September 12 – National Day of Encouragement and Q&A with Author Kate Louise & Illustrator Grace Sandford

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About the Holiday

Instituted in 2007 by the Encouragement Foundation at Harding University in Searcy, Arkansas, today’s holiday entreats us to cheer on our friends, coworkers, and even those we don’t know as they attempt to reach goals or start new endeavors. A pat on the back, a simple “you can do it!,” or a reassuring “great job!” boosts people’s self-confidence and makes the world a happier place.

Tough Cookie

Written by Kate Louise | Illustrated by Grace Sandford

 

Although one gingerbread man in the bakery looks like all the others, there is one important difference. Yes, the batter had “eggs and cinnamon and flour and butter and sugar—but wait! The baker forgot to add the ginger!” Without this signature ingredient the gingerbread man just doesn’t feel like a gingerbread man at all. In fact his whole life has been turned upside down. He’s different from his friends, and what’s worse, he can’t be sold. Instead, he lives in the back of the bakery  and in his sadness makes all kinds of mischief.

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Image copyright Grace Sandford, text copyright Kate Louise, courtesy of Sky Pony Press

The gingerbread man chases the cat, splatters icing on other cookies, and squirts icing on the walls. “‘I need that for my cupcakes!’” the baker yells, but the gingerbread man just laughs. He moves on to the decorative candies, stuffing them in his mouth as fast as he can even though the baker needs them for his other treats and stands by tapping his foot. Next the gingerbread man scatters sprinkles all over the counter and slips and slides along on his belly—“‘woohoo!’” But the baker is not amused. “‘I need those for the donuts!’” he shouts.

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Image copyright Grace Sandford, text copyright Kate Louise, courtesy of Sky Pony Press

Finally, the baker has had enough. Not only is the gingerbread man upsetting the other gingerbread men and women, he is ruining the business. The baker orders the gingerbread man to leave the store. But this is one gingerbread man that does not want to run away. “‘I don’t want to leave!’” he cries. The baker relents. He takes the little cookie in hand and teaches him that even though he is missing an ingredient he can still be kind. The baker shows him by being nice he can become one of the group. 

Now, the little gingerbread man is happy. Instead of gobbling up all the candy, he helps create the other cookies. He no longer shoots icing on the walls or flings sprinkles around the kitchen. Rather, he helps the baker decorate the cupcakes and the donuts. He’s even learned how to sift flour and roll out dough, and he uses the cookie cutter to make new friends. And he never forgets to add the ginger!

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Image copyright Grace Sandford, text copyright Kate Louise, courtesy of Sky Pony Press

In her sweet story, Kate Louise reminds readers that true happiness comes from within and that each person can decide for themselves how to perceive the world around them. While each of us is human, we all have different ingredients that make us unique. We can use those qualities to be kind and make positive changes in the world. Kids will recognize and giggle at the mischief the little gingerbread man makes with icing and sprinkles, but will also realize that friendships are built by using that same energy to help others. Sometimes tough cookies are actually softies at heart.

Grace Sandford’s bakery gleams with the golden hues of fresh-baked bread, the festive colors of sprinkles and icing, and the sparkle of sugar. Kids will love the vibrant pictures of cupcakes; lollypops; stacks of cakes, donuts, and candy; and decorated gingerbread houses surrounded by cookie forests. Her expressive gingerbread men and women register dismay at the wayward gingerbread man’s shenanigans and joy at his kindness. And the hero of the story? When he leaves behind his impish pranks he becomes a charming baker’s companion, sifting clouds of flour, running on the rolling pin to flatten dough, and passing out sugar-shiny gumdrop buttons to his new friends.

Young children will ask for this fun and funny read over and over. Tough Cookie makes an especially delicious accompaniment to an afternoon of baking or decorating gingerbread houses!

Ages 3 – 6

Sky Pony Press, 2015 | ISBN 978-1634501972

Discover more of Kate Louise’s books for kids and young adults as well as Tough Cookie Coloring Pages on her website!

View the colorful world and signature style of Grace Sandford’s artwork on her website!

Gobble up this Tough Cookie book Trailer!

National Day of Encouragement Activity

CPB - Random Acts of Kindness cards

Kindness Cards

Encourage your friends – and even strangers with these printable Kindness Cards! You can hand them to people and tell them how much they mean to you or slip them into a lunch bag, locker, shelf, backpack or other place and let the person discover a secret day brightener!

Q&A with Author Kate Louise & Illustrator Grace Sandford

Today I am happy to include a double Q & A with both author Kate Louise and illustrator Grace Sandford in which they share their inspirations, their other work, and the joys of creating picture books as well as reveal a favorite place for tea and cake and a ghostly pastime!

Meet Kate Louise

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What were some of the books you most enjoyed as a child?

I loved Funny Bones and Winnie the Witch! And I was a big fan of Roald Dahl (especially Matlida) – I still am! 

What influenced you to write Tough Cookie?

I had the idea at Christmastime. I was measuring ingredients for a batch of gingerbread cookies and wondered what a cookie character without sugar would do because they’d be unable to fulfill their cookie purpose without an important ingredient! I later changed the missing sugar to missing ginger, which is the most important ingredient of all for a gingerbread man.

You write picture books as well as young adult novels. Which came first? What is the biggest challenge in writing each? What is the biggest joy?

When I started writing, I knew I wanted to write young-adult fiction. So that came first. Writing picture books kind of felt like starting over again. It was scary, but exciting, too. And I could learn a lot from both and apply new skills to different projects.

Both have their charms and their tough moments. Writing novels can be really hard going at times when I get the feeling that I’m never going to make it to the end, or if I get myself tangled up somewhere along the way. I don’t get that feeling quite as much with picture books, though I would say they’re harder to write! To tell a story with a much, much smaller word count and to get used to letting the illustrations tell it too.

The biggest joy for me is always seeing the finished work. After putting so much into each project, getting it back as something I can hold in my hands and feel proud of is a great feeling.

Can you describe your writing space a little?

I can answer with a photo! Though, it depends when you catch me and how busy I am. Sometimes it can be piled up with books or notepads or pieces of paper and mugs of tea! My screen desktop (as you can see) can get pretty hectic sometimes too.

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Since Tough Cookie is set in a bakery, I’m wondering if you have a favorite bakery and if so what is special about it?

Oh, nice question! My fave place to visit for tea and cake is a little farm shop tea room, where the cake is made by my friend Bethany at Picture Frame Puds and is seriously delicious! It has a lovely vibe and I can take my dog!

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What are you working on next?

I’m working on The Pack, which is the sequel to my YA shape-shifter circus novel The Wanderers that came out last year.

Since this is a holiday-themed blog, I can’t let you get away without asking you a few holiday-related questions, so…

What is your favorite holiday?

It would have to be Christmas. But Halloween is a very close second.

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Do you have an anecdote from any holiday you’d like to share?

I like to make a big deal about Halloween with movies, decorating, pumpkin carving, and themed baking. We’ve just started going to a pumpkin farm to pick the pumpkins ourselves too. There’s a corn maze and little wheelbarrows and the field stretches on forever. It’s a new tradition and a fun extra activity for us at Halloween.

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Meet Grace Sandford

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What inspired you to become an illustrator and a picture book illustrator specifically?

Growing up, I loved drawing and creating characters from my imagination. I believe a lot of that stemmed from picture books and animated film and television. I love Disney and Pixar and as a teenager I was fascinated with the concept art from Pixar films. I always knew that I wanted a career in art of some form but it’s hard discovering what jobs are out there when you’re at school! I did some studying in Graphic Design and eventually went to university to study Illustration, which is where I got truly passionate about picture books. I always admired the art of picture books and they have been a huge part of my life but having a reason to dissect them and create your own really made me want to be a children’s illustrator.

What were some of the books and/or artists you liked most as a child?

The Very Hungry Caterpillar by Eric Carle, I am a Bunny illustrated by Richard Scarry and when I was 16 I stumbled across Catherine Rayner’s debut Augustus and his Smile. I think that book was a huge influence in wanting to be a children’s book illustrator, both the writing and illustrations are perfect! 

Can you describe your process when illustrating a picture book?

It usually begins with the editor sending you the story/text. Then I start to do lots of sketches of the main character, the secondary characters and the environment around them. Pinterest is a godsend during this bit as you can flick through and look at photos of certain animals or buildings for reference to make sure you’re creating characters that will look believable (even if it is a walking, talking gingerbread man!) 

Then I create roughs for each spread showing how the pages will look and which parts I have chosen to illustrate. This gives the editor a rough idea of how the final artwork is going to look and this is where most of the edits happen until it’s approved. Once all edits are approved I can create the final artwork which is my favourite part seeing all the hard work come together! 

Can you describe your work space a little?

I now have a studio where I live, but when I worked on Tough Cookie I lived in a one bed apartment with my boyfriend straight after university and I had to work on the kitchen table! I’m so glad I have my own room to work in now (and I’m sure my boyfriend is too!)

My work space now involves a desk, my iMac, an A3 scanner, a windowsill with lots of pens and paints (and most importantly plants!) and I have a space that alternates between a lightbox and a graphics tablet. I also have a bad habit of putting all projects I’m working on into separate piles around the room until they are done! 

You say in your bio that you like ghost hunting. How did you get involved in that? What is your favorite place to hunt ghosts?

Haha, this is the best question! I love Ghost Hunting although it’s been a while since I’ve been on a walk. It started off when I was a teenager living in a small village in England, being bored with friends and wandering around abandoned churches at night, hunting for things that go bump in the night, and it grew over time into a huge interest. When I went to University in Lincoln, a historical city, I got very interested in the social history of the place. Ghost stories are ultimately another fantastic way of storytelling. There are some very scary but interesting stories about Lincolnshire if you’re ever interested! Fun fact, Tom Hank’s bodyguard tripped over a phantom ghost head rolling down Steep Hill in Lincoln during a Professional Ghost Tour!

What are you working on next?

This year I’ve been working on a four book series based on Minecraft which has been a complete joy to be a part of! It’s been hard work as I knew very little about the franchise before this and knowing how loyal the fans are, I’ve wanted to draw everything right whilst staying faithful to my style! I just finished some more colouring books for a Spanish publisher and I have also been writing a picture book that I have a good feeling about (fingers crossed!)

What is your favorite holiday?

I personally love Christmas just because I get to spend time with my family and chill out but I love Mexico’s Day of the Dead holiday too. It is such a vibrant and beautiful celebration of something that we all sadly experience in life. 

Do you have an anecdote from any holiday you’d like to share?

Every Christmas it’s become a tradition to be at home with my family playing Jigsaws, watching films and eating a little bit too much! 

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Thanks, Kate and Grace, for sharing about your work and your favorite places and pursuits! I wish you all the best with Tough Cookie and your other projects!

Tough Cookie can be found at:

Amazon | Barnes & Noble | Books-a-Million | IndieBound | Sky Pony Press

September 11 – Grandparents Day and Q&A with Author Ellen Mayer

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About the Holiday

In the early 1970s Marion McQuade had the idea for a special day of the year when grandparents and grandchildren could show their love for one another. She further wanted it to be a day when grandparents could pass down the wisdom they had gained over their lifetime as well as share a bit of family history. Of course the same goes for grandparents learning the latest and greatest from the kids in their lives—from new technology to current fads. When all generations share their experiences, we’re all a lot smarter—and have closer relationships!

Rosa’s Very Big Job

Written by Ellen Mayer | Illustrated by Sarah Vonthron-Laver

 

Rosa may be little, but she has big ideas about how to help. While Mama is out shopping for groceries for that night’s dinner, Rosa decides to surprise her by folding and putting away the laundry. The basket is piled high with fluffy dry clothes, sheets, and towels. Rosa watches her grandpa reading the newspaper. “‘Please help me, Grandpa!’” she says. She tugs on her grandpa’s hands, trying to pull him out of his chair. “‘Come on, Grandpa! Get up.”

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Image copyright Sarah Vonthron-Laver, text copyright Ellen Mayer, courtesy of Star Bright Books, starbrightbooks.com

Grandpa seems to have a little trouble managing: “‘It’s difficult to carry these enormous piles,’” he sighs. But Rosa knows that smaller armloads work better. Grandpa’s clothes come unfolded as he puts them in the drawer. “‘Be neat. Like me,” Rosa says, showing him her tidy stack. Poor Grandpa! He has to keep hanging up the same jacket over and over. “‘It’s difficult to keep this jacket from sliding off the hanger,” he says. Rosa has the answer: “‘Zip it up,’” she explains. “‘Then it stays on.’”

Grandpa sinks back into his chair. “‘You are terrific at doing laundry, Rosa. And I am exhausted,’” he says. But this is no time to quit—Rosa has big plans. As she steps into the now empty laundry basket, she exclaims, “‘Come on, Grandpa! Get in the boat. Help me sail back to there.’” Rosa points to the linen closet.

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Image copyright Sarah Vonthron-Laver, text copyright Ellen Mayer, courtesy of Star Bright Books, starbrightbooks.com

Suddenly, the floor swells with ocean waves teeming with fish. Grandpa channels his inner sailor as he holds aloft a sheet as a sail. As the wind billows and they come perilously close to the kitchen table, he says, “‘It’s difficult to sail around this enormous rock!’” Contemplating the rising sea, he exclaims, “‘It’s difficult to sail over this enormous wave!’”

There’s a dangerous storm ahead, warns Grandpa, “‘I can’t hold the sail in this strong wind.’” Rosa is there to help and grabs one side of the sheet. “‘Hold tight,’” she orders. “‘Use both hands.’” At last the seas die down and Grandpa is ready to steer the laundry basket back to port, but Rosa has a more entertaining thought. Spying a sock on the floor, Rosa wants to catch the “enormous fish.” Grandpa obliges and picks up a hangar for a fishing pole. He holds Rosa as she stretches out over the edge of the laundry basket to land her fish.

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Image copyright Sarah Vonthron-Laver, text copyright Ellen Mayer, courtesy of Star Bright Books, starbrightbooks.com

Just as Rosa nabs the fish, Mama comes home with her bags of groceries. She’s surprised to see that the laundry is not in the basket. Rosa runs to her and proudly explains, “‘We put all the laundry away. It was a very big job. We carried enormous piles. Grandpa dropped things. And I picked them up. It was very difficult for Grandpa. He got exhausted. But not me. I am terrific at laundry!’” Mama agrees that Rosa is a terrific helper. Then Rosa leads her mother to see the most surprising thing of all—the fish she has caught for dinner!

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In her series of Small Talk Books® Ellen Mayer presents exciting stories for preschoolers full of imagination and rich language learning. Rosa’s Very Big Job introduces Rosa, a sweet girl bubbling with enthusiasm and the desire to help. The close relationships between Rosa, her mother, and her grandpa promote cooperation as well as effective modeling of speech patterns and a way to introduce larger words in an organic manner through play and common chores. Rosa’s inventive idea to turn the laundry basket into a boat is delightfully enhanced by her grandpa’s willingness to share in the story and expand on it. Humor, cheerful banter, and the easy camaraderie between Rosa and Grandpa invite young readers to join in the fun as they build confidence in their language learning.

Sarah Vonthron-Laver depicts Rosa’s afternoon with her Grandpa with joy and the spirited energy young children bring to everything they do. Grandpa is happy to spend time with his granddaughter, yet shows honest feelings of tiredness and frustration that spur on the plot. The transition from doing laundry to using the basket as a boat is as seamless as a child’s imagination, and the way Rosa and her grandpa use household items to create “sails,” “rocks,” “fish,” and “fishing poles” will give readers great ideas for post-reading play. Bright colors, an adorable kitten, and familiar surroundings welcome young children into the world of reading and expanded vocabulary.

Rosa’s Very Big Job would be a welcome addition to a young child’s bookshelf, not only for its fun story that kids will want to hear again and again, but for its leap into imagination that kids will want to replicate.

Dr. Betty Bardige, an expert on young children’s language and literacy development, provides tips for parents, grandparents, and caregivers following the text.

Ages 2 – 6

Star Bright Books, 2016 | ISBN 978-1595727497

Discover more about Ellen Mayer and her books as well as book-related activities and literacy initiatives she’s involved with on her website!

Find Sarah Vonthron-Laver on Facebook!

Grandparents Day Activity

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Original illustrations by Saran Vonthron-Laver, Copyrights © 2016 Star Bright Books. Paper dolls created by AislingArt and Celebrate Picture Books, copyrights © 2016

Rosa’s Very Big Job Paper Dolls

Rosa loves helping out at home. She’s terrific at doing laundry – folding and putting away the family’s clothes, socks, and linens. You are terrific at helping too! Can you help Rosa, Mama, and Grandpa get dressed and ready for the day with these printable paper dolls? You’ll even find a laundry basket, socks, and Rosa’s sweet kitty to play with! 

Supplies

Printable Paper Dolls, Clothes, and Extras

  • Heavy stock paper and/or poster board
  • Scissors
  • Glue

Directions

  1. Print dolls on regular paper or heavy stock paper. Dolls printed on heavy stock paper may stand on their own with the supplied stand cross piece. For dolls printed on regular paper, you can cut the supplied stand templates from poster board or card stock and glue the dolls to the backing.
  2. Rosa’s kitty and the laundry basket can also be attached to the supplied template if needed
  3. Print clothes for each figure
  4. Color the blank clothes templates any way you’d like
  5. Cut out clothes and extra items
  6. Fit outfits onto dolls
  7. Make up your own stories about Rosa, Mama, and Grandpa!

Interview with Author Ellen Mayer

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Today, I’m happy to present a fascinating interview with Ellen Mayer, a writer and expert in early literacy, in which she discusses her involvement with various organizations and programs, her baby granddaughter, why Hug Your Cat Day is at the top of her list of holidays, and gives us a peek at a very special sugar egg.

I’m really interested in your work in the education and literacy fields. Could you talk a little bit about your job as an education researcher and an early literacy home visitor, and how you got into those fields?

I got into these fields after leaving a Sociology PhD program right near the end.  I didn’t want to be an academic and teach, I wanted to do applied research – to solve practical problems out in the world and to make a difference in the lives of those who were struggling. At the Harvard Family Research Project at Harvard’s Graduate School of Education, I studied the ways that families from underserved communities were engaged in supporting their children’s learning and education, and created research-based materials for families and schools to promote effective engagement. One of these was the Family Involvement Storybook Corner—curated picture book selections with family engagement themes. That got me interested in early literacy and picture books.

After researching family engagement in children’s learning for many years, I decided I wanted to go out into the field and be a practitioner and work directly with families on this topic. I worked as an early literacy home visitor with diverse families with the Parent-Child Home Program, modeling ways to share stories with little ones to build early language. I actually got paid to read picture books and play with families in their homes!

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At the same time, I was pitching my Small Talk Books®, a collection of playful stories about everyday activities that provide fun for kids and ideas for adults – Rosa’s Very Big Job is one. The adults in the stories are engaged with children’s learning, modeling conversational ways to build young children’s language.

I read that your book Red Socks, another of the Small Talk Books®, is being used in a program to turn wash time at Laundromats into talk time for literacy development. Could you discuss this early literacy initiative?

Yes! Wash Time/Talk Time is a terrific campaign led by Too Small To Fail, a joint initiative of the Clinton Foundation and the Opportunity Institute teaming up with a host of partners to turn Laundromats in underserved areas into venues for early literacy. This campaign distributes free books and information to families in Laundromats about building early language to help close what’s called the “word gap” by promoting parent conversation with babies and young children. Almost 60% of children in our country start kindergarten behind in their language development and this then sets them on a downward path and they get even further behind in school.

Red Socks was a natural fit for this program. In it a Mama narrates what she is doing for her little pre-verbal child as she folds the laundry and dresses the child—and as they search for a missing sock!

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Illustration © 2015 by Ying-Hwa Hu, text © 2015 Ellen Mayer, courtesy of Star Bright Books

I have to say that it’s a dream come true that Too Small To Fail is using my book.

Wash Time/Talk Time is really reaching the families on the other side of the word gap who most need the ideas and inspiration in Red Socks. When I began writing the Small Talk Books® I wanted to include stories about doing laundry, as it’s something we all do as parents and provides lots of things to talk about with children. (Like the color of socks!) In fact, I used to sit in Laundromats and observe families when I was thinking up ideas for stories. I guess that’s the sociologist in me.

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We just had the opportunity to visit one of the Laundromats in the campaign—at the Free Laundry Day in Tampa, FL hosted by The Laundry Project—and share Red Socks with families. You can see some of the fun illustrator Ying-Hwa Hu and I had here: 

What inspired you to begin writing picture books?

I came to picture book writing through a backdoor. When I was at Harvard Family Research Project, I was thinking about new ways to convey our ideas from research into practice for parents, and it occurred to me that a read-aloud picture book could address an audience of parents, as well as the primary one of children. My boss was enthusiastic about the idea, and so I enrolled in an adult ed class on writing for children. Then I turned one of our research case studies about challenges an immigrant Latino family had in communicating with their son’s teacher into a picture book, Tomasito’s Mother Comes to School/La mamá de Tomasito visita la escuela. Joe Cepeda did the art for it, and we made it downloadable for free.

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Illustration ©2007 Joe Cepeda

What’s up for you next?

Some new things! I have a fellowship with the Storytelling Math Project that’s funded by the Heising-Simons Foundation and coordinated by TERC, a not-for profit STEM research and development organization here in Cambridge, MA. I’ll be a member of a group that’s identifying, creating, and promoting math-infused storybooks for diverse young children and I hope to create a couple of Small Talk Books® along these lines—probably about supermarket shopping! I also was asked to help out the Highlights magazine editorial team that creates HELLO magazine for 0-2 years and be an outside reviewer for issues before they go to publication. And then I’ll be volunteering as a visiting children’s book author to the Somerville Family Learning Collaborative, the family engagement and early childhood hub of the Somerville, MA Public Schools, sharing my books with playgroups and new parent groups.  

But mostly, I plan to write! I have a bunch of picture book manuscripts in various states, and ideas for new ones. These manuscripts are different from the Small Talk Books®; they don’t have a deliberate educational underpinning to them. They are fun, and just fun. One, for example, is called What To Do With Ruby-Lou and it’s about a baby who doesn’t laugh, no matter what her family does. Who is going to be able to get a laugh out of Lou? Well, it’s a surprise and it just might require some audience participation. I’ve had an agent in the past and hope to find a new one to rep me with these picture books.

You recently became a grandmother. Can you tell me a little about your granddaughter?

I thought our granddaughter was the most wonderful and expressive baby in the world when was she born – of course! She and my advance copy of the new Rosa book arrived into the world at just about the same time.

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At three months now my granddaughter is a big reader and is riveted on the B&W hi-contrast board book genre, especially one board book about cars and trucks. She moves her head back and forth, from one end of the spread to the other, scanning the images on the page like a studious scholar of some ancient text.

What is the best part about being a grandmother?

For me the best part about being a grandmother is being able to simply enjoy my granddaughter and play with her and watch her develop, and not have to worry about taking care of her daily needs. I didn’t have to stress when she refused to take the bottle before starting full-day childcare. That wasn’t my job. (She did take it – of course!) They live nearby, and seeing her once or twice a week, I love noticing small changes on each visit. I also love seeing our daughter and son-in-law parent.

Have you given thought to what you’d like your granddaughter to call you?

Our daughter asked us ahead of time what we’d like to be called when we became grandparents. I thought it was a wise idea to be proactive and select a name immediately, to avoid being named by the grandchild something like “Grandma GA-GOO-GA.” My great aunt Jane is called “Nini” as a grandmother, and I’ve always loved that, but I didn’t want to steal it. So I chose “Mimi.”

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It sounds as if Grandparents Day may be one of your top holidays! Do you have another favorite?

When I was little, I liked Easter a lot because it combined a lot of my favorite things: crafts, springtime, running around outside, candy. Also, we didn’t dress up much as kids, but I do remember Easter bonnets!

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When our children were little, their birthdays became my favorite holiday celebrations. Now that they are grown, maybe I need to pick a new favorite holiday? I see that June 4th is Hug Your Cat Day. That might be just right: we have a rather large and ferocious cat and when she actually lets you hug her, well, it’s a cause for celebration.

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Do you have an anecdote from any holiday that you’d like to share?

When I was six years old, I saw the Easter Bunny. I was staying at my Grandparents’ house, and I looked down the stairwell, and there he was, crossing the landing at the foot of the stairs. He was quite tall, wore a yellow slicker that was too small for him, and he was carrying a large Easter basket. I’m afraid I didn’t have my Brownie camera with me at the time to snap a photo.

But I do have an unwrapped sugar Easter egg that I’ve saved from that era.

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Thanks for sharing so much about your work and life, Ellen! I wish you all the best with Rosa’s Very Big Job, your other Small Talk Books®, and of all your other ventures!

You can also find Ellen Mayer on Facebook and Twitter

Rosa’s Very Big Job can be found at

Star Bright Books | Amazon | Barnes & Noble | Books-a-Million | IndieBound

Other Small Talk Books® available from Ellen Mayer and Star Bright Books include Cake Day, Red Socks, and A Fish to Feed and can also be found at the above booksellers.

Visit Ellen Mayer on her:

Website | Facebook | Twitter

Picture Book Review

July 27 – Dog Days of Summer Q & A with Ged Adamson

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About the Author

Ged Adamson is a writer and illustrator living in London with his partner Helen and their son Rex. His most recent book Douglas, You Need Glasses! was published by Random House and released this past May. Two previous books—Elsie Clarke and the Vampire Hairdresser (2013) and Meet the McKaws (2015)—were published by Sky Pony Press. Ged has two books hitting shelves in the summer and fall of 2017—Shark Dog from HarperCollins and I Want to Grow from Boyds Mills Press. Ged’s cartoons have appeared in magazines, such as Punch and Prospect, as well as in books and on film. He has worked as a storyboard artist and a caricaturist and also works as a composer for TV and film.

About the Holiday

Here we are in the Dog Days of Summer—that time from July 3 to late August—when the air is still, the sun is bright, and the beach beckons. Although the phrase “dog days” conjures up images of Fido panting and lethargic, the term actually refers to the dog star Sirius—the brightest star and, in Greek mythology, the hunter Orion’s dog. To the ancient Greeks and Romans, the “dog days” occurred when Sirius rose and set with the sun, lending its warmth to the day.

Q & A with Ged Adamson

Today, Celebrate Picture Books is featuring another rising star—Ged Adamson. Ged took some time to talk about his work, his inspirations, and that stellar, spectacles-wearing canine Douglas of:

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What books did you enjoy most as a child?

 

I wasn’t a great reader of chapter books as a child and I don’t remember us having picture books in the house but we did Roald Dahl stories at school. James and the Giant Peach and Charlie and the Chocolate Factory were favourites.

My mum and dad were avid readers. My dad had some great books. As well as novels, he had a lot of factual books about artists and history. One that I loved was about The Illustrated London News and it was full of beautiful Victorian etchings of everyday life in London. There were always books of cartoons by people like Giles and Frank Dickens. And we had loads of Charles Schultz Peanuts paperbacks.

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My grandad was Scottish and we used to get a Scottish newspaper every weekend called The Sunday Post. There was a comic section for kids. The two main strips in it were The Broons and Oor Wullie. The characters inhabited a kind of 1950s world which I loved. We would get The Broons and Oor Wullie annuals every Christmas.

The first proper books I read of my own accord were collections of short horror stories that I borrowed from my older brothers. Reading them, I would be scared to death but I couldn’t stop. We did some great books in school that I really enjoyed like Animal Farm by George Orwell, A Kestral For A Knave by Barry Hines and Lord of the Flies by William Golding. And in the school library they had some decent novels for older kids and they had Tintin and Asterix the Gaul in French.

What influenced you to write Douglas, You Need Glasses!?

 

It was a little drawing I did of a dog in glasses smoking a pipe. Like most doodles, it was done without really thinking. But I was trying to come up with ideas for stories at the time so I wondered if I could do something with this character.

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Image copyright Ged Adamson

I wear glasses myself so I thought I could use some of my own experiences with short sightedness to develop Douglas’s story. It went through many stages though. In one early idea, Douglas’s newly perfect vision causes him to be too honest about people’s appearances. Another had him befriending a group of insects.

I’d just started to take my illustration style in a different direction, and I wanted to do something that would be visually strong. So from the way Nancy is dressed, the coloured see-through trees, the skate park, the eye chart, through to the big glasses at the end. I was trying to create images that the reader would remember. And most importantly I wanted the story to be funny!

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Image copyright Ged Adamson, coiurtesy of gedadamson.com

Can you describe your process when writing and illustrating a picture book?

 

It will start with an idea. Sometimes, as with Douglas, that will come from a doodle. The next stage is sketches and thinking a lot about the shape of the story. Who are the characters? How will the art look? What is the story saying—what’s its message? I’ll talk to people whose opinions I respect and see what they think—my Agent Isy being one.

The next step is putting together three or four spreads so you get a feel for the tone of the story and how it will look. All the time I’m throwing in bits of text but this changes constantly. I never have a manuscript separate from the images for this reason. To me, the words and pictures can’t exist apart from each other. That’s why I’m always uneasy supplying a manuscript with submissions!

All through this process of me working on a story—and then if I’m lucky, with the publisher—I’ll be chopping things out and adding stuff to solve problems. In my next book, Shark Dog, I’d put a cute little penguin in the final spread. I really liked that penguin! But he had to go because the scene changed from an Arctic sea to a tropical one. And that is a pretty minor change in the grand scheme of things. You have to be prepared for the editor asking to make major overhauls to your book before it goes to the printers.

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Image copyright Ged Adamson

Can you describe your work space a little?

 

It’s a small room, but it’s mine! I think, no matter how tiny it is, how you arrange the space where you work is important. I like to feel it’s my world and part of my personality. The centre of it is occupied by an old desk with an iMac on it. I replaced my chair recently and I love the new one. It’s like something from an ‘80s quiz show and super comfy. I sometimes record music in there so there are instruments as well as art stuff. There are things I’ve picked up from junk shops and our local market. There’s an old sofa against one wall which is so great when I want to have a break.

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Most furniture in our house is second hand. I have bits of paper stuck to the wall with lists of things I need to get done and new book ideas. I’ve got a few pictures up too. There’s one which is just a scene of a rough sea, nothing else—it’s an old framed print. There’s something weirdly relaxing about it. I like that I can look out the window and see the backs of the tall Georgian houses on the other side of the railway tracks. It’s a very London view. I’d like to have a bigger space to work in but I do love my little room.

What is the favorite object on your desk and why?

 

I want to say something like “Ah, that would be the skull of my great grandfather. He spent his life studying the speech patterns of elk”. But I think it has to be my computer. Though it keeps dropping out of connection which is driving me mad. What the hell, Apple? 

What is the best part about writing picture books?

 

I remember working on the art for my second picture book Meet The McKaws. I could see the snow coming down outside the window of my little room. I suddenly thought, “I’m really happy doing this”! I hadn’t had that same feeling doing anything else.

Actually, the best part of writing picture books is what I’m experiencing right now with Douglas. People are getting in touch and saying they love the book and the characters. The response from readers is what you look forward to and when you get so much positive feedback for something you spent a long time working on, it’s such a great thing.

But there are other aspects that I love too. Working with talented editors and art directors is a lot of fun and you learn valuable stuff from them too.

It’s also thrilling to see your book on the shelves in a book shop!

What are you working on next?

 

I’m just finishing work on two books that will be out next year. The first is Shark Dog. It’s about a strange but very friendly animal that stows away on an explorer’s boat. HarperCollins is doing that one. The second is called I Want To Grow, and it’s about a little dinosaur called Herb who gets frustrated that his human friend Muriel is getting taller and he’s not. This one’s with Boyds Mill Press.

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image copyright Ged Adamson

I’m also working on two new ideas. One of those is about a rainbow and it’s almost ready for submission, so I’m excited to see what publishers think.

I can’t properly call this a holiday themed blog without asking you a couple of questions about special dates, so here goes:

What is your favorite holiday?

 

Because I’ve always done stuff that doesn’t involve a nine to five working week, I feel slightly guilty that I don’t appreciate holidays. Even weekends. On Twitter and Instagram there’ll be loads of people going, “IT’S THE WEEKEND! HURRAY!!” and I’ll be like, “oh yes, yay!”

I do like Christmas though. My son is still quite little so it’s lovely to experience that kid version of Christmas again through him. I’m not the least bit religious, but I really like when people come to our road and sing carols. The TV’s good and there’s lots of drinking and eating. I mean, what’s not to like about that? 

Do you have an anecdote from any holiday you’d like to share?

 

I remember a school Summer trip where we all stayed for a week in an old country house in the middle of woodland. Rumours began circulating that the place was haunted. Everybody started to get nervous. This wasn’t helped by a drunken teacher one night on his way to bed telling everyone “Don’t worry, the ghosts won’t harm you”. We were now all terrified and a kind of hysteria took over. We started counting the minutes until we could be reunited with our families. Somebody said they saw a ‘misty figure’ as they made their way back from the disco hut. Panic ensued. Even on the coach home there was a sense of looming disaster. Back at school in September, it wasn’t talked about much. I think everyone was embarrassed that we’d allowed ourselves to get into such a state.

Has a holiday ever influenced your work?

 

In Shark Dog, the explorers and their new pet set off to the seaside in their Morris Minor. For me that is a very English holiday scene but obviously you don’t see many of those cars any more. My mum and dad didn’t drive so our holidays would involve hours on a coach to somewhere like Wales or Devon. In the new story I’m working on, there is a spread with a multitude of people getting off those kind of coaches. It definitely took me back to being a kid!

In Meet The McKaws, the story centres on a pirate’s parrot’s family members visiting for a few days. This is an aspect of holiday periods that is fraught with danger!

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Image copyright and courtesy of Ged Adamson

I’d like to thank Ged for his insightful and engaging answers to my questions that prove that the Dog Days of Summer are definitely the best (especially when that dog is Douglas)! 

 

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Ged is giving away a copy of Douglas, You Need Glasses! plus other goodies! Just click to enter the Rafflecopter Giveaway

 

You Can Connect with Ged Adamson on

Twitter | Instagram | Ged’s Website

You Can Find Ged Adamson’s Books at

Book Depository | Amazon UK | Amazon US | Barnes and Noble | IndieBound

Ged Adamson’s blog tour continues! Don’t miss it!

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Review of Douglas, You Need Glasses!

By Ged Adamson

 

Something may be amiss with Douglas. When Nancy and her playful pooch went out to chase squirrels recently, Douglas ran after a falling leaf while the squirrel escaped up a tree. It’s not the first time something like this has happened. You see, Douglas is a bit nearsighted. Sometimes he mistakes the stair post for Nancy, and his difficulty gets in the way of things (well, mostly Douglas gets in the way of things). He misses important signs—like the one that would have prevented him from tracking wet cement all over the skate park, where there are NO DOGS allowed—and he’s always causing something of a ruckus. Sometimes he even enters the wrong house! But when a game of fetch buzzzzzed toward disaster, Nancy decided something had to be done.

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Image copyright Ged Adamson, courtesy gedadamson.com

She took Douglas to the eye doctor where he tried to read a most dog-friendly eye chart. His test revealed that he needed glasses. He found the shelves of Dog Glasses, which offered many options, and had fun trying some on. Each one made him feel different. In one pair he was a rock star; in another a scholar; and in yet another a hippy. He wore them all until he discovered the perfect pair!

On the way home he saw the world in a way he never had before. “‘Wow! Everything looks amazing!’” Douglas said. And it was!

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Image copyright Ged Adamson, courtesy gedadamson.com

Ged Adamson’s funny look at a nearsighted dog will make kids laugh from the first page to the last. Earnest Douglas, going about his doggy days under a bit of a skewed perspective, is so endearing that readers cannot help but love him even as they giggle at his exploits. Adamson’s vibrant multi-hued trees, colorfully clothed kids, and vivid backgrounds with stylish sketched-in details gives the book a fresh, jaunty appeal for a lively, fun story time. Kids facing the prospect of wearing glasses will find lots to give them reassurance and confidence in this book.

Douglas, You Need Glasses is a great addition to any child’s bookshelf!

Ages 3 – 8

Schwartz & Wade, Random House Kids, 2016 | ISBN 978-0553522433

Dog Days of Summer Activity

 

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Make a Stellar Spool Puppy

 

No matter where you go and whether you have a real dog or not, you can take this little guy along with you. And just as you would pick out your favorite from an animal shelter, you can make this puppy look any way you’d like!

Supplies

  • Printable ears and nose template
  • 2-inch round wooden spool, available at craft stores
  • 1 skein of yarn in the color you choose. Yardage needed will depend on the thickness of the yarn.
  • Felt
  • Craft paint
  • Paint brush
  • Fabric or strong glue
  • Thin gauge wire
  • Dowel or pencil to wrap wire around to make glasses

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Directions

  1. Paint the dowel the color you want your dog to be, let dry
  2. Trace the ears on the felt and cut out (or draw your own ears)
  3. Trace the nose on the felt and cut out
  4. When the spool is dry glue the ears to the body of the spool, allowing the ears to stick up from the top of the spool
  5. Wind the yarn around the spool back and forth until the dog’s body is the size you’d like
  6. Glue the yarn in place with fabric or strong glue

To make the face

  1. Glue the nose over the hole on one end of the spool
  2. Draw the mouth and tongue under the nose with a marker
  3. You will draw the eyes on after the glasses are in place

To make the glasses

  1. Wind the wire around a ½-inch dowel, thick pencil, or rounded handle to make two circles.
  2. Leave about two inches on either side of the circles for the ear pieces of the glasses.
  3. Adjust the size of the circles to fit the spool as glasses.
  4. Put the glasses on the face of the spool, tucking the ear pieces into the yarn on each side
  5. Draw eyes in the center of the glasses

To make the tail

  1. Cut a small square of felt and stuff the edges into the hole on the other end of the spool
  2. You can make the tail as long as you like

Picture Book Review