March 12 – Get Ready for Passover

About the Holiday

Passover, or Pesach in Hebrew, is one of the most sacred Jewish holidays and celebrates the Jews’ liberation from slavery in Egypt and their freedom as a nation under Moses. The holiday begins on the fourteenth day of the Hebrew month Nisan and continues for seven days in Israel or eight days outside of Israell. The holiday begins with a seder meal, for which family and friends gather to remember their history, have symbolic dishes, and celebrate the joy of freedom. Games for children, a reading of the Exodus story, and other meaningful traditions also mark the holiday.

Thank you to Random House Books for Children and Barbara Fisch at Blue Slip Media for gifting me a copy of Next Year in the White House for review.

Next Year in the White House: Barack Obama’s First Presidential Seder

By Richard Michelson | Illustrated by E.B. Lewis

 

Review by Dorothy Levine

 

“Malia and Sasha watch White House chefs arrange gefilte fish on fine china. Matzoh ball soup simmers in a sterling silver tureen…Bo wags his tail and sniffs as new smells waft through the Old Family Dining Room.”

Michelson’s story begins right in the action, with everyone preparing for the White House Seder. Barack Obama’s daughter Sasha says, “I bet Bo is wondering why this night is different from all other nights.” She is jokingly referencing the four questions recited by the youngest child in a Passover seder. And why is this night different, you may be wondering? Read on to find out! 

Illustration © 2025 by E.B. Lewis, text © 2025 by Richard Michelson. Courtesy of Random House Children’s Books.

When Eric, Arun, and Herbie set out on the campaign trail with Senator Obama as he ran for president in 2008, they did not expect to find themselves seated in the White House celebrating Passover for the next eight years. These young men joined the campaign trail in hopes that “they could help [Obama] make America a place where all people—regardless of their race, gender or religion—would have an equal opportunity to succeed.” But, “helping others doesn’t mean you don’t get homesick, or hungry, or tired.”

Holidays are especially a time when homesickness can hit for folks far from home. And this was the case for Eric, Arun, and Herbie. When Passover came around, they decided to have their own Passover ceremony, or Seder, in the basement of the hotel where they were staying. The trio managed to snag some matzoh, macaroons and Manishewitz wine along with Haggadahs (booklets of the prayers, songs and story of Passover) to tell the story of Passover—the exodus of enslaved Jews in Egypt who escaped through a parting sea to freedom, one of many miracles that ensured their eventual getaway. “Tonight, they would celebrate the sweet taste of freedom and pledge not to rest until all people are free.”

Illustration © 2025 by E.B. Lewis, text © 2025 by Richard Michelson. Courtesy of Random House Children’s Books.

When the three young men rose for the tradition of letting the prophet, Elijah, in through the door they were surprised to find Barack Obama on the other side, requesting to join the gathering. Obama brought to the table connections between the Passover freedom tale and the civil rights movement—how activists throughout time have drawn from the Passover pilgrimage in their protests and speeches. He told of how enslaved Black laborers were the ones who carried the first building blocks for the White House, like how the ancient Pharaoh had made the enslaved Israelites build his stone cities. When Eric called out a traditional Passover expression “Next year in Jerusalem,” a phrase that has come to signify hope for a better tomorrow, Barack replied, “Next year in the White House!”

In the following pages, we return to the prologue scene of the book—a description of the first White House Seder, performed in 2009, hundreds of years after both the first White House Christmas and Easter ceremonies. We read of two previously enslaved peoples joining together in resistance and solidarity, to celebrate in the historic White House, where neither group would have been invited years ago. We learn about the traditional Passover foods and games for children—such as piping hot matzoh ball soup and the race to find the afikomen, a hidden piece of matzoh wrapped in a special cloth. And we’re invited in as dozens of people gather to celebrate and cherish the holiday’s call of freedom. When the prize for finding the hidden afikomen is a dog toy for Bo, Sasha remarks, “Now Bo definitely knows why this night is different from all other nights.”

Illustration © 2025 by E.B. Lewis, text © 2025 by Richard Michelson. Courtesy of Random House Children’s Books.

Richard Michelson’s writing is thought provoking, lively and packed with themes of hope and resilience interspersed with knowledge of the Passover traditions. The story contains many references to Passover phrases and themes, such as the call for the homesick, tired, and hungry to come eat and the four questions, which are both part of Passover prayers and motifs shared in Michelson’s story.

Michelson adds a prologue scene to draw readers in, as well as extensive back matter including: a note from Herbie Ziskend, Eric Lesser, and Arum Chaudhary; an annotated page of the Haggadah used at the first White House Seder; more information about the attendees and connections between Black History and Passover; a detailed explanation of Passover traditions; and a special Passover dessert recipe from Arun. His writing instills a sense of social justice, with undertones of the importance of intersectional empowerment and unity.

E.B. Lewis’s signature watercolor spreads bring the book to life with distinctly recognizable characters displaying detailed facial expressions and richly colored backgrounds. Readers will feel immersed in the comradery of the dinner table scenes and the crowds at protests and campaign speeches. The illustrative masterpiece depicting the parting of the sea in the background when Eric, Arun, and Herbie retell the Passover story will inspire awe and mystery. Close-ups of each of the characters also intersperse text and larger detailed scenes. When Arun, Herbie, and Eric are introduced, they each receive their own small illustrative snapshot, as these three unlikely characters become center stage for a Passover miracle story.

Next Year in the White House brings a unique and important historical moment to light and a new story to the table to re-read time and time again, as is tradition with the Passover tale. 

Ages 4 – 8+

Crown Books for Young Readers, 2025 | ISBN 978-0593711583

About the Author

Richard Michelson is a poet, children’s book author, and art dealer whose children’s books have been listed among the 10 Best Books of the Year by The New York Times, Publishers Weekly, and The New Yorker; and among the 12 Best Books of the Decade by Amazon.com. He has been a finalist for the Massachusetts Book Award, the Harlem Book Fest Wheatley Award, and the National Jewish Book Award, as well as receiving two Skipping Stones Multicultural Book Awards, a National Parenting Publication Gold Medal and an International Reading Association Teacher’s Choice Award. In 2009 Michelson received both a Sydney Taylor Gold and Silver Medal from the Association of Jewish Librarians, the only author so honored in AJL’s 50 year history. Michelson received his 2nd Silver Medal in 2017 and his 2nd Gold Medal in 2018. Additionally, Michelson won the 2017 National Jewish Book Award. Michelson is the owner of R. Michelson Galleries, the host of Northampton Poetry Radio, and the current Poet Laureate of Northampton. Massachusetts. You can learn more by visiting him at richardmichelson.com and on Facebook.

About the Illustrator

E.B. Lewis has illustrated over seventy books for children, including the New York Times Best Illustrated Book Award, Kirkus Best Illustrated Book Award, and the Golden Kite Honor Award winner Jabari Asim’s Preaching to the Chickens as well as the Caldecott Honor Award Winner, Jacqueline Woodson’s Coming on Home SoonHe is also a five-time Coretta Scott King winner.
Presently, Lewis teaches at the Pennsylvania Academy of Fine Arts. He is also a member of The Society of Illustrators in New York City, and an artist member of Salamagundi Art Club of New York. Learn more about E.B. Lewis and his work at eblewis.com.

Get Ready for Passover Activity

8 Days of Activity Plans from 18 Doors

 

Celebrate Passover with your family and these Activity Plan Ideas from 18 Doors! For each of the 8 Days you’ll find a song or video, a craft, and a recipe to help you have a fun Passover!

You can purchase Next Year at the White House from these booksellers

Amazon | Barnes & Noble | Bookshop (to support your local independent bookstore)

Picture Book Review

October 1 – International Music Day and Interview with Author Gary Golio

celebrate-picture-books-picture-book-review-dark-was-the-night-cover

About the Holiday

International Music Day was established in 1975 by Lord Yehudi Menuhin, an American-born violinist and conductor  – widely considered to be one of the great violinists of the 20th century – to promote the art of music across all segments of society and to apply the UNESCO ideals of peace and friendship among all people, with an exchange of experiences and mutual appreciation of all cultures and their aesthetic values. To celebrate today’s holiday, listen to your favorite music and take some time to discover a new style – it might just become a favorite too!

Dark Was the Night: Blind Willie Johnson’s Journey to the Stars

Written by Gary Golio | Illustrated by E.B. Lewis

 

As readers open the cover to Dark Was the Night, they discover a date: 1977. In this year Voyager I was shot into space carrying “a precious Golden Record, a message to the Universe from Planet Earth.” The record contained pictures of the people and things that make up our life, sounds we hear every day, music from Navajo chants and West African drumming to Beethoven and Chuck Berry. There was also one “ghostly song, about loneliness and the night….a tune of light and hope” from a blind man named Willie Johnson.

celebrate-picture-books-picture-book-review-dark-was-the-night-baby

Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

Who was Willie Johnson? In 1897, he was a newborn baby in a small Texas town wrapped in his mother’s love. narrator picks up the thread of Willie’s story when he’s become a small boy who “loved to sing” and play the cigar box guitar his father made him. But that joy was interrupted when “your mama died, and some light went out of your life.” Then at seven or eight, Willie became blind, “and that’s when things got darker still.” But Willie rose above these hurdles. His blindness didn’t keep him “from singing in church, or on street corners.” Using his voice to uplift people brought him “back in the light.”

celebrate-picture-books-picture-book-review-dark-was-the-night-choir

Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

He sang blues and learned how to play a slide by running the edge of a pocketknife along the steel strings of his guitar. “This made a sound like someone laughing or crying, as if the guitar had a voice of its own.” He traveled from town to town in Texas, wherever farmers came to socialize and shop, setting up on street corners and collecting the coins people tossed into his tin cup. Little by little, people grew to know his name. “Then a man from a music company heard you sing. You were given the chance to make a record….”

celebrate-picture-books-picture-book-review-dark-was-the-night-street-corner

Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

On that record listeners heard “the sound of one human being reaching out to all the others, telling them not to be afraid of the dark.” That first record was a hit, lauded for its unique sound. One song in particular, “Dark Was the Night,” “touched people deep in their souls” and made Willie “a shining star.” The light Willie brought to people has never dimmed; in fact it continues to shine through the darkness on Earth and through Space.

Back matter includes a discussion on what is known about Blind Willie Johnson and what still remains a mystery as well more information about Voyager I and why Johnson’s song Dark Was the Night was chosen for inclusion on the Golden Record. A link to NASA’s Jet Propulsion Laboratory website, where readers can access Voyager I—The Golden Record is also included.

celebrate-picture-books-picture-book-review-dark-was-the-night-song

Image copyright E.B. Lewis, 2020, text copyright Gary Golio, 2020. Courtesy of Nancy Paulsen Books.

Gary Golio’s ethereal tale of the life of Blind Willie Johnson and his song, which has touched and continues to move so many people, is a stirring tribute to a unique artist and the power of music to change lives. Golio’s use of the second person creates a poignant personal bond between the story and reader, which allows children to put themselves in Willie’s shoes and believe that they, too, can inspire others with their talent and life. Golio’s lyrical storytelling flows with the cadence of the blues, and his evocative vocabulary brings Willie Johnson’s voice and times fully to life for young readers.

E.B. Lewis transports readers to early 1900s Texas in his stunning watercolor paintings rendered in soft washes of grays, blues, and greens punctuated with yellows that reflect the hope and light that spurred Willie on and flowed from his music. As his mother holds him in her arms as a baby, the landscape outside the window blazes with gold that reflects on Willie’s and his mother’s face. As children learn about Willie’s blindness, the page turns dark, except for a swatch of light across Willie’s eyes, representational, perhaps, of his inner sight that sustained him.

Among the realistic depictions of his farm home, the outskirts of a Texas town seen from a train, and a bustling city, where Johnson plays on a street corner to an appreciative audience, his tin cup hanging from a tuner on his guitar, are transcendent images of Willie performing, his face always lifted to the light. As people gather around a radio listening to Blind Willie Johnson, light once again streams into the shop, and as Golio describes how “Dark Was the Night” becomes a hit, Willie is bathed in a golden glow, his face euphoric with the joy of singing.

At once sensitive, rousing, and inspirational, Dark Was the Night is a beautiful book about one man’s talent and dream that will resonate with all readers. The book is highly recommended for home libraries and is a must for school and public library collections.

Ages 5 – 8

Nancy Paulsen Books, 2020 | ISBN 978-1524738884

Discover more about Gary Golio and his books on his website.

To learn more about E.B. Lewis, his books, and his art, visit his website.

Listen to Blind Willie Johnson’s “Dark Was the Night.”

Meet Gary Golio

celebrate-picture-books-picture-book-review-gary-golio-headshot

Gary Golio is the author of the New York Times bestseller JIMI: Sounds Like a Rainbow – A Story of the Young Jimi Hendrixwinner of a Coretta Scott King Illustrator Award; Bird & Diz and Strange Fruit – Billie Holiday and the Power of a Protest Song, both ALA Notables; and other books about legendary artists. A writer and musician, Golio has been featured on NPR’s “Weekend Edition”, CBS-TV’s “Sunday Morning News,” and on radio stations nationwide. He lives in the Hudson Valley with his wife, children’s book author Susanna Reich.

Today, I’m thrilled to talk with the multi-talented Gary Golio about Dark Was the Night, his love for writing and art, his father’s influence in his life, and the power of music.

Welcome, Gary! To start off, can you tell readers about your journey with this Dark Was the Night from idea to publication?

A few years back I was listening to some early blues songs, and came upon Willie Johnson’s “Dark Was the Night.” The song stunned me—and gave me the chills. I knew of Willie’s connection with the Voyager I space probe, but had no idea that blues aficionados and amateur music sleuths were devotedly digging for details of his life through the decades. So much mystery surrounded this man—revered by Jimmy Paige, Eric Clapton, and Lucinda Williams—but what intrigued me the most was that, after dying in poverty and being forgotten, Willie and his work enjoyed a revival of interest during the 1960s Folk Movement. Then, in 1978, “Dark Was the Night” ended up on Voyager‘s Golden Record, hurtling through space. And what that said to me is, you never know how a life, and its effect on others, will play out. It’s a hopeful message that inspired me to write the book.

Your father was an artist and you have worked as a fine-artist since you were a teenager. Can you talk about what inspired you to begin writing picture books? Did you always like to write?

My father is an ongoing inspiration in my life. He was a talented amateur artist who provided me with a real-life example of the Art Spirit by how he thought and created. Most importantly, he was a skilled improviser, and didn’t allow himself to be limited by what he didn’t have, something that’s always meant a lot to me. As for writing picture books, I mostly read comics as a boy, and I think it was that combination of pictures and text that really struck a chord. For me, the picture book is a modern descendant of cave painting, Egyptian wall art (images + hieoroglyphs), and Etruscan/Pompeian murals: using words and pictures to tell a story.

In your Author’s Note you talk about the dearth of knowledge about Willie Johnson’s life. Can you share one thing you learned about Willie that didn’t make it into the book?

Willie has a unique voice that somehow manages to balance the rough and the tender. There’s raw power there, but also delicacy, which is very rare. So Willie was in New Orleans at one point—during a recording session there in 1928—and the story goes that he began singing “If I Had My Way I’d Tear this Building Down” in front of the Customs House. A crowd had gathered, listening to him, and a police officer reportedly became so worried—thinking Willie was instigating a riot—that he considered arresting the man. That’s the power of music—to rouse, protest, and stir up human souls—and it’s easy to see why it threatens authority and institutions.

Dark Was the Night is your eighth biography of a musician or entertainer for children. Could you discuss what drew you to write about these musicians?

While there are no actual musicians in my family-of-origin, my parents, grandmother, and maternal aunt all had strong musical interests. Each exposed me to very specific genres and musical tastes—from Frank Sinatra and Bing Crosby to Count Basie, Louis Armstrong, Ella Fitzgerald, Nat King Cole (whom I adore), Willie Nelson, and Elvis Presley. Many of these people were Black, and many were strongly influenced by blues and jazz, and I have vivid memories of watching them on TV with my beloved grandmother, even at five and six years old. That openness to all kinds of music really shaped me, and growing up I looked for clues, in the lives of artists, that would help me find my own path and direction. So my books often focus on the early years of an artist’s/musician’s life, highlighting the roots of their artistry—what inspired and shaped them—to provide young readers with roadmaps, of sorts, to a life in the arts.

In addition to being an artist and writer, you also admit to being “a pretty good musician” – something you share with kids on school visits that sound awesome. Which instruments do you play and how do you incorporate music into your book events?

I play acoustic and electric guitar, mandolin, banjo, and very simple piano, but love above all to improvise. Since my first book on Jimi Hendrix came out, I’ve used the guitar (both electric and acoustic) to demonstrate a wide range of effects and possibilities (Hendrix and Santana), but also to accompany singalongs I did for my Bob Dylan/Woody Guthrie book. At one school visit, the entire fifth grade and I sang “This Land is Your Land” in Spanish, which was both meaningful and fun.

Each of your books has such distinctive illustrations from incredible illustrators. Can you talk a little about E.B. Lewis’s gorgeous illustrations in Dark Was the Night and how he captured your story and Willie’s personality?

E.B. is truly a master of illustration, and specifically of the watercolor medium. His real superpower, however, lies in his ability to convey human feeling, to mysteriously imbue a person or setting with mood and life. That’s remarkable—reminiscent of watching my father draw an American Indian on horseback, straight out of his head—and it’s what lends E.B.’s work both its power and subtlety. Not surprisingly, he has a real love for human beings, a quality fed by his passion for traveling and teaching all over the world. Though we only met at a bookstore panel five years ago, Earl and I have become close friends, and spend a lot of time on the phone collaborating about the joining of text and image. He’s a pleasure to work with, and his art for Dark Was the Night is truly sublime. This book also gave him the chance to bring his use of color (in his own words) to another level, something that will be obvious to anyone who knows his artwork and sees the new images.

From your bio on your website, you sound as if you were a pretty inventive kid – creating all sorts of cool electronic devices. And I love your story about being “shocked” to find books with Van Gogh’s paintings in them as a child and how formative that was. Could you discuss the importance of nonfiction, and biographies in particular, to children?

celebrate-picture-books-picture-book-review-gary-golio-childhood-photo

My father could fix most anything, and it was that spirit of improvisation and inventiveness that led me to create little electronic gadgets a la James Bond and The Man from Uncle. For a time, I wanted to be an inventor or electrical engineer, but Art won out. As for van Gogh, watching Lust for Life with my dad had a HUGE impact on me, and seeing a book in the middle school library with all those paintings reproduced made it clear to me—even at 10 years old—that there was gold in reading about the lives of artists.

While I love fantasy, myth, and good stories, the thing about nonfiction is that you’re reading about real people—with all their talents and troubles—and so it’s easier to believe that if someone else muddled through to achieve something, you can also. That’s why I don’t shy away from talking about a person’s “faults” and failures (particularly in my books about John Coltrane and Billie Holiday), because I want kids to see that great people and artists are just as human as everyone else.

What’s up next for you?

Author-wise, I’ve a book coming out next year on the revered jazz saxophonist Sonny Rollins (based on many phone conversations we’ve shared), to be illustrated by the great James Ransome. I’ve also sold, just this year, two new picture book texts: one on Roy DeCarava—a gifted artist who photographed the people of Harlem in all their humanity—and another on Walt Whitman, focused on his remarkable and moving nursing experience during the Civil War. After that, who knows where Destiny will lead me?

International Music Day Activity

celebrate-picture-books-picture-book-review-musical-instruments-word-search

I Love Music! Word Search Puzzle

 

International Music Day celebrates all types of music and instruments. Can you find the eighteen different instruments in this printable word search puzzle?

I Love Music! Word Search Puzzle | I Love Music! Word Search Solution!

celebrate-picture-books-picture-book-review-dark-was-the-night-cover

You can find Dark Was the Night: Blind Willie Johnson’s Journey to the Stars at these booksellers

The Village Bookstore, Pleasantville, NY | Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review