October 6 – It’s National Carry a Tune Week

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About the Holiday

Celebrating its 17th year, Carry a Tune Week, sponsored by the Center for American Music Preservation (CAMP), invites everyone to enjoy American music from the past. If you have a favorite tune, today’s the time to sing, hum, or whistle it! If can’t choose a favorite, CAMP has you covered. This year’s tune is the theme song from the movie Casablanca. You must remember that! Oh! I mean…You must remember this: “As Time Goes By.” If you’d like to check out tunes from previous celebrations, visit the American Music Preservation website.

Twinkle, Twinkle, ABC

Written by Barney Saltzberg | Illustrated by Fred Benaglia

 

When you hear the words twinkle, twinkle, little star, it’s almost impossible not to think of the nursery song. When you hear the letters ABC, you might again think of a nursery song. In fact, you’re thinking of the same tune! And that tune? It sure is a catchy one! So catchy that once learned those songs, they stay with you forever. Barney Saltzberg has taken delightful advantage of this whimsy in Twinkle, Twinkle, ABC.

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Image copyright Fred Benaglia, 2017, text copyright Barney Saltzberg, Courtesy of Phaidon Press.

The sing-along, read-aloud starts like this: “Twinkle, twinkle, ABC, / A mixed-up, mashed-up melody. / A twinkly star, an alphabet, / Just how silly can we get? / Twinkle, twinkle, ABC. / Next time won’t you play with me?” From there the song takes flight with kids soaring over a city on the wings of birds. Next, the skyscrapers become multi-colored pillars for the kids to hop on and leap over. Coming back to the alphabet, readers are treated to: “Twinkle, twinkle, ABC, / Don’t forget D E F G. / A cow can MOO, and twirl and spin, / Left leg out, right leg in. / Twinkle, twinkle, ABC, A mixed-up, mashed –up jamboree!”

celebrate-picture-books-picture-book-review-twinkle-twinkle-abc-birds

Image copyright Fred Benaglia, 2017, text copyright Barney Saltzberg, Courtesy of Phaidon Press.

Now the children meet up with a bear, who leads them on a tightrope walk while they “Growl” and “GRRR.” That bear is pretty talented too, strumming a banjo on his knee to introduce H I J K L M N O P. Moving to the forest, the kids play a game of hide-and-seek with Q R S T U V and swing from branches like leaves blown in the wind. Just in the nick of time, a colorful caterpillar strolls by wearing sensible shoes, a jaunty hat, and the letters W X Y and Z. The jangly jingle begins again and the friends grasp hands and sing. But are they getting sleepy after their busy day? “We TWEET and MOO and GRRR and WHOOSH, / Singing, quietly, softly, shush. / Twinkle, twinkle, ABC. / A mixed-up, mashed-up, zzzzzz.”

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Image copyright Fred Benaglia, 2017, text copyright Barney Saltzberg, Courtesy of Phaidon Press.

Barney Saltzberg’s exuberant combination of two favorite songs will have kids up and dancing on the first read and singing along on the second and all subsequent reads. Along the way Saltzberg uses familiar lines from both songs and even throws in a bit of direction from the Hokey-Pokey. Saltzberg’s perfect rhythm and rhymes make this book a joy to read or sing aloud. and his bouyant words will inspire plenty of action-packed story times.

celebrate-picture-books-picture-book-review-twinkle-twinkle-abc-holding-hands

Image copyright Fred Benaglia, 2017, text copyright Barney Saltzberg, Courtesy of Phaidon Press.

Adding to the fun are Fred Benaglia’s lively and fanciful illustrations in which three children ride birds, slide on the letters of the alphabet, and play on a tightrope. Along the way they meet an orange, banjo-playing bear, a tutu-wearing cow, and a snazzy caterpillar who also join in the fun. The rhythm of the song is even helped along with clever placement of the letters, as when Q R S are divided from T U V by a tree trunk, reminding singers and readers to pause for just a moment between the runs. Benaglia’s color palette is vibrant and his perspectives eye-catching, making this “mixed-up mash-up” a letter-perfect book.

Twinkle, Twinkle, ABC is a picture book kids will love to interact with. It would make a much-appreciated baby gift or birthday gift and an often-read or sung addition to classroom and home libraries.

Ages 1 – 4

Phaidon Press, 2017 | ISBN 978-0714875071

Discover more about Barney Saltzberg and his books on his website.

View a gallery of illustration and art work by Fred Banaglia on his website.

National Carry a Tune Week Activity

celebrate-picture-books-picture-book-review-it's-instrumental-game

It’s Instrumental! Game

 

Carrying a tune is easier when you’re accompanied by musical instruments. Play this game to acquire a full orchestra to back up your singing!

Supplies

Directions

  1. Print the Paper Cube Template, cut it out and assemble the cube die.
  2. Print the Musical Instruments cards, cut out cards, and separate the instruments into piles
  3. Players take turns rolling the die cube to collect musical instrument cards
  4. The first player to collect all 6 instrument cards is the winner

Picture Book Review

September 16 – It’s Classical Music Month

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About the Holiday

Classical music has been an inspiration since the earliest instruments were created. The talent and imagination of great composers of the past has been passed down from generation to generation of music lovers, influencing new music all along the journey. To celebrate this month’s holiday, take in a classical music concert or performance or listen to your favorite (or a new) classical music station. If you’ve always wanted to learn to play the piano, violin, or other instrument, take the opportunity this month to sign up for lessons!

Hana Hashimoto, Sixth Violin

Written by Chieri Uegaki | Illustrated by Qin Leng

 

When Hana Hashimoto told her brothers that she had signed up to play her violin in the talent show, they laughed.  “‘That’s just loopy,’” Kenji said, and Koji added ‘‘You can barely play a note.’” They reminded her that it was a talent show and that she was just a beginner. But Hana didn’t listen. “It was true that she was still a beginner. She had only been to three lessons.” But playing the violin was in her blood. Her grandfather, Ojiichan, had once been Second Violin in a symphony orchestra in Kyoto, Japan and had even played for the Imperial Family.

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Image copyright Qin Leng, 2014, text copyright Chieri Uegaki, 2014. Courtesy of Kids Can Press.

Hana had visited her grandfather that summer, and the sweet notes of his playing had coaxed “her awake as gently as sunshine” every morning. In the evenings her grandfather would take requests from Hana and her brothers. “Hana always asked for a song about a crow cawing for her seven chicks. Whenever Ojiichan played it, Hana would feel a shiver of happy-sadness ripple through her.”

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Image copyright Qin Leng, 2014, text copyright Chieri Uegaki, 2014. Courtesy of Kids Can Press.

Ojiichan’s playing was like magic. He could make the violin chirp like crickets, plink like falling raindrops, and send fireflies dancing. At the end of the summer, Hana had decided she also wanted to play the violin and her parents agreed. Hana practiced every day even though her brothers ran away with their hands over their ears. She played for her parents, for her dog, JoJo, and for a photograph of Ojiichan. Sometimes she pretended to play for “an audience so appreciative they called for encore after encore.”

On the night of the talent show, Hana waited backstage for her turn “with a walloping heart.” Five other violinists had already gone before her. Finally, she heard her name. As she strode across the stage as wide as a desert, she had a fleeting feeling that her brothers had been right—that her performance was going to be a disaster. But when she reached her spot near the microphone and gazed out at the audience, she saw her best friend and her parents smiling at her.

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Image copyright Qin Leng, 2014, text copyright Chieri Uegaki, 2014. Courtesy of Kids Can Press.

Hana took a deep breath and let it out. Suddenly, “everyone seemed to disappear beyond the light shining down on her like a moonbeam” and she remembered her grandfather’s words: “‘Gambarunoyo, Hana-chan.’ Do your best.” Hana told the audience, “‘This is the sound of a mother crow calling her chicks.’” She “played three raw, squawky notes.” Then she played the yowl of her neighbor’s cat at night and the plucky droplets of rain on a paper umbrella. Hana played a world of special sounds, from buzzing bees to squeaking mice to croaking frogs. When she had finished, she said, “‘And that is how I play the violin.’” Then she took a bow.

Later that night Kenji asked Hana for an encore, and she happily played her piece again. Next year, Hana thought, she might be able to play one of her grandfather’s melodies. Before she went to sleep, Hana played another piece she had been practicing. “She imagined that the notes would drift out through the window, past the bright rabbit moon and beyond, and Ojiichan would hear them and smile.”

celebrate-picture-books-picture-book-review-hana-hashimoto-sixth-violin-hana-bows

Image copyright Qin Leng, 2014, text copyright Chieri Uegaki, 2014. Courtesy of Kids Can Press.

Chieri Uegaki’s gorgeously told story of a little girl’s first performance with her new violin rings true on every page, from her being inspired by her grandfather to her own inspirational performance. Uegaki’s descriptions of the melodies that capture Hana’s heart are as beautiful as the music itself and are a joy to read. Hana’s continued self-confidence in the face of her brothers’ teasing and her own fear is a wonderful lesson for all children. The brothers’ support of Hana after the talent show is a welcome show of familial love, and the touching ending offers encouragement and happiness.

Young readers will love Qin Leng’s evocative illustrations that follow Hana on her musical journey. Notes from the violin pieces Hana admires float from page to page—from her grandfather’s home in Japan to her own room—tying together not only Hana’s fondness for the violin but her love for her grandfather. Beautiful touches, such as an image of Hana reflected in a pastel blue rain puddle and a night sky twinkling with fireflies, mirror the wonder of childhood, when everything is new and possible.

Hana Hashimoto, Sixth Violin is refreshing encouragement for any child engaging in new experiences or activities. The book’s warmth and inventiveness make it a wonderful gift or addition to home libraries.

Ages 4 – 8

Kids Can Press, 2014 | ISBN 978-1894786331

Enjoy this Hana Hashimoto, Sixth Violin book trailer!

Classical Music Month Activity

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Musical Kids Find the Differences

 

These two kids are performing a duet! Can you find all of the differences in the second picture on this printable Musical Kids Find the Differences?

Picture Book Review

June 21 – Make Music Day

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About the Holiday

Make Music Day first rang out in 1982 in France as the Fête de la Musique. Celebrated by young and old, professional musicians and amateurs, the day invites all to make and share their music. People in more than 750 cities and towns in over 120 countries participate in this creative holiday.

Ada’s Violin: The Story of the Recycled Orchestra of Paraguay

Written by Susan Hood | Illustrated by Sally Wern Comport

 

Ada Ríos is growing up in Cateura, a town built of trash as the main garbage dump for the capital city of Paraguay. Every morning the refuse trucks rumble into town to deposit their loads—1,500 tons of trash every day. The citizens of Cateura—gancheros or recyclers—go to work sifting through the mounds and tearing into bags looking for anything valuable enough to recycle or sell. Cardboard is worth 5 cents a pound, plastic 10 cents a pound.

Ada knows the landfill can hold surprises—“Her father, a ganchero, had found appliances, toys, perfumes, and antique watches.”—but she can never imagine what it holds for her. When Ada and her sister were little, their grandmother watched them while their parents worked. They loved to listen to music, to sing, and to learn stories of musicians and the sounds of different instruments. Ada fell in love with the violin.

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Image copyright Sally Wern Comport, text copyright Susan Hood. Courtesy of simonandschuster.com

As the girls grow older and go to school, they venture farther into town, but there is little to fill their time. Many kids join gangs or get into fights. When Ada is 11 her grandmother signs her and her sister up for music lessons being offered by a new man in town named Favio Chávez. “Ada’s heart sang out” when she hears the news. On the first day ten children show up to play the five instruments available. But a bigger problem looms: the three guitars and two violins cannot be taken home for practicing as they are magnets for thieves. In Cateura a violin is worth more than a house.

But Favio Chávez has an idea. With help from Nicolás Gómez, a ganchero and carpenter, they pull bits and pieces from the landfill. An old broken drum and an X-ray film become a workable drum, water pipes become flutes, packing crates become guitars and violins, and oil drums become cellos. “Ada chose a violin made from an old paint can, an aluminum baking tray, a fork, and pieces of wooden crates. Worthless to thieves, it was invaluable to her. It was a violin of her very own.”

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Image copyright Sally Wern Comport, text copyright Susan Hood. Courtesy of simonandschuster.com

The children practice tirelessly outside in 100-degree heat until the initial “screeches, twangs, and tweets hit all the right notes. Their class became ‘a small island’ where Chávez taught them to respect themselves and one another.” They become known as The Recycled Orchestra. Music now fills the air, adding a soundtrack of beauty to the grueling work. The orchestra is soon invited to play concerts in Cateura and the capital city of Asunción. When word spreads of their talent, the children receive offers to play from other cities and even other countries.

When Ada is 16 The Recycled Orchestra is invited to tour with a world-famous rock band. As Ada takes the stage in front of 35,000 people in Bogotá, Colombia, she is afraid, but the audience cheers for them and sings along as they play. On that night the children discover a new life. “Buried in the trash was music. And buried in themselves was something to be proud of.”

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Image copyright Sally Wern Comport, text copyright Susan Hood. Courtesy of simonandschuster.com

An extensive author’s note plus a photograph of The Recycled Orchestra, lists of websites, videos and sources follow the text.

Ada’s Violin is also available in a Spanish edition—El violín de Ada: La Historia de la Orquesta de Instrumentos Reciclados del Paraguay.

Susan Hood has brought to light an incredible story of perseverance, hope, and the ability of music and other arts to provide opportunities and self-confidence that change lives. Told with unstinting honesty and sensitivity, Hood’s biography of Ada Ríos, Favio Chávez, and The Recycled Orchestra will inspire all who read it. The well-paced text offers revealing details on every page and flows with a lyrical quality that enhances the effect of the story and its impact. From the first sentence to the last, both children and adults will be riveted to The Recycled Orchestra.

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Image copyright Sally Wern Comport, text copyright Susan Hood. Courtesy of simonandschuster.com

Sally Wern Comport’s paintings beautifully capture the human spirit that shines through and drives people to astonishing achievements even in the most adverse conditions. With intricately created collages of rich hues, Comport depicts the town of Cateura and the mountains of trash the citizens work and play on. Warm lighting illuminates faces full of dreams and love. Readers will linger over depictions of the instruments workshop and cheer along with the concert audience as the children receive recognition. The full-bleed, two-page spreads echo the expanded world music gave to the children in the orchestra and the adults who heard them as music score confetti flutters throughout.

Both school classrooms and home libraries will benefit from the stirring message of Ada’s Violin.

Ages 4 and up

Simon & Schuster Books for Young Readers, 2016 | ISBN 978-1481430951 (English edition); 978-1481466578 (Spanish edition)

Discover more about Susan Hood and her books, plus fun activities for kids and information for teachers and parents on her website!

View a gallery of Sally Wern Comport’s artwork on her website!

Make Music Day Activity

celebrate-picture-books-picture-book-review-homemade-musical-instrument

 

Make Your Own Musical Instrument

 

Inspiration for sound can come from almost any object! Look around your house or classroom and discover the music in boxes, cans, blocks of wood, plastic egg cartons or deli containers, and more. Add string or wire for plucking, sticks for drumming, or beans for shaking. With a little glue, tape, or hardware and some creativity, you’ll be making your own rhythms in no time!

Supplies for the stringed instrument shown in the picture above

  • Tin can
  • Two small L brackets
  • Piece of wooden molding, 2 1/2 feet by 1 1/2 inches by 3/4 inches
  • Five small strips of wood to raise the wire off the neck of the instrument. I used long wooden fireplace matches cut into 1 1/2″ sections 
  • Thin wire
  • Small circular hook screw or regular screw
  • Two tacks
  • A nail, screw, or piece of wood that will fit horizontally in the mouth of the can
  • a small nail to make a hole in the can
  • Hammer
  • Strong Glue
  • Paint
  • Foam decorative dots

Directions

  1. Paint the wood and let dry
  2. Paint the small strips of wood and let dry
  3. Decorate the can with paint, sticker, duct tape, or paper
  4. With the hammer and small nail, make a hole in the center of the bottom of the can
  5. Wrap one end of the wire around the nail and glue so it is firmly in place
  6. Feed the other end of the wire through the hole in the bottom of the can
  7. Screw or glue two L brackets to one end of the wood molding so that the bottom of the L is flush with the bottom of the wood molding and there is space between the brackets. This makes the neck of the instrument
  8. Screw the circular or regular screw into the top, center of the wooden molding
  9. When the wooden match strips are dry, glue three match strips side-by-side 3 inches from the top of the molding. Glue two more match strips, one on top of the other on the center strip.
  10. When the L brackets are dry, glue them (and the neck of the instrument) to the can, making sure the brackets are on either side of the hole in the can. Make sure the wire is out of the hole. 
  11. When the brackets are firmly attached to the can, pull the wire to the top of the neck. Settle it in the center of the small pieces of wood, so that the wire is not touching the neck.
  12. Wrap the wire around the screw at the top of the molding until it is firmly in place and the wire is taut. 
  13. Secure the wire to the neck with the tacks
  14. Mark the “frets” with the foam dots

Picture Book Review

 

May 25 – National Tap Dance Day

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About the Holiday

Starting out as an assignment on Congressional legislation for George Washington University graduate student Linda Christensen, Tap Dance Day has become an international celebration of this quick-stepping, staccato-rhythmed art form that is a favorite in movies, on the stage, and in dance schools. Established in 1989, Tap Dance Day brings together professionals and amateurs in shows, workshops, and tap jams around the world. Why not take in—or even perform in—a tap dance show to celebrate?

Feel the Beat: Dance Poems that Zing from Salsa to Swing

Written by Marilyn Singer | Illustrated by Kristi Valiant

 

The rhythms of dance and the cadence of poetry create a natural pairing as these seventeen poems that celebrate the moves, music, and thrill of dances from around the world demonstrate with toe-tapping joy.

In Cha-Cha a boy attending his Uncle Nate’s birthday party learns the cha-cha from his grandma. At first he says “I don’t / know these moves. / My fee / feel like hooves.” But then “something clicks! / Okay, it’s old school. / I say, / cha-cha’s cool!”

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Image copyright Kristi Valiant, courtesy of kristivaliant.com

While the kids at school brag about their parents’ jobs, one boy has them beat in Hip-Hop: “No fumbling, no bumbling, / my pops is tops at tumbling. / He’s elastic, so fantastic. / Papa’s so gymnastic!” But while Dad “will swipe and windmill” and “slide on his knees, / do lots of flares and coin-drops” and “boomerang and freeze,” the boy adds “…wait / until you see my mom!”

Is it meringue or Merengue? Maybe a bit of both…because doing it right means “Moving sideways, / turning wrists, / while we do / our pretzel twists. / We sway our hips, we shift our legs, like we’re whipping / lots of eggs.”

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Image copyright Kristi Valiant, test courtesy of Marilyn Singer. Courtesy of kristivaliant.com

It’s fun to let go when learning the Salsa. All you need is to “Feel the beat / in your feet, / in your heart. / Then you start.” So “Don’t be shy. / Come on try. / In this class, / show some sass.” If only shopping could be so entertaining…. But, wait! Maybe Conga is the solution. “We’re at the MALL. / I’m very BORED. / I hate the STORES, / I hate the HORDE…. / ‘Just one more SHOP’ / turns into FOUR. / I’m gonna SCREAM, / I’m gonna ROAR.” Then music starts and a line grows long—“Uh uh uh, KICK! / You cannot WHINE / when you are ON / a conga LINE! / Uh uh uh, KICK! / A flash mob BALL! / Keep shopping, MOM! / I love the MALL!”

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Image copyright Kristi Valiant, courtesy of kristivaliant.com

The library may be a quiet, staid place most of the time, but Swing Dance takes over one special library. “On the plaza in July, / underneath the summer sky / where you can get to hear good bands, / kick your feet, wave your hands, / we’re gonna swing. / That’s our new thing / We’re gonna swing!” A boy and his mom have joined lots of other dancers having fun on the square— “We step…step… / rock step. / we’re full… / of pep. / We Lindy hop. / Bibbidy-bop! / We Lindy hop!”

And for those kids who look at the Square Dance unit in PE with trepidation, this girl feels the same: “Got a partner, lost my shoe. / Allemande left? I haven’t a clue….Did that caller give a cue? / Don’t promenade me. Shoo, boy, shoo!…Bow to Francisco, bow to Sue. / One more swing. It’s over! Whew! / I tried real hard, but alas, it’s true. / I’m flunking out of square dance!”

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Image copyright Kristi Valiant, courtesy of kristivaliant.com

Other poems introduce the Foxtrot, Hora, Samba, Two-Step, Argentine Tango, Waltz, Bhangra, and Polka. Notes about each dance, giving a description, a bit of history, and basic rhythms and steps, follow the text. A CD of dance music is also included.

Marilyn Singer begins her exuberant celebration of dances from around the world with a pair of the reverso poems for which she is well known: All Over the World, Dancing is Joy and Joy is Dancing All Over the World. With this start, Singer invites readers to put on their dancing shoes and enter ballrooms, classrooms, and outdoor spaces filled with music. From birthdays to bar mitzvahs to weddings to spontaneous parties, Singer imbues each experience with the beats, steps, and sometimes missteps of dance with expressive vocabulary and humorous asides. Reading the poems aloud offers its own special treat as the meter of each poem reflects the rhythm of the dance described.

Kristi Valiant’s vibrant two-page spreads put kids in the center of the action where individuals, couples, and groups enjoy groovin’ to the music in their own style. Dancers swirl, stomp, hop, twirl, sway, dip, and kick up their heels on sunny days and under glowing nighttime light. So join in—no experience or partner necessary!

For kids who love music and dance and for those who love poetry of all kinds, Feel the Beat; Dance Poems that Zing from Salsa to Swing is a fun addition to home libraries—and may spark an interest in learning how to perform these dances.

Ages 5 – 9

Dial Books, 2017 | ISBN 978-0803740211

Discover more about Marilyn Singer and her books on her website!

View a portfolio of artwork by Kristi Valiant on her website!

Tap Dance Day Activity

celebrate-picture-books-picture-book-review-dance-word-search

Toe-Tapping Word Search Puzzle

 

People all around the world love to dance! Can you find the names of twenty types of dances in this printable Toe-Tapping Word Search Puzzle? Here’s the Solution!

Picture Book Review

 

May 22 – National Buy a Musical Instrument Day

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About the Holiday

Each year on May 22 we celebrate music and the personal relationship musicians have with their instruments. Some musical artists even consider their instrument such a friend or part of the family that they give them names. Whether you are just starting out on your journey with music or are a seasoned professional, today may be a good day to think about buying your first instrument or adding to your collection.

A Violin for Elva

Written by Mary Lyn Ray | Illustrated by Tricia Tusa

 

While out on a springtime jaunt, little Elva came upon a garden party. There were the sounds of voices and rustling clothes, but Elva heard none of this. Instead, her ears were trained on the music the violinist was playing. Later that night she told her mom and dad that she wanted a violin. She even said please, but they said no.

So Elva found violins elsewhere. She practiced with a tennis racquet and stick; she rehearsed with her toothbrush and tube of toothpaste. When she was called to the board in math class, she wrote more notes than numbers, and when she “should have been going to sleep, she was playing music only she could hear.” Years passed; she grew, made friends and pursued other activities. Soon she was an adult with a job, appointments, and meetings. “But if she saw a page tremulous with music, she remembered what she once had wanted.”

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Image copyright Tricia Tusa, text copyright Mary Lyn Ray. Courtesy of hmhco.com.

She told herself she was too busy to learn to play the violin now, but she began borrowing records from the library. When she listened to them, she felt as if she “had picked up her violin again” and was playing in an orchestra or performing a solo. At the end of the record, Elva filled the silence and empty feeling with all the other things she had to do.

More years passed, and “Elva had many satisfactions and achievements,” but something was still missing. She told herself that she was too old now, “but more and more she kept imagining what might have been—” Then one day she took some money, went to the store, and bought “a shiny, fragile, varnished violin.”  She hugged it tightly on the way home and once there—without even taking off her coat—she removed it from its case, placed it under her chin, and “pushed the bow across a string.” The violin squeeeked and squeeeeeeeeeeked. But then “she drew the bow back toward her—and the string sang.”

celebrate-picture-books-picture-book-review-a-violin-for-elva-hears-music

Image copyright Tricia Tusa, text copyright Mary Lyn Ray. Courtesy of hmhco.com.

She tried other strings without success, but that one, clear note encouraged her. “‘I will improve,’ she said. But she didn’t” Playing the violin was difficult; she had to hold the bow just right, land on the correct notes, and figure out the fingering for sharps and flats. It was all so confusing that Elva put away her violin.

Then one day she read that “Madame Josephina was accepting beginning students.” Again, Elva took some money and signed up for lessons. Twice a week Elva went to Madame Josephina’s house, and on the days in between, she practiced. At the end of the year, there was a recital. Elva was nervous as she took the stage with the other students. But when she drew the bow across her violin’s strings, Elva realized she “was making music.” That night at home she played her piece again and again. “At last, Elva kissed her bow and went to bed, imagining all the tomorrows. And all the music there was to make.”

celebrate-picture-books-picture-book-review-a-violin-for-elva-buys-violin

Image copyright Tricia Tusa, text copyright Mary Lyn Ray. Courtesy of hmhco.com.

Mary Lyn Ray’s story of a little girl whose lifelong love of the violin is only satisfied in old age reveals to readers that while they may grow and change throughout the years, childhood passions often remain strong. While they may be rejected or forgotten for one reason or another, these interests sometimes indirectly guide career choices or reappear when the time is right for them to be fulfilled. Although it is a violin that captures Elva’s heart, Ray could have chosen from a long list of creative, daring, or professional pursuits that niggle at one’s brain to be acknowledged and expressed. A Violin for Elva offers encouragement and inspiration not only for those who feel that it’s too late to achieve their dreams but for those struggling to overcome the fear of trying.

Tricia Tusa’s watercolor and ink illustrations are as light and graceful as the music that captivates Elva. In lovely vignettes, a garden-party attendee wears an enormous flower hat, Elva’s pet cat swipes a paw at her imaginary music, Elva stops on her way to work to admire a street musician, and Elva hugs her dog close while having tea in sunny window. When Elva finally buys her own violin, all the hustle and bustle of her life stops for a moment and love fills the page as she hugs the instrument while her dog leans affectionately against her leg and both are bathed in a glorious spotlight. Seeing Elva on stage at her first recital surrounded by children half her size, readers will understand that true love never fades and is always attainable.

Ages 4 – 7 and up (adults will also appreciate the book’s message)

Houghton Mifflin Harcourt, 2015 | ISBN 978-0152254834

Discover more about Mary Lyn Ray and her books on her website!

You’ll find a gallery of art work by Tricia Tusa on her website!

National Buy a Musical Instrument Day Activity

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I Love Music! Word Search Puzzle

 

There’s an orchestra of instruments in this printable I Love Music! Word Search Puzzle. Can you find all eighteen different instruments? Here’s the Solution!

Picture Book Review

May 11 – It’s National Photography Month

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About the Holiday

We all know what joy photography brings. Whether you’re looking at professional fine art photos in a gallery or your own vacation pics, those film and digital images can make you see the world in a different way or just as you remember it. The oldest surviving photograph of nature dates back to 1827, when it took days for film to develop properly. Of course, today’s smart phones have changed forever the way we take photos, but the fun of capturing a moment in time will never go out of style.

Jazz Day: The Making of a Famous Photograph

Written by Roxane Orgill | Illustrated by Francis Vallejo

In a marvelously conceived and unique book, Jazz Day: The Making of a Famous Photograph tells the story of how the iconic photograph Harlem, 1958 came together. Through a series of poems, Roxane Orgill reveals the action when fifty-seven jazz musicians posed for Art Kane on an August afternoon in front of an ‘absolutely typical brownstone.’ Over the space of a day, Kane borrowed a camera, blocked off the street, and worked with the musicians who answered the call that went out to the local musicians’ union, recording studios, composers, nightclub owners, and others inviting “all jazz musicians: a photo shoot, no instruments required.”

The day’s beginning is captured in Early: Art Kane, photographer. Art Kane stands in the middle of the deserted street, wondering if his idea to capture The Golden Age of Jazz will become reality: “nobody here yet / it’s only nine / look right / where they come from the train / look left / where they exit a taxi…what if only four come / or five / ‘The Golden Age of Jazz’ / with five guys… / a crazy request / what if nobody shows… / a group from the train / Lester Young cigarette dangling / that funny squashed hat / man with an umbrella rolled tight… / guy in a striped tie / it’s happening.”

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Image copyright Francis Vallejo, text copyright Roxanne Orgill. Courtesy of Candlewick Press.

As the musicians begin to arrive, they talk and laugh among themselves, not listening to Art Kane as he tries to organize them into Some Kind of Formation. But Kane isn’t the only one with a camera today. In So Glad: Milt “Fump” Hinton, bassist and amateur photographer, Hinton is awed by the talent around him and “Glad I brought my Leica / And the Canon 35 / My little Keystone eight-millimeter too / Gave it to Mona, my wife / ‘Honey, just aim and press the button’” There’s “Chubby, Oscar, Wilbur…” then “Here come the big dogs / Coleman Monk Dizzy Roy / And the beauteous Marian McP… / They’re all here / For some magazine / Me I’m snapping pictures / Lots and lots of pictures / To remember / Later / Forever / So glad”

There are boys, too, sitting on the curb, getting into mischief as Hat: Alfred, a boy reveals: “Nice wool felt / Two-inch snap / Brim / Count’s too beat / to give chase / When / Nelson nabs / His bonnet / I’m / On it quick / Down the block / ‘Hand it over, Nelson, before I—’ / Buff the felt / Set the snap / Brim / ‘Your hat, Count Basie.’”

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Image copyright Francis Vallejo, text copyright Roxanne Orgill. Courtesy of Candlewick Press.

Even though The Invitation Said No Instruments, Rex Stewart, cornetist couldn’t help but bring his silver cornet. And once he saw it, Leroy couldn’t help but run up in his short pants and untied shoes to ask “‘Can I try?’ / Lips to mouthpiece / Nothing.” But Rex shows him how it’s done and all heads turn his way. “Leroy again / ‘Can I try?’ / Rex passed the cornet / ‘Make like you’re going to kiss a girl’ / Lips to mouthpiece / Squeak / (Leroy’s too young for girls) / Rex tucked his horn under his arm / The invitation said no instruments.”

Excitement mounts as everyone realizes She’s Here! Maxine Sullivan, singer who “snagged Your Hit Parade at twenty-six / ‘Loch Lomond’ put her on the high road… / got in with a good band / warbling on the radio / chantoosing in the clubs / all that was years ago” before she became a nurse and married and had a daughter. “but she’s here! / come to hang with the cats / reminding all us bass players / and pianists who kept time / on all her records, tours… / reminding us all / how much we miss her.”

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Image copyright Francis Vallejo, text copyright Roxanne Orgill. Courtesy of Candlewick Press.

People look out their windows at all the commotion as Eddie Locke strolls up and Thelonious Monk (late as usual) arrives in a taxi. Dizzy Gillespie, Roy Eldridge, J. C. Heard and Gerry Mulligan make an unlikely quartet, and Willie “the Lion” Smith sits on the stoop holding onto his elephant-head cane. Finally, Art Kane calls out Some Kind of Formation, Please! “A plea so desperate / it’s melodic / shuffle / climb the stoop / fan   out   on   the   sidewalk / talk-laugh-roar / smoke-slap-turn / little by little / fifty-seven musicians form an upside-down T / underlined / by twelve boys / just happen to be sitting on the curb… / click / it has to be perfect / for Esquire / Dizzy sticks out his tongue.”

At last the copy of Esquire lands on newsstands, and Alfred pays for a copy with money he’s saved by missing “a month of matinees.” He thinks it was worth it, though, because “…jeez / I’m in a magazine.”

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Image copyright Francis Vallejo, text copyright Roxanne Orgill. Courtesy of Candlewick Press.

A fold-out page of the original photograph lets children and adults see the final product of the photo shoot. Children and adults will also have fun matching the portraits that accompany the poems to their real counterparts. Short biographies of each person in the photograph as well as an Author’s Note, an introduction, and further resources for study add to the comprehensive and loving treatment of its subject that Jazz Day: The Making of a Famous Photograph provides for readers.

Roxane Orgill recreates the syncopation of jazz and the exhilaration of the photo shoot in twenty poems that capture the sights, sounds, conversations, horseplay, and vibe of that special day that forever commemorated the Golden Age of Jazz. The smooth, cool lines of Orgill’s free verse poetry are a joy to read aloud. Full of personality, captivating details, history, and nostalgia, the poems reawaken the past for a new generation.

Working from the actual black-and-white photograph, Francis Vallejo vividly reimagines the scene on 126th Street as well-known and lesser-known jazz musicians came together to represent themselves and their art for Esquire magazine. Vallejo’s acrylic and pastel illustrations bring to life the surprise, camaraderie, and expressions of the men, women, and boys as they mingle, rest, and pass the time until the pose and lighting is right for the shot. As the book opens, readers get a bird’s-eye view of the street and quiet neighborhood, but as the musicians begin arriving the illustrations move in, allowing readers to rub shoulders with the greats of jazz.

For children (and adults) who love photography, jazz, biographies, history, and/or poetry, Jazz Day: The Making of a Famous Photograph is a marvelous choice for home libraries and is highly recommended for school and public libraries.

Ages 8 – 12 and up

Candlewick, 2016 | ISBN 978-1536205633

Learn more about Roxane Orgill and her books on her website!

National Photography Month Activity

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Spool Photo Holder

With this easy craft you can make a personalized photo holder for your favorite pictures of friends and family!

Supplies

  • Wooden spool with hole through the middle, top to bottom. (A spool without a hole also works if you make a hole in the top with a hammer and nail), 1 ½ -inch or larger, available at craft stores
  • Colorful twine or light-gauge yarn, 3 to 4 yards
  • Alternatively: you can buy a wooden spool of colorful twine at some discount stores
  • 3 pieces of light-gauge wire 12 to 15-inches long
  • Clay or play dough
  • Needle-nose pliers
  • Glue

Directions

  1. Fill hole in spool with clay or play dough, pushing it well in to provide a base for the wire
  2. Wrap the twine or yarn around the spool to desired thickness
  3. Glue down the end of the twine to keep it from unraveling
  4. With the needle-nose pliers, roll down one end of the wire to create a small coil
  5. Repeat with two other lengths of wire
  6. Cut the three wires to different lengths to provide room for all three photographs
  7. Fit the three wires into the center hole on the top of the spool
  8. Push the wires into the clay until they are held securely
  9. Clip photographs into the coils
  10. Display your pictures!

Picture Book Review

April 1—International Pillow Fight Day

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About the Holiday

Pillow fights are fluffy fun that’s more about laughing than combat. Once only enjoyed by siblings, at sleepovers, and to delay bedtime, pillow fights have become the stuff (stuffing?) of mass swatfests worldwide. So grab your pillow, swing with all your might, and let the feathers fly!

SnoozeFest

Written by Samantha Berger | Illustrated by Kristyna Litten

 

Snuggleford Cuddlebun is the sleepiest sloth in Snoozeville. “Now that sloth can sleep, for a month at a go. / The few time she rises, she moves in slo-mo.” But there is one annual event that sets her heart—and her feet—racing enough to leave her cozy bed—SnoozeFest. “This is the place where the best sleepers go / to snore their way through this naptacular show.” So Snuggleford packs up her her jammies and teddy, her pillow and book and joins the other great sleepers on the bus that will take them to the NuzzleDome.

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Image copyright Kristyn Litten. courtesy of Dial Books for Young Readers, Penguin

As Snuggleford looks for the best place to camp, she sees that she’s in good company. The wildcats, wombats, koala bears, brown bats, squirrels, and armadillos are also setting up tents, laying down sleeping bags, and lounging in hammocks—which is Snuggleford’s favorite too. After finding her spot “she strolls through the stands / for posters and T-shirts / and swag from the bands.” Soon it’s time for the show to begin with the P. J. Parade, where sleepwear from such designers as Diane von FirstInBed and Louis Futon are on full display.

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Image copyright Kristyn Litten. courtesy of Dial Books for Young Readers, Penguin

“Then all the big spotlights dim down in the Dome, / and everyone turns on their night-light from home.” The first band to perform is the “Chamomile Rage” and although the crowd is half asleep by the middle of the first song, “the snoozers yawn deeply, yet still clap for more. / The second act’s also a guaranteed snore.” Then “a poet named Burrows recites a haiku / and imitates rain with his didgeridoo.”  More acts take the stage—the Nocturnal Nesters and the Quiet Quartet, Tranquility Trio and the Drowsy Duet. Yes, “These are the best bands for deep relaxation, / followed by Sweet Dreams and Deep Hiber-Nation.”

For Snuggleford Cuddlebun the concert is all she could want. In fact, “Several days later the SnoozeFest is done. / And who’s still asleep? Why it’s Miss Cuddlebun.” She folds up her things, tosses away her trash, and rides the bus back home. There she climbs into bed and shuts her eyes and dreams of next year’s SnoozeFest.

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Image copyright Kristyn Litten. courtesy of Dial Books for Young Readers, Penguin

Samantha Berger’s SnoozeFest is one of the cutest, most original bedtime books around. With wit and charm Berger makes full use of the festival setting and experience. Her inspired rhymes, adorable band names, and atmosphere that combines just the right amount of excitement and slumber-inducing lilt, will delight kids of all ages and adults as well. From Snoozeville to the NuzzleDome to a full verse of blanket nicknames, Berger has come up with the “wumphiest, coziest, comfiest” words to send little ones off to dreamland.

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Image copyright Kristyn Litten. courtesy of Dial Books for Young Readers, Penguin

Krisyna Litten’s illustrations, designed with a vintage-yet-modern air and color palette, are the perfect accompaniment to Berger’s story. Anyone would love to join Litten’s sweet Snuggleford and the other “great sleepers” at SnoozeFest. Snuggleford’s endearing slothy smile and the joyful camaraderie of the other festival goers invite kids to explore every page. The crowd consists of loveable moles, koalas, raccoons, bears, foxes, porcupines, and more adult and baby animals enjoying the show.  Two-page spreads of the darkened festival grounds lit by nightlights and starlight are gorgeous, peaceful landscapes of blues and gold that set a sleepy tone for little readers.

SnoozeFest would be a very welcome addition to any child’s bookshelf for story times and bed times, and would make a perfect gift.

Ages 3 – 7

Dial Books for Young Readers, Penguin, 2015 | ISBN 978-0803740464

You’ll have plenty of fun discovering lots of books, Nickelodeon videos, and more creative stuff by Samantha Berger on her website!

You can catch up with Krisyna Litten on her blog!

You won’t want to snooze through this book trailer!

International Pillow Fight Day Activity

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Perfect Pillow Case

 

Decorating your own pillow case gives you distinction during any pillow fight—and guarantees sweet dreams while sleeping too!

Supplies

  • White, or single-color pillow case
  • Fabric markers
  • Cardboard or newspaper

Directions

  1. Iron or smooth out the pillow case
  2. Insert cardboard or newspapers inside the pillow case to keep markers from bleeding through
  3. Design and color your pillow case with the markers

Picture Book Review