About the Holiday
This annual holiday celebrates the benefits of music education in schools. With budget cuts looming in nearly every school district, the arts are often the first to go. But music inspires creativity and critical thinking and contributes to a better understanding of math and other subjects. School music programs also offer opportunities to children who may otherwise not be able to take lessons and explore their talent. To help out, contact your local school and see what you can do!
Hana Hashimoto, Sixth Violin
Written by Chieri Uegaki | Illustrated by Qin Leng
When Hana Hashimoto told her brothers that she had signed up to play her violin in the talent show, they laughed. “‘That’s just loopy,’” Kenji said, and Koji added ‘‘You can barely play a note.’” They reminded her that it was a talent show and that she was just a beginner. But Hana didn’t listen. “It was true that she was still a beginner. She had only been to three lessons.” But playing the violin was in her blood. Her grandfather, Ojiichan, had once been Second Violin in a symphony orchestra in Kyoto, Japan and had even played for the Imperial Family.
Hana had visited her grandfather that summer, and the sweet notes of his playing had coaxed “her awake as gently as sunshine” every morning. In the evenings her grandfather would take requests from Hana and her brothers. “Hana always asked for a song about a crow cawing for her seven chicks. Whenever Ojiichan played it, Hana would feel a shiver of happy-sadness ripple through her.”
Ojiichan’s playing was like magic. He could make the violin chirp like crickets, plink like falling raindrops, and send fireflies dancing. At the end of the summer, Hana had decided she also wanted to play the violin and her parents agreed. Hana practiced every day even though her brothers ran away with their hands over their ears. She played for her parents, for her dog, JoJo, and for a photograph of Ojiichan. Sometimes she pretended to play for “an audience so appreciative they called for encore after encore.”
On the night of the talent show, Hana waited backstage for her turn “with a walloping heart.” Five other violinists had already gone before her. Finally, she heard her name. As she strode across the stage as wide as a desert, she had a fleeting feeling that her brothers had been right—that her performance was going to be a disaster. But when she reached her spot near the microphone and gazed out at the audience, she saw her best friend and her parents smiling at her.
Hana took a deep breath and let it out. Suddenly, “everyone seemed to disappear beyond the light shining down on her like a moonbeam” and she remembered her grandfather’s words: “‘Gambarunoyo, Hana-chan.’ Do your best.” Hana told the audience, “‘This is the sound of a mother crow calling her chicks.’” She “played three raw, squawky notes.” Then she played the yowl of her neighbor’s cat at night and the plucky droplets of rain on a paper umbrella. Hana played a world of special sounds, from buzzing bees to squeaking mice to croaking frogs. When she had finished, she said, “‘And that is how I play the violin.’” Then she took a bow.
Later that night Kenji asked Hana for an encore, and she happily played her piece again. Next year, Hana thought, she might be able to play one of her grandfather’s melodies. Before she went to sleep, Hana played another piece she had been practicing. “She imagined that the notes would drift out through the window, past the bright rabbit moon and beyond, and Ojiichan would hear them and smile.”
Chieri Uegaki’s gorgeously told story of a little girl’s first performance with her new violin rings true on every page, from her being inspired by her grandfather to her own inspirational performance. Uegaki’s descriptions of the melodies that capture Hana’s heart are as beautiful as the music itself and are a joy to read. Hana’s continued self-confidence in the face of her brothers’ teasing and her own fear is a wonderful lesson for all children. The brothers’ support of Hana after the talent show is a welcome show of familial love, and the touching ending offers encouragement and happiness.
Young readers will love Qin Leng’s evocative illustrations that follow Hana on her musical journey. Notes from the violin pieces Hana admires float from page to page—from her grandfather’s home in Japan to her own room—tying together not only Hana’s fondness for the violin, but her love for her grandfather. Beautiful touches, such as an image of Hana reflected in a pastel blue rain puddle and a night sky twinkling with fireflies, mirror the wonder of childhood, when everything is new and possible.
Hana Hashimoto, Sixth Violin is refreshing encouragement for any child engaging in new experiences or activities. The book’s warmth and inventiveness make it a wonderful gift or addition to home libraries.
Ages 4 – 8
Kids Can Press, 2014 | ISBN 978-1894786331
Enjoy this Hana Hashimoto, Sixth Violin book trailer!
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