About the Holiday
November means colder weather, snow, and – most importantly – ice. Ice means the fall polar bear migration to Churchill, Manitoba. Here, polar bears gather to wait for the sea ice to form on Hudson Bay so they can return to hunting seals. Polar Bear Week, sponsored by Polar Bears International, focuses on sea ice, the effects of climate change, and what we can do to ensure the polar bears’ survival. This year, people are encouraged to get involved from home. To learn more about the week’s activities and how you can help, visit Polar Bears International.
Thank you to Phaidon Press for sending me a copy of Little Bear Dreams for review consideration. All opinions about the book are my own.
Little Bear Dreams
By Paul Schmid
A baby polar bear rides atop Mom’s back, catching snowflakes on a little pink tongue. As the snowflakes change to twinkling stars in the dark night sky, a question hangs in the air—“Of what do little bears dream?” Perhaps it’s the frothy sweetness of “hot chocolate” or the delicious spiciness of “cold pizza.”
As the day brightens once more, maybe the baby imagines all kinds of things that lie beyond those “straight horizons” or giggles at wearing tickly, “curly moustaches.” There are so many things to discover, both big and small, short and tall, and blue—lots of blue in the frozen north. But night has come around again and it’s time for sleep. So, curl up with “soft, snowy beds. Warm fur…and frosty nights” and drift off to sleep.
Paul Schmid’s snuggly story about an adorable polar bear pair rendered with soft curves, quiet blues, and sweet surprises is, simply, love in a book. The gentle text lulls little ones toward sleep while reminding them of the wonders of life. Images of opposites—hot and cold, straight and curly, big and small, and others—are full of charm and wit and give little readers lots to talk about or an invitation to fill in their own details.
Schmid’s beautiful use of line, shape, and color expresses the loving relationship between baby and adult as the little one peeks from behind Mom, hides underneath her during a game of hide-and-seek, and nuzzles noses in a little bear kiss. Marshmallow-plump bunnies wait silently to play, and pudgy little polar bear twists to try and spy a stubby tail. Gorgeous perspectives show the magnitude of the night sky and the mother bear’s protective power. The moving image of the pair curled into a ball for sleep underneath a full moon and then risen to replace it as a little one’s shining light is the perfect ending to this story so rich in cuddles, caring, and comfort.
An excellent book for baby shower, birthday, and holiday gifts as well as an endearing addition to home libraries, Little Bear Dreams is a book you will find yourself reaching for again and again. It’s a sweet book for preschool classrooms and a must for public libraries.
Ages 2 – 5
Phaidon, 2018 | ISBN 978-0714877242
To learn more about Paul Schmid, his books, and his art, visit his website
Meet Paul Schmid
I’m thrilled to be chatting with Paul Schmid today about his the inspirations of winter, following where ideas lead, and the role of that curly moustache in Little Bear Dreams.
Readers are always interested in the creative process that goes into a book. Can you talk us through how Little Bear Dreams came to be?
Little Bear Dreams started in a somewhat dreamlike way. I just began playing with the dramatic, graceful shapes of winter landscapes without knowing where I was going with it. I love winter, and since childhood have been fascinated by its stark simplicity and seeming contradiction of severity and softness.
As dreams will do, the book evolved as it progressed. It took hundreds of sketches to bring this book to life. At one early point it was called “Black and White and Blue.” The more I sketched my characters, though, the more they began to assert their personality. We all eventually settled into a gentle, loving mother bear and her rather impish and imaginative little bear.
Ideas for stories can come from anywhere, but what for you makes an idea stick so that you develop it further?
DH Lawrence wrote: “If you try to nail anything down in the novel, either it kills the novel, or the novel gets up and walks away with the nail.”
I follow ideas perpetually. “Follow” being the operational word here. Many times I’ve tried to force an idea, and it generally ends up looking so.
I follow until an idea becomes something or peters into nothing. Some ideas I’ve been following for years and haven’t arrived anywhere wonderful—yet. Some ideas drag me after them at a speed which shocks me. I guess the key is to always be receptive. Ideas will rudely wake me at 2 a.m., obliging me to creep into my studio and sketch or write.
Little Bear Dreams began as an indulgence to play with simplicity in color and shape, visual and verbal rhythms and contrasts, but evolved also into a story of love and connection. Of gentleness and playfulness.
The idea is the boss. Not me. I just obey.
Your illustration style is very distinctive, and your adorable characters immediately inspire readers to feel empathy for them. Can you talk a little about the role of different shapes, line, white space, and even the use of small features in your illustrations?
I have a compulsion to express as much as possible in the simplest manner possible. It is a great pleasure to me to strip an illustration or sentence of all that gets in the way of advancing the story or mood or character of the book.
But it must connect with a reader! Children live real, dramatic, joyous, painful, confused, confident, knowing, learning lives. I feel my job as a storyteller for children is to reflect and connect with the vitality of life they dwell in.
So when I draw a character in a situation or emotion I feel that emotion myself as I draw. The great illustrator Howard Pyle was quoted as saying: “Project your mind into your subject until you actually live in it.”
In 2010 you were chosen as one of four illustrators to attend a fellowship with Maurice Sendak. What is the most memorable thing that he told you? What is your favorite memory from that experience?
Maurice was to me a shining example of emotional courage and depth and intelligence. I’ve never met anyone more brilliant and intuitive. He was unafraid of his feelings, of complexity, of embracing sadness and joy.
For all he was a superstar, he was also amazingly generous and one of the most caring, attentive listeners I’ve ever known.
It is how he was as a person that has inspired me rather than any one thing he said.
My favorite memory of Maurice was a visit I paid to him about a year after the Fellowship. We took a walk and for hours discussed how elusive happiness is for an artist, the difficulty in waking our muses, the impossibility of not continuing to always create and express ourselves, the challenge and imperative of being truthful to kids, loss, death, life, beauty. The whole of our love for life and creating.
As a speaker at the 2015 Words, Writers, and West Seattle” series of the Southwest Seattle Historical Society, you talked about several of your books, including Oliver and His Alligator, which involves a surprising turn of events, and mention that kids love being shocked. In Little Bear Dreams, the baby polar dreams of things she would naturally see in her environment juxtaposed with things like cold pizza and curly mustaches. Can you discuss the benefits for young children of unexpected moments that cause surprise or giggles?
Kids are still putting the puzzle pieces together on their perceptions of “What is this thing called life?” Incongruities help reinforce our understanding of reality. As a little girl my own daughter enjoyed pointing out when something was not right. It is a source of humor for children and adults.
As I write I imagine a parent reading the book with their child and discussing it together. “Do polar bears eat pizza?” “No, that’s silly!” I endeavor to create those moments for a parent and child. My books such as A Pet for Petunia and Oliver and his Alligator are full of such opportunities. Surprise, along with the comfort of seeing true familiar things is the balance I sought for Little Bear Dreams.
Putting the child in the position of knowing something the book affects not to know is great fun for a young reader too.
As I watched the Word, Writers, and West Seattle event, I was thrilled to see you present The Story of Ferdinand as one of your childhood favorites. That book was also one of my favorites—the first one I remember truly loving. For me, as a quiet child, it was the story that was so validating, and for you, you said that even as a child you appreciated the perfection of the illustrations. Could you talk a bit about that relationship between a child and a book that is a beloved “first” in some way. Is that an idea you are aware of when creating a book?
One of the most gratifying results of creating books for kids is getting a note from a parent telling me it is their child’s favorite book; that they have to sleep with it under their pillow, or they’ve memorized the whole book. I love knowing I made something that touched a child so deeply.
I believe this profound connection is because a child reads so much more intensely than an adult. They seek in books information and affirmation of what they are feeling or thinking. They find adventure and discover possibility. Reading for kids is not just a distraction, it is an important part of their world.
Oh, and because of this I have a small personal conviction that the only reviewers of kid’s books should be kids. Ha!
What’s up next for you?
I am always working on new manuscripts! I’m having a great time this week with a particularly fun story I am sketching up. Not a bad way to spend my days.
A new endeavor I am also enjoying is designing images for greeting cards. One company, Great Arrow Graphics, has picked up about a dozen or so of my designs which are available in select stores or on line here: https://www.greatarrow.com/cards/cardlist/did/494
I have also set up a shop at society6, where you can buy quality prints of images from my books and some other fun stuff I’ve illustrated.
The shop lives here: https://society6.com/paulschmid
New designs are always on the way.
What’s your favorite holiday? Do you have an anecdote from any holiday that you’d like to share?
I find Winter Solstice particularly appealing, since for me it represents the paradox of life. Solstice marks the end of the shortening days, the return of light and warmth, of renewal. At the same time it also means the beginning of Winter, of coldness, hardship and patience. This is not a conflict to me but a lovely insight. Up cannot exist without down, it is its opposite that makes a thing itself be.
So at the moment of Winter Solstice we are able to feel simultaneously both joy and sadness, hope and fear. That is a concept I find strangely satisfying.
Thanks, Paul, for such an insightful talk! I wish you all the best with Little Bear Dreams and all of your books!
National Polar Bear Week Activity
Polar Bear Scarf or Banner
Polar bears aren’t cold in the winter—and neither should you be! Here are directions and printable templates for making a cute scarf to keep you warm, or—if you’d rather—a banner to warm up your room.
- Printable Polar Bear and Igloo Template
- 1 Strip of blue fleece 4 ½ feet long x 7 inches wide for the scarf
- 1 Piece of blue scrapbooking paper for a banner
- Pieces of white, black, blue, and purple fleece or scrapbooking paper to make the polar bear, igloo, snowflakes, and ice floes.
- String or twine for banner
- Fabric or paper glue
Directions for Scarf
To make the fringe at each end of the scarf:
- Make 7 cuts about 4 inches long
- Tie a knot at the top of each fringe section
To make the pieces for the scarf or banner:
- Trace the polar bear and igloo sections from the Printable Template onto white fleece and cut out
- Trace the two ice floes onto blue fleece and cut out
- Trace the door of the igloo onto blue fleece and cut out
- Trace the polar bear’s scarf onto purple (or any color) fleece and cut out
- Cut out round snowflakes
- Cut out a small circle from black fleece for the Polar Bear’s nose
On one end of the scarf:
- Glue the smaller ice floe on one end of the scarf
- Tie the bear’s scarf around its neck before gluing the bear to the scarf
- Glue the polar bear onto the scarf with its feet on the ice floe
- Glue on the polar bear’s nose
- Make a small dot for the polar bear’s eye with a marker
- Glue snowflakes above polar bear
On the other end of the scarf:
- Glue the bigger ice floe to the scarf
- Glue the three pieces of the large igloo to the scarf, leaving a little space between sections
- Glue the small white door of the igloo on top of the last two igloo sections
- Glue the small blue door onto the white door
- Glue snowflakes above the igloo
Directions for Banner
- Cut a point at the bottom of your banner
- Follow the directions above to trace the pieces of the polar bear and igloo from the printable template onto scrapbooking paper
- Follow the directions above to glue the pieces of the polar bear and igloo to your banner
- Attach string or twine to back of banner to make a hanger
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