December 4 – It’s Universal Human Rights Month

celebrate-picture-books-picture-book-review-for-the-right-to-learn-malala-yousafzai's-story-cover

About the Holiday

In the aftermath of World War II the Four Freedoms that had guided the Allies—Freedom of Speech, Freedom of Religion, Freedom from Want, and Freedom from Fear—did not go far enough in defining the areas that need to be covered. In December 1948 the United Nations General Assembly put forth 30 articles to further delineate the freedoms and rights of the world’s citizens, including the freedom of education, thought, health, opinion, and expression as well as the right to take part in government, have a free choice of employment, and more. To honor today’s observance, speak out when you see inequality and work to bring freedom in all it’s forms to everyone.

For the Right to Learn: Malala Yousafzai’s Story

Written by Rebecca Langston-George | Illustrated by Janna Bock

 

Malala Yousafzai lived in the Swat Valley of Pakistan, where her father, Ziauddin, ran a school in the town of Mingora. Malala loved school and even when she was tiny visited classes with her father often. Not all Pakistani children could go to school—some families couldn’t afford it and some believed girls should stay home to clean, cook, and keep house. But Malala’s father believed his daughter had the same right to an education as his sons. Malala thrived at school. She learned multiple languages and won many academic awards.

“But Taliban leaders who controlled the area were against letting girls go to school. They declared that females should be separated from males. They wanted to outlaw education for girls.” The Taliban leaders even tried to intimidate Malala’s father. “One ordered Ziauddin to close his school because girls and boys used the same entrance.” Ziauddin refused.

celebrate-picture-books-picture-book-review-for-the-right-to-learn-malala-yousafzai's-story-writing

Image copyright Janna Bock, courtesy of Capstone Press

While her father was worried, Malala’s determination grew stronger. She studied harder at school, and during the school holidays instead of covering her hands with henna flowers and vines as most Pakistani women did, Malala painted science formulas on hers. The Taliban continued to exert a tight grip on the Swat Valley, and instituted new rules: men could not shave, women had to cover their faces, movies were banned. And the radio “crackled with the sound of the Taliban preaching: No education for girls! Girls who attend school bring shame to their families!”

The Taliban frightened many, and empty seats in school classrooms began to be more frequent. Ziauddan and Malala appeared on TV to express the importance of education. In response the Taliban threatened Ziauddan and his school. Despite the threats Malala and her father continued to speak and write, “demanding equal education for girls.” The Taliban began patrolling the streets, perpetrating violence and destruction on anyone who didn’t obey their rules.

In December 2008, the Taliban announced that all girls’ schools would close by January 15. “Even before the deadline, bombs started to rain down on nearby schools as warnings.” The British Broadcasting Corporation wanted to reveal to the world what was happening. They wanted a girl to write a blog about her experience and “how it felt to be denied an education. Malala volunteered.

celebrate-picture-books-picture-book-review-for-the-right-to-learn-malala-yousafzai's-story-sneaking-to-school

Image copyright Janna Bock, courtesy of Capstone Press

She took the pen name Gul Makai and related her blog by phone to a reporter who typed and published her words for two months. The first post appeared on January 3, 2009. On January 14 Malala wrote: “‘They can stop us from going to school, but they can’t stop us learning!’” Because activists were growing angry, the Taliban let girls ages 10 and younger go to school. Malala and her friends were 11. They began dressing to look younger and hid school books in their clothes. If they had been caught lying about their ages, they and their teachers could have been beaten or executed.

In May 2009 the Pakistani army began battling the Taliban and ordered everyone to evacuate. Malala and her family had to pack their belongings and leave. Malala wanted to take her books along, but there wasn’t room. She could only hope that they—and her home—would survive the fighting. Three months later, the people of Mingora were allowed to come home, but the town was not the same as they had left it. Shops and buildings were destroyed, burned frames of cars were strewn across the roads. The school’s walls were riddle with bullet holes. But the Taliban was gone. Ziauddin reopened his school for boys and girls.

While Malala returned to school, her life was not the same. Because of her blog, speeches, and interviews, she was internationally famous. Everyone wanted to hear what she had to say—everyone but the Taliban. “Talban leaders began to threaten her on the Internet. Saying she was working for the West, they announced Malala was on their hit list. The police warned the Yousafzai family to leave, but Malala refused to hide. She refused to be silenced.”

Because of the danger, Malala’s mother wanted her to ride the bus to school instead of walk. On October 9, 2012 as Malala and her classmates rode the bus home after school, the bus was stopped and a man boarded, demanding to know which girl was Malala. While no one spoke, the girls couldn’t stop their eyes from flashing quickly toward Malala. That was all the man needed. He “pointed a gun at Malala. Three shots shattered the silence.”

The bus driver rushed Malala and two of her friends to the hospital. Word spread quickly about the shooting through the town and around the world. Malala lay unconscious for days as the Taliban threatened her again should she live. As determinedly as Malala fought for equal education, she fought for survival. Finally, she was flown to a hospital in England for more surgery and to keep her safe. Gifts and wished poured in from all over the world. Malala stayed in the hospital for three months and underwent many procedures to correct the damage done by the Taliban’s bullets.

When she had recovered, Malala returned to her family and to her place on the world stage where she continues to speak out for the rights of all. On July 12, 2013 in a speech at the United Nations, Malala “declared, ‘One child, one teacher, one book, and one pen can change the world.’” On December 10, 2014 Malala became the youngest recipient of the Nobel Peace Prize for her “strength, power, and courage” to “lift her voice for children everywhere.”

celebrate-picture-books-picture-book-review-for-the-right-to-learn-malala-yousafzai's-story-speaking-to-the-UN

Image copyright Janna Bock, courtesy of Capstone Press

Malala. Those three syllables have become synonymous with bravery, freedom, and education. Rebecca Langston-George tells Malala’s remarkable story with the same unstinting vision that fuels Malala’s mission. Told sensitively, but candidly, this compelling biography reveals the harrowing evolution of the Taliban’s reach that, far from intimidating young Malala, only served to make her more determined. Langston-George’s excellent command over her well-chosen details and gripping pacing enhances the power of this important true story. Readers should come away inspired—not only by Malala’s life, but the fact that they too can make a difference.

Janna Bock depicts the changing landscape of Malala’s hometown both physically and philosophically with illustrations that help readers clearly envision and understand Malala’s life and environment. The faces of the townspeople and the Yousefzai family register distress and fear, but also determination, courage, and optimism as schools close, Mingora comes under fire, and the citizens become refugees. Malala’s shooting, and recovery are portrayed with thoughtful consideration of the readers, and the ending takes children inside the United Nations to witness Malala’s ultimate triumph.

An Author’s Note detailing more about Malala’s story then and now as well as a glossary and index follow the text.

For the Right to Learn: Malala Yousafzai’s Story is an important biography of current events and people shaping the world and our children’s future and is a must read for all.

Ages 8 – 12

Capstone Press, 2016 | ISBN 978-1623704261

Discover more fascinating books by Rebecca Langston-George on her website!

View a gallery of art by Janna Bock on Tumblr!

Universal Human Rights Month Activity

celebrate-picture-books-picture-book-review-friends-of-the-world-coloring-page

Friends of the World Coloring Page

 

Love and understanding for others makes the world a smaller—and better—place. Have fun coloring this Friends of the World Coloring Page!

Picture Book Review

December 3 – Chester Greenwood Day

celebrate-picture-books-picture-book-review-earmuffs-for-everyone-cover

About the Holiday

On March 13, 1877 Chester Greenwood—a 19-year-old inventor—received a patent for “improvements in ear-mufflers” and forever sealed his place in history—as well as making winter more comfortable for millions of freezing ears! Today we honor Chester and his invention that brought attention to Farmington, Maine and jobs for many people in the area. 2016 marks the 40th anniversary of Chester Greenwood Day, and the people of Farmington are pulling out all the stops. With a theme of Holiday Celebrations around the World, the day will include a parade, gingerbread contest, chili contest, craft fairs, historical open houses, Polarbear Dip, 5K race, Festival of Trees and more. If you live nearby, why not plan to attend? If not, and you live in an area where the cold winds are blowing, wear your earmuffs with pride!

Earmuffs for Everyone! How Chester Greenwood Became Known as the Inventor of Earmuffs

By Meghan McCarthy

 

In the mid-1800s inventors were trying to solve the problem of winter’s chill effects on tender ears. William Ware designed an “ear, cheek, and chin muff” that one wore somewhat like a false beard. Ear protecting hats, ear “slippers,” high collars, and other designs followed. But it wasn’t until Chester Greenwood and his sensitive protruding ears came along that earmuffs became practical. While the exact steps Chester took in creating his earmuffs aren’t known, he eventually perfected his invention and received a government patent on March 13, 1877—when he was only 19 years old!

celebrate-picture-books-picture-book-review-earmuffs-for-everyone-patents

Copyright Meghan McCarthy, courtesy of Simon & Schuster

Chester was no one-invention wonder, though. Always on the lookout for clever ways to make money, he went on to improve other products. He applied his foresight to the tea kettle, rounding the edges of the bottom to reduce wear; constructed an interchangeable-tooth rake; and built a collapsible, if cumbersome, tent.

His inventions brought him a comfortable life that he shared with others—a beautiful house for his family in Maine, the first steam car in his town, and a bicycle shop on the bottom floor of his workshop. His wife, also a progressive thinker, worked for women’s suffrage and inspired her husband to hire women in his workshops.

After Chester passed away, some people, most notably Mickey Maguire, thought he deserved more acclaim—even a day dedicated as Chester Greenwood Day. Maguire was so excited about this that he became a kind of inventor himself—an inventor of tall tales. Over time he told some whoppers about Chester which were repeated in the press, making it hard to separate fact from myth. But even without the made-up stories, it’s easy to say that Chester Greenwood had a very remarkable life

celebrate-picture-books-picture-book-review-earmuffs-for-everyone-portraits

Copyright Meghan McCarthy, courtesy of Simon & Schuster

Earmuffs for Everyone! goes beyond the story of Chester Greenwood to include other inventors, a discussion of the patent system (using products well-known to today’s kids), and an explanation of how an inventor’s legacy grows. Meghan McCarthy writes with verve and humor, making the story of Greenwood’s invention as well as others’ creations inviting, accessible, and fun. Her illustrations of early attempts at creating earmuffs as well as other products from the 1800s are sure to delight kids and make them curious about the time period.

In her author’s note following the text, McCarthy expands on the story of Chester Greenwood and the process of applying for and earning a patent.

Ages 4 – 8

Simon & Schuster/Paula Wiseman Books, 2015 | ISBN 978-1481406376 

Discover more about Meghan McCarthy and her books plus fun activities, videos,  artwork, advice for writers and artists and more visit her website!

National Earmuff Day Activity

CPB - Earmuff Maze.png

Here’s to Warm Ears! Maze

 

One muff on each side of the head—Genius! But it took inventors a lot of trial and error to make the perfect warming headgear. Use your own creative thinking on this Here’s to Warm Ears!earmuff-shaped maze. Solution included.

Picture Book Review

November 27 – Pins And Needles Day

celebrate-picture-books-picture-book-review-brave-girl-clara-and-the-shirtwaist-makers'-strike-of-1909-cover

About the Holiday

It’s not often that a whole holiday is dedicated to a theatrical play. Pins and Needles Day dates back to 1937 and commemorates the Broadway musical of the same name that originally ran from 1937 to 1940. The play was produced by the International Ladies Garment Workers Union and cast sewing machine operators, cutters, and basters who were just looking for a creative outlet in their free time. The play ran for 1,108 performances and was so successful that the cast members were able to quit their jobs to fully partake in the performance schedule. The pro-Labor play saw a revival in 1978 and continues to be staged. This year the musical ran at the Provincetown Playhouse in New York City, featuring NYU students who were near the ages of the original cast members.

Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909

Written by Michelle Markel | Illustrated by Melissa Sweet

 

Among the immigrants sailing to New York stands five-foot-tall Clara Lemlich. She may not know it now, but she’s going to change her new city. While her father can’t find work, Clara gets a job in the garment industry, which hires school-age girls to make women’s clothing. Instead of going to school, Clara spends her days hunched over her sewing machine in a dark, smelly factory with many other girls, making clothes as fast as she can.

celebrate-picture-books-picture-book-review-brave-girl-clara-and-the-shirtwaist-makers'-strike-of-1909-clara-comes-to-town

Image copyright Melissa Sweet, courtesy of HarperCollins

The rules of the factory are severe. For minor mistakes workers can be fined or worse—fired, leaving their families without an income. The doors are locked so the girls can’t leave without being inspected to ensure they haven’t stolen anything. And the workers must toil long into the night. Despite it all Clara is determined to get an education even though it means walking to the library after work and missing sleep to read her lessons. 

At the factory the girls become friends and reveal stories and secrets. The working conditions make Clara angry. She hears that the men at the factory want to form a union. If all the workers team up, they can hold a strike and force the management to treat them better the men say. But they don’t think the girls are tough enough.

celebrate-picture-books-picture-book-review-brave-girl-clara-and-the-shirtwaist-makers'-strike-of-1909-forming-a-union

Image copyright Melissa Sweet, text copyright Michelle Markel. Courtesy of HarperCollins

Clara knows what the girls are capable of. Every day she talks to her friends and the other women, urging them to fight for their rights—and they do! But it’s not as easy as the men predicted. The bosses don’t want to give in. In fact Clara’s life is in danger! She is beaten and arrested. Despite the intimidation she continues to picket. These small strikes make little difference, however—the bosses just hire new girls and the work continues.

Clara and other union leaders think only a huge strike by all workers in every garment factory in New York will cause the bosses to listen and make changes. At a union meeting workers pack the seats to listen to leaders from across the country. Not one of them recommends such a large strike. Clara can keep silent no more. She moves to the front of the hall and calls out. People lift her to the stage. Shouting “Unity is strength” she rallies the crowd and begins the largest strike of women workers ever in United States history.

celebrate-picture-books-picture-book-review-brave-girl-clara-and-the-shirtwaist-makers'-strike-of-1909-picket-line

Image copyright Melissa Sweet, text copyright Michelle Markel. Courtesy of HarperCollins

The next morning thousands of women take to the sidewalks, leaving their sewing machines empty and silent. New York is stunned! Newspapers call the strike a “revolt” and the girls an “army.” But this is really an army of children—the girls range in age from only 12 to 25 years old. Clara knows how to lead and motivate the girls. She gives rousing pep talks, sings, and stands up to thugs sent to harass them.

celebrate-picture-books-picture-book-review-brave-girl-clara-and-the-shirtwaist-makers'-strike-of-1909-clara-on-picket-line

Image copyright Melissa Sweet, courtesy of HarperCollins

All winter the girls join the men strikers. They are starving and cold and become the inspiration for newspaper articles and fundraising. Many wealthy women donate to their cause and join them on the picket lines. Finally the bosses relent. They agree to the formation of unions in their factories, to raise salaries, and to shorten the work week. Clara’s influence reaches far beyond New York. Factory workers in Philadelphia and Chicago take heart from her work and improve conditions in their cities. 

The final pages include more information about the garment industry in the early 1900s as well as a bibliography.

Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909 is a wonderful addition to any school, classroom, or home library not only for the biographical facts of Clara Lemlich’s life, but also because her story shows readers that no matter how young or small they are they can right wrongs and make a difference.

Michelle Markel’s Brave Girl is a spirited biography of Clara Lemlich, clearly outlining the life and working conditions of immigrants in the early 1900s—especially certain industries’ use of children to fill low-paying, oppressive jobs. This true-life story of a girl who wouldn’t give up or give in is told with pride and balance, touching on the dangers Clara faced in a sensitive manner appropriate for children. Overall, the idea that one person can make a difference no matter how big or how old shines through, making this not only a tale of the past, but an inspiration for today’s children and the future.

Melissa Sweet cleverly combines watercolor and gouache paintings with colorful fabric, ribbon, sewing pattern paper, and ledger pages to create illustrations fitting to the story. The pictures appear sewn onto the pages with straight, zigzag, and embroidery stitches, and the vibrant colors depict the fiery nature of Clara and all the workers who strove for better lives.

Ages 4 – 9 

Balzer + Bray, Harper Collins, 2013 | ISBN 978-0061804427

To find more books by Michelle Markel plus what’s coming next, visit her website!

Discover more books and fun activities for kids as well as resources for educators by Melissa Sweet on her website!

Vote “yes” to watch this Brave Girl book trailer!

Pins and Needles Day Activity

celebrate-picture-books-picture-book-review-sewing-word-search

Sewing Up Fun! Word Search

 

Sewing is a wonderful hobby and a fun way to make unique decorations for your room, accessories for your outfits, or gifts for friends and family. Like any great activity sewing has a vocabulary of its own. Find the 25 sewing-related words in this printable Sewing Up Fun! Word Search. Here’s the Solution!

Picture Book Review

November 23 – Fibonacci Day

celebrate-picture-books-picture-book-review-blockhead-the-life-of-fibonacci-cover

About the Holiday

Today’s holiday is dedicated to the man—Leonardo of Pisa, today known as Fibonacci—who promoted awareness throughtout Europe of the number sequence that now bears his name. First appearing in Indian mathematics and linked to the golden triangle and the golden ratio, the number pattern states that each consecutive number in the series is the sum of the two preceding numbers: 1, 2, 3, 5, 8, 13, 21, 34…. This sequence is found again and again in nature in such arrangements as leaves on a flower stem, seeds in a sunflower, the tapering of a pinecone, the swirl of a seashell, and manys. These precise compositions allow each leaf to get enough sunlight, make room for the correct number of petals, or squeeze in as many seeds as possible. To celebrate, learn more about this sequence and then observe patterns in nature. A good place to start is with today’s book!

Blockhead: The Life of Fibonacci

Written by Joseph D’Agnese | Illustrated by John O’Brien

 

Leonardo Fibonacci introduces himself this way: “You can call be blockhead. Everyone else does.” He goes on to reveal that he acquired that nickname because he loved to think about numbers. Once when his teacher gave the class ten minutes to solve a math problem, he knew the answer in two seconds. At home he counted everything he saw. When he was bored his mind pondered the patterns he saw. For instance, on that school day while his classmates worked on the problem, Leonardo spent the time gazing out the window. H e noticed 12 birds sitting in a tree. How many eyes was that? How many legs? “And if each bird sang for two seconds, one bird after the other, how long would it take all of them to sing?” He was counting these answers in his head when his teacher yelled, “‘How dare you daydream in my class!’” He told Leonardo there would “‘be no thinking in this classroom—only working! You’re nothing but an absent-minded, lazy dreamer, you…you BLOCKHEAD!’”

celebrate-picture-books-picture-book-review-blockhead-the-life-of-fibonacci-story-starts

Image copyright John O’Brien, courtesy of Henry Holt and Company

Leonardo ran from the room into the city he loved—Pisa, one of the greatest cities in 1178 Italy. A new tower was being constructed—although the builders were having trouble with their math and the tower stood at an angle. He was so enthralled with the math he saw all around him that he nearly walked into danger. “‘What are you, a blockhead?’” a woman shouted. Leonardo’s father was angry and embarrassed by his son’s reputation in town. He wanted Leonardo to become a merchant, and took him to northern Africa to learn the business.

celebrate-picture-books-picture-book-review-blockhead-the-life-of-fibonacci-tower-of-pisa

Image copyright John O’Brien, courtesy of Henry Holt and Company

In Africa Leonardo learned a new number system. Instead of Roman numerals, the people used numbers “they had borrowed from the Hindu people of India.” In this system XVIII became the much easier 18. During the day Leonardo handled his father’s business accounts, but at night Alfredo, his father’s advisor and Leonardo’s champion, accompanied him as he learned the new number system. As Leonardo grew older, his father sent him on trips to other countries to conduct business. In each Leonardo learned new mathematics concepts. In Egypt he learned about fractions. In Turkey and Syria he discovered methods of measurement. In Greece he learned geometry, and in Sicily he used division and subtraction.

celebrate-picture-books-picture-book-review-blockhead-the-life-of-fibonacci-kitchen

Image copyright John O’Brien, courtesy of Henry Holt and Company

One day Leonardo “began to write a book about Hindu-Arabic numerals” and included riddles to demonstrate the ideas. One was about a pair of rabbits. Leonardo asked Alfredo to tell him how many baby rabbits would be born within one year if it took a baby one month to grow old enough to have babies of its own and one more month to have a pair of babies. Alfredo tried to solve it but couldn’t. As Leonardo explained the sequence of adult pairs and baby pairs of rabbits to Alfredo, he noticed a pattern. At the end of month two, there would be 1 grown-up pair of rabbits and 1 baby pair; at the end of month three there would be 2 grown-up pairs and 1 baby pair; at the end of month 4 there would be 3 grown-up pairs and 2 baby pairs…. Leonardo saw that by adding “any two consecutive numbers in the pattern,” you’d get the next correct number. This discovery made solving the problem even easier.

celebrate-picture-books-picture-book-review-blockhead-the-life-of-fibonacci-sea-shells

Image copyright John O’Brien, courtesy of Henry Holt and Company

Leonardo’s work with math soon spread across Europe. Frederick II, the ruler of the Holy Roman Empire invited Leonardo to visit. There Frederick’s wise men challenged him with math problems that were no match for Leonardo’s quick brain. Frederick II didn’t call Leonardo a blockhead, instead he said he was “‘one smart cookie.’” When Leonardo went home, however, the people of Pisa grumbled and complained. They thought the old Roman numerals were good enough.

Leonardo set out to prove how valuable Hindu-Arabic numerals were. He began observing nature, and everywhere, from the petals of a flower to the arms of a starfish to the seeds in an apple, Leonardo discovered the same numbers—the sequence he had discovered in the rabbit riddle. He realized that these numbers could be used in different ways—to draw a spiral; the same type of spiral found within pinecones and the center of a sunflower.

celebrate-picture-books-picture-book-review-blockhead-the-life-of-fibonacci-old-man

Image copyright John O’Brien, courtesy of Henry Holt and Company

Leonardo finishes his story by relating that even though he is now old, numbers still delight him, as does the secret Mother Nature cleverly uses to organize the world and even the universe. He invites readers to look again through his story and find the places where his Fibonacci sequence appears.

More biographical information about Leonardo of Pisa plus a discussion of where readers can find Fibonacci number patterns in nature and a scavenger hunt through the book follow the text.

Blockhead: The Life of Fibonacci is an engaging, accessible biography that describes this mathematical scholar’s life and theory in a clear and entertaining way, whether their thing is math and science or English, history, and art. Joseph D’Agnese immediately entices kids into the story with the revelation of how Leonardo acquired the nickname that gives the book its title. Using anecdotes such as the birds in the trees and the rabbit riddle, he invites readers to think like Fibonacci, leading to a better understanding and enjoyment of his life story and the mathematical concept. The idea of using your talents and passions wherever you are—as Leonardo does in his work for his father—is a valuable lesson on its own.

John O’Brien’s wonderfully detailed illustrations take children back to early Italy and the Mediterranean with his depictions of Leonardo’s school and town, as well as the under-construction Tower of Pisa and the influential cultures of other countries he visited. Cleverly inserted into each page are examples of the Fibonacci sequence at work—in whorls of wood grain, the spirals of women’s hats, the web of a spider and horns on a passing goat, and so many more. The rabbit riddle is neatly portrayed for a visual representation of the math involved, and the way nature uses the pattern is also organically portrayed. Children will love searching for and counting the various ways Fibonacci’s seuqence is used throughout the illustrations.

Blockhead: The Life of Fibonacci is a fantastic book to share with all children, especially as they begin to learn mathematical problem solving, the value of math, how it is used, and how it occurs naturally in the world. The book makes a marvelous teaching resource and addition to classroom libraries and also a great addition to home bookshelves.

Ages 5 – 9

Henry Holt and Company, 2010 | ISBN 978-0805063059

To discover more books by Joseph D’Agnese for children and adults visit his website!

Find a vast portfolio of cartoon and illustration work by John O’Brien for kids and adults on his website!

Watch the Blockhead: The Life of Fibonacci book trailer!

Fibonacci Day Activity

celebrate-picture-books-picture-book-review-spiral-coloring-page

Spiral Coloring Page

 

Have fun coloring this printable Spiral Coloring Page that is inspired by Leonardo Fibonacci’s work.

Picture Book Review

November 20 – National Absurdity Day

celebrate-picture-books-picture-book-review-strange-mr-satie-cover

About the Holiday

Absurdity is all around us. It can make us laugh, make us mad, and make us see people and events with a new perspective. Today’s holiday gives us the opportunity to embrace absurdity in all its forms. You can spend the day doing something ridiculous, reading absurdist literature, or maybe listening to the music composed by the subject of today’s book!

Strange Mr. Satie: Composer of the Absurd

Written by M. T. Anderson | Illustrated by Petra Mathers

 

Born in 1866 in France, Erik Satie was a man of contradictions. “‘I was born very young in a very old world,’” he once remarked, and some thought that he never really grew up but always remained “a child with an old man’s smile.” This dichotomy even influenced the kind of music he liked to compose. Even as a child Satie loved music, and as he grew older he wanted to create music that was “both very young and very old, very bold and very shy, that followed no rules but its own.”

Satie liked to combine dissonant styles, such as chants and chorus line tunes. His listeners, with their fancy clothes, impeccable manners, and preconceived notions didn’t understand or like Satie’s “strange” music. On his part Satie found most people frightening and confusing. As a young man he moved to Paris where he made friends. One of his friends took him to a café called Le Chat Noir or The Black Cat. The café, with its resident cat, upstairs theater, and hidden poet’s skeleton attracted poets, artists, dancers, “wizards, and wisecrackers,” who would gather to share their work. Some had invented “luminous hats” while others had “schemes to cover the oceans with cork so they could travel from New York to France.”

celebrate-picture-books-picture-book-review-strange-mr-satie-listeners

Image copyright Petra Mathers, text copyright M. T. Anderson. Courtesy of Candlewick Press

Satie liked Le Chat Noir. He played the piano and people listened—without laughing, without even moving, just allowing themselves to feel happy or sad or as if they were in a dream. Feeling accepted in this atmosphere, Satie wrote his most famous pieces for the piano—the Gymnopédies. His unusual songs for parties, puppet shows, and other occasions had equally unusual titles: one was called “The Dreamy Fish,” another “In a Horse Costume,” and still another “Real Flabby Preludes (for a Dog).” Instead of the usual instructions composers wrote for musicians, Satie included instructions like “‘On yellowing velvet’ and ‘I want a hat of solid mahogany.’”

One day at Le Chat Noir, Erik Satie “met an artist and model Suzanne Valadon and fell in love with her.” The only problem was that she already had a boyfriend—a wealthy lawyer. Satie simply invited himself along on their dates. Satie made friends, but he also lost them easily due to his terrible temper. He yelled at his friends when they didn’t like his music, when they did like his music, and for many small perceived grievances in between. He and Suzanne fought frequently until she left him forever.

Erik Satie seemed more “like a visitor” on Earth than one of its citizens. His wardrobe consisted of “seven identical grey velvet suits and that was all.” Instead of washing with soap, he used a stone, and his room was so small he had to climb on the bed just to get in the door. By this time Satie was in his late 30s and had never learned the rules of music. He realized that he needed to go back to school. After graduating he took to wearing suits and carrying an umbrella. He looked “normal” on the outside, but his eyes still gleamed with the unique creativity inside him.

celebrate-picture-books-picture-book-review-strange-mr-satie-parade-ballet

Image copyright Petra Mathers, text copyright M. T. Anderson. Courtesy of Candlewick Press

In 1917 Satie and his friends wrote and performed a ballet called Parade with sets designed by Pablo Picasso. The story of the ballet was dramatic and the music was peculiar—played on xylophones, typewriters, and sirens. The audiences and critics disliked it intensely; it caused fights and insults. Satie even came close to going to jail over his rude response to a critic.

In 1924 Satie wrote another ballet called Cancelled, which featured a movie and a real camel, and became a self-fulfilling prophesy when on opening night the lead dancer actually worried himself sick and the ballet was cancelled. When the ballet opened a few nights later, however, the audience loved it and, finally, Satie heard long-sought applause. Soon afterward Satie became sick and was taken to the hospital. He died on July 1.

Poets, artists, and musicians came from all over to attend Erik Satie’s funeral. They wanted to honor this most unique man who lived life on his own terms and whose music influenced famous composers in the future.

T. Anderson’s honest and entertaining biography of Erik Satie depicts the quirkiness of the composer’s life through well-chosen anecdotes that will have readers laughing, shaking their heads, and empathizing with this man of extraordinary brilliance. While Satie’s personality and creativity made for a topsy-turvy existence, Anderson combines lyrical passages with those of straight narration sprinkled with expressive adjectives and verbs to clearly paint a portrait of this most unusual and influential composer.

Petra Mathers brings to life late 1800s and early 1900s France as well as the unusual music Erik Satie composes. In vivid illustrations Satie is seen mingling with the patrons of Le Chat Noir, joining Suzanne Valadon on her dates, sitting in his small room and classroom, and giving vent to his argumentative nature. As Satie cannot be separated from his music, his pieces are depicted here. Disparate objects—candles, balls, bells, dice, question marks, dominoes, and more—burst out of a piano and into and out of listeners’ ears; a performer in the ballet Parade cross the stage wearing a costume of skyscrapers; and the ballet Cancelled with its smoking canon and live camel results in flower-strewn acclaim.

Ages 6 – 10

Candlewick Press, 2016 (reprint edition) | ISNB 978-0763687755

Visit M. T. Anderson‘s website to learn more about his books for children, teens, and adults. Plus you’ll find videos, interviews, wallpapers, and more gimmicks!

National Absurdity Day Activity

celebrate-picture-books-picture-book-review-dancing-alligator-coloring-page

Really Ridiculous Coloring Pages

 

Have you every seen a frog in a suit or a dancing alligator? Absurd, right? Have fun with these printable Really Ridiculous Coloring Pages!

Frog Coloring Page | Alligator Coloring Page

November 14 – International Girls Day

celebrate-picture-books-picture-book-review-women-in-science-cover

About the Holiday

Today’s holiday recognizes the spirit of girls and encourages girls and young women to pursue their dreams, talents, and abilities with the slogan “She Can Do Anything.” Around the world young women have a long way to go to overcome the stereotypes, conditions, and pressures in the media and other organizations that keep them from receiving an equal education and from both attempting and succeeding in their desired profession. Today, celebrate the uniqueness of the girls and women in your life, listen to what they really want and want to accomplish, and support them.

Women in Science: 50 Fearless Pioneers Who Changed the World

By Rachel Ignotofsky

 

“Nothing says trouble like a woman in pants.” With this revealing attitude from the 1930s, Rachel Ignotofsky introduces her scintillating biographies of 50 intelligent, self-confident, persevering, and inspiring women working in engineering, math, medicine, psychology, geology, physics, astronomy, and more sciences from ancient history through today. The book begins with Hypatia who lived in Greece in the late 300s to early 400s CE and became an expert in astronomy, philosophy,and mathematics, making “contributions to geometry and number theory.” She became one of Alexandria’s first female teachers, “invented a new version of the hydrometer,” and can be found among the intellects in Raphael’s painting “The School of Athens.”

celebrate-picture-books-picture-book-review-women-in-science-hypatia

Image and text copyright Rachel Ignotofsky, courtesy of rachelignotofskydesign.com

Zipping ahead to 1647 readers find Maria Sibylla Merian, considered one of the “greatest scientific illustrators of all time.” Her specialty was entomology. By carefully documenting the lifespan of butterflies, she taught people about the science of metamorphosis, publishing a book on the subject filled with notes and illustrations in 1679. Later she scoured the rainforests of South America, gathering information on never-before-seen insects from that region. Her book, The Metamorphosis of the Insects of Suriname “was published in 1705 and became a hit all over Europe.” Maria was so famous, her picture appeared on German money and stamps.

celebrate-picture-books-picture-book-review-women-in-science-mary-anning

Image and text copyright Rachel Ignotofsky, courtesy of rachelignotofskydesign.com

Other women in the nature sciences include Mary Anning, who as a child discovered the first complete ichthyosaur skeleton and went on to become a paleontologist; Mary Agnes Chase, a botanist and expert on grasses; Marjorie Stoneman Douglas, who as a conservationist helped save the Florida Everglades; and Joan Beauchamp Procter, a zoologist specializing in reptiles who discovered the Peninsula Dragon Lizard in 1923; and more.

celebrate-picture-books-picture-book-review-women-in-science-marie-curie

Image and text copyright Rachel Ignotofsky, courtesy of rachelignotofskydesign.com

One of the earliest women astronomers and mathematicians was Wang Zhenyi, born in China in 1768. Creating her own eclipse model, she proved her advanced “theories about how the moon blocks our view of the sun—or the earth blocks the sun’s light from reaching the moon—during an eclipse.” She also measured the stars and explained the rotation of the solar system. At the age of 24 she published the 5-volume Simple Principles of Calculation. Zhenyi died at the age of 29, but in her short life she published many books on math and astronomy as well as books of poetry.

celebrate-picture-books-picture-book-review-women-in-science-patricia-bath

Image and text copyright Rachel Ignotofsky, courtesy of rachelignotofskydesign.com

Women in Science includes many other women who have looked to the stars and mathematics for their careers. Some of these are: Ada Lovelace, the first person to write a computer program; Emmy Noether, who helped Albert Einstein develop his theory relativity, created the field of abstract algebra, and “made new connections between energy and time, and angular momentum”; Cecilia Payne-Gaposchkin a quantum physicist in 1900s England who “discovered that the sun is made mostly of hydrogen and helium gas” and in 1956 became Harvard University’s first astronomy professor; Mae Jemison, who in 1992 became the first African-American woman in space and later started her own technology consulting firm as well as founding BioSentient Corporation, and a science camp for kids; plus many others.

celebrate-picture-books-picture-book-review-women-in-science-rosalind-franklin

Image and text copyright Rachel Ignotofsky, courtesy of rachelignotofskydesign.com

The book also features Engineers, such as Hertha Ayrton who improved electric lights by inventing “a new rod that made a clean and quiet bright light” and the Ayrton fan that blew away mustard gas during World War I; and Lillian Gilbreth, who used her theories of “organizational psychology” in inventing the foot pedal for garbage cans, shelving for refrigerators, and even the “work triangle” for kitchens “that determines the distance from the sink to the stove” and saves time. There are Geneticists such as Nettie Stevens who discovered the “X” and “Y” chromosomes, and Barbara McClintock—the pants wearer from the beginning of the post—and the first person “to make a complete genetic map of corn” and discover jumping genes, or “transposons.”

The field of Medicine has benefited from women such as Elizabeth Blackwell, the first woman doctor; Alice Ball, a chemist and the first African-American woman to graduate from the University of Hawaii, who helped cure leprosy with her chemical work; and Gerty Cori who discovered how our bodies covert glucose, helping us better understand diabetes. In 1947 she became the first American woman to win a Nobel Prize.

celebrate-picture-books-picture-book-review-women-in-science-katherine-johnson

Image and text copyright Rachel Ignotofsky, courtesy of rachelignotofskydesign.com

And this list only begins to scratch the surface of all the fascinating stories of women who overcame social, political, and personal obstacles to follow where their intelligence took them. Inspirational, entertaining, and undeniably eye-catching Rachel Ignotofsky’s Women in Science presents expertly written, one-page biographies that hit all the high (and sometimes unfortunate low) points in these scientist’s lives. The striking layout of both the text and illustrations keep readers riveted to the page, The left-hand side contains a representational drawing of the scientist surrounded by the subjects and materials of her work as well as trivia about her and a quotation. On the right-hand page, small illustrated facts frame the woman’s life story.

Interspersed between the biographies are pages offering a timeline of women’s milestones, depicting lab tools, and graphing statistics of women in STEM. The back matter is impressive, with two more pages presenting 15 more scientists, a four-page, illustrated glossary, resources including films, websites, and books, and an index. Rachel Ignotofsky concludes her book by saying, “Let us celebrate these trailblazers so we can inspire the next generation. Together, we can pick up where they left off and continue the search for knowledge. So go out and tackle new problems, find your answers and learn everything you can to make your own discoveries!”

Ages 7 and up

Ten Speed Press, 2016 | ISBN 978-160774976

To discover more books by Rachel Ignotofsky, visit her website!

International Girls Day Activity

celebrate-picture-books-picture-book-review-scientists-word-search

What Kind of Scientist Would You Be? Word Search

 

Find the 18 different scientists in this printable What Kind of Scientist Would You Be? Puzzle. Here’s the Solution!  Then pick one and write why you would like to be that type of scientist!

Picture Book Review

November 4 – Fountain Pen Day

picture-book-review-will's-words

About the Holiday

Today we spend some ink to extol the virtues of the fountain pen. Designed in 1636 (a mere 22 years after William Shakespear wrote his last play), the fountain pen sported two clever improvments over the quill pen. First, it contained a reservoir of ink that made frequent dipping in the inkwell unnecessary. Second, it’s metal nib didn’t require cutting the way a feather did to retain sharpness. While there are now many alternatives to fountain pens, there are those who prefer its smooth elegant lines for writing everything from notes to novels. Fountain pens are also collectable, and craftsmen around the world create beautiful, innovative works of art on these functional canvases.

Will’s Words: How William Shakespeare Changed the Way You Talk

Written by Jane Sutcliffe | Illustrated by John Shelley

“In 1606 London was a bustling, jostling, clanging, singing, stinking, head-chopping, pickpocketing wonder of a city.” With that phenomenal sentence Jane Sutcliffe begins this fascinating and ingenious look at the Globe Theatre and the experience of attending a play in William Shakespeare’s time.

In addition to all the qualities of London mentioned above, the town was also a “play-going city.” Every day of the week except Sunday, a play—or maybe even two or three—was performed, and as many as 18,000 people attended plays every week! They just couldn’t get too much of a good thing!*” And everyone loved the plays written by William Shakespeare!

celebrate-picture-books-picture-book-review-will's-words-in-town

Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

How did a day at the theater begin? Well, at 1:00 a banner was raised from the roof of the playhouse, and men, women, and children streamed through the streets toward the Globe. It cost a penny to get in, but if you paid more you got a chair, and if you paid a little more than that you were seated in the Lord’s Rooms. The Lord’s Rooms were actually for fashionable people who wanted to be seen but didn’t really care what play they were seeing.

All the actors were…well…actors. There were no actresses in those days. Men played women’s parts as well as men’s. And if you think phones and talking are problematic in today’s theaters, you would have been aghast at the audiences back then! They were not well behaved at all!

celebrate-picture-books-picture-book-review-will's-words-back-stage

Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

There were plays to please all tastes—comedies, tragedies, histories, and romances—all full of complicated plots and plenty of twists and turns. While the stories may have been intricate, the sets were not. But the bare-bones sets were made up for in gorgeous costumes and even some special effects accomplished through trap doors and ceiling holes. Sounds full of amazement, right? Good thing too because these plays could go on for hours, and most people stood through the whole thing, rain or shine!

celebrate-picture-books-picture-book-review-will's-words-cold-blooded

Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

While William Shakespeare’s plays ended when the last line was spoken, his influence continued. Theatre-goers repeated the lines they’d heard long after they left the Globe. They used Will’s words so much that his new phrases became part of the common language, and we still use them today!

Jane Sutcliffe inserts a tongue-in-cheek apology before the main text, explaining how she wanted to tell the world about the Globe Theatre in her own words, but that William Shakespeare’s words kept getting in the way. Yes, using another writer’s words is a no-no—but if they’re Shakespeare’s words? Words we use every day? Hmmm… Sutcliffe’s lively history of the Globe Theatre and Old London’s theater culture is conversational, humorous, and highly informative.

celebrate-picture-books-picture-book-review-will's-words-new-words

Image copyright John Shelley, 2016, text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

The left-hand page tells the story of the Globe with phrases and words coined by William Shakespeare sprinkled throughout and set in bold type. On the right-hand page readers learn the meaning of those words and phrases (some have changed a bit since Will’s time) and which play they come from. A final note from Sutcliffe at the end of the book reveals a bit more about the playwright. A timeline of Shakespeare’s life and a bibliography are also included.

John Shelley’s incredible illustrations of London and the Globe Theatre will take your breath away. The streets teem with vendors, knights, shoppers, kids, Ladies, and Lords. If you look closely at the intricate paintings you’ll also spy the seamier side of Old London—a pickpocket, a criminal in the stocks, a tavern brawl, a cat snatching a free meal, a woman about to empty a chamber pot on her unsuspecting downstairs neighbor’s head, and…could that be a dead rat?— and that’s only on the first page!!

celebrate-picture-books-picture-book-review-will's-words-globe-theater

Image copyright John Shelley, 2016 text copyright Jane Sutcliffe, 2016. Courtesy of Charlesbridge.

Subsequent pages show the waterfront with its sailing vessels, a peek into Shakespeare’s study and a look at the printing press, an aerial view of London, the Globe Theatre with its thatched awning, actors donning wigs and costumes, the audiences enjoying the plays and the fun of a day out. Each illustration is alive with color and movement, texture and design, expressive faces, and all the sights, sounds, and aspects of Old London. Kids will love lingering over each page picking out the funny events going on in the lanes, in the theater seats, and on stage.

So hurry to get your own copy of Will’s Words and enjoy it to your heart’s content! You will definitely get your money’s worth!

*Italicized words and phrases were invented by William Shakespeare

Ages 6 – 10 and up (Anglophiles and Shakespeare lovers will enjoy this book)

Charlesbridge, 2016 | ISBN 978-1580896382 (Hardcover) | ISBN 978-1580896399 (Paperback)

To learn more about Jane Sutfcliffe and her other picture books and books for early and middle grade readers visit her website!

View a portfolio of picture book illustration and other work by John Shelley on his website!

Fountain Pen Day Activity

picture-book-reviews-quill-pen-craft

Write Like Shakespeare

William Shakespeare might have missed out on the new technology of fountain pens, but he sure did a great job with the quills of the day. Try your hand at making a quill pen—you may not be able to write with it, but it sure will look cool on your desk!

Supplies

  • Medium to large size feather with quill, available at craft stores
  • Clay, oven-bake or air-dry, in various colors if desired
  • Wire, beads, paint, and/or markers for decorating     
  • Scissors
  • Baking pan for oven-bake clay

Directions

  1. Roll clay 2 ½ inches to 4 inches long 
  2. Push the quill end of the feather into the clay
  3. Add bits of clay or roll sections of the clay between your fingers to give the clay shape
  4. To make the twisted shape pen, twist the length of clay around itself before adding the feather
  5. Shape the end or cut it with scissors to make the pointed writing nib
  6. If using air-dry clay: Add beads and/or wire and let clay dry around feather
  7. If using oven-bake clay: Add beads and other layers of clay before baking then carefully remove feather. Bake clay according to package directions
  8. Add wire and other decorations after clay has baked and cooled
  9. Reinsert feather into clay

picture-book-review-will's-words

You can find Will’s Words at these booksellers

Amazon | Barnes & Noble | Books-a-Million | IndieBound