January 3 – It’s International Quality of Life Month

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About the Holiday

How one achieves their definition of a good quality of life may differ for every person, but in general it encompasses being happy and satisfied with one’s relationships, work, living conditions, and self. Whether you find happiness and quality of life in outdoor or indoor pursuits, with others or alone, at work or at home, this month’s holiday gives you time to get in touch with your inner quiet place and reflect on changes or improvements to bring you more peace and happiness in life.

I’d like to thank Berbay Publishing for sharing a copy of Nobody Owns the Moon with me for review consideration. All opinions on the book are my own.

Special Note: As I have been asked to take on extra shifts as a staff member at my local public library due to personnel shortages, I will be taking a break from posting daily reviews over the next coming months. In between new reviews, I invite you to explore all of the holidays, author and illustrator interviews, activities, and, of course, the wonderful books featured on Celebrate Picture Books.

Nobody Owns the Moon

By Tohby Riddle

 

Upon the opening pages readers are treated to an engaging treatise on the success (or not so) of certain animals trying to “make a life for itself in cities.” The fox, we learn, is especially adept because it is “quick-witted and able to eat a variety of foods.” We are then introduced to one such city-dweller, Clive Prendergast – a self-named fox because his real name “can only be pronounced by foxes.”

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Copyright Tohby Riddle, 2021, courtesy of Berbay Publishing.

Clive lives in a small apartment and works on a factory production line. At night he takes to the streets, visiting food stalls and watching the interesting goings-on. Clive has a few friends, but the one he sees the most is Humphrey, a donkey who is “one of those creatures that live in cities with less success than foxes” and “doesn’t always have a fixed address.” While Humphrey has had jobs, he has trouble keeping them. Right now he’s working as a piano removalist.

One day Clive saw Humphrey sitting on the stone steps of “a statue of a great conqueror.” Clive thought he looked tired and underfed. Then he noticed a blue envelop sticking out of Humphrey’s tote bag. It turned out that Humphrey had found it in the street and planned on eating it, but thinking Clive was also hungry he offered it to him without a second thought. When Clive opened the envelope, he found two tickets to that night’s performance at the theatre. They should go, he said.

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Copyright Tohby Riddle, 2021, courtesy of Berbay Publishing.

“That night Humphrey and Clive attended the premier of Nobody Owns the Moon – the latest play by the city’s most celebrated playwright. Before the show, ticket-holders were treated to hors d’ oeuvres and punch. Then they were shown to their front-row balcony seats. The play was wonderful, full of humor and poignancy. Tears filled Humphrey’s eyes at the show’s “bittersweet ending” and again as they enjoyed a beverage and “large slice of cake in the theatre’s elegant restaurant.”

Filled with the wonder of the evening, Clive and Humphrey headed out into the “glimmering melee of lights and sounds that was their city at night. “‘This is our town!'” they exclaimed to each other, and before they went “their separate ways, Humphrey gave Clive a big hug goodnight.”

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Copyright Tohby Riddle, 2021, courtesy of Berbay Publishing.

Immersive and openhearted, Tohby Riddle’s poignant friendship tale is as surprising and inclusive as the invitation Humphrey finds. Opening with lines that could come straight from a nature documentary, the story quickly becomes interwoven with an air of mystery and anticipation as Clive Prendergast and Humphrey are introduced. Riddle’s inclusion of smart details, such as Clive’s fox name being unpronounceable to humans and Humphrey’s job that takes advantage of a donkey’s strong back, adds a verisimilitude that will delight readers. The emotional core of the story comes with Clive’s and Humphrey’s friendship, which is equitable and caring and full of generosity. The discovery and use of the theater invitation ushers in sumptuous scenes of a glittering theater, delicious food, and a life-affirming performance while also touching on the importance of satisfying the body and the soul, however one defines this.

Equally captivating are Riddle’s collage-style illustrations, which incorporate sly humor and thought-provoking perspectives. The book opens with an illustration of Clive Prendergast lounging in a comfortable armchair between Vincent van Gogh’s painting “A Wheatfield, with Cypresses” and a window which frames a view of the city that cleverly mirrors the famous artwork. Clive’s position suggests his comfort in both environments. Humphrey’s difficulties fitting in, on the other hand, are depicted in an Italian restaurant where, distracted for a moment, the plates of spaghetti and meatballs he’s carrying tip precariously over a customer sitting under a photograph of the Leaning Tower of Pisa. Other images that contribute to the depth and atmosphere of this book are theater posters advertising Vaudeville and magic acts, Russian nesting dolls and fresh foods for sale in Clive’s multicultural neighborhood, and the copy of Walt Whitman’s Leaves of Grass next to a view-master in Humphrey’s tote bag.

The city’s human inhabitants are all depicted in flat grays and browns while the animals – pigeons, a crocodile, a dancing bear – are portrayed in textured full color. This dichotomy begins to fade at the theater, where a waiter in formal dress offers Humphrey hors d’ oeuvres, in the balcony row where Clive and Humphrey sit, and in the restaurant after the show, a change that offers opportunities for readers to talk about acceptance and how we look at others. The moving ending is eloquent in it’s simple embrace of individuality and acceptance.

A touching, multi-level story that will enchant and impact readers, Nobody Owns the Moon will become a favorite and is a must for home, classroom, school, and public library collections.

Ages 4 – 8

Berbay Publishing, 2021 | ISBN 978-0994384195

Discover more about Tohby Riddle, his books, and his art on his website.

International Quality of Life Activity

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Share a Smile Cards

 

Life is better when you share smiles with those you know—and those you don’t! Try it! When you’re out today at school or other places, give someone a smile. You can be sure that you will have made their day and your day better! These cards are another way you can share a smile. Why not slip one into your dad’s pocket or your mom’s purse, put one in your friend’s backpack, or sneak one onto your teacher’s desk? You can even leave one somewhere for a stranger to find! Have fun sharing your smiles, and see how much better you and the others around you feel!

Click here to print your Share a Smile Cards.

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You can find Nobody Owns the Moon at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

September 10 – It’s Children’s Good Manners Month

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About the Holiday

As kids go back to school and will be interacting with other students, teachers, coaches, group leaders, and others, this month is dedicated to the kinds of manners that promote good relationships and cohesive gatherings. Thinking about how one’s actions will affect others is part of being a great friend, teammate, or participant in any activity. Family life with parents and siblings is also better when everyone treats each other with good manners and respect.

Sonny Says Mine!

Written by Caryl Hart | Illustrated by Zachariah OHora

 

Sonny and his friends are playing on the playground when he spies a stuffed pink bunny in the sandbox. “Ooh! SO soft. SO cute. SO cuddly. I’ll call you Bun-Bun!’ he says.” But Meemo runs up to Sonny, interested in the bunny too, but Sonny pulls Bun-Bun away with a determined, “Mine!” Sonny plays with Bun-Bun, feeding her, dancing with her, reading her a story, and finally putting her to bed under a sand blanket.

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Image copyright Zachariah OHora, 2021, text copyright Caryl Hart, 2021. Courtesy of Bloomsbury Children’s Books.

But then Honey and Boo come over and Boo is crying because she’s lost her bunny doll Suki. While Boo sits sadly on the bench, Honey looks all over for Suki. Sonny says nothing and tells Meemo to stop barking. Then Honey directly asks Sonny if he’s seen Suki. “No!” he says, hiding the doll behind his back. Honey and Boo go back to their search. Sonny is so happy with Bun-Bun. “He LOVES Bun-Bun SO much.”

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Image copyright Zachariah OHora, 2021, text copyright Caryl Hart, 2021. Courtesy of Bloomsbury Children’s Books.

But Meemo scolds Sonny and tries to take Suki. Sonny hides Bun-Bun and goes to play with Boo and Honey. But Boo is too sad to play pirates or to eat chocolate cake. “Now Sonny feels sad too.” What will he do? He goes to his hiding place and retrieves Bun-Bun. He hides Bun-Bun behind his back as he walks near Honey and Boo. Then he gives Bun-Bun to Boo and apologizes. Now everyone is happy! “Woof!” says Meemo. “Hooray!” says Boo. And what does Sonny say? He wants you to “Come back soon!”

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Image copyright Zachariah OHora, 2021, text copyright Caryl Hart, 2021. Courtesy of Bloomsbury Children’s Books.

Sharing something can be hard. Giving back something you’ve found and LOVE to its rightful owner can be even harder. Caryl Hart understands these strong tugs on the heart and in her tender and realistic tale shows little ones the other side of the story—the sadness a friend experiences over losing a beloved toy or other object. Each of the characters demonstrate different actions and emotions providing adults and kids opportunities to discuss feelings and various roles of friendship. With their natural empathy, kids will identify with both Sonny and Boo and learn how in this type of situation real happiness and peace of mind are found.

Zachariah OHora’s instantly recognizable illustrations bring a cute, comforting, and completely relatable vibe to the story. Sonny’s instant love for Bun-Bun is palpable and little ones will know exactly what’s at stake when he’s asked to give the bunny up. On the other side, Boo’s grief is also evident as tears stream from her eyes and the usual fun of playtime and snacks offer no cheer. Meemo and Honey have their own reactions too, which give kids more perspectives to consider. As Sonny contemplates what to do, children will empathize with both Sonny and Boo as they know one of them will be left unhappy. But Through OHora’s touching illustrations, they’ll see that Sonny makes the right choice—and how it really makes him feel.

The first in the new Sonny Says series, which introduces preschoolers and kindergarteners to universal experiences, Sonny Says Mine! is a multilayered story that is as adorable as it is encouraging and educational. The book will captivate young readers just beginning to venture out into the world and make friends and is highly recommended for home, classroom, and library shelves.

Ages 3 – 6

Bloomsbury Children’s Books, 2021 | ISBN 978-1547605804

Discover more about Caryl Hart and her books on her website.

To learn more about Zachariah OHora, his books, and his art, visit his website.

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You can find Sonny Says Mine! at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review

February 3 – It’s Children’s Authors and Illustrators Week

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About the Holiday

This week was established to raise awareness and promote literacy and the joys and benefits of reading. During the week, children’s authors and illustrators attend special events at schools, bookstores, libraries, and other community centers to share their books and get kids excited about reading. To learn more about how you can instill a lifelong love of learning in your children, visit ChildrensAuthorsNetwork!

I received a copy of What’s Up, Maloo? from Tundra Books for review consideration. All opinions are my own. I’m excited to partner with Tundra in a giveaway of the book. See details below.

What’s Up, Maloo?

By Geneviève Godbout

 

Maloo is a little kangaroo with an especially hoppy spring in his step. But one day he feels grounded. Instead of hop, hop, hopping to see his friend, he takes “One step. Two steps, Three steps.” Wombat immediately notices that something’s amiss and asks, “What’s up, Maloo?” She brings him inside her cozy den and gives him a slice of pie. While she slides another treat into the oven, Maloo sits forlornly at the table, not touching his pie.

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Copyright by Geneviève Godbout, 2020, courtesy of Tundra Books.

They go down to the river—“Four steps. Five steps. Six steps”—where Crocodile sees it too and asks Maloo what’s wrong. Perhaps a swim will cheer Maloo up, but he sits dejectedly atop his ball and floats with the current. The three go to see Koala. They all want to help Maloo feel better. They try giving him a lift with an electric fan, but the wind just knocks Maloo head over heels.

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Copyright by Geneviève Godbout, 2020, courtesy of Tundra Books.

Maloo’s friends stay with him, though––“ten steps…one hundred steps…one thousand steps.” They stretch out a blanket and fling Maloo into the air, giving him encouragement. Can he hop? Maloo falls…but springs up again. “Hop!” He floats down, but this time instead of feeling dejected, he’s looking up. Back into the air he goes. He descends, but something is rising up in him. Maloo jumps with a gigantic “Hop!” He smiles. Koala climbs on Maloo’s back while Wombat and Crocodile balance on pogo sticks, and they all “hop like Maloo!’”

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Copyright by Geneviève Godbout, 2020, courtesy of Tundra Books.

With her powerfully emotional images and spare text, Geneviève Godbout allows readers to identify with Maloo as he experiences a time of sadness and recovers happiness with the help of his friends. In her soft, earth-toned illustrations, Godbout provides many perspectives and good examples for children and adults to discuss. Having lost his hop, Maloo seeks out one friend, who engages another friend and yet another, showing children the reassurance and help available by reaching out and having a supportive network. Maloo’s friends are also sensitive to Maloo’s mood, encouraging readers to pay attention to and acknowledge changes they may see in their friends and family. As readers count Maloo’s steps, they’ll see that sometimes the road back to feeling happy can be long, but that good friends stick with you no matter what or how long it takes. They also learn that asking for help starts with one step.

A moving and accessible resource for parents and caregivers to talk with their children about the ups and downs of life and the emotions of sadness and depression, What’s Up, Maloo? is a valuable addition to home, school, and public library collections.

Ages 3 – 7

Tundra Books, 2020 | ISBN 978-0735266643

To learn more about Geneviève Godbout, her books, and her art, visit her website.

Meet Geneviève Godbout

Born and raised in Quebec, Geneviève Godbout studied traditional animation in Montreal and at the prestigious Gobelins school in Paris. She is the illustrator of a number of books for children, including The Pink Umbrella, When Santa Was a Baby, Kindergarten Luck (Chronicle), and Joseph Fipps (Enchanted Lion). Some of her clients include The Walt Disney Company, Chronicle, HMH, Flammarion, Bayard, Les éditions Milan and La Pastèque. She also works for clothing designers like Nadinoo and Mrs. Pomeranz, creating illustrations and prints for their collections. Connect with Geneviève on her website.

Congratulations on What’s Up, Maloo, your debut picture book as both author and illustrator! Can you talk a little about the journey you’ve taken with this book?

Thank you! I never expected to be an author, but one day I woke up with the feeling I should write my own story about depression. I pictured this little kangaroo that lost his hop and told my French publisher (La Pastèque) about it. The whole creative process was natural, yet I felt incredibly insecure about my own capacities. But once published, we had such a fantastic response that I’m now working on a sequel with the little crocodile! 

What was your inspiration for this story and why this subject is important to you? What do you hope children will take away from your story?

I was inspired by my own experience of depression. I wanted to say that it’s ok to go through tough times and emphasize the importance of being surrounded without judgement. We should feel safe to confess our feelings to a friend. We don’t have to go through this alone. 

Your illustrations of Maloo feeling sad and losing the spring in his step are touching and instantly recognizable for children. How can adults use the book to talk with their children about the strong feelings of sadness and depression from multiple viewpoints, including the sufferer themselves and their friends?

I chose not to mention why Maloo lost his hop so that kids and adults can fill the gap in the text with their own experience. Maloo’s friends are sweet and full of empathy. I pictured this book as a comforter rather than a sad story. 

You’ve brought iconic characters Anne of Green Gables and Mary Poppins to books for the youngest readers. What are the challenges and joys of working with these beloved characters?
It was quite an intimidating challenge. These characters are so loved by readers (and myself!) that everyone has their own expectations of what they should look like. For instance, Mary Poppins is dramatically different in the original books by P.L. Travers from the Disney movie. But when we think about Mary Poppins, most people picture Julie Andrews, not a severe looking lady with very tall feet. With that in mind, I tried to find my own way of drawing both Mary Poppins and Anne Shirley. It was such an exciting opportunity, I reminded myself to have fun during the creative process without anticipating the public response too much. 

From characters’ round, expressive eyes, rosy cheeks, and sweet grins to animated action punctuated with humor to your gorgeous colors, your picture book illustrations are truly distinctive. How did you develop your signature style?

A style is the expression of one’s sensitivity and creativity. Mine evolved throughout the years as I gained experience and technique. And for some reason, I chose the most time-consuming medium: color pencils! I have always loved them. They’re delicate and precise. My background in traditional animation also has a huge part in the way I draw today. Everything is about movement and expressive posing. 

What do you love best about creating books for children?

I love the idea of touching people and offering them a safe bubble where they can smile and relax. There is nothing better than hearing a child or an adult say they love to curl up in bed with one of my books. 

You went to school in Paris, you’ve worked in London, and now you live in Montreal. Could you name one of your favorite places in each city and tell why you love it?

I was lucky to live in such fabulous and inspiring cities. I loved to get lost in Paris and walk by the Thames river near Hammersmith in London. Each time I go back, it feels a bit like home. As for Montreal, I think it’s the best place in terms of quality of life and I love the contrast between the seasons!

What’s up next for you?

I’m working on a couple of exciting projects including a sequel for What’s up, Maloo? and a third book in the Anne series. I’m kind of booked for the next year or so with Harper Collins, Random House, Comme des Géants, and perhaps Houghton Mifflin Harcourt, but I’m not sure what I’m allowed to say at this stage! 

Thanks, Geneviève! It was wonderful chatting with you. I’m really looking forward to seeing the sequel to What’s Up, Maloo? and all of your upcoming books!

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You can find What’s Up, Maloo? at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound

Picture Book Review