July 28 – National Day of the Cowboy

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About the Holiday

Observed annually on the fourth Saturday of July, the day commemorates the “contributions of the Cowboy and Cowgirl to America’s culture and heritage.” The heyday of the cowboy and cowgirl came after the Civil War when Texas experienced a booming wild cattle population. As the population of the United States grew, the demand for beef increased. Cowboys and cowgirls drove nearly 5 million head of cattle north to meet the demand, sparking tales, legends, and a rich history of the Great Plains in their boot and hoof steps. With no written laws on the books, cowboys even came up with their own code of conduct, which included living each day with honestly and courage, taking pride in your work, standing up for what’s right, and many more rules to live by. For more information visit The Day of the Cowboy website.

Real Cowboys

Written by Kate Hoefler | Illustrated by Jonathan Bean

 

Real cowboys wake with the dawn’s light and are careful not to make too much noise for the people still sleeping in the “little houses in the hollow, and up the mountains, and at the edge of fields in the distance.” It is natural for the cowboys to think of others. Their job is to care for the herd; to help a stranded calf and their dog who is trying to lure it to safety; to soothe the herd when thunder rumbles overhead.

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Image copyright Jonathan Bean, courtesy of Houghton Mifflin Harcourt

Real cowboys sing soft, slow songs to their cows to encourage them to continue moving when the path is narrow and dangerous and to sleep when coyotes howl in the night. Cowboys are good listeners—heeding the advice and warnings of the trail boss and other cowhands. “Sometimes they listen for trucks, and wolves, and rushing water. And sometimes they just listen to the big wide world and its grass song.” Along the way cowboys keep themselves safe with their wide-brimmed hats and leather chaps.

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Image copyright Jonathan Bean, text copyright Kate Hoefler. Courtesy of Houghton Mifflin Harcourt

Because the cattle drive is long—lasting “for hours, or days, or weeks”—cowboys learn to be patient. “Even on a fast horse, they have to move with the slow rhythm of a herd….” When they need help, real cowboys don’t hesitate to ask, using hand and hat signals to alert other cowhands. “Real cowboys want peace. They don’t want stampedes, where all the cattle spook, and thunder over the earth, and scatter in dust storms.” Sometimes, however, this happens, and sometimes a few cattle and dogs are lost. Thinking of them when times are quiet, “real cowboys cry.”

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Image copyright Jonathan Bean, text copyright Kate Hoefler. Courtesy of Houghton Mifflin Harcourt

At night cowboys take turns eating and sleeping so there is always someone to watch over the herd. When they pack up camp and move on, real cowboys are mindful of the earth, and when they are far from home, inside themselves they can feel homesick, even if they look tough on the outside. “Real cowboys are as many different colors as the earth. Real cowboys are girls too.” In their hearts “real cowboys are artists,” creating stories that are bigger than the wide open prairie. “They wonder what’s past the horizon. And one day, when their work is done, real cowboys find out.”

Kate Hoefler’s moving tribute to cowboys and cowgirls demonstrates the qualities of kindness, thoughtfulness, and mindfulness that we want to share with our children. With lyrical language she follows cowboys on a cattle drive, where they experience the joys and sorrows that life entails for all. Hoefler’s pacing echoes the day-to-day movement of the herd as well as readers’ daily life. Delving into the responsibilities and characteristics of these men and women is a unique way to open the world to children and promote discussions about the traits of caring individuals.

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Image copyright Jonathan Bean, courtesy of Houghton Mifflin Harcourt

Jonathan Bean’s hand-stenciled illustrations printed in four Pantone colors are particularly effective in portraying the life of the cowboys and cowgirls entrusted with herds of cattle. Early morning dawns to rose skies that color even the horses and reflect in the drinking trough. Cattle, obscured by dust raised on the trail, form the backdrop to a cowboy worriedly watching his dog coax a calf from a cliff, and afternoon turns to night in a two-page spread where a cow nuzzles her calf as it sleeps. Depictions of the enormity of the herd traveling from one place to another amid sweltering days, rain storms, and blizzards are beautifully rendered, and the emotions of the cowboys are clearly discernable and touching.

Real Cowboys is stunning in both language and illustrations. For quiet story times, bedtime, or times for reflection and inspiration, this book would make an excellent addition to children’s bookshelves.

Ages 4 – 7

Houghton Mifflin Harcourt, 2016 | ISBN 978-0544148925

To view a gallery of illustration by Jonathan Bean, visit his website!

National Day of the Cowboy Activity

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Rootin’-Tootin’ Round-Up Maze

 

These cowgirls and cowboys have a surprise waiting for them. Can you help them round it up in this printable Rootin’-Tootin’ Round-Up Maze?

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You can find Real Cowboys at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review

 

 

October 14 – It’s Bat Appreciation Month

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About the Holiday

It makes sense that October—when we celebrate all things spooky and nocturnal—is Bat Appreciation Month. But we don’t celebrate bats just because they’re cool around Halloween—bats are cool all the time! Scientists estimate that there are 1,300 species of bats, most of which are beneficial for the areas in which they live. Some bats are awesome at keeping the insect population under control. Fruit bats help distribute seeds, and other bats eat pollen, helping to pollinate foods, including bananas, guava, and agave. Unfortunately, bats are increasingly threatened by habitat destruction and pesticides. This month learn more about these fascinating creatures!

Bats in the Band

By Brian Lies

 

Huddled together a colony of bats sleeps through the winter, but as the icy weather warms they stretch their wings and take flight to find food. As they swoop through the air chasing the echoes they hear, these animals that live by echolocation sense “that something’s not right. / And then when a bugle blast shatters the night, / that one lonely note tells us just what is wrong: / We’re hungry for sound—we’ve been silent too long.”

The bats swarm to a summertime theater now quiet and dark except for a small glow that invites them inside. They enter the building—passing hawkers of T-shirts, posters, and hats—and set up the stage and the lights. Some bats have brought their own instruments while others improvise with the leftovers of last season’s concertgoers. “Behind the stage curtain, they’re getting in tune, / making up things out of straws, out of spoons.”

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Image copyright Brian Lies, courtesy of Houghton Mifflin Harcourt (hmhco.com)

Finally, the conductor lifts his baton, and the concert begins. “We sing together as one voice. / It seems the very walls rejoice! / All together, rafters ringing… / it’s as though our souls are singing.”  Then the strings “change the mood to sweet and mellow” before a one-bat band takes over. “Next up, there’s a country song—/ some lonesome bat done someone wrong. / He’s  gone and broken someone’s heart. / Now everything has come apart.”

There’s even an entertainer for children far off in a corner where the pups can run and play. Now on stage a blues singer “cries of lonely days and empty skies” that make the bats cry. “It’s hard to figure—eyes get wetter, / …so how is it that we feel better?” There’s not much time for reflection though as a hard-rock band begins “blazing,” “pumping,” and “jumping.”

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Image copyright Brian Lies, courtesy of Houghton Mifflin Harcourt (hmhco.com)

While everyone is dancing to the beat, the sun begins to rise signaling that it’s time for the bats to go. But in one last blast, all the musicians jam together. “The music soars. Finale’s here, the ending of the song. / It builds and builds—now here it comes! / It’s going…/ going…/ GONG!” With that last bang of the cymbal the bats, “worn out, wrung out, half asleep,” fly from the theater and out into the dawning day. In the air they discover the music in everything from “the roar of a car, or the bark of a pup—/ the sound of the rest of the world waking up.” As they fall into slumber up in their cozy rafters, the bats continue to sway unconsciously. “It’s not our intention, but you understand. / We’re dreaming of being the bats in the band.”

Brian Lies “Bat” books are well-known and well-loved. Bats in the Band continues the excellent storytelling and poetry of his other titles, this time to a musical beat. The idea of bats needing to hear sound after a long winter’s silence is a clever introduction to the concert theme, and these bats play almost as many different styles of music as there are species of bat. The rhyme scheme is true and musical, carrying the story well through its words and rhythm.

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Image copyright Brian Lies, courtesy of Houghton Mifflin Harcourt (hmhco.com)

Lies’ illustrations remain as enchanting as ever. The two-page spread of the bats choosing and tuning up their instruments is a joy. Bats make a xylophone from keys hanging on a peg board with two nails for mallets. Instead of a harp, a bat plucks the tines of a plastic comb, and a bendy straw serves as a fine wind instrument. The string section plays while hanging upside down (of course!). The pups’ entertainer will bring a smile to readers’ faces, and the blues singer performs under cool blue lights. Kids and adults will love lingering over the detailed pages, where allusions to actual concert atmospheres abound. Look for the bats holding aloft lightning bugs in a tribute to a long-held tradition.

Bats in the Band is a rockin’ addition to Brian Lies collection and will be welcome on any child’s shelf—whether they are completing the set or just starting it!

Ages 4 – 8

Houghton Mifflin Harcourt, 2014 | ISBN 978-0544105690

Visit Brian Lieswebsite to learn more about him, view his many books, and see a gallery of his artwork.

Bat Appreciation Month Activity

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Spiraling Bats Word Search

 

Find the bat related words in this printable Spiraling Bats Word Search that dips and soars like the flight of a bat! Here’s the Solution.

Picture Book Review

August 7 – National Lighthouse Day

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About the Holiday

Lighthouses have been protecting ships at sea since earliest times. From fires to gas lamps to electric lights, these warning signals have alerted sailors to reefs, heavy fog, and other dangerous conditions. Once operated by keepers who lived in or near the lighthouse, these beautiful structures are now mostly run automatically. Their color, iconic shapes, and intriguing lore make lighthouses a favorite site along the shoreline. If you live near the water, celebrate today by visiting a local lighthouse museum. If you are more landlocked, do a little research or read a good book about lighthouses.

The Little Red Lighthouse and the Great Gray Bridge

Written by Hildegarde H. Swift | Illustrated by Lynd Ward

 

The little lighthouse “was round and fat and red. It was fat and red and jolly. And it was VERY, VERY PROUD.” It stood between New York and the Hudson River, which carried boats of all kinds as it rolled on and on, looking for the sea. As the boats passed the little lighthouse, they talked to it. The big steamer had a deep booming voice while the narrow canoe spoke with a gentle whisper, and the tugboat always gave a cheery hello. The lighthouse did not answer during the day, but at night “a man came to tend the little red lighthouse.”

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Copyright Lynd Ward, 1942. Courtesy of Houghton, Mifflin Harcourt Books for Young Readers.

He opened the side door with a key from his jangling ring and “climbed its steep and winding stairs, up, up, up, to the very top. He took off the thick white cap that let it sleep by day.” He turned on the gas, and in a few minutes the lighthouse began to speak. “Flash! Flash! Flash! Look out! Watch me! Danger, danger, danger! Watch my rocks!” It felt very proud, knowing that the boats needed it to stay safe.

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Copyright Lynd Ward, 1042. Courtesy of Houghton, Mifflin Harcourt Books for Young Readers.

When a heavy fog descended, the keeper came and wound a big clock inside the lighthouse. The clock ran an iron bell that rang to warn the sailors who couldn’t see the lighthouse flashing. With two voices, the lighthouse felt even more proud. “I AM MASTER OF THE RIVER” it decided. But one day construction workers arrived. They dug and dug and then began building enormous girders that reached high into the sky. Then the men attached thin silver cables to the structure. When the cables were in place, the men celebrated. The little lighthouse didn’t know what was happening.

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Copyright Lynd Ward, 1042. Courtesy of Houghton, Mifflin Harcourt Books for Young Readers.

At night, the lighthouse continued to speak with its flashing and ringing voices. During the day, it watched as the huge gray thing grew larger and larger. It was wonderful and powerful, thought the lighthouse. Soon the bridge spanned the Hudson River from shore to shore. “It made the little red lighthouse feel very, very small.”

Then one night a great, bright light shown from the top of one of the bridge’s towers. “Flash! Turn! Flash!” it said in a loud voice. The lighthouse thought it was not needed anymore. Its light was so little while the bridge’s was so big. The lighthouse worried that the keeper would forget to turn its light on or that it would even be torn down. That night as it got darker and darker, the keeper did not come. The lighthouse felt strange.

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Copyright Lynd Ward, 1942. Courtesy of Houghton, Mifflin Harcourt Books for Young Readers.

That night a storm roiled the sea. It threatened the boats, and though they looked for the little red lighthouse, they couldn’t find it. There was no bell, and the fog was so thick the bridge light couldn’t shine through. The tug hit the rocks and was smashed. The bridge called down to the lighthouse, “‘Little brother, where is your light?’” The lighthouse was surprised. It told the bridge that it thought it wasn’t needed anymore. But the bridge explained that its light was to alert airplanes, not the ships far below it. “‘You are still master of the river,’” the bridge said. “‘Quick, let your light shine again.’”

But the lighthouse couldn’t turn itself on. It was afraid that the keeper would never come again, and that this was the end for it. Suddenly, the lighthouse heard jangling keys and running steps. It was the keeper hurrying to turn on the light. “‘This will never happen again,’” the man said. Now the lighthouse realized that is was needed. It sent its beam out into the dark night, and soon its bell began to toll too. The lighthouse was glad and even thought it knew it was little, it was “still VERY, VERY PROUD.”

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Copyright Lynd Ward, 1942, Courtesy of Houghton, Mifflin, Harcourt Books for Young Readers.

Hildegarde H. Swift’s classic story of the Hudson River lighthouse will enchant readers. The little red lighthouse makes a charming narrator for its tale that teaches kids about the importance of lighthouses while also showing them that even though one may be little, they can still have a profound effect on those around them. The pride and worries of the lighthouse will resonate with young readers, and they will cheer when the light is turned back on and the lighthouse regains its proper place. Swift’s lyrical language will keep children riveted to this fictionalized account of a historical event.

Lynd Ward’s evocative illustrations, rendered in red, blue, black, and white, are both strong and whimsical and seem as fresh today as they were when the book was first published. Features on the ships, lighthouse, and bridge make organic faces, personalizing these characters for children, while Ward’s depiction of the storm as a specter grasping at ships is striking and emphasizes the importance of the lighthouse.

The Little Red Lighthouse and the Great Gray Bridge is a multi-layered story for all readers. Children interested in lighthouses, bridges, boats, and construction will be especially drawn to this book.

Ages 4 – 7

HMH Books for Young Readers, 2002 | ISBN 978-0152045715 (hardcover); 978-0152045739 (paperback)

National Lighthouse Day Activity

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Shining Lighthouse Maze

 

Lighthouses protect ships from rocks, fog, and other dangers. Can you help the beam from the lighthouse reach the tugboat that is approaching in this printable Shining Lighthouse Maze? Here’s the Solution.

July 16 – National Personal Chef Day

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About the Holiday

National Personal Chef Day pays homage to all of the professional chefs and bakers who provide tasty and nutritious meals to families, organizations, and institutions around the country. Through their education, skills, and talent, these chefs enrich the lives of those who can’t cook for themselves and provide comfort for the people who love and care for them. If a professional or personal chef cooks meals for someone you love, take a moment to thank them today.

The Bake Shop Ghost

Written by Jacqueline K. Ogburn | Illustrated by Marjorie Priceman

 

For all intents and purposes, Miss Cora Lee Merriweather is Merriweather’s Bake Shop and the bake shop is Cora Lee. “Her Mississippi mud pie was darker than the devil’s own heart,” and her sponge cake was as light as angels’ wings. Her bakery case is stacked with fluffy pies, flaky strudels, and cakes of every size and flavor. In fact, no one’s birthday is complete without a Merriweather cake to celebrate with.

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Image copyright Marjorie Priceman, 2008. Courtesy of Houghton Mifflin Harcourt.

When Cora passes away, the congregation at her funeral weeps when the preacher reads the bake shop menu and everyone realizes that “all those luscious desserts were now only sweet memories.” It doesn’t take long, however, for a new baker to buy Cora’s business. Gerda Stein stocks the shelves with the ingredients for her strudels and cakes and starts baking, but the ovens burn every dessert, the refrigerator goes on the fritz, and Gerda hears ominous footsteps overhead and frightening clanking behind her. She slowly turns around and finds herself staring straight into the eyes of a ghostly Cora Lee Merriweather who shrieks, “Get out of my kitchen!”

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Image copyright Marjorie Priceman, 2008. Courtesy of Houghton Mifflin Harcourt.

The bake shop goes back on the market and is sold to Frederico Spinelli who is not afraid of ghosts—until the next day when he emerges from the front door drenched in powdered sugar and never returns. Sophie Kristoff, the marzipan queen, takes over next, only to be chased out by flying eggs, three pink marzipan pigs, and a bunch of marzipan grapes.

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Image copyright Marjorie Priceman, 2008. Courtesy of Houghton Mifflin Harcourt.

After her departure the shop stands vacant for years, growing dim and dusty. One day Annie Washington, fresh off her stint as a cruise ship pastry chef, strolls by the dilapidated storefront. She falls in love with it as soon as she steps through the door. Annie buys the old bakery and scrubs and polishes everything until it shines.

That night Annie goes straight to work on a puff pastry. Around midnight footsteps creak overhead, a cold wind sweeps the room, and mixing bowls topple to the floor. Annie keeps working. When she’s finished she dusts off her hands, turns around, and finds herself staring into ghostly eyes. “‘Miss Cora Lee Merriweather, I’ve been expecting you,” she says.

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Image copyright Marjorie Priceman, 2008. Courtesy of Houghton Mifflin Harcourt.

“Get out of my kitchen!” Cora says. But Annie is not intimidated. “This is my kitchen now,” she tells Cora. And what’s more, even though Cora may have been the best baker in the state, Annie tells her that she was the best pastry chef to ever sail on the Sea Star cruise ships. Come typhoon, tsunami, or shipwreck, she never left a kitchen until she was finished.

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Image copyright Marjorie Priceman, 2008. Courtesy of Houghton Mifflin Harcourt.

Cora tries every trick in the book—she shrieks, flings utensils, rises up through the dough Annie’s kneading, shatters eggs, and as dawn breaks scatters a 50-pound bag of flour across the kitchen. All right, Annie says, “What can I do so you’ll leave me in peace?” Cora has a ready answer: “Make me a cake so rich and so sweet, it will fill me up and bring tears to my eyes. A cake like one I might have baked, but that no one ever made for me.” “Piece of cake,” replies Annie.

Annie makes every cake she knows and Cora critiques them. But none fill her up or bring a tear to her eye. Annie grows to respect the ghost’s advice, but she wants her kitchen back. After a month and hundreds of cakes, Annie is out of ideas. She goes to the library to research more recipes. There she finds a small book on town history, and after reading it, she knows just what kind of cake to bake.

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Image copyright Marjorie Priceman, 2008. Courtesy of Houghton Mifflin Harcourt.

That night at midnight Cora appears, and Annie is ready. She lifts the cover on a very special cake. “Across the top, in piped icing, it read, ‘Happy Birthday, Cora Lee.’” The ghost looks at Annie with tears in her eyes. “‘How did you know?’” Cora asks. Annie reveals the secrets of her research then adds, “Besides, who ever makes a cake for the baker?” With tears streaming down her face, Cora eats her slice of cake. When Annie offers her another, she declines. “‘I do believe I’m full.’”

Now everyone in town enjoys Washington and Merriweather Bake Shop, where the cakes are almost as good as Cora’s. But they never suspect that Cora Lee helps out in the kitchen. And the most beautiful cakes? Those are the birthday cakes Annie and Cora make for each other.

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Image copyright Marjorie Priceman, 2008. Courtesy of Houghton Mifflin Harcourt.

A recipe for Ghost-Pleasing Chocolate Cake follows the story.

The Bake Shop Ghost was first published in 2005 and made into a short film in 2009 starring Marianne Jean-Baptiste. Despite its age, however, this is a story that seems fresh every time it’s read. Jacqueline K. Ogburn plays out the story with such excellent pacing and details that the twist ending is a true surprise. Her descriptions of Cora Lee’s delicacies are mouthwatering and her metaphors just as downhome and tantalizing. Ogburn’s Annie will inspire young readers with her confidence, kindness, generosity, and enduring friendship. 

Marjorie Priceman illustrates The Bake Shop Ghost with verve and delicious colors that will make readers wish they could visit Merriweather’s to sample the desserts in the well-stocked cases. The sophisticated shop is no less inviting, with its delicate chandeliers, French café chairs, and homey details. Priceman infuses her pages with humorous details as well: as Cora is distracted with a sale, a dog licks icing off a wedding cake, and at Cora’s funeral the preacher, choir, and congregation shed copious tears as ethereal visions of the cakes they will miss float in the air. The scenes in which Cora’s ghost menaces the new shop owners are cleverly depicted with swoops of white that bear Cora’s face and hands floating above the disaster she causes.

Ages 4 -9

Houghton Mifflin Harcourt, Paperback edition, 2008 | ISBN 978-0547076775

National Personal Chef Day Activity

celebrate-picture-books-picture-book-review-cupcakes

Very Vanilla Cupcakes

 

This delicious vanilla cupcake recipe from Sally’s Baking Addiction would definitely please Cora Lee Merriweather—and they’ll become one of your favorite confections too!

Vanilla Cupcakes

  • 1 and 2/3 cup (210g) all-purpose flour (spoon & leveled)
  • 1/2 teaspoon baking powder
  • 1/4 teaspoon baking soda
  • 1/2 teaspoon salt
  • 1 cup (200g) granulated sugar
  • 1/2 cup (115g) unsalted butter, melted and slightly cooled
  • 2 large egg whites
  • 1/4 cup (60g) vanilla Greek yogurt (or plain; or regular yogurt; or even sour cream)
  • 3/4 cup (180ml) vanilla almond milk (or cow’s milk; or soy milk; or plain almond milk)
  • 2 teaspoons pure vanilla extract seeds scraped from 1/2 split vanilla bean1

Vanilla Bean Frosting

  • 1 cup (230g) unsalted butter, softened to room temperature
  • 4-5 cups (480-600g) confectioners’ sugar
  • 1/4 cup (60ml) heavy cream2
  • 1 teaspoon vanilla extract seeds scraped from 1/2 split vanilla bean1
  • Salt, to taste

Directions

  1. Preheat oven to 350F degrees. Line muffin tin with 12 cupcake liners. Set aside.
  2. In a medium bowl, mix together flour, baking powder, baking soda, and salt. Set aside. In a large microwave-safe bowl, melt butter in the microwave. Whisk in sugar – mixture will be gritty. Whisk in egg whites, yogurt, milk, and vanilla extract until combined. Split 1 vanilla bean down the middle lengthwise. Scrape seeds from half of the vanilla bean into batter. Reserve other half.
  3. Slowly mix dry ingredients into the wet ingredients until no lumps remain. Batter will be thick.
  4. Divide batter among 12 cupcake liners (or 24 mini) and bake for 20 minutes or until a toothpick inserted in the center comes out clean. Bake for 8-9 minutes if making mini cupcakes. Allow to cool.
  5. To make the frosting, beat softened butter on medium speed with an electric or stand mixer. Beat for about 3 minutes until smooth and creamy. Add confectioners’ sugar, cream, vanilla extract, and vanilla bean seeds with the mixer running. Increase to high speed and beat for 3 minutes. Add more powdered sugar if frosting is too thin or more cream if mixture is too thick. Add salt if frosting is too sweet (1/4 teaspoon). Frost cooled cupcakes (I used Wilton 1M piping tip). There may be leftover frosting depending how much you use on each cupcake.
  6. Store cupcakes in an airtight container at room temperature for up to 3 days and in the refrigerator up to 7.

Additional Notes

  1. If you can’t get your hands on vanilla beans, add an extra ½ teaspoon of pure vanilla extract instead.
  2. Strongly urged to use heavy cream. You may use milk or half-and-half, but heavy cream will give the frosting a thicker texture. I recommend it!

For ways to adapt this recipe and more scrumptious recipes, visit Sally’s Baking Addiction. I guarantee you’ll go back again and again!

Picture Book Review

June 1 – It’s Great Outdoors Month

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About the Holiday

The warmer weather begs to be enjoyed—whether you’re playing, working, or just lounging around. Established in 1998 as Great Outdoors Week, the holiday expanded to a month-long celebration in 2004. There’s so much to see and do outside as the wonders of nature are always changing and challenging you in new and surprising ways.

Round

Written by Joyce Sidman | Illustrated by Taeeun Yoo

 

A little girl spies an orange on the ground and bends to pick it up. She sees more—many more—of the brightly colored orbs hanging from a tree and reaches up to touch them. “I love round things,” she says. “I like to feel their smoothness. My hands want to reach around their curves.” The girl continues on her singular scavenger hunt for round things that grow.

She scatters some seeds in a hole and parts tall grasses to peek in on a turtle waiting for her eggs to hatch. On a hillside, a little patch of mushrooms “swell into roundness,” while tiny, plump blueberries beckon on a nearby bush and fill the family’s baskets. On the bike ride home, the girl and her crew pass fields of sunflowers with their dark, mysterious round centers.

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Image copyright Taeeun Yoo, courtesy of Houghton Mifflin Harcourt

At the beach the little girl finds seashells in the sand near the tall craggy rocks which some day, whittled by water and wind, will become round when “all the edges wear off.” Back on dry land, the girl watches a dung beetle transport a ball, persistently moving it with its legs, and body motions. The girl stands by, fascinated. She loves “to watch round things move. They are so good at it! Rolling, spinning, bouncing.” She always wonders “where they’re headed.”

An old, old tree, chopped down now, reveals its secret age as the little girl counts the rings in the trunk. She’s excited to discover hidden round things—like the tiny ladybugs and snails concealed beneath green leaves. As the rain splatters a pond, the little girl, safe in her yellow slicker, reveals, “I love how water can be round, gathered in beads of silver…or falling in wet splats leaving circles of ripples behind.”

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Image copyright Taeeun Yoo, text copyright Joyce Sidman. Courtesy of Houghton Mifflin Harcourt

The sun sets, turning the sky yellow and orange, while the girl blows transparent bubbles and watches them float toward the clouds. When the sun is gone and the sky is dark, she gazes through a telescope at the twinkling dots of light that “spin together slowly…and last billions of years” while she waits for that one constant celestial body that grows “rounder and rounder, until the whole sky holds its breath.”

The girl shares the beauty of roundness with her friends as they hold hands in a never-ending circle of friendship, and when she is alone she curls up into a cozy ball to read or feels arms around her in a loving hug.

An explanation of why so many things in nature are round—including the shape’s sturdiness, balance, and ability to spread and roll—follows the text.

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Image copyright Taeeun Yoo, courtesy of Houghton Mifflin Harcourt

Joyce Sidman’s lyrical story of discovery is a perfect introduction for little ones to the wonders of nature. Focusing on a shape that is familiar to children, Sidman takes them on a walk from grove to field to beach where they can find circles in common and surprising places. After coming home, kids discover an even more poignant idea—the circular beauty of love and friendship.

Taeeun Yoo’s delicate illustrations gorgeously depict examples of circles in nature. Bold sunflowers, tiny insects, snowball-white eggs, expanding ripples, and smooth boulders invite readers to notice the shapes and colors of the wild world around them. Children will be enticed to hunt for all the circles on each page as lily pads, fireflies, polka dots, balloons, the sun, and other objects create an exciting journey of exploration. The little girl’s pets—a dog (appropriately spotted) and a duck—add humor and companionship along the way.

Round would be an excellent take-along book for nature hikes, waiting times, or other outdoor activities and could spur at-home scavenger hunts for circles and other shapes. This original concept book is a wonderful introduction to shapes and nature for little ones.

Ages 3 – 7

Houghton Mifflin Harcourt, 2017 | ISBN 978-0544387614

Learn more about Joyce Sidman and her books on her website!

View a gallery of artwork by Taeeun Yoo on her website!

Great Outdoors Month Activity

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Shapely Butterfly Coloring Page

 

This butterfly is made up of many different shapes. Grab your colored pencils, markers, or crayons and have fun coloring this printable Shapely Butterfly Coloring Page.

Picture Book Review

May 22 – National Buy a Musical Instrument Day

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About the Holiday

Each year on May 22 we celebrate music and the personal relationship musicians have with their instruments. Some musical artists even consider their instrument such a friend or part of the family that they give them names. Whether you are just starting out on your journey with music or are a seasoned professional, today may be a good day to think about buying your first instrument or adding to your collection.

A Violin for Elva

Written by Mary Lyn Ray | Illustrated by Tricia Tusa

 

While out on a springtime jaunt, little Elva came upon a garden party. There were the sounds of voices and rustling clothes, but Elva heard none of this. Instead, her ears were trained on the music the violinist was playing. Later that night she told her mom and dad that she wanted a violin. She even said please, but they said no.

So Elva found violins elsewhere. She practiced with a tennis racquet and stick; she rehearsed with her toothbrush and tube of toothpaste. When she was called to the board in math class, she wrote more notes than numbers, and when she “should have been going to sleep, she was playing music only she could hear.” Years passed; she grew, made friends and pursued other activities. Soon she was an adult with a job, appointments, and meetings. “But if she saw a page tremulous with music, she remembered what she once had wanted.”

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Image copyright Tricia Tusa, text copyright Mary Lyn Ray. Courtesy of hmhco.com.

She told herself she was too busy to learn to play the violin now, but she began borrowing records from the library. When she listened to them, she felt as if she “had picked up her violin again” and was playing in an orchestra or performing a solo. At the end of the record, Elva filled the silence and empty feeling with all the other things she had to do.

More years passed, and “Elva had many satisfactions and achievements,” but something was still missing. She told herself that she was too old now, “but more and more she kept imagining what might have been—” Then one day she took some money, went to the store, and bought “a shiny, fragile, varnished violin.”  She hugged it tightly on the way home and once there—without even taking off her coat—she removed it from its case, placed it under her chin, and “pushed the bow across a string.” The violin squeeeked and squeeeeeeeeeeked. But then “she drew the bow back toward her—and the string sang.”

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Image copyright Tricia Tusa, text copyright Mary Lyn Ray. Courtesy of hmhco.com.

She tried other strings without success, but that one, clear note encouraged her. “‘I will improve,’ she said. But she didn’t” Playing the violin was difficult; she had to hold the bow just right, land on the correct notes, and figure out the fingering for sharps and flats. It was all so confusing that Elva put away her violin.

Then one day she read that “Madame Josephina was accepting beginning students.” Again, Elva took some money and signed up for lessons. Twice a week Elva went to Madame Josephina’s house, and on the days in between, she practiced. At the end of the year, there was a recital. Elva was nervous as she took the stage with the other students. But when she drew the bow across her violin’s strings, Elva realized she “was making music.” That night at home she played her piece again and again. “At last, Elva kissed her bow and went to bed, imagining all the tomorrows. And all the music there was to make.”

celebrate-picture-books-picture-book-review-a-violin-for-elva-buys-violin

Image copyright Tricia Tusa, text copyright Mary Lyn Ray. Courtesy of hmhco.com.

Mary Lyn Ray’s story of a little girl whose lifelong love of the violin is only satisfied in old age reveals to readers that while they may grow and change throughout the years, childhood passions often remain strong. While they may be rejected or forgotten for one reason or another, these interests sometimes indirectly guide career choices or reappear when the time is right for them to be fulfilled. Although it is a violin that captures Elva’s heart, Ray could have chosen from a long list of creative, daring, or professional pursuits that niggle at one’s brain to be acknowledged and expressed. A Violin for Elva offers encouragement and inspiration not only for those who feel that it’s too late to achieve their dreams but for those struggling to overcome the fear of trying.

Tricia Tusa’s watercolor and ink illustrations are as light and graceful as the music that captivates Elva. In lovely vignettes, a garden-party attendee wears an enormous flower hat, Elva’s pet cat swipes a paw at her imaginary music, Elva stops on her way to work to admire a street musician, and Elva hugs her dog close while having tea in sunny window. When Elva finally buys her own violin, all the hustle and bustle of her life stops for a moment and love fills the page as she hugs the instrument while her dog leans affectionately against her leg and both are bathed in a glorious spotlight. Seeing Elva on stage at her first recital surrounded by children half her size, readers will understand that true love never fades and is always attainable.

Ages 4 – 7 and up (adults will also appreciate the book’s message)

Houghton Mifflin Harcourt, 2015 | ISBN 978-0152254834

Discover more about Mary Lyn Ray and her books on her website!

You’ll find a gallery of art work by Tricia Tusa on her website!

National Buy a Musical Instrument Day Activity

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I Love Music! Word Search Puzzle

 

There’s an orchestra of instruments in this printable I Love Music! Word Search Puzzle. Can you find all eighteen different instruments? Here’s the Solution!

Picture Book Review

March 29 – Niagara Falls Runs Dry Day

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About the Holiday

March 29, 1848 was a cold day. How cold? It was so frigid that rivers feeding Niagara Falls turned to ice and reduced the flow of water to such an extent that Niagara Falls’ 3,160 tons of water per second came to a halt. Today, locals—and weather aficionados—remember this auspicious natural phenomenon.

Queen of the Falls

By Chris Van Allsburg

 

Niagara Falls, spanning the border of Canada and New York state, has always attracted crowds of visitors who come to marvel over the roaring avalanche of water as it “drops from a height that is as tall as a seventeen-story building” and sends “up an endless cloud of mist at it crashes onto the rocks and water below.” But on October 24, 1901 the crowd was there for a very different reason. What was it? Well, that story begins back in Bay City, Michigan, where Annie Edson Taylor, “a short, plump, and fussy sixty-two-year-old widow” had just closed her charm school and was worried about how she’d pay the bills.

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Image and text copyright Chris Van Allsburg, courtesy of Houghton Mifflin Harcourt

She mulled and pondered, pondered and mulled her situation. Then she saw a newspaper article about Niagara Falls, and “like a cork popping from a champagne bottle” she had the idea to make her fame and fortune by going over the falls in a barrel. No one had ever tried a stunt like this before, but Annie seemed to know just how to do it. She designed a special barrel, but when she asked the barrel maker to build it, he refused. He told her that “if she wanted to kill herself, she’d have to do it on her own.”

When Annie went back three days later, though, she was able to convince him to build her barrel, and so construction began. The finished barrel was “four and a half feet high, with wire bands wrapped around it, and weighed more than one hundred and sixty pounds.” Inside there were handles and pillows and a leather belt that would strap her in tightly.

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Image and text copyright Chris Van Allsburg, courtesy of Houghton Mifflin Harcourt

Annie had the mind of an engineer and also the genius of a public relations guru. She hired Frank Russell to be her manager and visit Niagara Falls ahead of her to whip up enthusiasm for her daredevil exploit. To sweeten the pot, she told him that she was 42, believing people would be more interested in a younger adventurer. Frank Russell saw money in his—and Annie’s—future. He went to Niagara falls to arrange for newspaper reporters and hired Fred Truesdale to put the barrel into the river that would take her over the falls.

When Annie stepped off the train, she did not look the way reporters had expected. Many “wondered if the promised trip over the falls was just some kind of hoax: the barrel might go over, but would it really carry Annie Taylor inside?” As Annie answered questions, however, the reporters began to think she really might “go where no man or woman had gone before.”

Annie’s plunge was set for 10 days later. This gave them time to stir up excitement among the locals and anyone else who wished to come and witness her daring feat. Her barrel was put on display in the hotel lobby, and articles appeared in the newspaper touting the intentions of “the fearless Mrs. Taylor.” On the established day, Annie arrived at the cottage of Fred Truesdale. Her barrel was waiting and a small crowd had gathered to see her off.

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Image and text copyright Chris Van Allsburg, courtesy of Houghton Mifflin Harcourt

Fred and his assistant, Billy, rowed Annie and the barrel to a small island near the falls. There Annie took off her hat and jacket and crawled backwards into the barrel. She strapped herself in and packed the pillows around. Then Fred sealed the lid as Annie called, “‘So long, boys.’” Fred and Billy rolled the barrel into the river and secured it to the boat with a rope. The men rowed the boat near a spot in the river known as the “‘Point of No Return’” where the current was so strong that it would carry any boat over the falls. Fred “tapped on the barrel with his oar and told Annie he was going to cut the rope.” She answered back, “‘All righty.’” With a slice Annie’s barrel bobbed and spun in the raging river, “slamming against rocks and waves, sometimes disappearing entirely from sight, sucked beneath the surface.”

Annie held on for dear life. At the edge of the falls, Fred had told her, there would be a moment of calm. Suddenly, Annie felt this while at the same time hearing the roaring water. “‘Oh, Lord,’” she whispered, and then she was gone.” Some spectators screamed, some cheered, but most just stood still hunting for the barrel at the bottom of the falls.

“Suddenly, the barrel bobbed to the surface.” Still, everyone held their breath, wondering what had happened to Annie. When the barrel neared shore, men jumped in and dragged it onto the rocks. They removed the lid, and called her name. A weak “‘Where am I?’” answered back. Annie had survived the fall, although she was dizzy, bruised, and battered. Annie soon recovered from her injuries, and began traveling across the country to meet the hundreds of people who lined up for tickets in every city to see the ‘Queen of the Falls.’

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Image and text copyright Chris Van Allsburg, courtesy of Houghton Mifflin Harcourt

When the people saw that Annie was an elderly widow instead of a dashing young adventurer, however, they lost interest. Fewer and fewer people came out to see her. When Fred Russell realized he would not be getting rich, he left Annie, taking her barrel with him. But Annie was not to be counted out. She recovered her barrel and hired a new manager named Billy Banks. Eventually, Billy also abandoned Annie and took her barrel for good.

Annie was down, but not out. She had a new barrel made and placed it in a park near Niagara Falls. She sat at a table nearby with postcards and a pamphlet about her amazing feat and invited passersby to buy them and meet the Queen of the Falls. Annie never did get rich and famous, but ten years after her wild ride she told a reporter that despite her disappointment on that point, she was proud to be able to say that she had done “the greatest feat ever performed.”

With his superb storytelling skills, Chris Van Allsburg reveals all the excitement and quirkiness of Annie Taylor’s wild idea and even wilder ride to readers. This true story of a bygone era and the utter audacity of a woman who tested her mettle against one of nature’s most formidable challenges will astound kids—and Annie’s nonchalance will make them (and adults) laugh. Perhaps more important than the facts of Annie’s stunt are the facts about Annie herself. Behind the etiquette teacher lay a smart, enterprising, and even scientific, woman who had the grit and self-confidence to attempt the “impossible.” Readers will also see that even when things don’t work out exactly as planned, they can be proud of their personal achievements. Van Allsburg’s sepia-toned photographic-style illustrations set readers in the early 1900s, catch Annie in the moment of her big idea and inside her barrel, and unveil the beauty of Niagara Falls.

Fascinating from beginning to end, Queen of the Falls is a wonderful book for kids interested in history, daredevils, and creative ideas.

Ages 6 – 9

Houghton Mifflin Harcourt, 2011 | ISBN 978-0547315812

Learn more about Chris Van Allsburg and his books as well as discover a gallery of illustrations, videos, and even a TED Talk on Queen of the Falls on his website!

Niagara Falls Runs Dry Day Activity

Eggs-citing Ride Experiment

 

Even though Annie Taylor’s barrel was strong on the outside, she knew that she needed to protect herself inside. She used pillows, a handle, and a leather strap to keep herself from getting hurt.

In this experiment I invite you to design a container that will protect a raw egg from breaking when it is dropped from different heights. I’ll let you ponder what materials you will use—because that’s the fun part!

So get your creative thinking caps on—and get cracking…Umm…I mean…get going!

Supplies

  • Raw egg
  • Some kind of small container
  • Materials to protect the egg

Directions

  1. Using a variety of materials and your scientific knowledge, create a container that will protect a raw egg from breaking
  2. Place the raw egg inside the container and seal it shut
  3. Drop the container from as high as you can, for example, from the top of the stairs or a treehouse.
  4. Be sure to ask for an adult’s help or permission when choosing where to drop your egg.

Picture Book Review