Invented around 1700, the piano was not an immediate hit with composers and performers. It took several decades before musicians embraced its versatility, and over the next 150 years the piano underwent many changes in tonality, size, and shape. In the 19th century the instrument became larger and more powerful to accompany soloists in concert and on tour with large orchestras. At the same time, individuals and families took the piano to heart – and hearth – as it became the primary source of home entertainment and piano lessons a must for all children. The United States became a major producer of pianos, with factories in Boston, New York, and Philadelphia. New technology in the twentieth century provided other types of entertainment that came to toke precedence over the piano, and domestic sales declined.
Today we celebrate the beauty of the piano—both in shape and sound—and all the musical artists who play and compose for this storied instrument.
The Bear and the Piano
By David Litchfield
One day a bear cub happens upon a piano in a clearing in the middle of the forest. Wondering what it could be, he approaches and lays his paw on the keys. The strange thing goes PLONK!—such an awful sound. The bear cub leaves, but is drawn back again and again for days, months, and years. Over time the bear grows up and learns to play the piano. The music is beautiful and transports him to strange and wonderful places.
Image copyright David Litchfield, courtesy of davidlitchfieldillustration.com
Other bears soon gather in the clearing to hear the “magical melodies” the bear plays. The bear is happy entertaining his friends. One night a girl and her father hiking in the forest come to the clearing. They listen and then tell the bear what his strange instrument is. They invite him to move to the city with them, where he will be able to play grand pianos for hundreds of people. The music he will play and hear “will make your fur stand on end,” they tell him.
The bear is conflicted. One on paw he knows that leaving the forest will make the other bears sad; on the other he longs to explore the world, to play the piano better, and master more intricate music. He decides to go with the girl and her father.
Image copyright David Litchfield, courtesy of davidlitchfieldillustration.com
In the city the bear is a sensation! He quickly becomes a celebrity with his name on marquees and playing to sold-out crowds. The bear records albums that go platinum, he appears on the covers of magazines, and wins awards. His experience is everything he could ever wish for. But deep in his heart there is another longing. He misses the forest and his friends there.
He decides to leave the city and rows a boat across the expanse of water to his old home. Excitedly he runs to the clearing, but when he arrives everything has changed. His piano is gone and there are no friends to greet him. The bear worries that everyone is angry at him for leaving, or worse—that they have forgotten him.
Image copyright David Litchfield, courtesy of davidlitchfieldillustration.com
Suddenly an old friend peeks around the trunk of a tree. The bear hails him with a hearty “Hello!” The other bear remains silent, however, and then turns and runs into the trees. The bear follows, plunging deeper and deeper into the forest. Suddenly he stops. In front of him is a sight that makes his fur stand on end.
There, protected in the shade of a tree and surrounded by the albums, magazines, t-shirts, and other mementos of the bear’s success sits the old piano. The bear’s friends have not forgotten him and they are not angry. They are proud and welcoming. The bear tells them all about his adventures then sits down to play again—for the most important audience of all.
David Litchfield’s very original and moving story is such a wonderfully conceived microcosm of the changes life brings. Stumbling upon a talent, cause, or inspiration; opening up to other influences; and acting on hard decisions are all part of growing up. These concepts are honestly and sensitively presented in The Bear and the Piano, and the reassuring ending brings comfort as well as a tear to the eye.
Image copyright David Litchfield, courtesy of davidlitchfieldillustration.com
Litchfield’s touching illustrations—rendered in gorgeous hues of browns, greens, yellows, and blues—brim with yearning and mystery. The piano sits in a misty glow, silent and draped with vines, when the cub discovers it. While the bear grows and learns to play, the air clears and the colors become brighter. When the bear moves to the city, the pages glint and swirl with the glow of marquees and concert halls announcing his enormous achievements. But as he sits on a rooftop one night contemplating his life and looking out toward his old home, the lights around him are the elements of normal life—lamps in apartment windows, stars, and the moon glimmering on the water. His nostalgia to be home will resonate with both kids and adults.
The Bear and the Piano makes a wonderful gift for any age—especially as a graduation or new-job gift—and is a must-have for anyone’s personal library.
Clarion Books, Houghton Mifflin Harcourt, 2016 | ISBN 978-0544674547
To learn more about David Litchfield, his books, and his artwork, visit his website!
While I take a few personal days during this month, I am reposting earlier reviews updated with new links, interior art, and book trailers.
Watch the beautiful The Bear and the Piano book trailer!
National Piano Month Activity
Make a Record Chalkboard Bulletin Board
Do you play the piano or another instrument? Would you like to make a record some day? Why wait? In this fun craft you can create your own record bulletin board—and even create your own label art! While this record may not spin on turntables around the world, it will drop in a more important place—your very own room!
With our busy lifestyles it’s sometimes hard to get to know our neighbors. We might give them a quick wave and smile as we’re driving in and out, but finding time to stop and chat can be more difficult. Today’s holiday encourages us to get to know our neighbors and become friends. Why not take the opportunity to say “hi” to someone on your block or in your building or even share a special note of thanks for being a great neighbor!
The Uncorker of Ocean Bottles
Written by Michelle Cuevas | Illustrated by Erin E. Stead
A man in a red stocking cap and clam digger pants sits at his kitchen table with a cup of coffee, sharing space with a tabby cat. His day as the “uncorker of ocean bottles” is about to begin. He follows the path from his isolated house on the hill down to the water’s edge, where he keeps “his eyes on the waves, watchful for a glint of glass.” When he sees a bottle floating past, it is his job to retrieve it and read the message inside.
“Sometimes to deliver a bottle, he needed only to stroll to the nearest village. Other times, he would journey until his compass became rusty and he felt loneliness as sharp as fish scales.” Some messages have been buffeted by the seas for a long time, and while some messages are sad, most make their recipients very happy, “for a letter can hold the treasure of a clam-hugged pearl.”
Although the man doesn’t mind living alone and loves his job, he sometimes feels a niggling wish to receive a letter himself. It is a fleeting dream, however, and as likely as finding a mermaid’s toenail on the beach,” because the man “had no name and no friends who would ever write him a letter.” One day, thoiugh, the man opens a very singular message: “I’m not sure you will get this in time, but I am having a party. Tomorrow, evening tide, at the seashore. Will you please come?”
Image copyright Erin E. Stead, text copyright Michelle Cuevas, courtesy of Penguin Random House
Without a name or an address the Uncorker is at a loss as to how to deliver this very important invitation. It is such an intriguing invitation, in fact, that the man finds that he wants to go himself. With reasoned purpose, the Uncorker rides his bicycle into town to investigate who might know something about the letter. The maker of cakes studies the note but can offer no insight beyond the fact that he, too, would like to attend such a get- together.
At the candy shop neither the owner, nor a woman buying candy, nor a young girl know anything about the note, but they too wish they had been invited. The Uncorker meets others—a sailor, a seagull, and a one-man band—but no one can help him. The man goes home feeling dejected. Never before has he failed to deliver a message. Lying awake in bed he decides the only thing he can do is to meet the sender of the letter the next night at the seaside and apologize.
He arrives early with a gift of seashells and discovers the seashore “draped in seaweed and starfish. Candles floated in clamshells, There were sand sculptures and umbrellas.” Standing in the festive atmosphere are the maker of cakes, the candy shop owner, the woman and her daughter, and all the others the Uncorker had met in his search the previous day. As the rest of the group play music, the little girl asks the Uncorker to dance, and although the man says he isn’t sure he knows how, he twirls the little girl on the golden sand.
Later, sitting quietly the party gazes out at the ocean that has brought them together. The Uncorker has opened a gift chosen specifically for him and is enjoying a piece of cake while “his heart was a glass vessel filled to the brim.”
Michelle Cuevas’s unique story of a man adrift in life without the anchor of family or friends is a gorgeously written reminder that companionship is often waiting if we just invite it in. With moving language and fresh, evocative metaphors—in two of my favorites, loneliness is “as sharp as fish scales,” and some messages are “very old, crunchy like leaves in the fall”—Cuevas gently nudges readers to acknowledge the little voice inside and discover what else the world has to offer.
Erin E. Stead’s warm green, gold, and gray-hued illustrations rendered in delicate lines and gossamer washes are as wistful as the Uncorker himself. The man’s calm resolve is echoed in the serene ocean water, the soft companionship of his cat, and the tidy seaside town. There is a wonderful quiet, unhurried feeling to each page which seems to allow not only the Uncorker but the reader to enjoy contemplative moments. The final scene of the party happily enjoying the view and each other’s company fulfills not only the Uncorker’s deepest longing, but that of readers as well.
For it’s beauty and message The Uncorker of Ocean Bottles should find a place on every child’s and school library’s book shelf. Adults will enjoy this book as much as children and it would make a wonderful coffee table book.
Ages 4 and up
Dial Books for Young Readers, Penguin, 2016 | ISBN 978-0803738683
View a gallery of artwork and children’s book illustration by Erin E. Stead on her website!
Good Neighbor Day Activity
Bottle of Friendship
Sometimes a small gesture means so much more! With this easy craft you can make a unique-to-you message for a neighbor or friend that can later also be used as a vase. After making the Bottle of Friendship, take it to a recipient or leave it on the doorstep as a nice surprise!
Supplies
Recycled glass or plastic bottle, or a decorative bottle from a craft store
Glitter (Or Glitter Glue)
Glue
Real or imitation flowers
Small piece of paper
Thread or string
Directions
Wash and dry the bottle
Along the bottom (or in any design you’d like) spread the glitter glue. If using glue and glitter separately, spread glue and sprinkle with glitter.
Let the bottle dry
Write a note of thanks or friendship on a small piece of paper
As the weather turns cooler in certain parts of the world, it’s time to pull out those old favorite cozy hats or buy a stylish new one to keep your head and ears warm! Whether you like wearing felt hats, knit hats, furry hats, or even top hats—like the character in today’s book—this is the season for you!
Mr. Brown’s Fantastic Hat
By Ayano Imaí
Mr. Brown lived alone and, if you asked him, he’d tell you he liked it that way. He “had no friends and he didn’t want any.” If you were privy to his secret thoughts, however, you’d learn that Mr. Brown was actually very lonely. Mr. Brown liked to take long walks, and when he went out, he always wore his “smart,” distinctive hat. “One day while Mr. Brown was sleeping, a woodpecker flew down and started tapping a hole in his hat, thinking, ‘What a wonderful nest this hat would make!’”
When Mr. Brown woke up he was shocked to discover that a bird had moved into his hat. Someone living this close to him was not what Mr. Brown had in mind at all. Then to Mr. Brown’s dismay the “woodpecker soon told all his friends about the wonderful new home and invited them all to join him.” Soon Mr. Brown’s hat was full of holes—and birds! You might think a regular hat would not have enough room for so many residents—but Mr. Brown’s hat was no ordinary one. As more and more birds moved in, his hat grew taller and taller!
Image copyright Ayano Imaí, 2014, courtesy of minedition
As the days went on Mr. Brown discovered that he was beginning to enjoy the birds’ singing and their company. Now Mr. Brown had renewed purpose in his daily walks: “He loved to show off his hat. Everywhere he went it was full of the music of singing birds.” People on the street took notice and wanted to emulate Mr. Brown. All over town people began wearing tall hats, “but the birds preferred to stay with Mr. Brown no matter how hard people tried to persuade them.”
One day as autumn settled in, Mr. Brown noticed that all the birds had flown away. He was sad and didn’t understand where they had gone or why they had left him. He wondered if he would see them again. The idea of a quiet life no longer held the appeal it once did, and Mr. Brown missed his friends. He tried to convince himself that he didn’t care that the birds had left, but he continued to fill the feeders and watch out for them every day.
Image copyright Ayano Imaí, 2014, courtesy of minedition
Even though it was time for Mr. Brown to take a long winter’s nap, he tried to stay awake, worried that there would be no one to care for the birds if they returned. But nature took its course, and Mr. Brown fell into a deep sleep. One morning after a particularly vivid dream in which Mr. Brown could hear the birds singing, he woke to a tapping sound. He went to the door and peered out.
Spring had come and with it Mr. Brown’s hat had grown roots and sprouted branches and leaves. The old holes were filled with their previous tenants. The sight filled Mr. Brown with joy, and he finally could admit to himself that sharing his life with friends “was better than being alone.”
Image copyright Ayano Imaí, 2014, courtesy of minedition
Ayano Imaí’s gloriously beautiful book plumbs the nature of solitude and loneliness as well as the value of friendship with an honesty that is at once heartrending and uplifting. For so many quiet, introspective people—children and adults alike—navigating the world of small talk, casual relationships, and making friends is similar to traveling uncharted territory, where the language and mores are foreign. It can become easier to tell oneself that it doesn’t matter, when in reality it matters a great deal. Many times happiness comes when one finds their niche or, in some surprising way, a niche finds them.
Imaí tells the story of Mr. Brown and his fantastical hat in straightforward narration, but more profound meaning is revealed in her illustrations. Mr. Brown, it is discovered, is a brown bear who has taken on the aspects of humans. He walks upright, carries an umbrella and bag, owns a home, and wears a hat. His fur is even the same color as the townspeople’s clothing. But while he may be among people, he is not of them. His home has a grass floor which sprouts mushrooms and weeds; another weed pokes out from the bristles of his brush; a tree branch juts from a wall; and mushrooms share space with the laundry on the drying line.
Mr. Brown comes from nature and belongs with nature, so it is no surprise that the birds flock to him and prefer him to humans, who in an ironic twist long to be like Mr. Brown. I especially like the ending of Mr. Brown’s Fantastic Hat, in which Mr. Brown stays true to himself. He does not suddenly discover his “wild” side and become someone that he is not. He is able to remain a quiet, introspective bear while also embracing his friends, his love for them, and his place in the world. He finds inner happiness and loved ones to share it with.
Ages 3 – 8 (and up)
minedition, 2014 | ISBN 978-9888240845
Fall Hat Month Activity
Favorite Fall Hat Matching Puzzle
Each child has a favorite hat for cooler weather. Follow the paths in this printable Favorite Fall Hat Matching Puzzle to find out which hat each child chooses!
Established in 1999 by UNESCO, Mother Language Day celebrates cultural diversity and promotes the protection of endangered languages. Events include multicultural festivals where all voices are heard and social cohesion, cultural awareness, and tolerance are honored.
The Little Rabbit Who Liked to Say Moo
By Jonathan Allen
Little Rabbit sits in the farmer’s field listening to the animals talk and learning their languages. “Moo,” Little Rabbit repeats, “Moo.” A calf responds and questions Little Rabbit. It turns out that Little Rabbit knows and likes many languages. Calf joins Rabbit in the fun. “Baa,” they say together, which summons Lamb. The three friends decide to try “Oink.” With each new noise, the group expands and enthusiastically continues their linguistic experiment.
Copyright Jonathan Allen, 2008, courtesy of Boxer Books Ltd.
Finally, after a rousing chorus of “Quack,” Duckling asks , “Why are you all saying quack? You’re not ducks.” Baby Donkey is the first to answer. “I like Quack.” “So do I…Me too,” the other young animals pipe up. “Is quack your favorite animal sound?” Duckling asks. Each animal then reveals with pride that, while they like other noises, they prefer their own. But what about Little Rabbit, who doesn’t “have a big noise?” Will Rabbit’s answer begin the game again?
The wide-eyed, smiling animals in this adorable picture book by author-illustrator Jonathan Allen perfectly captures the joyous camaraderie of good friends discovering the world together. The book is a wonderful introduction for young children to the ideas of inclusiveness and self-esteem. Kids will love the repetition as each new animal joins the group, and will have as much fun saying each sound as Little Rabbit and the other farmyard friends.
Ages 2 – 5
Boxer Books Limited, 2015 (Board Book) | ISBN 978-1910126257
International Rabbit Day Activity
Paper Bag Rabbit Puppet
With this easy and fun craft you can make your own little rabbit who likes to play with you and talk in other languages! Make up stories of your own – what does your little rabbit like to do?
Place the flat paper bag on a table with the bottom flap facing you. Glue or tape the eyes, and the nose and whiskers to the bottom flap. Attach the ears, placing the tabs behind the top of the bottom flap. Attach the paws to the body below the bottom flap. Attach the cotton ball tail to the opposite side of the bag.
When it’s dry, use your puppet to read The Little Rabbit Who Liked to Say Moo again and play along, making the other animals’ sounds.
Then let your Little Rabbit try saying “Hi” in the languages below.
Learn to Say “Hello” in Other Languages
Spanish: Hola (oh-la)
French: Bonjour (bon zhur)
German: Hallo (hă-lo)
Chinese: Nin Hao (nee hah)
Filipino: Kamusta (ka-muh-stah)
Italian: Ciao (chi-ow)
Japanese: Kon’nichiwa (ko-nee-chee-wah)
Turkish: Merhaba (mĕr-hah-bah)
You can find The Little Rabbit Who Liked to Say Moo at these booksellers
While today’s holiday was established in 1996 by Mission Media and its owner Wayne Hepburn because of Hepburn’s love for elephants, the day has garnered official recognition and deserves wide acknowledgement. These gentile, giant animals need our protection from environmental and human dangers. To celebrate today’s holiday visit a zoo or animal preserve, watch a documentary on elephants, or consider donating to their cause.
Strictly No Elephants
Written by Lisa Mantchev | Illustrated by Taeeun Yoo
A little boy, his adorable pet elephant by his side, kneels on his bed and gazes out the window at the brownstones across the street. There he sees other kids with their—more conventional—pets: a bird, a cat, a fish, and dogs. “The trouble with having a tiny elephant for a pet is that you never quite fit in,” the boy reveals. Every day the boy takes his elephant for a walk, but even in this common pet-owner activity, the boy and the elephant show their special relationship. The elephant is thoughtful—protecting the boy with an umbrella on rainy days—and the boy is considerate—carrying his elephant over cracks in the sidewalk that frighten it. Why? Because “that’s what friends do: lift each other over the cracks.”
Image copyright Taeeun Yoo, courtesy of simonandschuster.com
On this particular day the boy winds a red scarf around his elephant’s neck and joins the parade of kids on their way to Number 17 where the Pet Club meets. The elephant is reluctant, but the boy is reassuring, even carrying his pet on his back the last few feet. “‘It’ll be fine,’” he says. But when they reach the apartment, there’s a sign on the door that reads “Strictly No Elephants.” There’s even a picture of a crossed out elephant on the sign.
The elephant understands all too well and leads the boy back onto the sidewalk, now ignoring the cracks. “‘That’s what friends do: brave the scary things for you,’” the boy says. The day has suddenly become rainy, and they are caught on the sidewalk without an umbrella. Taking shelter under an awning, the two find a little girl holding her pet skunk. “‘Did you try to go to the Pet Club meeting too?’” she asks. “‘Yes,’” the boy says, “‘But they don’t allow elephants.’”
Image copyright Taeeun Yoo, courtesy of simonandschuster.com
While the sign may not explicitly forbid skunks, the little girl says that the other members didn’t want to play with her and her skunk either. Wisely, the boy tells her “‘They don’t know any better.’” The elephant reaches out its trunk toward the skunk with the girl’s reassurance that he doesn’t stink. The two new friends decide to start their own pet club and head down the sidewalk to find a venue. The boy makes sure that his elephant follows because friends “‘never leave anyone behind.’”
On the way the boy, girl, elephant, and skunk encounter a whole crowd of kids with unusual pets—a tiny giraffe, a mini narwhal, an armadillo, a bat, a hedgehog, and a penguin. They come to a park, complete with tree house, that is perfect for their club. The kids and pets eagerly adopt their new play space—swinging on the tire swing, waddling around the balcony, exploring the roof, playing tag, reading, and more. The boy quickly does the most important thing of all: he paints a new sign for the clubhouse door. “Strictly No Strangers, No Spoilsports ALL ARE WELCOME” it reads. And if you need directions to the club, the boy’s tiny elephant will give them to you “‘because that’s what friends do.’”
Image copyright Taeeun Yoo, courtesy of simonandschuster.com
Lisa Mantchev has written a story addressing the types of isolation and rejection that kids (and adults) can face sometimes because of a single perceived difference in an uplifting and productive way. With gentle honesty and thoughtfulness, Mantchev invites kids—on both sides of this “elephant in the room” issue to consider their actions, attitudes, and responses to others. As Mantchev reveals, more inclusiveness leads to more understanding and better relationships. Her lyrical language and sweet reminders of “what friends do” elevate this tribute to camaraderie and companionship and make it a story kids will want to hear again and again.
Image copyright Taeeun Yoo, courtesy of simonandschuster.com
Taeeun Yoo’s adorable illustrations of the boy, his tiny pet elephant, and the other animal-and-owner pairs are irresistible. Any reader would want pets as cute and adaptable as these, which may lead to questions about why and how they could be excluded from the club. As the boy and his elephant are turned away from the Pet Club door, the day turns dark and stormy. The two-page spread is rendered in somber shades, except for the little boy with his yellow-striped shirt and red scarf, the elephant sporting a matching red scarf, and the soon-to-be-met African-American girl who wears a red and yellow-striped dress, emphasizing the connections between these two children. The final pages in which the new friends meet and play together are joyful, inviting all readers to “join the club.”
Strictly No Elephants gives readers so much to see, think about, and discuss. The book is a must for school and classroom libraries and would be a very welcome addition to children’s home bookshelves.
Ages 4 – 8
Simon & Schuster, 2015 | ISBN 978-1481416474
Discover Lisa Mantchev’s books for children, young adults, and adults on her website.
See a gallery of books by Taeeun Yoo on her website!
Elephant Appreciation Day Activity
Image copyright Celebrate Picture Books, 2016
Spool Elephant
Who wouldn’t like a tiny elephant for a pet?! With this easy craft you can make your own little pal to keep you company.
In 1965 an international gathering in Hawaii established World Gratitude Day as a time for people everywhere to formally appreciate and give thanks for all the wonderful things in the world. In 1966 the attendees celebrated World Gratitude Day on this date in their individual countries, beginning a tradition that has grown over time. The benefits of positive thinking have become well documented. The founders of Gratitude Day also recognized that by taking a day to celebrate the amazing parts of our lives we might become happier, more content people.
The Thank You Book: An Elephant & Piggie Book
By Mo Willems
Piggie and Gerald are relaxing together when Piggie thinks “I am one lucky pig. I have a lot to be thankful for….” Then it dawns on her that she “had better get thanking!” With resolve she vows to thank every important person in her life. Gerald doesn’t believe Piggie will be able to do this and is sure she will forget someone—even someone important. But piggie is determined, emphasizing, “I. Will. Thank. EVERYONE” and she trots off on her “Thank-o-rama” while Gerald stands by in awe.
First Piggie encounters her squirrel friends and thanks them for their great ideas, next Piggie gives Snake a big hug for playing ball with her. The Pigeon is thanked for “never giving up,” and Piggie even apologizes for The Pigeon’s never being in their books, although the sly Pigeon knows better. Piggie whistles and dances away to continue her mission, while Gerald reiterates that she will forget someone.
Image copyright Mo Willems, courtesy of Disney-Hyperion
Piggie comes upon Mouse, Birdies, Rhino, Hippo’s Big Sister, Barky Dog, Pelican, Bear, Hippo and Worms, and thanks them all for “being great friends.” Doing a cartwheel, Piggie says, “See that, Gerald? I am a thanking machine!” But Gerald is miffed because Piggie has forgotten someone important, and he gives Piggie a big smile. Piggie seems to get the hint and promises that her next thank you will be a big one. And it is! Piggie yells up at Whale, “Thanks, Whale! You are nice!”
Ice Cream Penguin receives gratitude for the ice cream, and Doctor Cat is thanked for “being a great doctor” while Gerald tags along behind. Piggie meets Brian Bat and thanks him for sharing drawing time. By now Gerald is getting a bit steamed, and tries to attract Piggie’s attention quietly and then with a shout—“PIGGIE!”—that sends Piggie reeling. “You are forgetting someone,” Gerald reminds her, looking her straight in the eye. “Someone VERY important.”
Finally Piggie understands. She gazes at Gerald wide-eyed and says, “Now I know who you are talking about.” Gerald smiles, but his happiness is short-lived as Piggie thanks the flies for cooking with her. Gerald can’t take it anymore. Waving his arms he shouts, “NOT THE FLIES, PIGGIE! But Piggie gives it right back—waving arms and all: “I CANNOT THINK OF ANYONE ELSE I HAVE FORGOTTEN TO THANK, GERALD!”
Image copyright Mo Willems, courtesy of Disney-Hyperion
Gerald displays an “it’s obvious” pose and finally Piggie does understand. She is shocked and contrite. “Thank you, Thank you, Thank you, Elephant Gerald!” Piggie gushes, holding Gerald’s hands. With a hug Piggie continues, “You are the best friend a pig could ever have!” Gerald accepts Piggie’s thanks, but reveals that he did not think Piggie had forgotten him. Piggie is so confused! She explodes: “WHO DID I FORGET TO THANK!?!”
“Our reader.” Gerald says “You forgot to thank our reader.” Poor Piggie is so embarrassed. “You are right!” she says. Piggie looks straight out from the page and with sincerity says, “Thank you for being our reader!” Gerald joins her to say, “We could not be ‘us’ without you,” and Piggie agrees: “You are the best!” The two friends congratulate each other on their thanking and return to relaxing together. “Yep,” Piggie thinks once more. “I am one lucky pig.”
With this 25th Elephant and Piggie Book, Mo Willems brings his award-winning early-reader series to an end in an emotional tribute to all of the duo’s friends and their readers. In The Thank You Book Gerald and Piggie’s special relationship, born of humor, conflict, misunderstandings—and ultimately understanding, is on full display. The evocative illustrations reveal Gerald’s growing discontent and consternation while the dialogue, displayed in speech bubbles and with varying type sizes, expresses the changing dynamics of the story.
While regular readers of the Elephant and Piggie books will be sad to say goodbye to new stories, Willems has left them with many wonderful memories and adventures to return to again and again. New readers will be—like Piggie—very lucky to discover these two friends and develop their own relationship with this unique pair.
Ages 3 – 7
Disney-Hyperion, 2016 | ISBN 978-1423178286
Find books, games, activities, and lots more on Mo Willem‘s website and play along with Pigeon and the gang on Pigeon Presents!
Do you want to know what’s up next for Gerald and Piggie? Head over to Mom’s Radius: life. love. books. and find out! You’ll also discover a whole bookcase-worth of books you’ll want to read!
World Thank You Day Activity
What Are You Thankful For? Poster
Write all of the amazing things in your life that make you happy on this colorful, printable What Are You Thankful For? Template! Then display it in your room or locker to make you smile or remind you to thank everyone who is important to you!
Shiver me timbers! Avast, ye mateys! Today it be arrgh-uably the best day of the year for all us swashbuckling swabbies that sail the ocean blue a-lookin’ for treasure! Talk Like a Pirate Day, ironically got started in the walled confines of a racquetball court, where a group of guys were doing…well what a group of guys do to encourage each other—toss around pirate phrases. They decided the idea was too good to keep on the court, so they designated September 19th as Talk Like a Pirate Day. They then alerted Dave Barry, comedic writer extraordinaire, who spread word of this day far and wide. Now it’s a favorite of young and old alike. So get out there and do some plunderin’ ye scalliwags!
Pirasaurs!
Written by Josh Funk | Illustrated by Michael Slack
There’s a new brigand sailing the bounding main with a crew more rag-tag and wild than any seen before. They roar their chanteys as they set the rigging with their “spiky tails” and play watery pranks on the newbie recruit Who are they? They’ll be happy to tell you themselves—“We’re Pirasaurs! We’re Pirasaurs! We rule the open seas! / We’ll cannon-blast you to the past! We do just what we please!”
All this commotion can be a bit intimidating to the newest matey who knows just what he’s up against: “With lots to learn, I’ve got to earn the crew’s respect and trust. / I’ll rise in rank or walk the plank…I hope I can adjust!” At the point of Captain Rex’s “fabled sword” this little guy—who has yet to cut his sharp teeth—swabs the deck, scrubbing and brushing so fast he ends up in the plesiosaur-infested deep.
Brontobeard steers the ship over the briny waves while “with handy hook, Triceracook / prepares Jurassic feasts!” which leads them all to “…slurp and belch and burp / with buccaneering beasts!” Of course these pirasaurs are after more than fun times—they want treasure! Velocimate navigates by using the stars while our seapuppy reveals that he uses his “smarts to map the charts. / But still we’re led astray!”
Image copyright Michael Slace, courtesy of slackart.com
Land ho! The pirasaurs come ashore on a distant island. Can treasure be nearby? The crew fans out looking for the X, but no matter how hard they search, they can’t find it. “The crew begins to search within / The frayed and tattered map, / a shadow looms, the water fumes / revealing—It’s a trap!” It seems the pirasaurs had a spy onboard, and now that they’ve found the right spot, he’s alerted his true mates.
They come brandishing swords, sizzling cannon balls, knives, oars, and sneering looks. But Captain Rex’s troop is ready for them. While “a mighty clash erupts upon the sand,” the littlest buccaneer notices a very interesting development. Clutched in the claws of a saur enemy, he sees a fragment of a map. “Ahoy! Avast!” He shouts above the fray. “We’ve got to stop these duels! / Let’s share the scraps of each our maps / To find the gold and jewels!” The pirasaurs stop fighting and they carefully connect the two shards of paper. Lo and behold! The X is clearly visible! Together the two pirasaur crews uncover the treasure—and what a treasure it is! Not only are there gems, and gold, and silver—the chests contain the nugget of friendship! Now the pirasaurs want readers to join up and join in! “Through battles, brawls and fireballs, / Plus prehistoric roars, / The salty deep is ours to keep— / Come join the Pirasaurs!”
Like rolling waves on the high seas, Josh Funk takes readers on a boisterous journey full of twists, turns, and tricks with the rowdiest group of pirates ever to set sail! Funk’s rhymes flow as fast and smooth as a sloop on a fair-weather day. The new recruit is understandably intimidated by the Jurassic giants, but while these pirates may be dinosaurs, they are modern in their thinking. When the little guy suggests they share, they’re all for it, leading to the best discovery of all—friendship!
Michael Slack signed up all the faves—brontosaurs, triceratops, stegosaurus, spinosaurus, velociraptor, pterodactyl, of course T-rex, and some dinos that haven’t even been discovered yet—in this cross-epoch epic! And these aren’t the scurvy dogs you’re used to from science class. They’ve got eye patches, peg legs, hooks, earrings, and some pretty rad hats and jaggedy shorts. And oh, yes, did I mention they’re super colorful? Purple, orange, green, blue, mauve…. Readers can almost smell the sea air in Slack’s detailed, full-bleed pages of rowdy pirasaurs, tangled rigging, gross cooking, brave swashbuckling, and, ultimately, found treasure.
Pirasaurs! is definitely treasure for your bookshelves, as kids will want to read it again and again. Savvy?
Ages 3 – 9
Scholastic, 2016 | ISBN 978-0545750493
Josh Funk’s website has information on his books, fun activities for kids, book trailers, and much more!
You know Michael Slack’s awesome books! Find them as well as a gallery of illustrations and more on his website!
Ahoy, me Hearties! You be watchin’ this Pirasaurs! book trailer!
Talk Like a Pirate Day Activity
Original artwork copyright Conor Carroll and Celebrate Picture Books, 2016
Avast! Board Game
Ahoy, Mateys! Avast! Somewhere on the island is buried treasure! Test your skills against rotten food, stormy seas, and even the Kraken (don’t worry, there are good days too!) as you traverse the forbidding landscape in search of jewels and gold!
Original artwork copyright Conor Carroll and Celebrate Picture Books, 2016
Directions
Print the Avast! Board Game pages on white paper or parchment-colored paper or on card stock.
To make regular white paper appear old – as in the picture – paint with a tea wash before taping together. (See directions for tea wash below)
Cut out the Avast! Pirate Loot Tokens
Cut out the Avast! Game Cards
Tape together the 4 pieces of the map. Option: map pages printed on regular paper can be glued to a piece of poster board to make the game board more sturdy.
To use a tea bag to make the map look old:
Steep a black tea tea bag in 1/4 cup boiling water for 3 minutes
Squeeze the tea bag dry over the cup and discard
With the paint brush, paint the 4 pages of the map with the tea before taping them together
Let dry or dry with a hair drier set on Low.
To Play the Game
Each player chooses a Pirate Loot Token as their playing piece to move along the board
Shuffle and stack the Game Cards
Choose which player will go first
Players choose the top card from the pile and follow the directions to move spaces on the game board.
After moving, players should put their game card in a discard pile
If game cards run out before the end, flip over the discard pile and use the cards again
The first player to arrive at the X on the map finds the treasure and is the winner!
Q & A with Author Josh Funk
Today Josh Funk, author of Pirasaurs!, Dear Dragon, and Lady Pancake & Sir French Toast drops by to talk about his work, his influences, upcoming books, and a very special ironing board!
What were some of the books you enjoyed most as a child?
Hmm. I hate starting this interview off negatively, but I find this question a bit problematic as it’s in the past tense. In many (most?) ways I’m still very much a child. Hee hee (wink).
I had a lot of the standard favorite picture books: Corduroy, Sylvester and the Magic Pebble, Caps for Sale, The Lorax, Lyle, Lyle, Crocodile.
But one of my more underrated favorites is The Adventures of the S.S. Happiness Crew: The First Adventure: Cap’n Joshua’s Dangerous Dilemma. The illustrations probably look familiar as it’s Eric Hill of the Spot series. My Aunt Betty gave me this book on the day my younger brother was born (I was three). I think it was the first book that I encountered where I shared a name with a character—which I certainly found thrilling as a three year old.
Your rhymes are so inspired—have you always wanted to be a writer? How did you come to be a picture book author?
Actually, I wouldn’t say I’ve always wanted to be a writer. When I was a child, maybe 3rd grade, I wrote a rhyming poem about Larry Bird and another about Roger Clemens (I grew up a Celtics and Red Sox fan in the Boston suburbs). My parents were pretty impressed with the poems (and still have copies of them), but I didn’t really do too much writing after that as a child.
Until late high school and college when I learned how to play guitar. I wrote a bunch of songs, but I was always more of the clever & quirky type of songwriter, not the smooth and poetic type. It might have something to do with being a huge fan of They Might Be Giants for most of my life. When I had kids, any time I broke out the guitar, the kids just saw it as a toy, and I’d be halfway through a song before they started telling me, ‘My Turn!’
But around the same time, I was reading a lot of great picture books to my kids, and that’s when I decided to try writing my own. Some of my favorites included Iggy Peck, Architect, The Curious Garden, The Gardener, and Vunce Upon a Time. I was inspired, and it turns out that my rhyming songwriting skills actually paid off when it came to writing rhyming picture books.
I was quickly introduced to The Society of Children’s Book Writers and Illustrators (SCBWI) and went to the annual New England spring conference in 2012 – and I learned a ton. At the same spring conference in 2013, I met Heather Kelly who had just founded The Writer’s Loft in another Boston suburb and immediately jumped on board. Both SCBWI and The Writers’ Loft have been extremely influential in my writing life, both in regards to the craft and the business. Fast forward to 2016, and I co-coordinated this past spring’s New England SCBWI conference (along with Heather Kelly) and I’m a member of the board of The Writers’ Loft.
And I can still use the guitar a little bit. I recorded the music for both the Lady Pancake & Sir French Toast book trailer and the Pirasaurs! book trailer.
Your books are so varied. What sparks an idea for a book in general, or what was the spark for any of your books in particular?
I often think about what I’d like to see illustrated. I can’t draw particularly well, but I sure thought it would be fun to see what a Pirate-Dinosaur looked like, so I wrote Pirasaurs! I thought it might cool to see a boy and a dragon as pen pals, so I wrote Dear Dragon. I was entertained by the idea of breakfast foods causing catastrophic culinary chaos in the fridge. So I wrote Lady Pancake & Sir French Toast.
I think the varied styles are mostly due to the fact that each of the books is published by a different publisher and illustrated by a different illustrator. But I couldn’t be happier with the look of all three.
Your books contain such rollicking rhymes—can you describe your writing process?
Well it took some time to discover and then implement the following tidbit, but the most important thing about a rhyming picture book is not the rhyme … or the rhythm. Most important is a good story. So figuring out the story has to come first.
I’ll spend some time getting to know the characters, their goals, conflicts, and making sure I’ve got a satisfying ending in mind. Once I’m through the brainstorming process, I’ll usually hammer out a first draft over the course of a few days to a week. Then I’ll revise. I share the manuscript with critique partners and groups over the next few days/weeks/months. If it ever gets to the point where I think it’s good enough, I’ll send it to my agent.
I’ve refined my process over the last five years, and my first drafts are better now than they were then. I know better which ideas to pursue and which aren’t as marketable. I’ve made lots of valuable mistakes along the way. But I still have lots to learn. I can always improve my process.
What is the best part of writing picture books?
Probably when a parent says to me that they’ve read a book I wrote 5 times because their child kept requesting it over and over again. And that the parent was happy to oblige.
Can you describe your work space a little?
I mostly write (like I am now, answering these questions) on my laptop while laying in bed. Sometimes there’s music or a movie on in the background (often it’s Scott Pilgrim vs the World). Sometimes I wake up in the middle of the night and have an idea or a line or a scene that I just can’t get out of my head, so I write it on my phone … again, while in bed.
So, as far as work space, I guess it’s mostly a digital one. I do most of my writing in google docs in a chrome browser, often with thesaurus.com open in one tab and possibly rhymezone.com open in another.
My office mates are authors Jess Keating, Tara Lazar, and Anna Staniszewski who I ‘speak’ with in google chat, while I converse with my editors and agent via email.
What is the favorite object in your work space and why?
Probably my puffalump, Monkey Dude, who you can see in my head shot above
You have two more books scheduled for release in 2017: a sequel to Lady Pancake & Sir French Toast and It’s Not Jack and the Beanstalk. Can you give readers a sneak peek? Are there any other books on the horizon?
In LP&SFT: The Case of the Stinky Stench, there’s something foul in the fridge and Inspector Croissant (Sir French Toast’s nephew) asks our main characters to help him find the source of a terrible odor. They search everywhere from Onion Ring Cave to Corn Chowder Lake, confident that the culprit is right under their noses… but I won’t spoil any more of it for you – you’ll just have to wait until next spring. Brendan Kearney is back as the illustrator and I kinda think it might be better than the first one.
It’s Not Jack and the Beanstalk is my first story not written in rhyme. It was supposed to be the tale of Jack … and the beanstalk, but really … it’s not. All the narrator wants to do is tell the traditional tale properly. But Jack just won’t do what he’s supposed to! Jack constantly questions why he should sell his cow (Bessie’s my best friend) or climb the beanstalk (but it’s soooo tall) or enter the castle (there’s probably a giant in there). This one is illustrated by Edwardian Taylor – and he’s so talented! Follow him on Instagram to see his greatness!
And yes, there are certainly more books on the horizon. But … I can’t talk about them yet. Stay tuned.
I can’t properly call my blog holiday themed without asking you a few related questions, so…
What is your favorite holiday?
Halloween. Can’t beat candy corn and costumes.
Do you have an anecdote from any holiday you’d like to share?
A few years back I needed to wrap some holiday presents in private. So I went to the basement bathroom and stacked them up on an old ironing board. Over the next few days, the kids noticed the wrapped gifts and asked why they were in there, so I jokingly said that I was storing them on the ‘Winter Solstice Ironing Board.’
And now, every year around the holidays, we put all the family’s presents on that same ironing board during the holiday season … but we now keep the ‘Winter Solstice Ironing Board’ in the living room. Luckily, I haven’t needed to iron anything in the month of December since then.
Has a holiday ever influenced your work?
Nothing I can report on yet … but hopefully I’ll have news on that soon!
Well, Josh, I can’t wait to find out—and I’m sure readers can’t either! Thanks so much for sharing more about your work and influences! I wish you all the best with Pirasaurs! and all of your other books!
Josh Funk writes silly stories and somehow tricks people into publishing them as picture books – such as the Award-Winning LADY PANCAKE & SIR FRENCH TOAST (Sterling), PIRASAURS! (Scholastic), DEAR DRAGON (Viking/Penguin), LP&SFT: THE CASE OF THE STINKY STENCH (Sterling, 2017), IT’S NOT JACK AND THE BEANSTALK (Two Lions, 2017), and more.
Josh is a board member of The Writers’ Loft in Sherborn, MA and the co-coordinator of the 2016 and 2017 New England Regional SCBWI Conferences.
Josh grew up in New England and studied Computer Science in school. Today, he still lives in New England and when not writing Java code or Python scripts, he drinks Java coffee and writes picture book manuscripts.
Josh is terrible at writing bios, so please help fill in the blanks. Josh enjoys _______ during ________ and has always loved __________. He has played ____________ since age __ and his biggest fear in life is being eaten by a __________.