-review–Andy Harkness author photo

Andy Harkness is an award-winning art director who has worked on Moana, Frozen, and Wreck-it-Ralph, among other movies. After twenty-five years at Disney, he recently moved to Sony Pictures Animation. Andy’s first book, Bug Zoo, was published by Disney as an Artist Showcase Book in 2016. He lives in California with his family. You can connect with Andy on His Website | Instagram | Twitter

I’m thrilled to be talking with Andy Harkness about his inspiration for Wolfboy, his process in creating the incredible illustrations, one of his biggest challenges, and more!

I think everyone can empathize with ravenously hungry Wolfboy! Where did the idea for your story come from?

I have always loved scary stories. In particular, werewolf stories. It’s the transformation that intrigues me. In 2005, I took a first pass at a story but it really didn’t go anywhere until my wife and I had children. We noticed an incredible transformation when they were hungry. Our little angels became little monsters. And the story of Wolfboy was born!

The shape of Wolfboy is so perfectly funny and menacing. Did his look undergo many revisions? How did you decide on the final design?

He went through so many revisions! Initially, he had a red striped shirt and blue jeans. Then he was a very detailed brooding character with huge hands and feet. When I was working on the rough design for the cover, I quickly drew him in blue. I wasn’t trying to design him at that moment but suddenly, there he was. He looked fierce but really funny. His final design is almost exactly like that quick sketch. One thing he always had was big pointy ears. I wanted him to be a very recognizable shape when he was small on the page.

CPB – Andy Harkness_Question 2

Which brings us to your stunning pages, which are all entirely made from clay. Can you take readers through your process of making the pages? How long did it take you to carve all the settings and characters?

I start with a loose drawing that is projected onto a piece of glass, or is taped beneath the glass.

Andy Harkness_Question 3

Using super sculpey polymer clay, I sculpt as much as possible by hand and use a few tools for the smallest details. When the sculpt is done, it is positioned near a window to get interesting natural light and shadow on the surface.

CPB - Andy Harkness_Question 3 process

Then it’s photographed and the colors painted in layers in photoshop. The trick is to do as little touch up to the clay as possible. My fingerprints are literally all over this book! Each sculpt was redone at least two times. The first attempt was really for working out the problems so that the second attempt went smoothly. From start to finish, the sculpts that are in the book were done over the course of a year. Some took a day or two, others weeks, one took a whole year! I usually worked on several at the same time.

Andy Harkness_Question 3 process

Readers might be interested in this behind-the-scenes video I made showing how I created the shadowy tree illustration near the beginning of the book.

The colors and shadowing you achieve is amazing and really immerses readers in the suspense of the story and their own hunt for rabbits on each page. Do you have a favorite spread? Was there one that was the most difficult?

Great question and thank you! I am inspired by old black and white horror movies and really wanted to bring that dramatic lighting into the book. My favorite spread is when Wolfboy leaps over the steep ravine. I think the symmetry and how it’s lit from beneath make it feel like a stage. Very theatrical. The hardest spread by far was the “creaky old oak” spread. That sculpt was redone 6 times before I was happy. And the reflection in the water is sculpted as well. I worked on that one on and off for about a year.

You’re currently working as the Art Director on Vivo, coming from Sony Animation Pictures later this year and you’ve previously worked for Disney. In these positions you’ve helped create many kid-favorite blockbusters, such as Moana, Frozen, Tangled, and Wreck-it-Ralph among many others. Can you briefly describe for kids (and maybe future animation artists) the steps as an animated feature is conceptualized, designed, and ultimately put together? What was one of the biggest challenges you’ve faced on a movie you’ve worked on? One of the best surprises?

It starts with a great idea. Early concept paintings are done to get everyone excited about the project. As the story develops, a visual style and color palette is created to support it. A character designer develops the characters while working closely with the production designer to make sure the shape language is consistent with the backgrounds. Then a literal army of talented modelers, riggers, animators, special effects artists, layout artists and lighters begin to build the world we see on screen. It’s an incredible undertaking actually. If it’s done right, it’s like a finely tuned orchestra.

The biggest challenge I’ve ever faced was designing Motu Nui, Moana’s home island. Everything was researched and done with the utmost respect for the culture. We had South Pacific advisors with us the whole time. Every plant and tree was what would have been there 3000 years ago. A botanist helped us make sure of that. From the positioning of the village in the valley, to the various fales (homes and other structures), everything was as accurate as we could make it. Armed with all that knowledge, I sculpted that island in clay. That fragile sculpt is sitting in the Disney Archives today. The head of layout, head of environments, head of modeling, and myself won a VFX award for Outstanding Created Environment in an Animated Feature.

The biggest surprise happened on my current show, VIVO. I had the opportunity to collaborate with one of my heroes, Sir Roger Deakins, on the lighting and color for the movie. Still can’t believe it!

In addition to writing and illustrating Wolfboy, you’ve also illustrated Bug Zoo and The Ballad of Nessie. What do you like best about being a writer and illustrator for kids?

I think for me it really boils down to hearing that a kid loves one of my books so much the cover has fallen off. It’s how I felt about certain books as a kid. They sparked magic in my mind and I hope to give that back now through my own books.

What’s up next for you?

Well first up, I hope to do another Wolfboy book! After that I have several more children’s book ideas bouncing around in my head.

I will probably be working on a few more animated films, but one day I really hope to focus solely on writing and illustrating children’s books.

Thanks so much for this wonderful chat! Your work is amazing, and I’m sure readers are thrilled to learn more about it. I wish you all the best with Wolfboy – I really hope there will be a second Wolfboy adventure!

World Read Aloud Day Activity

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I Love Reading Bookmarks

If you love to read then you know that sometimes you want to mark a favorite page or remember where you left off. With these special World Read Aloud Day bookmarks, you can do it in style!

World Read Aloud Day Bookmarks to Color | Colorful World Read Aloud Day Bookmarks

**You can find Wolfboy at these booksellers**

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

April 1 – National Siblings Day

Posted by Kath Carroll

About the Holiday

National Siblings Day gives people a chance to honor the special bond they have with their brothers and/or sisters. Whether you come from a big family or small, are the oldest, youngest, or somewhere in between, your siblings have had a big influence on your life. Today, take a little time to text or call and do a little reminiscing. At home, engage in some special sibling-bonding fun!

Elsie

Written by Nadine Robert | Illustrated by Maja Kastelic

Elsie Filpot had six siblings—“Francis, Florian, the twins Flavie and Franzi, Fernand, [and] Felice.” They loved to go fishing on sunny Sundays. On this Sunday, each brother and sister gathered something for the trip. But little Elsie didn’t feel like going. She had “better things to do.” But her siblings shouted, “‘YOU ARE COMING ALONG, ELSIE!’” So Elsie tagged along.