November 11 – National Young Readers Week

About the Holiday

Established in 1989 by Pizza Hut and the Center for the Book in the Library of Congress, National Young Readers Week centers on raising awareness of the importance of reading. One inspiring statistic about the impact of reading is that children learn between 4,000 and 12,000 words each year just by reading—no matter which kinds of books are their favorites! When families get involved in fostering a love of reading at home, kids grow up with an excitement to learn and an activity they can do anywhere and that will follow them throughout their life.

There are many fantastic ways to help your kids develop an affinity for reading, including taking regular trips to your library, allowing kids to pick out their own books, setting aside special times during the day to read together, and setting up a library in your own home to show how important books are to you. You can also follow your favorite authors and illustrators on social media to connect with special activities to download, tutorials, updates on new books, and lots more. 

The Bunny Ballet

Written by Nora Ericson | Illustrated by Elly MacKay

 

As music swells and lights dim, a rabbit invites a sister and her younger brother through a hidden chink in the trees to a watch a bunny ballet, where “Gossamer and / featherlight, / graceful hares / glide left, slide right.” They leap and whirl, plie, jeté, . . . “arabesque, then frisk away.” They weave together then move apart. In the spotlight appears “a sight you’ll not forget: / a perfect bunny pirouette.”

Illustration ©2025 by Elly MacKay. Text ©2025 by Nora Ericson. Courtesy of Abrams Books for Young Readers.

At intermission the audience queues for a Radish Razzle or a Carrot Cordial. So many delicious treats! Soon, the lights begin to flicker, and the show resumes. “Proud bucks swing in barrel turns” then prima ballerinas on tiptoe dance, balanced weightless on upraised paws. One seems to slip, and gasps ring out—the sister grasps her brother’s hand—but then she’s caught in a graceful dip.

Illustration ©2025 by Elly MacKay. Text ©2025 by Nora Ericson. Courtesy of Abrams Books for Young Readers.

This trick may seem to end the show, yet the grand finale is coming up. With the clash of cymbals, the dancers appear from all corners of the stage. They thump and jump and promenade, “spinning in a bunny haze.” All too soon the curtains close, and the sister and brother twirl towards home, dreaming of practicing what they’ve seen tomorrow. But now they can only bid farewell to the Bunny Ballet.

Illustration ©2025 by Elly MacKay. Text ©2025 by Nora Ericson. Courtesy of Abrams Books for Young Readers.

Nora Ericson’s musical lyricism sweeps readers away and into a dream world of ballet with her beautiful language and phrasing that holds readers spellbound with all the sights and sounds of a dance performance. Ericson’s imaginative intermission snacks will delight kids before the pages return to the ballet and the enthralling graceful whirl of its finale. As the moon rises and twilight paints the sky, Ericson’s hypnotic farewell to the evening’s wonders will send children off to sleep with much to dream of.

Ellie MacKay’s glorious illustrations—created by painting, cutting, layering, and photographing the various elements—blend vintage warmth and charm with fresh highlights and detail. Her lush woodland offers a stunning backdrop to these talented bunnies as they jeté, arabesque, and pirouette across the stage. The relationship between the sister and brother is sweetly loving, and as they head home with the rising moon, readers will drift into slumber, carried on MacKay’s soft, tranquil hues. 

Ages 4 – 8

Abrams Books for Young Readers, 2025 | ISBN 978-1419776144

About the Author

Nora Ericson studied painting at Yale University and writing for children at Vermont College of Fine Arts. Originally from central New York, she now lives in Portland, Oregon, with two kids, two dogs, and two cats. Besides reading and writing, she loves cooking, tromping in the woods, and whittling spoons while daydreaming of her future miniature donkey farm. She’s also the author of Too EarlyDill & Bizzy: An Odd Duck and a Strange Bird, and Dill & Bizzy: Opposite Day

About the Illustrator

Elly MacKay is an internationally recognized paper artist and children’s book creator. She is the illustrator of the picture book Too Early and The Enchanted Symphony, written by Julie Andrews and Emma Walton Hamilton, as well as the author-illustrator of Red Sky at NightIf You Hold a Seed, and Butterfly Park, among others. The distinctive three-dimensional quality in her works is made by setting up layers of painted paper in a miniature theater. She lights the scene and photographs it to create her unique illustrations. MacKay lives in Owen Sound, Ontario, with her family.

You can purchase The Bunny Ballet from these booksellers

Amazon | Barnes & Noble | Bookshop

Picture Book Review

May 6 – Children’s Book Week

About the Holiday

Founded in 1919, Children’s Book Week is the longest-running literacy initiative in the United States. The 2025 theme is An Ocean of Stories, which celebrates “the vast, collective ocean populated by the stories we read, share, and tell.” The holiday attracts participation from authors, illustrators, publishers, librarians, teachers, and booksellers in schools, libraries, bookstores, and communities across the country. To learn more about the holiday and download bookmarks and posters, activities in English and Spanish, coloring pages in 15 different languages, and much more, visit Every Child a Reader. You can even sign up to continue to get fantastic ideas for connecting with books and reading all year around!

Thank you to Scholastic for sharing a copy of Ballet Brown with me!

Review by Dorothy Levine

Ballet Brown

Written by Bellen Woodard | Illustrated by Fanny Liem

 

To Bellen, “dance is a conversation with the world,”—one she has been in love with since she was two years old. As a young ballet dancer, Bellen’s world was full of color. From brightly colored tutus to rainbow tights, Bellen fit in with the menagerie of outfits the ballerinas wore.

But as Bellen grew older, and dance became more serious, “the rainbow vanished. Pink became the priority. Pink leotard. Pink tights. Pink ballet shoes.” Bellen followed suit, narrowing her wardrobe and pinning back her afro to fit the dress code. But while dancing in class, she gazed in the mirror and reflected: “it looked like my legs didn’t belong with me.” Her legs, in the pink tights, didn’t match her natural skin tone. Delving deeper, Bellen read books about the history of ballet. She discovered that “’ballet pink’ was chosen to be an extension of the ballerina, to appear as beautiful skin gliding across the stage.”

“This tradition needs an upgrade,” Bellen declared. Her mother agreed, and together they shopped for new dance clothing. Bellen showed up at the studio the next day, adorned in her new ballet brown attire—brown tights and brown shoes. Her studio, however, wasn’t ready to make the leap. “‘Pink is tradition,’ the owner said. / ‘Traditions should grow just like we do,’” Bellen replied.

But as time twirled past and the studio stayed the same, Bellen realized they were just not willing to grow into new traditions with her. She knew it was time for a change. “And that’s when I learned sometimes the most powerful thing you can do is walk away.”

When Bellen and her mother walked into a new studio, they knew immediately this would be the right fit. Even the air felt different: “vibrant, warm, and welcoming.” At this new studio, Bellen’s ballet brown inspired other dancers to bring back the rainbow to ballet and show their true colors. Bellen says, “I had finally found a place that would join hands and duet with me. A place where self-expression, like the coolest crayons, colored the room.”

Bellen Woodard’s autobiographical story concludes with a brief overview of her activism and founding of the More than Peach Project, plus a further explanation of ballet brown versus ballet pink. Back matter also includes a conversation with studio owners, tips for dyeing pointe shoes, and heart-felt advice for young dancers and families.

A one-of-a-kind story about a one-of-a-kind dancer and writer. At just fourteen years old, Bellen Woodard has crafted a beautiful story of her journey to stretch the ballet standards and make room for inclusion. Ballet Brown showcases themes of resistance and persistence—that sticking up for yourself can make a difference, not only for you but for others too. In expanding the possibilities for ballet wear, Woodard opened the door for others to do the same. Through this lyrical story, more and more young dancers will feel inspired to do the same—to dance in their own style, however makes them feel seen.

Fanny Liem colors the elegant ballet scenes with rich shades of brown and pink. Liem cleverly plays with mirror reflections, showing “Ballet Pink Bellen” imagining her reflection in brown, and, later, her legs looking wobbly in pink, to show how she felt disconnected from their pale look. When Bellen describes her new studio as having a welcoming air, this is reflected in warmer yellow background tones, whereas her old studio is drawn in stark white. Fanny Liem animates the story with ballerinas of all backgrounds dancing across the pages—further driving the point that dancers shine in all different races, genders, and styles.

Ages 5 – 7

Scholastic, Inc., 2025 | ISBN 978-1546134077

 

Fanny Liem was born and raised in Indonesia. She’s loved drawing since she was a child. Her passion for storytelling and illustration started the first time she grabbed picture books, which were gifted to her by her uncle. When she is not drawing, she enjoys watching movies and listening to country music. You’ll find her on Instagram at wenfancy.

Meet Bellen Woodard

Photo © Tosha Woodard

Bellen Woodard is the young scholar, beloved trailblazer, and CEO of Bellen’s More than Peach Project. As the world’s first Crayon Activist, pioneer of “skin-color” crayons, and founder of the crayon/school supply brand for a new generation, Bellen has transformed an entire industry with a first-of-its-kind, innovative and inclusive project and brand that have become a global movement. She’s received many notable awards and has been featured by Scholastic, TIME, Nickelodeon, and many others. Now entering high school, Bellen embodies self-expression and discovery. She also enjoys world travel, dance, and spending time with family, friends, and her two dogs. And she’s just getting started! Visit Bellen’s More than Peach Project website to learn more.

Hi Bellen, I’m excited to be talking with you today about Ballet Brown and your More than Peach Project. 

In addition to being an author, you launched More than Peach, a global initiative, company, and brand, at just eight years old. Can you tell us about that?

I started Bellen’s More than Peach Project —“More than Peach”—only after successfully changing the language and perception around the “skin-color” crayon in my own school class and community. I wanted to bring that change for the benefit of every single kid around the world. I also had an amazing teacher, friends, and classmates and I loved school (I still do . . .), so I first imagined More than Peach and More than Peach crayons to “let kids be kids and give them their best options” and to celebrate youth leadership and many beautiful colors.

How did you come to write this book? And why did you pick to share this story in a children’s book format as opposed to other mediums?

Well, I’ve been dancing since I was two, and with the support of my parents and lots of advocacy along the way, it’s been a very rewarding dance journey overall. I also began wearing brown in ballet (ballet slippers and tights) almost from the very start and benefited from that in much the same way as another dancer does wearing pink. So, I wanted to be able to share my story and the advocacy in a picture book to connect with all kids and share tools too. I know that having a visual representation can be so important. Most of all, I want young dancers and their families to have built-in support from the dance community and to know that it’s okay to advocate for what’s essential. I also want Ballet Brown to be a conversation with dance studios and spaces that invite young dancers in.

Can you tell us more about the term “ballet brown”?

I coined the term “ballet brown” really to fill a void and capture more of the beauty of ballet and in dance as a whole. We commonly refer to “ballet pink” and not just in dance—so it really surprised me that we had yet to succinctly name and qualify “ballet brown.”  So, to create parity between the two partners, I began using the term “ballet brown” in my own language and saw firsthand how it helped to grow perceptions/a mindset in those around me. I wanted to share that with the whole world. My call to action is simply to apply ballet brown in much the same way as ballet pink to ensure each dancer gets what they need. And it goes way beyond brown tights and shoes. I think taking that step helps expand the world of dance in the most amazing, positive ways.

Can you tell me more about the process of getting this book published?

I was already in touch with Scholastic after being interviewed around More than Peach, and of course I already knew and loved their books. The Scholastic Book Fairs were also one of my favorite times during the school year!  When interviewed, we talked about all of the things I was up to at the time and writing a book was one. So, when they offered to become my publisher, it was a huge honor and a no-brainer.

What was the most unexpected or surprising part of writing and publishing a children’s book?

I think one of the most surprising things has been seeing my first book published in other world languages (English, Spanish, and French) and being able to literally see it change the world . . . one crayon at a time! Early on, I was also surprised at how long the process takes from start to finish.  For example, I began writing MORE THAN PEACH, my first children’s book, in early 2020 once Covid hit because suddenly I had way more time on my hands. (It was published in July 2022.) It’s also been at least 2 years since I began writing Ballet Brown so to see it finally arrive feels surreal! I also never expected to see my books in so many places across the globe, including classrooms, libraries, and museums—even the Library of Congress!

What was your favorite part? I think I have two favorite parts: One is having the creative license to share my story, and the other is being able to collaborate with such a great team throughout the entire process.

What advice would you give to young writers or dancers hoping to follow in your footsteps?

I would say to trust yourself and know that you are the absolute best person to tell and celebrate the story inside of you.

Do you have any new creative projects in the works that you’d like to share about?

There’s a bunch going on! I’ve been very excited about the growth of More than Peach and would have never dreamed I would see my crayons on shelves at Target and other places and my books everywhere! Also, I have such worthwhile partnerships with educators that are growing, which means a lot because my dad’s an educator too, and teachers have always been some of my favorite people! I have also been writing my next book which I’m very excited about and hope to share more about that soon!

Thanks so much for sharing so much about your inspiring work! I’m sure readers can’t wait to see your next book! 

Children’s Book Week Activity

Ballet Brown Activity Pages

 

Be inspired to stand up for something you believe should be changed with these Ballet Brown Activity Pages!

You can purchase Ballet Brown from these booksellers

Amazon | Barnes & Noble | Bookshop

Picture Book Review