April 2 – International Children’s Book Day

About the Holiday

Each year since 1967 Hans Christian Andersen’s birthday has served as the date for Children’s Book Day. The International Board on Books for Young People (IBBY), a non-profit organization founded in Zurich, sponsors the day to promote a love of reading. Seventy-five National Sections around the world alternate in hosting the event. The host for 2025 is The Netherlands, and this year’s theme is “The Freedom of Imagination.” Each year a prominent author and illustrator from the sponsoring country prepare materials used to raise awareness of books and reading. Rian Visser wrote this year’s message and the poster was designed by Janneke Ipenburg. To learn more about the initiative, download digital materials, and learn about how children can enter the international drawing competition, visit the IBBY website. Today’s story that tells the tale of a young girl writing a story is a perfect example of the eternal power and influence of children’s books.

Written and Drawn by Henrietta

By Liniers

 

Henrietta’s mom gives her a new box of colored pencils, which Henrietta says is “as close as you can get to owning a piece of the rainbow.” She sits down to draw her own book and titles it “The Monster with Three Heads and Two Hats.” She begins with an illustration of a little girl, Emily, in bed at night. “I’m scaring myself…,” she thinks. Her thought is played out in her next page which shows Emily asking her stuffed rabbit if it will sleep with her because she’s scared of an unexplained Creak, Creak.

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Copyright © 2025 by Liniers. Courtesy of TOON Books.

“Hmm…What’s that noise?” ponders the young writer. Her fears make it to the page—Creeak…Creeak…Thump…Crash…Boom. What are those noises, my favorite? Emily asks, her eyes now wide. The Noises! They’re getting closer!!

Henrietta knows that in a good story something always happens “suddenly,” and so she draws a mysterious hand and a mysterious foot emerging from Emily’s wardrobe. The plot thickens and finally the full terrifying monster with three heads pops out of the wardrobe.

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Copyright © 2025 by Liniers. Courtesy of TOON Books.

They acquire names from Henrietta’s imagination—Huey, Dewey, and Louie Bluie. . She is stuck for a bit as to how to go on, then gives Emily a question: What were you doing inside my wardrobe? The monster answers that it is looking for a hat. Emily joins them in their search, entering her wardrobe. She’s aghast to find that it is full of…clothes! (The wardrobe had been made in Narnia, the well-read Henrietta tells her cat, Fellini).

When the monster and Emily wonder which way to go, they meet a direction-giving mouse, and the story takes off—even Henrietta can’t wait to see what happens. She draws a huge pile of hats (she’s learned about “hat-o-logy” from the encyclopedia—the printed version!). The creature’s two heads with hats begs the third head to choose a hat before “the monster” shows up. Emily is terrified again—Another monster? What has Henrietta concocted this time? A monster with one head and three hats! This horrible beast suddenly appears and chases the crew through the wardrobe. Everyone is shouting Aaaaaaaaaaa—even the author.

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Copyright © 2025 by Liniers. Courtesy of TOON Books.

Emily and the first monster lose the tremendous beast, ask the direction-giving mouse how to escape, and burst out of the wardrobe just in time. Henrietta thinks the story should have a happy ending, and before the monster with three heads and now three hats flies out the window, they give Emily a present. What could it be? Henrietta is so curious! It’s a wonderful hat, of course!

The End

“Now,” Henrietta says, “to find a publisher!”

This classic Toon Book by Liniers is a wonder as it reveals the inner-workings of children’s imaginations and the spontaneous nature of their brilliant creativity. Henrietta’s thought process as she conjures up her story is shown in neat comic-style panels with speech bubbles, while her story is depicted in colorful kid-like drawings and dialogue written in all capital letters. This interplay between the young artist/writer and her work enhances the fun, suspense, and surprise of this story-within-a-story. 

Ages 5 and up

TOON Books, an imprint of RAW Junior, LLC, 2015 | ISBN 978-1935179900

International Children’s Book Day Activity

CPB - Comic Panel

Create Your Own Story

 

It’s so much fun to let your imagination fly! Use this printable Comic Style Page to create a story as unique as you are!

You can purchase Written and Drawn by Henrietta from these booksellers

Amazon | Barnes & Noble | Bookshop (discounted books and support for your local independent bookstore)

Picture Book Review

September 9 – National Day of Encouragement

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About the Holiday

Everyone can get discouraged, frustrated, and lonely at times, that’s why today’s holiday was conceived as a day to encourage, cheer, and inspire those who are missing out on the joy life can bring. The idea was first celebrated in Arkansas, when Governor Mike Beebe proclaimed September 12, 2007 to be a “State Day of Encouragement.” The holiday later spread across the country when President George W. Bush established September 12 as a National Day of Encouragement. It doesn’t always take a lot to make a difference for someone who’s struggling. Giving a kind word, taking time to listen, sharing a special treat, or just being there for a colleague, friend, or family member are all ways to help them feel happier and more encouraged to complete a goal, deal with a problem, or just have a good day.

Alte Zachen / Old Things

Written by Ziggy Hanaor | Illustrated by Benjamin Phillips

 

It’s grocery shopping day and Benji’s bubbe, scowling, peers into the refrigerator then sits down to make her list. She looks uncertainly at herself in the wall mirror as she puts on her headscarf. Benji, meanwhile, gets the cart and bags ready and then sits down to wait. He looks at his phone and then waits some more. When Bubbe Rosa finally appears, she says “Now come on, Benji. I don’t have all day.” He stands up and tells her he’s ready, but is met with an inexplicable “You young people are so lazy, everything comes for free. Tsk Tsk.” He pushes back a bit, showing her that he has brought a cart and bags. Bubbe can’t understand why he’s bringing bags when they give them out at the store, and he tells her that they are better for the environment. As they walk down the sidewalk, Bubbe considers this.

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Image copyright Benjamin Phillips, 2022, text copyright Ziggy Hanaor, 2022. Courtesy of Cicada Books.

She cheers up at the thought of what she will make for dinner tonight: “…gefilte fish and brisket and kugel.” They will get challah from Carmelli’s and babka from Gershon’s. Bubbe remembers how as a young man, Gershon “was always so forward. He’s a very rude man,” she says. She can’t seem to separate young Gershon from Benji when he mentions that they’ve missed their turn off and tells him that young people these days are also rude and “don’t know anything.”

She tells Benji how what kids learn in high school now, they learned in first grade. But then she reveals the day that all Jewish kids were banished from school. She had cried because she was going to be in the school play the next week. Her friend thought they’d be allowed back in, but they weren’t. Bubbe becomes sad at the memory and wipes away a tear. Then her scowl returns, and she trudges angrily on.

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Image copyright Benjamin Phillips, 2022, text copyright Ziggy Hanaor, 2022. Courtesy of Cicada Books.

When they get to the place where Rosa believes Ray’s Market is, they discover another store in its place. Bubbe can’t believe it, and begins to tell Benji the story of how Ray came over from Germany on the same boat as Benji’s Zayda Joe. Ray wasn’t as ambitious as Joe, and she wonders what happened to him. Today, when they approach the check-out counter, Bubbe is scandalized to find a tattooed young woman in a crop top behind the cash register, and gives her a piece of her mind.

Outside the store, Benji erupts, telling Bubbe that “girls don’t need boys to validate them” and that they can wear what they want. What Bubbe doesn’t tell Benji, but what readers see in a full-page illustration, is that she was the girl that Gershon chatted up many years ago and that once as she and Joe passed by Gershon’s bakery, their eyes met through the window.

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Image copyright Benjamin Phillips, 2022, text copyright Ziggy Hanaor, 2022. Courtesy of Cicada Books.

The rest of the shopping trip brings much of the same, and when she spots someone smoking outside a tattoo parlor, she yells at him about all of his tattoos. A turn of the page, however, reveals the roots of her rage in another full-page image filled with arms tattooed with numbers from concentration camps.

On the subway, Bubbe tells Benji more about her life: her trip from Berlin to Switzerland with her mother and sister—but not her father—and how she used to love to dance the polka. When she and Benji get off the train, Bubbe is disoriented. Benji leads her outside to the park to sit down. There, they lie on the grass, and while Bubbe dozes, Benji watches the people around them. When she awakens, Bubbe Rosa admits that she sometimes forgets, but then it all comes back to her. Readers see dated snapshots from her life—as a baby, with her sister, alone, standing next to Gershon, with Joe’s arm wrapped around her shoulders, with her two children as youngsters and then older, as empty nesters with Joe, and finally older and alone.

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Image copyright Benjamin Phillips, 2022, text copyright Ziggy Hanaor, 2022. Courtesy of Cicada Books.

It’s time to go home, and Benji calls an Uber he’s used before. In the car, the driver talks about coming from Ghana to New York to work until he can buy a house in Hamburg. While he means Hamburg, Pennsylvania, Rosa thinks only of Hamburg, Germany. Watching people out the window, she seems even more lonely than ever and asks Benji to request they go to Gershon’s bakery.

Benji can’t believe it will still be there, but they go. Rosa alights from the car and heads for the door. She opens it despite the closed blinds in the window and Benji’s entreaties to stop. Inside she does find Gershon, his shelves filled with baked goods and a with scowl on his face. He is surprised to see her and questions when she got so old. They banter with old jokes and then smile at each other.

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Image copyright Benjamin Phillips, 2022, text copyright Ziggy Hanaor, 2022. Courtesy of Cicada Books.

They reminisce about dancing together when they were young, and a turn of the page brings this memory to life with a colorful spread of people dancing, which also spans generations and includes other characters and time periods from the story. Back to present day, Benji sits on the grocery cart now watching Rosa and Gershon dance together under the bakery shop’s lights. “‘You’re just the same as always, Gershon,’ Rosa says.” And Gershon answers, “‘Some things never change, Rosa.’” And here, at least, that seems true as the babkas cost only $2.50. These scenes leave readers with hope that Rosa and Gershon will find the happiness that has eluded them for so many years. Feeling more like herself, Rosa suggests they walk home. She thanks Benji for all of his help that day and calls him a “good boy.” Benji replies that she is a “good bubbe,” too.

Back matter includes a glossary of Yiddish terms sprinkled throughout the story.

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Image copyright Benjamin Phillips, 2022, text copyright Ziggy Hanaor, 2022. Courtesy of Cicada Books.

Powerful and emotional, Ziggy Hanaor’s Alte Zachen tells the story of one woman who grew up during the 1930s and lived through the holocaust, moving from Berlin to Switzerland to Palestine and finally to New York,  through her memories and their day-to-day repercussions. Hanaor’s gripping debut graphic novel tackles the complex histories and personal loss that affect the way people look at and interact with others in their communities as well as with their own families.

Bubbe Rosa’s displaced anger, distrust, confusion, triggers, and perhaps even envy for contemporary mores that allow more freedom are just some of the emotions that Hanaor explores. The impact of growing old and trying to adjust to a changing world is poignantly depicted through Rosa’s flashbacks and her angry outbursts. Benji is a compassionate ambassador for today’s generation and his counter arguments to Bubbe Rosa’s actions, are courageous—stated forcefully and clearly, but with respect. His tender love for his grandmother is evident in his patience and the way he treats her when she grows weary. Several elements of Rosa’s life are left ambiguous—for example the fate of her father and her prior relationship with Gershon—allowing readers to ponder and discuss the character’s full backstory and its effects.

Benjamin Phillips immediately draws readers into Bubbe Rosa’s consciousness with his nuanced and immersive imagery. Bubba Rosa’s face, its features deftly sketched and angled, reveals her querulous and dour demeanor, only softening when she imagines the dinner she will make and later meets up with Gershon again. Glimpses of Rosa’s profound sadness add depth to this complex character.  Masterfully moving between the present and the past, Phillips allows readers to see that for Rosa, her past—one that is both comforting and tortuous—is ever-present, even though its vestiges have mostly disappeared from her neighborhood.

Phillips depicts the present day in soft washes of blue, brown, and gray while Bubbe Rosa’s memories are as vivid as her recollections. By often portraying Rosa in the same flowered dress and Gershon with a mustache, Phillips orients readers to their history, a substory that threads its way throughout the narrative, enriching readers’ knowledge of these two connected characters.

Compelling and evocative, Alte Zachen is an eloquent intergenerational story that will resonate with and enlighten readers of all ages. The book is a perfect choice for families to share while discussing how particular events from the past, in general, as well as within the family affect the present day. It would also make a poignant selection for mixed-age book discussion groups and library programs. Alte Zachen is an absolute must for home, middle school, high school, university, and public libraries.

Ages 12 and up

Cicada Books, 2022 | ISBN 978-1800660229

You can connect with Benjamin Phillips on Instagram.

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You can find Alte Zachen at these booksellers

Amazon | Barnes & Noble | Books-a-Million

To support your local independent bookstore, order from

Bookshop | IndieBound

Picture Book Review